Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House in the Haymarket"/1) | (@(roleclean,performerclean) "Opera House in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
5572 results for: Keyword - Opera House in the Haymarket
We found 3215 matches on Event Comments, 2570 matches on Performance Title, 280 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

3301
06 January 1746 @ King's Theatre

Event Comment: [Covering all three columns of the front page of the Daily Advertiser is a letter defending the opera as an institution. The writer states that suggestions were made to close the theatres during the Jacobite Rebellion, that the cost of presenting operas during a season is #14,000, that about #2,000 of this is carried out of the country by the singers.

Performances

3302
04 March 1746 @ King's Theatre

Event Comment: A New Opera [a pasticcio by Gluck, chiefly from Tigrane, Sofonisbe, and Ipermestra; libretto revised by F. Vanneschi from B. Vitturi (Loewenberg, Annals of Opera, p. 104); see also W. B Squire, Musical Quarterly, I (1915).

Performances

Mainpiece Title: Artamene

3303
02 December 1746 @ King's Theatre

Event Comment: The subscribers to the Second Subscription for Operas, are desired to take Notice, that on Thursday Morning next will be a General Rehearsal of the new Opera called Mitridate upon the Stage, agreeable to the printed Proposals the Doors will be open'd at Ten, and the Rehearsal will begin at Eleven of the Clock. No Persons to be admitted without a Subscriber's Ticket, and each Ticket will admit four Persons

Performances

3304
30 October 1747 @ King's Theatre

Event Comment: [Whereas a Subscription is begun for an Italian Opera this Season, which will open Nov. 14, Gentlemen and Ladies who please to subscribe, are desir'd to send to the Opera office of the said Theatre.

Performances

3305
12 November 1747 @ King's Theatre

Event Comment: Rehears'd...the Opera of Lucius Verus: This Drama Consists of Airs, borrow'd entirely from Mr Handel's favourite Operas; and so may (probably) be justly styled the most exquisite Composition of Harmony, ever offer'd to the Publick. Those Lovers of Musick among us, whose Ears have been charm'd with Farinello, Faustina, Senesino, Cuzzoni, and other great Performers will now have an Opportunity of Reviving their former delight, which, if not so transporting as then, may yet prove a very high Entertainment. Mr Handel is acknowledged (universally) so great a Master of the Lyre; that nothing urg'd in Favour of his Captial Performances can reasonably be consider'd as a Puff (General Advertiser, 13 Nov.)

Performances

3306
28 March 1748 @ Covent Garden

Event Comment: Benefit for Cibber. Tickets of Page at the Stage Door. [The entertainments and mixed afterpieces formed the most elaborate night's performance this season.

Performances

Mainpiece Title: The Silent Woman

Related Works
Related Work: Epicœne; or, The Silent Woman Author(s): George Colman, the elder

Afterpiece Title: The Author's Farce

Performance Comment: Luckless (the Author)-Cibber; Witmore-Bridges; Bookweight-James; Player-Anderson; Jack Pudding-Dunstall; Mrs Moneywood-Mrs James; Harriet-Miss Haughton; Wherein will be introduc'd an Operatic Puppet Show, call'd The Pleasures of the Town: Punch-Dunstall; Joan-Collins; Charon-Stoppelaer; Poet-Paddick; Sailor-Barnard; Robgrave-Smith; Don Tragedio-Storer; Dr Orator-Cushing; Signior Opera-Mrs Dunstall; Mrs Novel-Miss Copin; Goddess of Nonsense-Miss Young; With the Restoration of the King of Bantum, and the Foundlings Found Out: Murdertext-Morgan; Constable-Hacket; Bantomite Governor-Anderson; Bantomime Courier-Barnard; Foundlings-Cibber, Dunstall, Collins, Miss Haughton; Concluding with the Last New Grand Country Dance, call'd The Mouse Trap, or Foot's Vagaries: Miss in her Teens-La Petite Parisienne; Sg Piede-Villeneuve; Maitre de Ballet-Bencraft; Councillor-Morris; Lady Autumn-Oates; Rout, Drum Hunters-Delagarde, Anderson, Paddick, Mrs Dunstall, Mrs Gondou, Mrs Daniel, Mrs Villeneuve.
Cast
Role: Signior Opera Actor: Mrs Dunstall

