SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera Office in the Haymarket"/1) | (@(roleclean,performerclean) "Opera Office in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2454 matches on Performance Title, 1866 matches on Event Comments, 224 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By His Majesty's Company. At the Theatre Royal in the Haymarket [repeated in all bills] will be performed, by particular Desire, a Comedy...Places to be taken of Mr Jewel, at the Theatre. 7 p.m. [Repeated in the bills.] The house has been altered, as there was formerly but one gallery. [Miss Ogilvie was the young gentlewoman.] Went at 5:30 (before ye doors were open) to Foote's new Theatre in ye Haymarket which was open for ye first time tonight, and is very neatly fitted up. Got a good place in ye Pit...a very humorous Prologue in Prose by J. Palmer as Snarl a writer of Political Letters for the newspapers. Weston as Laconic a newspaper poet--Foote as Manager and Scaffold ye Builder (ye real one of ye house as some said)...in Smirk (Foote) took off Langford to a hair, not forgetting his son's affair with Dr Chauncey. Shift and ye Epilogue as Dr Squintum by Bannister, who took off Holland, Dodd, Moody, and Champneys surprisingly well...The house pretty full. York there awhile (Neville MS Diary)

Performances

Mainpiece Title: The Minor

Performance Comment: Mrs Cole, Smirk-Foote; The Minor-Davis; Shift (with Imitations), Squintum-Bannister; Sir William Wealthy-Castle; Transfer-Weston; Loader-Palmer; Sir Richard Wealthy-Gardner; Dick-Quick; Tally-Pynn; Lucy-a young Gentlewoman, first appearance on any stage; Occasional Prologue in Prose-Laconic-J. Palmer; Scaffold the Builder-Bannister; Snarl-Weston; Manager-Foote-London Magazine.
Cast
Role: The Minor Actor: Davis
Role: Scaffold the Builder Actor: Bannister

Afterpiece Title: Miss in Her Teens

Performance Comment: Fribble (with a Song in Character)-Shuter; Loveit-Gardner; Jasper-Quick; Flash-Davis; Puff-Palmer; Tag-Miss Gardner; Miss Biddy-the young Gentlewoman who performs Lucy.
Event Comment: A Tragedy for Warm Weather. Written after the manner of the Worst, as well as the Best of the English Poets, containing amongst a Variety of Particulars, curious, entertaining, and pathetic, the Rebellion of the Journeymen Taylors on the Score of Wages, etc. Neville MS Diary: Half past Six went to ye Haymarket Theatre but could not get into ye Pit or first Gallery, so stood on ye last row of the shilling Gallery, tho' I could see little, to see how ye Taylors, a new tragedy for warm weather, would go off, being the first night of its performance. 3rd Act hiss'd-ye Gods in ye shilling Gallery called for ye Builder's Prologue-hissed off ye part of ye Old Maid twice and Davies who came to make an excuse. The Gentlemen, many of whom were there, cried No Prologue" but to no purpose. At last Foote said if he knew their demands he would be ready to comply with them. The noise ceasing, after some time he was told the Builder's Prologue was desired. He said he had done all in his power to get the performers, having seen them. After some time he came and informed them he had got the performers together, and if the House would be pleased to accept of ye Prologue in our dresses as we are you shall have it." This was followed by great clapping which shows the Genius of our English mobility ever generous after victory. Left ye House after ye Farce began. [Flints were journeymen tailors who refused to comply with the masters' terms and the regulations of the magistrate, in contradistinction to those who submitted and were in derision stiled Dungs. The term dates from 1764-OED. An extract from the Occasional Prologue (the Builder's Prologue) in prose on the opening of the Theatre Royal in the Haymarket, by Foote published in the London Magazine July 1767, p. 351. Foote, Scaffold, and Prompter are the three participants. Foote tells Scaffold he will be paid by the audience. Scaffold notes that the audience must in that case be pleased at all times. Foote promises no long processions [will] crowd my narrow scenes." He assumes that any of the reforms he plans will but echo the public voice. The Prompter then calls the actors on.

Performances

Mainpiece Title: The Taylors

Performance Comment: Master Taylors: Francisco-Foote; Campbello-Bannister; Regniades-Castle; Pearcy-Gardner; Higgleston-Newton; Flints: Abrahamides (Chief Flint)-Shuter; Bernardo Bernardo-Davis; Isaacos-Palmer; Jackiades-Weston; Bartholomeau-Smith; Humphreymingos-Loveman; Dungs: Zacharides-Thompson; Phillippominos-Keen; Timotheus-Pynn; Taylors Ladies-Mrs Jeffries, Mrs Burden, Mrs Gardner; Attendants to the Ladies-Mrs Denton, Mrs Kirby, Mrs Palmer; New Prologue-Foote.

