SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera Office in the Haymarket"/1) | (@(roleclean,performerclean) "Opera Office in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2454 matches on Performance Title, 1866 matches on Event Comments, 224 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Wilks, the Office Keeper

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Dance: Shaw, Mrs Santlow; A new Dance-Thurmond Jr, Mrs Younger; English Clown-Weaver; Miss Lindar

Event Comment: Benefit Coe, Pit Office Keeper

Performances

Mainpiece Title: The Squire Of Alsatia

Song: Leveridge, Mrs Barbier, Mrs Fletcher

Dance: As17190430

Event Comment: A meeting of the Court of Directors of the Royal Academy of Music initiated arrangements for a new season. For details, see Lord Chamberlain's Office, 7@3, Nicoll, p. 286, and Deutsch, p. 97

Performances

Event Comment: For further deliberations of the Court of Directors of the Royal Academy of Music, see Lord Chamberlain's Office, 7@3 or Deutsch, p. 97

Performances

Event Comment: For further deliberations of the Royal Academy of Music, see Lord Chamberlain's Office, 7@3 or Deutsch, Handel, p. 97

Performances

Mainpiece Title: None

Event Comment: Benefit Mrs Robinson. Boxes and Pit by tickets only at half a guinea. Tickets for The Man of Mode taken. [An order of the Lord Chamberlain's Office, 5@157, p. 284, directs the managers not to allow any benefit before those for Mrs Oldfield and Mrs Porter.

Performances

Mainpiece Title: The Old Batchelor

Song: Between the Acts: Singing-

Event Comment: By His Royal Highness's Command. Lord Chamberlain's Office, 5@157, p. 287: I do hereby Order and direct that Mr Gay s Pastorall Tragedy be imediately Acted after Mr Hugh's

Performances

Mainpiece Title: The Stratagem

Dance: As17200210

Event Comment: Benefit Mrs Oldfield. Post Boy, 5 March: On Thursday Morning the King's Company of Comedians, belonging to the Play-House in Drury-Lane, were sworn at the Lord Chamberlain's Office in Whitehall, pursuant to an Order occasion'd by their Acting in Obedience to his Majesty's Licence, lately granted Exclusive of a Patent formerly obtained by Sir Richard Steele Kt. The Tenor of the Oath was, That as his Majesty's Servants, they should act Subservient to the Lord Chamberlain, Vice-Chamberlain, and Gentleman Usher in Waiting

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege
Event Comment: Benefit Wilks, the Office-Keeper

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Dance: Denoyer, Mrs Bullock

Event Comment: Benefit Wilks, Office-Keeper. Written by Beaumont and Fletcher

Performances

Mainpiece Title: The Scornful Lady

Afterpiece Title: Hob

Dance: Mrs Bullock, Miss Lindar

Event Comment: Benefit William Wilks, Office Keeper. As it was alter'd from Shakespear by Sir William D'Avenant and Mr Dryden

Performances

Mainpiece Title: The Tempest

Performance Comment: As17230107, but Miranda-Miss Tenoe; Dorinda-Miss Lindar; Ariel-Y. Wetherilt; Hippolito-Mrs Brett.
Cast
Role: Ariel Actor: Y. Wetherilt

Song: Singing in Italian-Miss Lindar, being the 2d Time of her Singing upon any Stage; Dear Pretty Youth-

Music: Solo on Little Pipe-Baston

Dance: Dancing after the Turkish Manner, as it was perform'd by the Kister Aga and the Eunuchs of the Seraglio, for the Diversion of the Grand Signior at the last Bairam Feast-

Event Comment: Benefit Wilks, Office Keeper, and Jones

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: As17241218, but Carlos-Wilks; With the Prologue, Epilogue that was spoken last Monday-Miss Robinson Jr.

Music: Select Pieces-

Song: As17250508

Dance: new Passacaile-Miss Robinson; A new Comic Dance-Miss Robinson, Young Rainton

Event Comment: Benefit Wayte, Office Keeper

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: Damon and Phillida

Song: I: Song in Character of a Butcher's Wife-Mrs Palmer; III: Bacchanalian Song-Excel; IV: The Wheedler-Excel

