SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House in the Hay Market"/1) | (@(roleclean,performerclean) "Opera House in the Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3321 matches on Event Comments, 2723 matches on Performance Title, 341 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Command of their Majesties. A new serious Opera. Pit and Boxes put together and no Persons to be admitted without Tickets, which will be delivered this Day, at the Office, at Half a Guinea each. Gallery 5s. By their Majesties Command no Persons whatsoever to be admitted behind the Scenes or in the Orchestra. Gallery, Pit and Boxes to be opened at Five. 6:30 p.m. [Repeated in the subsequent bills.] Messrs Crawford, Vincent, and Gordon most humbly request that the Nobility and Gentry, Subscribers to the Operas for the ensuing Season, will please send their Subssciptions to Andrew Drummond and Co., Bankers at Charing Cross; or to Crawford, at the theatre, where attendance will be given every day from Ten to Two, to receive Subscriptions, and the names of the Subscribers who are pleased to honor the Managers with their Protection to enable them to get the Tickets engraved before the Operas begin (Public Advertiser through October and November)

Performances

Mainpiece Title: Eumene

Dance: NNew Dances-

Event Comment: A new Comic Opera. The Music composed by several celebrated Composers. All Boxes put together, and no Persons admitted without Tickets, which will be delivered this Day at the Office at Half a Guinea each; First Gallery 5s. Second Gallery 3s. By His Majesties Command no Person whatsoever to be admitted behind the Scenes or into the Orchestra. 6:30 p.m. Vivant Rex et Regina. [Repeated in all bills.] [A pasticchio similar to La Schiava (The Humorists). See Nicoll, III, 361. Advertisement for the company of performers at the Opera had been given in the Public Advertiser three months earlier, 6 August: 'Drummond, Vincent and Gordon,Proprietors and Managers of the Opera at the King's Theatre in the Haymarket beg leave to announce that they have engaged the best Company that could be got in Italy...and are expected in London this month. The company are as follows: Serious-the celebrated Guarducci, first man; Signora Aunuciati, first woman; Savoi, second man; Miss Young, second woman; Grassi, Signora Piatti, third woman. Comic-Lovattini, first man, tenor; Signora Zamperini, first woman; Savoi, first man, serious; Miss Young, first woman; Signor Moriggi (the old man) bass; Signora Piatti, second woman; Zamperini second man; Signora Gibbetti [Gibelli in the Gazetteer] third woman."

Performances

Mainpiece Title: Gli Stravaganti

Event Comment: [C$Crawford announced his withdrawal from proprietorship of Operas at the close of this season, and requested all creditors to present their accounts to the opera office on the days of the performance to settle before the books be closed. Messrs Vincent and Gordon to continue Operas on their own account thereafter.

Performances

Mainpiece Title: La Buona Figliuola

Event Comment: [Messrs Vincent and Gordon beg the Nobility and Gentry that intend honouring them with their protection the ensuing season of Opera will pay their subscriptions to Messrs Drummonds, Bankers, Charing Cross. The subscription is for 50 nights only. A letter from Timotheus in the Public Advertiser: "I repeatedly see in your paper an advertisement from the managers of the opera to solicit subscriptions from the Nobility and Gentry to enable them to carry it on. Surely, from the specimin they have already given us of their performance in the serious way, never had managers less claim to the countenance and favour of the public. In the whole company but one voice, and that just tolerable and no more; compared indeed to the rest a nightengale. Then, Sir, for their dancers, they seem so perfectly so well suited to the singers, that 't is difficult to pronounce to which of them the palm should be allotted. For the Figurers, one only excepted, they seem in that article to have paid a due attention to their want of every Talent requisite, by reducing them to so small a number that they look like so many mice scudding about an empty barn. In short, Singers, Dancers, Figurers, Cloaths, Decorations, etc., etc., are all so much of a piece, that if the directors either can't or won't engage better performers, the sooner an end is put to the exhibition of Operas the better it will be." See comment in reply, 8 Nov.

Performances

Event Comment: Mainpiece [1st time; BO 3]: Being the Sequel to The Beggar's Opera, Written by Gay, with Alterations [by George Colman elder; the overture (a compilation of airs from The Beggar's Opera) and 6 new airs by Samuel Arnold]. Books of the Opera to be had at the Theatre. [Mrs Colles is identified on playbill of 9 July.] Public Advertiser, 20 June: This Day is published Polly (1s.)