Afterpiece Title: The Old Maid

Event Comment: Benefit for Whitfield. 2nd piece: Written by George Colman, Esq. Not acted these 10 years [acted 20 Dec. 1777]. After which, a Grand Procession of the principal Characters of Shakespeare, as exhibited at the Jubilee at Stratford upon Avon [in Sept. 1769]. Public Advertiser, 5 May: Tickets to be had of Whitfield at his house, Leicester Court, Castle Street, Leicester Fields. Receipts: #114 4s. (45/18; tickets: 68/6) (charge: #105)

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: Man and Wife

Performance Comment: Marcourt-Whitfield; Kitchen-Thompson; Frankly-Davies; Cross-Fearon; Charlotte-Mrs Whitfield; Sally-A Very Young Lady, the same that performed it in the Haymarket [on 18 June 1783] (1st appearance on this stage [Miss Logan]); Landlady-Mrs Davenett; Lettice-Mrs Morton; Mrs Cross-Mrs Webb .

Afterpiece Title: Poor Vulcan

Dance: End of 2nd piece The Poney Races, as17840504

Song: Procession to conclude with a new Theatrical Glee, composed by Shield, by Reinhold, Brett, Johnstone

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Wilson, widow of Richard Wilson, lately of the Theatre-Royal, Covent-Garden and Haymarket [whose 1st appearance on the stage was at Manchester, 26 Feb. 1796]. Tickets to be had of Mrs Wilson, No. 239, Piccadilly, near the Haymarket

Performances

Mainpiece Title: The Rivals

Performance Comment: Captain Absolute-Palmer; Faulkland-Egerton; Julia-Mrs Wilson (1st time in a London Theatre, and 4th on any stage).
Related Works
Related Work: The Rival Modes Author(s): James Moore Smythe

Afterpiece Title: The Miser

Performance Comment: Lappet-Mrs Wilson; other Characters-The Ladies and Gentlemen of the Shakesperian Society.

Entertainment: Monologue Mainpiece: The Original Epilogue [by Richard Brinsley Sheridan]-Mrs Wilson

Event Comment: Whereas Great Disorders were committed on Tuesday Night at the Theatre, by Numbers of persons violently forcing their way into the House, particularly into the Boxes, knocking down the door-keepers, and obliging the servants who kept places to go out, to the great prejudice of the Manager, who lost all the Money for the said Places, as they not only refus'd to pay for the Boxes, but likewise forc'd into the Pit without paying, he thinks it incumbent on him to gide Public notice That an Office will for the Future be kept at the Boxes, to prevent persons from going in the same tumultuous manner, and hopes no Gentlemen will be displeas'd in being first desir'd to take a ticket at the said Office. Last night the Play of the Rehearsal was perform'd at the Theatre Royal in Drury Lane; when, upon Mr Garrick's making a proper apology to the Town he was receiv'd with the greatest marks of Approbation; and the Play was acted with the utmost Decency and Order

Performances

Mainpiece Title: The Rehearsal

Performance Comment: As17431206, but others-Arthur, +Neale, +Morgan, +Winstone, +Green, +Woodburn, +Ray, +Wright, _Gray.
Cast
Role: others Actor:
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive
Event Comment: Pit and Boxes to be put together, and no person to be admitted without Tickets, which will be deliver'd that day at the office at cg theatre, at half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at half an hour after Four o'clock. Pit and Boxes at Five. To begin at half an hour after Six. The Subscribers who favoured Mr Handel last season with their subscription, are desired to send to the office at cg on the day of the performance, where two tickets shall be deliver'd to each Gratis, in order to make good the Number of Performances subscrib'd to last season. [Recitative and chorus. Words taken from Milton and Spenser (Edition of 1746). Rehearsed at Handel's lodgings on 7 Feb. Burney and DeFesch in orchestra. (Deutsch, Handel, pp. 629-30.) Librettist not known, possibly Thomas Morell.