Song: I: Go lovely Rose-Beard; II: Tis Liberty-Mrs Storer; III: Sper il Fostore-Miss Faulkner; IV: Smiling Liberty-Miss Faulkner

Dance: V: Drunken Peasant-Philips

3307
31 December 1748 @ King's Theatre

Event Comment: A new Comic Opera. [Leo's Amor Vuol Sofferenza. See Loewenberg, Annals of Opera, I, 195.] By His Majesty's Command no Person whatsoever to be admitted behind the Scenes

Performances

Mainpiece Title: La Finta Frascatana

Dance: Between Acts: Dancing-

3308
14 March 1749 @ King's Theatre

Event Comment: Other Decorations entirely new. A new Comic Opera [by Ciampi]. The New Comic Opera, entitled Le Tre Cicisbei Ridicoli, was perform'd last Tuesday at the King's Theatre in the Hay Market; though large Bills were stuck up in various Parts of the Town and Hand Bills dispers'd insinuating the Contrary (General Advertiser, 18 March)

Performances

Mainpiece Title: Le Tre Cicisbei Ridicoli

Dance: Between the Acts: New Dances-

3309
29 April 1749 @ Haymarket Theatre

Event Comment: By a Set of English Performers translated into French from The Beggar's Opera. Nothing under the full Price will be taken during the Time of the whole Performance, or any money returned after the Curtain is drawn up. To begin at six o'clock. Prices: 5s., 3s., 2s. As this is the first attempt of the kind that was ever made by the English, 'tis hoped the Town will not be offended, that we endeavour to equal the Foreigners in everything, that may conduce to divert or to please them; yet this apology we beg leave to make, that if in our Performance a little of our Native Accent should be discover'd, we humbly hope an English audience will excuse it

Performances

Mainpiece Title: L'opera Du Gueux

Performance Comment: Capt Dubutin-Coustos [Custo, General Advertiser]; Delateur-Fern; Mannon Delateur-Miss Davis; Tourneclef-Smith; Laronneau-Morgan; Comedien-Johnson; Gueux-Fern; Mme Delateur-Mrs Knight; Lucie-Mrs Cushing; Matthieu de la Prison-Daniel; Jaques-Craven; Henry de Chemin-Johnson; Mme Cajoleuse-Mrs Jackson; Dorothee Cour de Nuit-Mrs Anderson; Madam Grandant-Mrs Butler; Bebeau Catin-Miss Stevens; Janneton du Plongeon-Mrs Knight; Mme Sans@Corps-Mrs Williams; Manon L'Effrontee-Mrs Adams; Diane-Mrs Jackson; Susanne Pimpante-Mrs Daniel.
Cast
Role: Dorothee Cour de Nuit Actor: Mrs Anderson

3310
13 November 1753 @ King's Theatre

Event Comment: By His Majesty's Command, no Persons whatsoever to be admitted behind the Scenes. [Repeated.] Director-Vanneschi, A New Opera. With New Decorations, etc. To begin at 6:00 p.m. Boxes and Pit a half guinea. Gallery 5s. [Repeated.] No Servants will be admitted into the Footman's Gallery, but those that attend their Masters or Ladies to the said Opera

Performances

Mainpiece Title: Nerone

3311
18 January 1754 @ Covent Garden

Event Comment: Printed books of the opera will be sold at the theatre. Published this day at 1s. Lo Studente A La Moda, dramma comicogiocoso, as it is acted at the Theatre Royal in Covent Garden. With an English Translation. Sold by H. Woodfall...Where may be had Gli Amanti Gelosi, with an English translation. [Opera in there acts in Italian and French. Larpent MS 103. Altered from A. Polomba La Violante. Music by G. B. Pergolesi. Rich applied to the Duke of Grafton (9 Jan.) for license to perform it.

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: Entertainment-[unspecified]

3312
29 January 1754 @ King's Theatre

Event Comment: A New Opera Composed by Hasse. [Revived with Alterations (Loewenberg, Annals of Opera).