Performances

Mainpiece Title: Polly

Performance Comment: [Principal Parts by Du-Bellamy, Parsons, Davies, Massey, Fearon, Egan, Griffiths, Kenny, Bannister, Mrs Hitchcock, Mrs Davies, Mrs Love, Miss Hale, Miss Platt, A Young Gentlewoman (1st appearance Mrs Colles]). [Cast from text (T. Evans, 1777): Cawwawkee-DuBellamy; Ducat-Parsons; Culverin-Davies; Vanderbluff-Massey; Pohetohee-Fearon; Hacker-Egan; Capstern-Griffiths; Laguerre-Kenny; Morano-Bannister; Jenny Diver-Mrs Hitchcock; Trapes-Mrs Davies; Mrs Ducat-Mrs Love; Damaris-Miss Hale; Flimzy-Miss Platt; Polly-A Gentlewoman; [Characters in the Introduction: Poet-Davies; Players-Fearon, T. Davis; Signora Crotchetta-Miss Platt.
Related Works
Related Work: Polly Honeycomb Author(s): George Colman, the elder
Related Work: Polly Author(s): George Colman, the elder

Afterpiece Title: Polly Honeycombe

Related Works
Related Work: Polly Honeycomb Author(s): George Colman, the elder

Dance: End I: a Dance of Pirates-(see17770611; III: Dance of Indians- (see17770611. [These were danced in all subsequent performance.

Performance Comment: [These were danced in all subsequent performance.]
Event Comment: A new Comic Opera in 2 acts; the new Music composed by Anfossi. Books of the Opera to be had at the Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Divertisement Dance, as17811117, but added: Pas Seal, as17811120; End of Act II a new Ballet Anacreontique (composed by Noverre), Les Petits Riens, by Gardel, Mmc Simonet, Nivelon, Mlle Baccelli, Slingsby, Mlle Theodore, Henry, Sga Crespi, &c. The Music entirely new by Barthelemon

Performance Comment: The Music entirely new by Barthelemon .
Event Comment: A Serious Opera in 2 acts (1st time [by Pietro Metastasio]); the Music selected from the most eminent Composers by and under the direction of Cherubini. [Crescentini was from the Opera, Lucca; Sga Ferrarese from the Opera, Turin.]

Performances

Mainpiece Title: Demetrio

Performance Comment: Principal Characters by Crescentini (1st appearance), Bartolini, Cremonini, Franchi; Sga Catenacci, Sga Ferrarese(1st appearance in this country), Sga Rachele Dorta. [Libretto (G. Woodfall, 1757) lists the parts: Alceste, Fenicio, Olinto, Mitrane; Cleonice, Barsene.] hathi.

Dance: As17850101 throughout

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text 1st published (unauthorized), Dublin [1790]. Sga Storace had 1st appeared in concerts from 1774 to 1778, and at king's on 24 Apr. 1787 and thereafter]: With new Scenes, Dresses and Decorations. The new Music composed by Storace, the rest compiled from Linley? Sen., Purcell, Sarti, Paisiello, Martin y Soler?, Pleyel, &c. The Scenes designed and executed by Greenwood. Books of the Songs to be had at the Theatre. "In her own particular line on the stage [Sga Storace] was unrivalled, being an excellent actress, as well as a masterly singer. She settled entirely in England, and after quitting the opera (to which she was frequently recalled in times of distress, as was too often the case), she engaged at Drury Lane, where the English opera was raised to an excellence not known before, by her singing, with that of Mrs Crouch, Mrs Bland, Kelly, and Bannister, and under the direction of her brother Stephen Storace, who composed, or rather compiled, several very pretty operas, of which the Haunted Tower, and the Siege of Belgrade still remain favorites, and are frequently performed" (Mount-Edgcumbe, 65). Account-Book, 4 Jan. 1790: Paid Cobb on Acct. of the Purchase of the Copyright of the Haunted Tower #157 10s.; 27 Feb. 1790: Paid Cobb in full for Copyright #52 10s. Receipts: #219 9s. 6d. (200.13.0; 17.14.6; 1.2.0)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: [Characters-Kelly, Baddeley, Moody, Suett, Dignum, Sedgwick, Whitfield, Williames, Bannister Jun.; Sga Storace (1st appearance on the English stage i.e. in a speaking part]), Miss Romanzini, Mrs Booth, Mrs Crouch. [Cast from Songs (J. Jarvis, 1789): Lord William-Kelly; Baron of Oakland-Baddeley; Hugo-Moody; Lewis-Suett; Robert-Dignum; Charles-Sedgwick; De Courcy-Whitfield; Martin-Williames; Edward-Bannister Jun.; Hubert-Webb; Servant-Lyons; Adela-Sga Storace; Cicely-Miss Romanzini; Maud-Mrs Booth; Lady Elinor-Mrs Crouch.