Performances

Mainpiece Title: The New Occasional Oratorio

Performance Comment: [No characters.] First soprano-Signora Francesina; Tenor-Beard; Bass-Reinhold (Deutsch, Handel, pp. 629-30.); With a newConcerto on the Organ-.
Event Comment: 1 Benefit for Lee, Pilkington [Box Office keeper], Pritchard, Saunders [Assistant box office keeper and lobby door keeper], and Emberton [Stage Door Keeper]. Written by Shakespear

Performances

Mainpiece Title: 1 Henry Iv; With The Humours Of Sir John Falstaff

Related Works
Related Work: The Humours of Sir John Falstaff, Justice Shallow, and Ancient Pistol Author(s): Theophilus Cibber

Afterpiece Title: 1 The Anatomist

Song: 1 I: Lowe

Dance: 1 III: Mechel, Mlle Mechel

Event Comment: Paid to Sun Fire Office Insurance #15; Paid for a poker and shovel 5s. (Treasurer's Book). [This policy was doubltless similar to No 109085 dated 29 July 1747 issued to James Lacy and David Garrick Esq. Patentees of His Majesties Company of Comedians of the Theatre Royal Drury Lane, for #4,000: "On the Goods and Furniture, Wardrobe Apparel, Machines and Scenes, not valued as pictures, in the House, Dressing Rooms, Wardrobe, and Scene Rooms, of the said Theatre Royal, adjoining togethe r and situate in Drury Lane aforesaid and not elsewhere, not exceeding #4,000...Note: Except such Loss and Damage as may happen by any Fire occasioned by means of any representation in any Play or Farce or in any Rehearsal of the same." (From copy of original policy, by courtesy J. A. Miller, Esq. General Manager, Sun Insurance Office Ltd., sent me in ltr. dated 5 July 1951.)] Receipts: #110 (Cross). #104 5s. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Dance: As17491220

Song: III: Master Mattocks

Performances

Mainpiece Title: Gideon

Performance Comment: Parts for five characters and a Chorus; Gideon-; Joash-; Eliakim-; a Priest of Baal-; Oreb-; Chorus of Israelites-.*m1769 2 10 cg The First Violin, a Concerto-Sga Paganini; a Concerto on the Hautboy-Fischer.*c1769 2 10 cg By Command of their Majesties. Pit and Boxes to be put together. Tickets will be deliver'd this day in the Office of the Theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. The doors to be opened at Five o'clock. To begin at Half an Hour after Six. A New ORATORIO, the Music by Handel. Composed by Dr Morrell (Biographia Dramatica). We cannot commend this piece, it being altogether a very tedious and heavy performance (Theatrical Register). Charges: #35.
Event Comment: Miss Younge having been a Season in Ireland is now return'd play'd Well & was receiv'd with Great Applause (Hopkins Diary). Potter, Theatrical Review: We must beg leave to point out a small error in her playing the part of Imogen; and which was too obvious to escape notice: --When Iachimo arrives from Italy...he is introduc'd to her by Pissanio who says..."Madam, a noble gentleman of Rome comes from my Lord with letters." And Iachimo on his first appearance informs her, that "the worthy Leonatus is in safety." These circumstances ought to awaken the highest joy and transport in Imogen, instead of which, we wer sorry to observe, she dropped a solemn curtsey, and without one joyous feature said, with the utmost langor, "Thanks good sir, &c." And even after she had read the letter...she addresses herself to him again with the same indifference. Rec'd Mrs Groath, 1 yrs. Rent to Xmas last #3, and from Mr Atkins on Acct #5 5s.; Advanc'd Mr Barry, Box Office keeper #15; Ditto to Mr Watson, Box Office Keeper #10 (Treasurer's Book). Receipts: #164 5s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Reddish; Iachimo-Palmer; Cymbeline-Hurst; Cloten-Dodd; Arviragus-Brereton; Belarius-Burton; Pisanio-Packer; Guiderius-Cautherly; Philario-Wright; Frenchman-Fawcett; Lucius-Bransby; Captain-Keen; Courtiers-Ackman, Wheeler; Queen-Mrs Reddish; Imogen-Miss Younge; 1st time since her return from Ireland. In Act II: a Masquerade Scene-; with Dancing-Giorgi, Atkins, Sga Giorgi; Singing-Mrs Scott.
Cast
Role: Guiderius Actor: Cautherly

Afterpiece Title: The Mayor of Garratt

Performance Comment: Major Sturgeon-Love; Jerry Sneak, with the Song of Johnny Pringle-Weston; Jollup-Baddeley; Bruin-Wright; Lint-Castle; Snuffle-Hartry; Heel@Tap-Bransby; Roger-Messink; Mrs Bruin-Miss Platt; Mrs Sneak-Miss Pope.