Performances

Mainpiece Title: Artaserse

3313
04 March 1754 @ Covent Garden

Event Comment: Benefit for Sga Marina Giordani. Full Prices (Cross). A new Italian Comic Opera. The Music composed by Balthazar Galuppi. Ladies desired to send servants by Half an Hour after Three. This day publish'd at 1s. La Cameriera Accorta, Opera Comico, per Musica, as it is acted at Covent Garden. With an English Translation. Sold by H. Woodfall

Performances

Mainpiece Title: La Cameriera Accorta

Performance Comment: Odoard-Francesco Lini; Leonora-Signora Marina Giordani; Silvio-Signora Antonia Giordani; Diamantina-Nicolina Giordani; Vanesio-Giuseppe Giordani; Perillox-Francesco Giordani [The Artful Chambermaid, 1754 libretto).].The Artful Chambermaid, 1754 libretto).].

Afterpiece Title: Enterntainment

Dance: [Unspecified.]

3314
23 April 1754 @ King's Theatre

Event Comment: A New Opera. First performance in England. The Musick composed by Jomelli; text-Metastasio (Loewenberg, Annals of Opera, p. 112)

Performances

Mainpiece Title: Attilio Regolo

3315
18 November 1754 @ Covent Garden

Event Comment: Play a New Italian Burletta. The first performance in England. Libertto by Goldoni; Music by Galuppi (Loewenberg, Annals of Opera, p. 107). Books of the Opera will be sold at the theatre. Ladies send servants by half past three. Nothing but full prices will be taken during the performance

Performances

Mainpiece Title: L'arcadia In Brenta

Performance Comment: The printed version 1755 (Larpent MS 114) as acted as Covent Garden gives the following: Fabrizio Fabroni-Sg Francesco Baratti; Giacinto-Gaetano Guadagni; Rosana-Sga Ninetta de Rossennaw; Mlle Lindora-Sga Anna Castelli; Conte Bellezza-Gaetano Quilici; Laura-Sga Eugenia Mellini; Foresto-Christiano Tedeschini Koerbitz.

3316
16 January 1755 @ The Great Room, Dean Street, Soho

Event Comment: At Mr Ogle's Great Room, Dean St., Soho. A Pastoral Opera [by John Hoadley] set by Dr Green. To begin at 7 p.m. Tickets 5s. Books of the Opera at places of Performance at 6d. Benefit for Robinson, organist of Westminster Abbey

Performances

Mainpiece Title: Phoebe

3317
09 September 1755 @ Haymarket Theatre

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Brazen-Cibber; Balance-Metteer; Worthy-Parker; Plume-Quelch; Appletree-Carr; Costar Pearmain-Pittard; Kite-Marshall; Welsh Collier-Blakey; Collier's Wife-Mrs Midnight; Bullock-Pinner; Constable-Venables; Melinda-Mrs Quelch; Rose-Miss Cowslade; Lucy-Mrs Chetwood; Sylvia-Miss Barton her first appearance in boys's clothes.
Cast
Role: Sylvia Actor: Miss Barton her first appearance in boys's clothes.

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John-Charles; Jobson-Quelch; Cook-Pinner; Coachman-Venables; Butler-Blakey; Conjurer-Metteer; Footman-Turner; Fidler-May; Lettice-Mrs Chetwood; Betty-Miss Davies; Lady Loverule-Mrs Quelch; Nell-Miss Cary [who acted Polly in the Beggar's Opera, her second on any stage but see17550821 and 25 Aug. and 28 Aug.].who acted Polly in the Beggar's Opera, her second on any stage but see17550821 and 25 Aug. and 28 Aug.].
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: II: Hornpipe-Walker; III: Pierots Dance-; IV: Hornpipe-a small jolly Tar but seven years old, who never appeared on any Stage before; End: La Dance du Village-

3318
11 November 1755 @ King's Theatre

Event Comment: A New Opera. Musick composed by Jomelli. Pit and Boxes 1!2 guinea. Gallery 5s. 6 p.m. By His Majesty's Command, no Person admitted behind the Scenes. [Repeated in the bills.] The Subscribers to the Operas for the ensuing Season, are desir'd to pay their Subscription money to Mr Crawford, Treasurer of the said Theatre. Pit Tickets, for Tuesdays only, 15 Tickets for five Guineas

Performances

Mainpiece Title: Andromaca

Dance: With new Dances- [repeated several times]

3319
10 February 1756 @ King's Theatre

Event Comment: A new Opera. [But not performed.] 'Twas with inexpressible Concern that Mr Vanneschi found the Nobility and Gentry disappointed last Night, by the new Opera's not being then performed; a circumstance wholly owing to Sig Ricciarelli's being, on a sudden, taken extremely ill Yesterday, at an hour too late for its being made known to the Public (Public Advertiser, 11 Feb.)