Dance: II: Tambourine-Miss Wherrit

Event Comment: In a letter to the Daily Post. 4 June, the Patentees of Drury Lane-Mary Wilks, John Ellys, Hester Booth, and John Highmore-stated the cast of the Patentees. The gist of their statement is: (1) They operate under a Patent commencing 1 Sept. 1732 which, by Deaths and Legal Assignments, is the property of the four, with Highmore possessing one half, at an expence of #6,000 and upwards. (2) Several of the Players have threatened to desert the service of the Patentees and have contracted with some of the Trustees (the Sharers) to secure possession of the Theatre. (3) Drury Lane is let upon lease from the Duke of Bedford, granted to Thomas Kynaston and Francis Stanhope, Trustees for the Sharers (commonly called Renters) of Drury Lane at the rent of #50 annually upon a Fine of 1,000 guineas paid for the renewal of the lease. (4) The Players, under the Patentees, have acted at Drury Lane for twenty-one years without any interruption form the Trustees upon the sole contract that the Patentees pay the Trustees #3 12s. each acting night, besides the Liberty of seeing Plays. (5) At the beginning of this Season the manager's office received a letter from a few of the Renters demanding an Advance of Rent. Highmore, being new, was concerned, and asked the managers to take care of the matter; and thereafter the signers (the Patentees) had heard of no further discontent among the Renters. (6) To defend themselves against stories of hardship or complaint by the actors, the Patentees point out that the following weekly salaries had been paid: Colley Cibber #12 12s.; Theophilus Cibber #5; Mills Sr, #1 daily for 200 days certain, and a benefit, clear of all charges; Mills Jr #3; Johnson #5; Miller #5; Harper #4; Griffin #4; Shepard #3; Hallam, for himself and his father, the latter of little or no service, #3; Mrs Heron #5; Mrs Butler #3. For these charges and others, the Patentees stand a daily expence of #49 when the theatre is open. (7) Further, the Patentees paid Cibber Jr his wife's whole salary without her being able to act the greater part of the winter, #9 weekly for the two; Mills Jr, in the same circumstances with his wife, #5 10s. weekly for the two; Miller a salary (amounting to #40) for eight weeks before he acted, and a gratuity of ten guineas; Griffin a present of ten guineas; Harper a present, amount not specified; Mrs Heron an increase form 40s. to #5 weekly, although she refused afterward to play several parts assigned her and acted but seldom

Performances

Event Comment: Benefit Wrexham, Secretary, and Pit-Office-Keeper. Mainpiece: Written by the late Mr Congreve

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: I: Pierrots by Fisher Tench and Davenport. II: Dutchman and his Wife by Le Brun and Mrs Walter. III: Scot's Dance by Mr and Mrs Davenport. IV: English Maggot by S. Lally and Mrs Walter, V: Revellers by Essex, Miss Latour, &c

Event Comment: Benefit Carey. Afterpiece: Written by Mr Carey. Being the last of that kind he intends ever to compose. At Common Prices. 6:30 P.M. No one admitted into the Boxes but by Silver Tickets or printed Tickets from the Office. [Preface points out that DL had the copy nine months, promising to perform it and returning it at the end of the season. Then Cibber Jr requested it for his summer company; it was rehearsed and then the company forced to close.] The Airs by Porpora

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Honest Yorkshireman

Performance Comment: Yorkshireman-Salway; Arbella-Mrs Cantrell; Squire Sapscull-Este; Combrush-Mrs Pritchard; Alderman Muckworm-Jones; Slango-Master Green; Blunder-Topham. With a Prologue to the Farce against National Prejudice; and an Epilogue in Defence of the Marriage State. Edition of 1736 has Mrs Cantrell speak the Epilogue . and an Epilogue in Defence of the Marriage State. Edition of 1736 has Mrs Cantrell speak the Epilogue .

Music: Concerto for Two Hautboys by Woodbridge and Neale. A fine Piece of Mr Handel's on the little Flute by a Friend of Carey

Performance Comment: A fine Piece of Mr Handel's on the little Flute by a Friend of Carey .

Dance: houvre and Minuet by Vallois and Mrs Anderson. V: Two Pierrots by Vallois and his Scholar

Song: By a Scholar of Carey's

Event Comment: Never Acted before. [Author not known. Apparently not published.] By a Company of Comedians dropt from the Clouds, late Servants to their thrice-renown'd Majesties, Kouly Kan and Theodore. With new Scenes, Habits, and proper Decorations. Boxes 5s. Pit 3s. Gallery 2s. 1st N.B. To prevent the Imposition of Box-Keepers, Gentlemen and Ladies are humbly desir'd to take Tickets at the Office, or to send for them at the Theatre, where Attendance will be given every Day, and Places may be taken. 2d N.B. The Company will endeavour to entertain the Town the remaining part of the Season. [In advance bill in Daily Advertiser, 23 Feb.: 2d N.B. Considering the extraordinary Expence that must necessarily attend equipping so many Monarchs of different Nations, the Proprietor hopes the Town will not take Umbrage at the Prices being rais'd. 3rd. N.B. The Proprietor begs leave to enter his Caveat against all (what Names soever distinguish'd) who may hire, or be hir'd, to do the Drudgery of Hissing, Catcalling, &c. and entreats the Town would discourage, as much as in them lies, a Practice at once so scandalous and prejudicial to Author, Player, and every Fair Theatre Adventure.