Dance: III: A Comic Dance, as17710921

Event Comment: Last time of company's performing this season. Benefit for Bowers and Widow Veal. Tickets deliver'd by Berrisford, Hodges, and Burroughs will be taken. Thus Ends the Season-63 different plays-36 different Farces-186 Nights in all (Hopkins Diary). Paid Watch, Rector, Cleansing, &c., cg to Lady Day last #5 18s. 4d. (Treasurer's Book). After Season Receipts: 11 June: Box Office Keeper's cash #25; Condill's 3rd and last payment for Fruit Office #20. 16 June: Candles, Oyl and Lampmen of Theatrical Fund Night 2nd inst. #3 18s. 6d. 23 June: Mr Johnston for Candle ends sold to sundry #11 7s. 6d.; Ditto for Lace burnt form the Wardrobe #205 8s. 26 June: Harrison's rent 1 yr to Lady Day last #46 but with #12 5s. in taxes deducted amount rec'd #33 15s.; Williams rent ditto (#48 with #8 6s. 8d. taxes deducted) #39 13s. 4d.; From Public Advertiser this season #50; From Daily Gazetteer #50. 3 July: Remainder of Sinking Fund #160 2s. 6d. 6 July. Mr Rowland 1 yrs rent to Lady Day last with #3 8s. in taxes deducted, #139 12s.; Mr Pope 1 yrs rent to ditto with #3 11s. 2d. taxes deducted #26 8s. 10d. 10 July: Benefit deficiencies cleared and Cash taken up by Evans as per acct. #89 7s. (Treasurer's Book). After Season expenditures: 11 June: Hopkins, Prompters Bill #8 15s.; Miss Hopkins 18 Nights full #2 5s. 13 June: 2 days salary list at #72 6s. 5d. per diem #144 12s. 10d.; S. French 6 days #1 10s. 16 June: Davies on note #7 6s.; Printer's 2 bills #11 14s.; Mas. Thomson 3 nights in full 15s.; Mrs Mann on note #2 2s.; Tallow chandler's 9th bill (#30 14s. 4d. with a discount of #26 15s. 6d. on all bills for season) #3 18s. 10d. 19 June: Miss Berkley on note #5 5s. 3 July: J. Stevens 2 weeks as usual #1 16s; Sandys & Co. for Colours #10 4s. Dorman for Coals #20 10s. and for attending practices of dances, as usual #10 10s.; Cole (turner) #14 3s.; Bibb (sword cutler) #3 12s.; Barret (wax chandler) #20 6s. 6d.; Blakes, (hatter), #5 12s.; Lowe and Co (glaziers) #16 6d.; Cropley, (linen draper) #14 7s. 6d.; Chamberlain & Co. (ironmongers), #25; Carter (scowerer) #14 12s.; Jennings (glover and furrier) #18 6d.; Scott (copper laceman), #51 19s.; Carpue, (silk dyer) #9 1s. 6d.; Mrs Chitty (coals) #28; Carver's bill #2 1s.; Chettell (timber) #14 9s.; Cubitt (Tinman) #18 2s. 6d.; Waller (hosier) #24 19s. 6d.; Barrow & Co. (only) #118; Vaughan (haberdasher) #3 6s.; Hatsell (mercer) #28 2s.; Thomson (smith) #10 15s. 6 July: B. Lyon, Wardrobe & Carp Bills #10 10s. 6d.; Stephens (manson) #6 4s.; Pope (peruke maker) #29 6s. and #3 16s. for 38 extra nights dressing &c.; Mrs Slaughter's Bill #9 2s. 6d.; Roberts (shoemaker) #3 12s. 6d.; D. Richards, 30 weeks 5 days extra salary in full for this season #30 16s. 8d.; Hewetson (laceman) #17 6s.; Mr Page in full of #25 this season #1 17s. 6d. 8 July: J. Johnston's Music Bill #37 13s. 6d.; Powney & Co., (stationers) #3 14s.; Landall for Mrs Cape's Funeral per order #4 7s. 6d.; Kirkman, (harpsichord maker) #18 14s.; John French, painter's bill #5 3s. 10 July: Palmer for Spermacetti Candles #255 8s.; Miss Collett's schooling #2 8s. 10d.; Stafford (glassman) #4 19s.; A. Johnston's bill for feathers &c. #15 6s. 6d.; Ditto four Housekeeping Bills #10 1s. 4d.; Chapman (Jubilee horsekeeping) #3 13s. 6d.; Victor 2 weeks salary as usual #5; Victor gratuity as usual #30; Evans 2 weeks salary as usual #3 and #42 in lieu of a Benefit. Books Closed 10 July. Total income #32,538 6s. 1d. Total outgo #26,410 8s. 8d. Profit #6,127 17s. 5d. paid To Managers #5,040 To Clutterbuck #1,087 17s. 5d