Performances

Mainpiece Title: L'olimpiade

3320
11 February 1756 @ Drury Lane Theatre

Event Comment: Compos'd by Mr Smith--the Introduction, which was a Dialogue in Prose, between Mr Havard & Yates, Much hiss'd & dislik'd. The Opera had great Applause. Miss Young recover'd (Cross). The Opera never performed before with songs from Shakespear, Dryden, &c. The Music by Mr Smith. [The Bill lists no cast or actors. The cast has been retrieved by Hogan from the 1756 ed. plus the musical score published by J. Walsh. Note some parts were doubled. See "Shakespeare's Tempest at Drury Lane During Garrick's Management", G. W. Stone Jr, Shakespeare Quarterly, Winter 1956.] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Tempest

3321
18 January 1757 @ King's Theatre

Event Comment: A New Opera. Musick composed by Signor Hasse. Application by Regina Mingotti, Manager of ye Operas (Larpent MS)

Performances

Mainpiece Title: Il Re Pastore

Dance: Withnew Dances-

3322
31 May 1757 @ King's Theatre

Event Comment: A New Opera. The Musick by Sig Baldassare Galuppi. [Mingotti had been advertising for subscriptions for next season but now Vanneschi announces that he was secured the licence for next year from the Lord Chamberlain and he is the new Director of the operas (Daily Advertiser).

Performances

Mainpiece Title: Euristeo

Dance: With New dances-

3323
28 April 1761 @ King's Theatre

Event Comment: First performance in England. A new comic Opera. Music-Bertoni, author of the favourite song Ah se un Cuor Barbaro, in Demetrio. [Libretto by Goldoni (Loewenberg, Annals of Opera, p. 110.)

Performances

Mainpiece Title: La Pescatrici

3324
16 September 1761 @ Covent Garden

Performances

Mainpiece Title: The Jovial Crew; Or, The Merry Beggars

Performance Comment: Old Rents-Sparks; Hearty-Beard; Springlove-Clarke; Randal-Dunstall; Oliver-Dyer; Justice Clack-Shuter; Hilliard-Baker; Vincent-Mattocks; Meriel-Mrs Vincent; Amie-Miss Young; Rachel-Miss Brent; with the Beggars-; other dances incident to the Opera-.
Cast
Role: with the Beggars Actor:
Role: other dances incident to the Opera Actor: .

Afterpiece Title: The Rape of Proserpine

Performance Comment: As17610911, but cast first listed here: Ceres-Mrs Lampe; Proserpine-Mrs Abegg; Jupiter-Mattocks; Mercury-Baker; Followers of Ceres-Mlle Capdeville, Mrs Viviez, Mrs Jansolin, Mrs White, Mrs Granier, Mrs Leppie, Miss Daw; Pluto-Legg; Daemons-Granier, Leppie, Rochford, Desse, Dumay, Gosley; Harlequin-Miles; Yeoman-Weller; Clodpole-Shuter; Old Man-C. Smith; Old Woman-Mrs Pitt; Colombine-Mrs Dyer; Country Lads, lasses-Dumay, Gosley, Rochford, Miss Helm, Miss Mullart, Mrs White; Gardeners-Dumay, Gosley; The Elements, Earth-Gosley, Mrs Jansolin; Air-Leppie, Mlle Marianne; Fire-Granier, Mrs Granier; Water-Desse, Mlle Capdeville.
Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald

3325
21 November 1761 @ King's Theatre

Event Comment: N.B. The Comic operas will be performed for the future, on Mondays instead of Tuesday, and the Serious operas are to continue on Saturdays as usual

Performances

Mainpiece Title: Alessandro Nell Indie

Cast
Role: Director of the Dances Actor: Gallini