Performances

Mainpiece Title: A Rehearsal Of Kings; Or, The Projecting Gingerbread Baker; With The Unheard Of Catastrophe Of Macplunderkan, King Of Roguomania And The Ignoble Fall Of Baron Tromperland, King Of Clouts

Performance Comment: First Queen Incog-Mrs Eliza Haywood; Don Resinano-Mrs Charke; King of Clouts-Roberts; Mynheer Maggot-Jones; Mynheer Wiserman-Lacy; Crimcrowky-Davies; other characters are King Roguomania-; King Bombardino-; King Pamper Gusto-; King Taxyburndus-; King Lexoneris-; Sardonides-; Bandiquamonti-; Campanardicoff-; Ghost of a Dutch Statesman-.
Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Event Comment: Benefit the Daughter of an Office, deceas'd. By Command of His Royal Highness the Duke

Performances

Mainpiece Title: Volpone; Or, The Fox

Afterpiece Title: The Lottery

Dance: I: Comic Ballet-Villeneuve, Miss Oates; V: Grand Ballet-Mlle Roland Elder; V: Kilkenny-Glover, Mlle Roland Ynger

Event Comment: Whereas divers Complaints have been made, that Numbers...shift from Box to Box, to the great Annoyance of the Ladies...which Inconvenience appears on Enquiry to be caus'd by many not Paying...an Office is erected in the Lobby to the Boxes, where all Persons (the Ladies Excepted) are asked to take Tickets before they go in. Receipts: #64 19s. (Account Book); #100 (Rylands MS.). Rylands MS.: Cibber ill

Performances

Mainpiece Title: The Way Of The World

Dance: Desnoyer, Signiora Barberini; Also Mechell, Mlle Mechell

Event Comment: At the particular Desire of several Ladies. Benefit the Office-Keeper. [The entertainments are listed in Daily Advertiser, 27 April.

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Contrivances

Song: Mrs Bishop, Miss Medina, Master Nanfan

Dance: Mrs Bishop, Miss Medina, Master Nanfan; Drunken Peasant-Chettle

Event Comment: Benefit LaLauze. By Command of their Royal Highnesses the Prince and Princess of Wales. Tickets to be had and places to be taken of Page at the Stage Door. None to be admitted without printed tickets, which will also be deliver'd at the Office, and at LaLauze's lodgings, at the Widow Gwinn's, a Silk Dyer in Drury Lane, near the Castle Tavern. Servants will be allowed to keep places on the stage, which (for the better accommodation of the ladies) will be enclos'd and formed into an amphitheatre. N.B. As I had the Misfortune to break the great tendon of my leg, when dancing on the stage at the above theatre in January last, I think it highly incumbent on me to acquaint the public in general and my good friends in particular, that I am in a fair (but not speedy) way of recovery; and as Mr Rich has kindly granted me a benefit sooner than usual, towards supporting me in my unlucky situation, I take this opportunity to interest the good-natured town to dispense with my personal application, and favour me with their company as usual, which will add to the many obligations I have already received, and shall be ever acknowledged with a sincere sense of gratitude, by their most humble and obedient servant, LaLauze

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: The School Boy

Dance: LLa Provencale, as17420212; Chacone, as17411230; Tyrolean Dance, By Command, as17420206

Event Comment: Benefit Sga Barberina. Mainpiece: By His Majesty's Command. Pit and Boxes put together, and none admitted without Tickets, which will be deliver'd at the Office at the Box Doors, at 5s. Gallery 2s. The Gallery doors will be open'd at three o'clock, and the Box Doors at Five o'clock. Servants will be allow'd to keep places on the stage. To begin exactly at six o'clock

Performances

Mainpiece Title: The Way Of The World

Dance: TTyrolean Dance, as17420206; A New Dance call'd Les Amants Heureux-Desnoyer, Sga Barberina

Ballet: RRural Assembly. As17420121

Event Comment: Benefit Mrs Horton. Mainpiece: At the desire of Several Persons of Quality. Tickets to be had and places taken of Page at the stage door. None to be admitted into the Boxes, or upon the stage, without printed tickets, which will be deliver'd at the Box Office and stage door at 5s. each

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The King and Miller of Mansfield

Dance: TTambourine-Picq, Mlle Auguste; Les Maquignons, as17420309 The Peasants, as17420210

Event Comment: Written by Colly Cibber Esq. Benefit Theophilus Cibber. No persons to be admitted into the Boxes, or behind the scenes, but by Box ticket, which will be deliver'd at White's Chocolate House in St. James' St.; Tom's Coffee House in Covent Garden, and of Mr Bradshaw, &c. Places for the stage (which will be form'd into Boxes and carefully enclos'd) may be taken at Mrs Moor's in the Playhouse passage. Tickets for the Boxes and the stage will also be deliver'd at the proper offices of the theatre. Receipts: #150

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Mock Doctor

Song: I: Sweet Bird, from Milton,-Mrs Arne; II: A Cantata by Stanley-Beard; IV: Was ever Nymph like Rosamond-Lowe; V: War he sung was Toil and Trouble-Mrs Clive

Dance: III: A Concerto, as17420105; V: The Italian Peasants, as17411205