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Capt. O'Cutter-Moody; Lady Freelove-Mrs Reddish; Harriet-Miss Rogers; Oakly-Reddish; Major Oakly-Love; Charles-Cautherley; Lord Trinket-Dodd; Sir Harry Beagle-Palmer; Russet-Bransby; Tom-Ackman; Paris-Baddeley; William-Wheeler; Mrs Oakly-Mrs Abington.
Cast
Role: Charles Actor: Cautherley
Related Works
Related Work: The Jealous Wife Author(s): George Colman, the elder

Afterpiece Title: Miss in Her Teens

Dance: End: Hornpipe-Walker

Event Comment: Benefit for Mrs Mattocks. Fifth Night of She Stoops will be Thursday Next. Charges #69 17s. Profit to Mrs Mattocks #122 7s., plus #45 5s. from tickets (Box 151; Pit 50). Paid one year's Assurance on 10,000 in a Sun Fire Office to 25 March 1774; #50. Paid ditto on 5,000 in the Royal Exchange office to 31 March 1774: #12 10s. (Account Book). Receipts: #192 4s

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Harlequin Sorcerer

Dance: II: New Dance, as17730206

Event Comment: Advanced Mr Watson (box office keeper) #10; Ditto to Mr Archeveque (Box office keeper) #15 (Treasurer's Book). [These sums were ready cash for operating, making change etc. and were returned at close of season.] Receipts: #166 14s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Reddish; Iachimo-Palmer; Cymbeline-Hurst; Cloten-Dodd; Belarius-J. Aickin; Pisanio-Packer; Guiderius-Cautherly; Arviragus-Brereton; Philario-Wright; Claudio-Ackman; Lucius-Bransby; Frenchman-Fawcett; Queen-Mrs Hopkins; Imogen-Miss Younge; In Act II a Masquerade Scene, with Dancing-Giorgi, Atkins, Sga Giorgi; Singing-Mrs Scott.
Cast
Role: Guiderius Actor: Cautherly

Afterpiece Title: The Elopement

Performance Comment: Harlequin-Rooker; Pantaloon-Grimaldi; Lover-Messink; Clown-Wright; Scaramouche-Keen; Drunken Valet-Atkins; Country Girls-Mrs Hunt, Mrs Scott; Colombine-Mrs Sutton; Concluded with the scene of the Waterfall as originally Performed-.

Dance: III: The Irish Fair, as17730918

Event Comment: Benefit for Dickinson (First gallery Office-keeper). Rec'd Mr Condell's 3rd and last payment for Fruit Office #20. Receipts: #278 10s. Charges: #84. Profits to Dickinson: #194 10s. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17750502, but Woodcock-Waldron; Sir William-Wrighten; In Act I, a Country Dance- incident to the piece.

Afterpiece Title: The Note of Hand

Cast
Role: Newphew Actor: Cautherly
Role: Rivers Actor: Cautherly

Dance: II: The Pirates, as17750422

Event Comment: Among the Instrumental Performers are C. Ashley, Patria, Sarjant, Mahon, Boyce, Mountain, Lavenu, Simpson, Gwilliam, Purney, Munro, Leander, Kaye, Sharp, Wood, &c. &c. Double Drums, Bass Trumpets, &c. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. No Money to be returned. Places to be had of Brandon at the Box-Office in Hart-Street. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performance, 6d. each, may be had at the Theatre. The Director's Books have these words at the bottom of each Title Page: "Printed by H. Macleish, Recorder Office, Duke's-court, Drury-lane.

