SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Farinello"/1) | (@(roleclean,performerclean) "Farinello")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 8 matches on Performance Comments, 8 matches on Roles/Actors, 5 matches on Event Comments, 0 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: Polifemo

Performance Comment: Cast not listed, but edition of 1734 lists: Polifemo-Montagnana; Aci-Farinello; Galatea-Signora Cuzzoni; Ulisse-Senesino; Calipso-Signora Bertolli; Nerea-Signora Segatti .
Cast
Role: Aci Actor: Farinello

Performances

Mainpiece Title: Honorius

Performance Comment: Cast not listed, but edition of 1734 (for 1736) lists: Onorio-Senesino; Eucherio-Farinello; Ormonte-Signora Bertolli; Stilicone-Montagnana; Termanzia-Signora Cuzzoni; Placidia-Signora Segatti .
Cast
Role: Eucherio Actor: Farinello

Performances

Mainpiece Title: Iphigenia In Aulis

Performance Comment: Cast not listed, but edition of 1735 lists: Iphigenia-Signora Cuzzoni; Clitemnestra-Signora Bertolli; Achille-Broschi Farinello; Agamemnon-Francesco Bernardi, called Senesino; Ulisse-Signora Segatti; Calcante-Montagnana .
Cast
Role: Achille Actor: Broschi Farinello

Performances

Mainpiece Title: Siroe

Performance Comment: Edition of 1736 lists: Cosroe-Francesco Tolve; Siroe-Carlo Broschi, called Farinello; Medarse-Signora Margaret Chimenti; Emira-Signora Antonia Merighi; Laodice-Signora Elisabetta duParc; Arasse-Antonio Montagnana.

Performances

Mainpiece Title: Merope

Performance Comment: Edition of 1736 lists: Merope-Signora Antonia Merighi; Epitide-Carlo Broschi called Farinello; Polifonte-Francesco Tolve; Argia-Signora Eliz. duParc called Francescina; Trasimede-Signora Marg. Chimenti called Droghierina; Anassandro-Antonio Montagnana.

Performances

Mainpiece Title: Demetrius

Performance Comment: Edition of 1737 lists: Cleonice-Signora Antonia Merighi; Alceste-Carlo Broschi called Farinello; Fenicio-Francesco Tolve; Olinto-Signora Marg. Chimenti called Droghierini; Barsene-Signora Elis. duParc called Francesina; Mitrane-Antonio Mantagnana.

Afterpiece Title: Il Giocatore

Performances

Mainpiece Title: Titus

Performance Comment: Edition of 1737 lists: Titus-Signora Frances Tolve; Sextus-Charles Broschi called Farinello; Vitella-Mrs Antonio Merighi; Annius-Mrs Marg. Chimanti called Droghierina; Servillia-Mrs Elizab. duParc called Francescina; Publius-Anthony Montagnana.

Performances

Mainpiece Title: Demofoonte

Performance Comment: Edition of 1737 lists: Demophontes-Signora Frances Tolve; Timantes-Charles Broschi called Farinello; Dircea-Mrs Antonio Merighi; Cresua-Mrs Elizab. duParc called Francescina; Cherinto-Mrs Marie Antonia called Lucchesini; Matthusius-Mrs Marg Chianti called Droghierina.
Event Comment: Benefit Carlo Broschi Farinello. With several Alterations and Additions. Pit and Boxes, Places on the Stage, at Half a Guinea. N.B. Signor Farinello humbly hopes, that the Subscribers will not make use of their Tickets on this Occasion. The Stage will be in the same Manner as in the Assembly with a great Number of Benches. Mrs Pendarves to Mrs Granville, 15 March: Tonight is Farinelli's benefit; all the polite world will flock there, and go at four o'clock, for fear they should not be time enough. I don't love mobbing, and so I shall leave them to themselves. Daily Advertiser, 13 March: 'Tis expected that Signor Farinelli will have the greatest Appearance on Saturday that has been known. We hear that a Contrivance will be made to accommodate 2000 People. His Royal Highness the Prince of Wales has been pleas'd to give him 200 Guineas, the Spanish Ambassador 100, the Emperor's Ambassador 50, his Grace the Duke of Leeds 50, the Countess of Portmore 50, Lord Burlington 50, his Grace the Duke of Richmond 50, the Hon. Col. Paget 30, Lady Rich 20, and most of the other Nobility 50, 30 or 20 Guineas each; so that 'tis believ'd his Benefit will be worth to him upwards of 2000l

Performances

Mainpiece Title: Artaxerxes

Event Comment: Daily Advertiser, 15 Dec: The Opera of Adriano, now performing with great Applause, particularly for some fine Songs in it, compos'd for Signior Farinello, having been thought by the King to be rather too long, M. Veracini has shorten'd it, and his Majesty has declar'd his Intention of being present at it [Tuesday 16]. We hear, that after this Opera has had its run, there will be a new one call'd Mithridates, the Drama of which is wrote in English by Colley Cibber, Esq; Poet Laureat, and translated from thence into Italian

Performances

Mainpiece Title: Adriano

Event Comment: Benefit Carlo Broschi Farinello. With an Addition of several New Songs. N.B. Room will be made upon the Stage

Performances

Mainpiece Title: Artaxerxes

Event Comment: Mainpiece: a new Farce of Two Acts. [Author not known. Apparently not printed.]Afterpiece: (by a Company of Singers just imported) A new Musical Burlesque of two Acts, in a Grand Oratorio. [By Henry Carey.] The Musical Connoisseurs are desir'd do take Notice, that the Company keeps up strictly to the Italian Taste, the Notes being full of Grandeur and Harmony, and the Words full of low Nonsense; and as a further Indication of his Attachment, it is so contriv'd, that two powerful Parties are already form'd to support the two beautiful Rivals, Mauxalinda and Margeria; but which of them will carry their Point, Time alone must determine. It will be deem'd a lasting Obligation to any Chronologer, in what University soever presiding, if he will communicate the precise Century Moore of Moore-Hall liv'd in, so that the Hero may be dress'd in Character; but if the Recherche should prove too laborious, it is resolv'd he shall come as near the Figure of the Divine Farinello as possible. N.B. The Dragon was intended to have charm'd the City at Stationer's Hall; but from a Punctilio very common to Singers, he insisted on exerting his Musical Faculty at the Hay-Market. Admission: 5s., 3s., 2s. 7 p.m

Performances

Mainpiece Title: The Lordly Husband

Afterpiece Title: The Dragon of Wantley

Event Comment: Rehears'd...the Opera of Lucius Verus: This Drama Consists of Airs, borrow'd entirely from Mr Handel's favourite Operas; and so may (probably) be justly styled the most exquisite Composition of Harmony, ever offer'd to the Publick. Those Lovers of Musick among us, whose Ears have been charm'd with Farinello, Faustina, Senesino, Cuzzoni, and other great Performers will now have an Opportunity of Reviving their former delight, which, if not so transporting as then, may yet prove a very high Entertainment. Mr Handel is acknowledged (universally) so great a Master of the Lyre; that nothing urg'd in Favour of his Captial Performances can reasonably be consider'd as a Puff (General Advertiser, 13 Nov.)

Performances