Afterpiece Title: The Miller of Mansfield

Performance Comment: The King-Whitfield; Richard-R. Palmer; Joe (with a song)-Williames; Lord Lurewell-Benson; The Miller-Moody; Kate-Mrs Wilson; Peggy-Miss Collins; Margery-Mrs Hopkins [Public Advertiser: Mrs Booth].Public Advertiser: Mrs Booth].
Cast
Role: The King Actor: Whitfield
Role: The Miller Actor: Moody
Event Comment: The Subscribers to the Opera are respectfully acquainted that, on account of the preparations for La Discordia Conjugale, there will be no Opera till Saturday next, the 14th, when the above Opera will be performed

Performances

Mainpiece Title: None

Event Comment: A new Grand Serious Opera, with Chorusses; the Music by Bianchi, under the direction of Federici. With entirely new Scenes designed by Marinari, Dresses composed and executed by Sestini, and Decorations. "[Banti] I must ever consider as far the most delightful singer I ever heard . . . Her first appearance in this country was in the opera of Semiramide, and all her part in it was of the most beautiful description. In addition to the songs belonging to the opera, she introduced a remarkably fine air by Guglielmi, from the Oratorio of Deborah, with an accompaniment for a violin obligato, originally played by Cramer, afterwards by Viotti and others. This song, though long and one of great exertion, was so prodigious a favourite that it never failed of being encored, not only in its novelty, but in every subsequent revival. Her acting, and recitative were excellent, and in the last scene, where Semiramide dies, was incomparably fine" (Mount-Edgcumbe, pp. 82, 84)

Performances

Mainpiece Title: Semiramide; O, La Vendetta Di Nino

Related Works
Related Work: Zelma; or, The Will o' th' Wisp Author(s): William Hayley

Dance: End of Act I New Divertisement, as17940311End of Act II Les Ruses de l'Amour, as17940401, but omitted: Mlle Guirdele

Event Comment: A Serious Opera, the music by Bianchi, under whose direction this Opera is now revived, and the Chorusses under Dr Arnold. ["A little miscreant Italian cabal, who have endeavoured to derange the performances at this Theatre, attempted to hiss Kelly, who had generously come from Drury Lane Theatre that the serious Opera might not be interrupted. The liberal feelings of the English subscribers overpowered the noise, and Kelly received the applause which his spirit deserved" (Morning Chronicle, 9 Feb.).

Performances

Mainpiece Title: Semiramide; Or, La Vendetta Di Nino

Dance: As17950124

Event Comment: king's "On 28th March 1795, I saw the Opera Aci & Galathea by Bianchi. The music is very rich in parts for the wind instruments, and I rather think one would hear the principal melody better if it were not so richly scored. The Opera is too long, especially since Banti has to keep everything going all by herself; for Brida is a good youngster with a beautiful voice but very little musical feeling; and Rovedino, and the good old Braghetti, and the wretched Seconda Donna-they all deserved, and received, not the least applause. The orchestra is larger this year, but just as mechanical and badly placed as it was before, and indiscreet in its accompaniments; in short, it was the 3rd time that this Opera was performed, and everyone was dissatisfied. It happened that, when the 2nd Ballet began, the whole public suddenly became dissatisfied and yelled 'off-off-off,' because they wanted to see the new Ballet which Madam Hilligsberg had given at her Benefice 2 days earlier. Everyone was embarrassed-there was an interval lasting half an hour-until at last a dancer came forward and said, very submissively: 'Ladies and Gentlemen: since the performer [sic, instead of proprietor] Mr Taylor cannot be found, the whole Ballet Company promises to perform the desired ballet next week, for which, however, the Impresario must pay Madam Hilligsberg #300.'That satisfied them, and they then yelled, 'go on-go on;' and thus the old Ballet was performed' (Haydn, 293)

Performances

Mainpiece Title: Aci E Galatea

Dance: king's As17950324

Event Comment: Benefit for Mme Banti. A New Serious Opera [1st time; SER 2]. The Poetry by Metastasio, and the Music entirely new, composed by an English Gentleman [Richard Edgcumbe, Earl of Mount-Edgcumbe], who has obligingly lent Mme Banti the Score, and kindly consented to its being represented upon that occasion. Tickets to be had of Mme Banti, No. 24, St. Alban's-street. "Having granted the use of this opera to Banti only, I withdrew it immediately, and would not permit it to be again represented for the manager, who requested to have it. After this, Roselli sung no more, nor had we ever another soprano [i.e. castrato] at the opera [until 1825]" (Mount-Edgcumbe, 88)

Performances

Mainpiece Title: Zenobia Of Armenia

Dance: As18000513

Event Comment: For the correspondence between Aaron Hill and the Duke of Montagu concerning Hill's proposed occupancy of hay see Buccleuch and Queensberry MSS, I, 369-71

Performances

Event Comment: The same as it was acted at the Theatre Royal Italien at Paris. [In Daily Post, 29 March, a company of English actors had announced The Stratagem for this day at hay, but they postponed it to 12 April.