Performances

Mainpiece Title: A Grand Selection 0

Performance Comment: Principal Vocal Parts-Incledon, Bartleman, Reynolds (from Durham), Kelly, Mme Mara, Miss Sharp, Mrs Crouch; Leader of the Band-G. Ashley; Organ-J. Ashley.
Cast
Role: Leader of the Band Actor: G. Ashley

Afterpiece Title: Grand Selection 1

Performance Comment: God save the King-Chorus (Coronation Anthems); Overture-(Esther); The Dettingen te Deum-; in which Holy Holy Lord-Mme Mara [Rodelinda].Rodelinda].
Cast
Role: God save the King Actor: Chorus
Role: The Dettingen te Deum Actor:

Afterpiece Title: Grand Selection 2

Performance Comment: Overture, Dead March-(Saul); When the ear heard him-Quartetto see17930313 His body is buried-Semi-Chorus; But his Name liveth-Chorus (Funeral Anthems); O God@like Youth-Miss Sharp (Saul); Gentle Airs-Incledon; accompanied on the violoncello-C. Ashley (Athalia); Fall'n is the Foe-Chorus (Judas Maccabaeus); What tho' I trace each herb and flow'r-Mrs Crouch (Solomon); Lord of Eternity-Chorus; Behold the Nations-; O Baal-Chorus (Deborah); Pious orgies-Mme Mara (Judas Maccabaeus); He gave them hailstones-Double Chorus (Israel in Egypt); Concerto on the violin-Mme Gautherot.

Afterpiece Title: Grand Selection 3

Performance Comment: Second Oboe Concerto-; Sound an Alarm-Kelly; We hear-Chorus (Judas Maccabaeus); Ye sacred Priests, Farewell ye limpid springs-Mme Mara (Jephtha); Hear Jacob's God-Chorus (Samson); Arm arm ye brave-Bartleman; We come-Chorus (Judas Maccabaeus); O Magnify the Lord-Mrs Crouch (Chandos? Anthems); The Lord shall reign-Chorus; And Miriam the Prophetess, Sing ye to the Lord-Mme Mara; The horse and his rider-Double Chorus (Israel in Egypt); God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).
Event Comment: Principal Violoncello by C. Ashley. Double Drums by R. Ashley. Trumpets by Sariant, Cantelo, Purney. Among the other Principal Instrumental Performers are Foster, Mahon, Boyce, Flack, Lavenu, John Sharp, Simpson, Gwilliam, Monro, Mich. Sharp, Wood, Warren, Wm. Sharp, Cobham, Cornish, Jenkinson, F. Sharp, Shutze, Lord, Woodham, J. Sharp, Franks, &c. With a Complete Set of Chorus Singers. The Whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. No Money to be returned. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Places to be had of Brandon at the Box Office in Hart-street. Books of the Performance, 6d. each, may be had at the Theatre. The Directors' Books have these words at the bottom of each title-page: "Printed by H. Madeish, Recorder-Office, Duke's-Court, Drury-lane."

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers-Incledon, Florio, Linton, Hill (from Winchester), Bardeman//Mme Mara, Mrs Stuart, Master Hummell, Miss Bruman, Miss Parke. Leader of the Band-G. Ashley. Organ-J. Ashley. PART I. Zadock the Priest [by Chorus] (CORONATION ANTHEMS). Overture (ARIADNE). THE DETTINGEN TE DEUM, in which Holy, Holy Lord by Mme Mara. PART II. Overture and Dead March (SAUL). Funeral Anthem. Tune your harps (ESTHER). Gentle airs [by Incledon], accompanied on the violoncello by C. Ashley (ATHALIA). Fall'n is the foe by Chorus {JUDAS MACCABAEUS). What tho' I trace [by Miss Parke] (SOLOMON). Lord of Eternity by Chorus; Behold the Nations; O Baal (DEBORAH). With thee the unsheltered (SOLOMON). He smote all the first-born by Chorus (ISRAEL IN EGYPT). Pious Orgies [by Mme Mara] (JUDAS MACCABAEUS). He gave them hailstones by Chorus (ISRAEL IN EGYPT). PART III. Second Oboe Concerto. Happy Iphis (JEPHTHA). My Arms; Sound an Alarm; We hear by Chorus (JUDAS MACCABAEUS). O magnify the Lord (CHANDOS ANTHEMS). Hear Jacob's God by Chorus (SAMSON). I feel the Deity within; Arm, Arm, ye brave; We come by Chorus (JUDAS MACCABAEUS). Ye sacred priests and Farewell, ye limpid springs [by Mme Mara] (JEPHTHA). Gloria Patri by Chorus (JUBILATE). To conclude with God save Great George our King and Rule Britannia .by Mme Mara] (JUDAS MACCABAEUS). He gave them hailstones by Chorus (ISRAEL IN EGYPT). PART III. Second Oboe Concerto. Happy Iphis (JEPHTHA). My Arms; Sound an Alarm; We hear by Chorus (JUDAS MACCABAEUS). O magnify the Lord (CHANDOS ANTHEMS). Hear Jacob's God by Chorus (SAMSON). I feel the Deity within; Arm, Arm, ye brave; We come by Chorus (JUDAS MACCABAEUS). Ye sacred priests and Farewell, ye limpid springs [by Mme Mara] (JEPHTHA). Gloria Patri by Chorus (JUBILATE). To conclude with God save Great George our King and Rule Britannia .
Event Comment: No Money to be returned. Places for the Boxes to be had of Brandon (only) at the office in Hart-street. Boxes 6s. 2nd price 3s. Pit 3s. 6d. 2nd price 2s. Gallery 2s. 2nd price 1s. Upper Gallery 1s. The Doors to be opened at 5:30.To begin at 6:30 [see 2 Nov.]. Many complaints having been made respecting the taking and securing Places in the Boxes, the following Regulations it is humbly presumed will effectually prevent all such Misconduct in future. Servants admitted to keep Places as usual, and Ladies and Gentleeen are requested to order them to attend at the Theatre not later than Five o'Clock. For such Places as are ordered to be kept by the Place-Keepers of the Theatre, One Shilling is to be paid at the Time of taking them, and no Place-Keeper or Box-Keeper is to demand, or to receive any further Gratuity on any pretence whatever. Every Place-Keeper to wear a Number. It is respectfully desired that Information may be given to Brandon, at the Box-office, of any Irregularity or Imposition, which will be immediately redressed. Receipts: #267 3s. (261.7; 5.16)

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Holman; Macduff-Pope; Duncan-Hull; Malcolm-Middleton; Banquo-Harley; Donalbain-Simmons; Ross-Macready; Doctor-Powel; Seward-Davenport; Seyton-Thompson; Fleance-Master Curties; Macbeth's Servant-Ledger; Officer-Farley; Murderers-Claremont, Abbot, Rees; Witches-Munden, Townsend, Bernard; Hecate-Richardson; Waiting Gentlewoman-Mrs Platt; Lady Macbeth-Mrs Pope.
Cast
Role: Officer Actor: Farley

Afterpiece Title: The Farmer

Song: Mainpiece: Vocal Parts-Johnstone, Incledon, Bowden, Haymes, Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Mrs Mountain, Mrs Davenport, Miss Stuart, Mrs Lloyd, Mrs Follett, Mrs Castelle, Miss Kirton, Mrs Masters, Miss Ives, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Martyr

Event Comment: Benefit for Holman. 1st piece [1st time; C 5, by Benjamin Hoadly, based partly on L'Ecole des Femmes, by Moliere. Larpent MS 1160; not published. Prologue by John Taylor; Epilogue by Edward Jerningham (European Magazine, May 1797, p. 342)]: Mr Holman having been favored by the Family of Doctor Hoadly, Author of the Suspicious Husband, with a Manuscript Comedy in Five Acts, the production of that celebrated Writer, he most respectfully informs the Public that it will be presented under the Title of The Tatlers. True Briton, 1 May: The Play was given to Holman by Dr Hoadly Ashe, Hoadly's nephew. Ibid, 10 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Account-Book: Paid Insurance and Duty on #10,000 for one year from 16th Inst. at the Royal Exchange Fire Office #136 17s; ditto on #10,000 for one year from Lady Day at the Phoenix Fire Office #112 10s. Receipts: #290 11s. 6d. (143.16.0; 10.11.6; tickets: 136.4.0)

Performances

Mainpiece Title: The Tatlers

Afterpiece Title: Cross Purposes

Afterpiece Title: Netley Abbey

Cast
Role: Catherine Actor: Mrs Martyr.
Event Comment: Betterton's Company. The date of this revival is not certain, but Luttrell's copy (Huntington Library) bears his date of 27 Oct. 1696 for his acquisition of a copy; hence, the revival must have occurred not later than October 1696. When this play was revived at the Queen's Theatre in the Haymarket, 8 June 1705, the bill bore the heading: Not Acted by that Company these Nine Years

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Event Comment: The Long Room in the Haymarket is next to the King's Theater and was formerly Boman's Chocolate Room

Performances

Mainpiece Title: Concert

Music: A new Concerto grosso-; a new Cantata-; violin solo-; a new concerto for Little Flute-; solo for Hautboys-; Cantata Flute solo-; piece with two harpsichords-; concerto-; solo for German Flute-; solo for Harp-; cantata-

Event Comment: By the Company of French Comedians. Pit and Boxes together by Tickets only at 5s. Gallery 2s. At 6 p.m. [This is the opening night of the New Theatre in the Haymarket.