Performances

Mainpiece Title: Arlequin Feint Astrologue, Pagode, Ramoneur, Petit Infant, Statue & Perroquet

Dance: As17260328

Event Comment: A Dramatick Entertainment of Dancing in Grotesque Characters, the whole entirely new. [In previous weeks Mrs Violante had been offering miscellaneous entertainments at the hay, but this is the first piece which begins to resemble a dramatic production.

Performances

Mainpiece Title: The Rivals; Or, The Happy Despair

Related Works
Related Work: The Rival Modes Author(s): James Moore Smythe
Event Comment: See Universal Spectator, 13 Feb., for an essay on a rehearsal of The Indian Empress, forthcoming at hay, and British Journal, 13 Feb., for a discussion of some new plays of the season

Performances

Event Comment: DDaily Courant, 25 Aug.: On Friday Night last the Constables of Middlesex and Westminster went to [hay] in order to apprehend the Actors and Players there, upon a Warrant signed by several of his Majesty's Justices of the Peace, against them as Rogues and Vagabonds, but they all made their Escapes

Performances

Mainpiece Title: Hurlothrumbo

Event Comment: Mainpiece: With an additional Scene written by the late Sir John Vanbrugh. [See Daily Journal, 26 Sept., for a discussion of the relationship between the Patentees of DL and the rebelling actors, opening at HAY, with particular reference to The Impartial State of the Dispute; see also 4 June 1733.]

Performances

Mainpiece Title: Aesop

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Music: Select Pieces between the Acts, Composed by Mr Lampe

Dance: Drunken Peasant by Le Brun. English Maggot by Lally Jr and Mrs Walter

Event Comment: By the Company of Comedians of his Majesty's Revels. Mainpiece: Written by the late Mr Congreve. All the Characters entirely new drest. With new Scenes and Decorations. [This is the opening of HAY by the dissenting actors under Theophilus Cibber. For a Prologue intended to be spoken on this night, see The Honeysuckle (1734), pp. 113-15.] At Common Prices. 6 P.M

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Performance Comment: Jobson-Harper; Nell-Mrs Pritchard; Sir John-Berry; Lady Loverule-Mrs Grace. With a Prologue and Epilogue address'd to the Town .
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: By Miss Robinson, Janny, Fisher Tench, Miss Mann

Event Comment: For the Entertainment of several Foreign Ministers. At the Desire of several Persons of Distinction. Mainpiece: Written by Ben Johnson

Performances

Mainpiece Title: The Alchymist

Performance Comment: As at HAY 20 Dec. 1733, but in Neighbours Jones replaces Harrington, Leigh replaces Tenoe .

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Music: Select Pieces

Dance: Polish Dance, as17340312 Grand Dance in Momus: Les Plaisirs-Essex, Miss Robinson; Swains-Boval, S. Lally, Davenport; Nymphs-Miss Latour, Mrs Walter, Mrs Davenport; Sailor-Nivelon; Lively Lass-Miss Mann

Performances

Mainpiece Title: The Careless Husband

Performance Comment: As at HAY 20 Oct. 1733, but Edging-Mrs Clive .

Dance: French Sailor and his Lass by Malter and Mlle Salle. Scotish Dance, as17331004. Pigmalion, as17340114

Event Comment: Benefit Essex. At the Desire of several Ladies of Quality. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Relapse

Performance Comment: As at HAY, 3 Nov. 1733 .

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: English Maggot by Lally and Mrs Walter. Dutch Woman by Miss Robinson. Revellers by Essex, Miss Latour, Lally, Holt, Miss Mann, Miss Brett. Pierrots by Poitier and Nivelon. Polonese, as17340318

Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Written by Ben. Johnson. Afterpiece: A new Serenata, Compos'd on the present Joyous Occasion of the Royal Nuptials. The Words by Mr Tho. Phillips. The Musick by Mr Arne

Performances

Mainpiece Title: The Silent Woman

Performance Comment: As at HAY, 22 Dec. 173 3 .
Related Works
Related Work: Epicœne; or, The Silent Woman Author(s): George Colman, the elder

Afterpiece Title: Love and Glory

Music: Select Pieces between the Acts

Event Comment: Benefit Harper. Mainpiece: Written by the late Mr Congreve

Performances

Mainpiece Title: The Way Of The World

Performance Comment: As at HAY, 5 Dec. 1733 .

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: Clown by Nivelon. Watteau by Miss Robinson. English Maggot by Lally and Mrs Walter. Revellers, as17340319