Performances

Mainpiece Title: La Fille A La Mode; Ou, Le Badeaut De Paris

Dance:

Event Comment: Mainpiece: A Comical Tragival Farcical Droll. Afterpiece: A celebrated Operatical Puppet-Show. No Wires, all alive. At Reynolds' Booth. [Advertised also on 3, 4, 5, 6, 7, 8, 11, 12 Aug.

Performances

Mainpiece Title: The Rum Duke And The Queer Duke; Or, A Medley Of Mirth And Sorrow

Performance Comment: Rum Duke-Mullart; Queer Duke-Rosco; other parts-Jones, Stoppelaer, Dove, Mrs Mullart, Mrs Forrester, Mrs Britton, others from the Haymarket.

Afterpiece Title: Punch's Oratory; or, The Pleasures of the Town: Containing several diverting Passages,

Performance Comment: ..a very elegant and learned Dispute between Punch and another great Orator: Punch's Family Lectures; or, Joan's Chimes on her Tongue to some Tune. Punch-Reynolds; Joan-Mrs Egleton; from lif; Orator-Jones; Opera-Stoppelaer; Goddess of Nonsense-Mrs Mullart; Mrs Novel-Mrs Nokes.
Cast
Role: Opera Actor: Stoppelaer

Dance: St.Luce

Event Comment: Benefit Author of Chrononhotonthologos. Note, the Author gives out no Tickets (a few Boxes excepted) depending intirely upon the Courtesy of the Town. Egmont, Diary, II, 40: After dinner I went to the Haymarket playhouse, where among other representations I saw the strong man show one of his feats. Two chairs were placed on the stage at such a distance as that laying himself along, his head and a small part of his shoulders rested on one, and his feet on the other, so that his body and legs were suspended in the air. Then six grown men (two of whom I observed to be remarkably tall) go up, and stood perpendicular upon his body, two on his chest, two on his body, and two on his legs. He bore them all a quarter of a minute, and bending his body downward till it almost touched the ground between the chairs, with a surprising spring and force raised his body with all that weight upon it, not only level as he lay at first, but higher in the air. The mob of the gallery not satisfied with this, hissed, whereupon he refused to show any other of his tricks

Performances

Mainpiece Title:

Entertainment: The strong Man from Islington (not in Defiance to Mynheer Cajanus) as was Yesterday improperly advertis'd, but out of good Will to the Author, and to oblige the Audience, for that Night only, will perform several surprizing proofs of Manly Strength, unequall'd yet by any

Related Works
Related Work: A Midsummer Night's Dream Author(s): George Colman, the elder
Related Work: The Fairy Tale Author(s): George Colman, the elder
Event Comment: At the Desire of several Persons of Quality. Mainpiece: Taken from the French of Moliere. [The first appearance of the Haymarket actors at DL.]

Performances

Mainpiece Title: The Mother-in-law

Music: Select Pieces between the Acts

Dance: Pierrots by Poitier and Nivelon. Drunken Peasant by Le Brun. Revellers by Essex, Miss Latour, Janno, Holt, Miss Mann, Miss Brett. Polish Dance (new) by Essex, Miss Robinson, S. Lally, Davenport, Holt, Mrs Walter, Miss Mann, Mrs Davenport

Event Comment: Benefit Topham, Gardiner, Miss Jones. Afterpiece: Which was originally acted at the Haymarket. With Alterations, Additions, and Amendments. Written by Mr Carey

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Performance Comment: Young Mirabel-a Gentleman of the Temple; Old Mirabel-Topham; Duretete-Jones; Dugard-Blastock; Petit-Boothby; Bissare-Miss Jones; Oriana-Miss Jones Jr; Lamorce-Miss Atherton .

Afterpiece Title: The Honest Yorkshireman

Dance: Pierrot by Baudvin