SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House in the Haymarket"/1) | (@(roleclean,performerclean) "Opera House in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3215 matches on Event Comments, 2570 matches on Performance Title, 280 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The United Company. This performance is indicated in the Newdigate newsletters, 11 Jan. 1693@4: On Tuesday the Prince of Baden dyned with ye D of Linster and yesterday his Highness saw the new Opera called Diaclessia acted at the Ks play house (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). There is, however, some uncertainty about this performance. In the first place, Dioclesian was not a new play, although new songs frequently appeared in it. In the second place, Dryden's new play, Love Triumphant, was ready for its premiere about this time, and the compiler of the Newdigate newsletters might have been mistaken in identifying the play. Yet the certain performance of The Double Dealer on 13 Jan. 1693@4 would be an awkward interruption of the initial run of Love Triumphant if it were the new play the Newdigate newsletters refer to. It seems likely, then, that Love Triumphant did not make its first appearance until mid-January. In Thesaurus Musicus, 1694, is a new song in The Prophetess, Act III, When first I saw the bright Aurelia's eyes, set by Henry Purcell and sung by Mrs Ayliff. It is also in Joyful Cuckoldom 1695. In the latter compilation are three other songs for this play: Since from my dear, sung by Mrs Hudson "in the Prophetess, as it is newly reviv'd," set by Henry Purcell; Let monarchs fight, the words by Thomas Betterton, the music by Henry Purcell, and sung by Freeman; Let ye soldiers, the words by Thomas Betterton, set by Henry Purcell, and sung by Freeman

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Event Comment: Elizabeth Barry to the Right Hon. Lady Lisburne, 5 Jan. 1698@9: As for the little affairs of our house I never knew a worse Winter only we have had pretty good success in the Opera of Rinaldo and Armida where the poet made me command the Sea the earth and Air but had I really that Authority I cou'd with joy forsake it all to wait on your Ladyship....Eliz: Barry. Lon: jan: ye 5th this monent Alexander is bespoke to entertain ye Bride I mentioned [the daughter of Lord Litchfield married to Lord Baltimore's son] & all their guest to-morrow (See M. A. Shaaber, A Letter from Mrs Barry, The Library Chronicle, The University of Pennsylvania, XVI [1950], 46)

Performances

Event Comment: [Text by P. A. Motteux. Music adapted by Pepusch.] A new Opera. By Subscription. The Front Boxes and Side Boxes to be laid open into the Pit; where none are to be admitted but by the Subscribers' Tickets. And the Stage Boxes, Balconies, and Galleries are for the Benefit of the House

Performances

Mainpiece Title: Thomyris

Event Comment: By Subscription. Colman's Opera Register: The House was very full all these Nights [28 Feb.-14 March]

Performances

Mainpiece Title: Ernelinda

Event Comment: Benefit Signora Pelotti. Admission as 21 March. Colman's Opera Register: Ye House was very full this Night

Performances

Mainpiece Title: Ernelinda

Event Comment: With all the Scenes, Decorations, Flights, and Machines. Boxes 8s. Pit 5s. Gallery 2s. 6d. Stage Boxes half a guinea. Colman's Opera Register: A thin House

Performances

Mainpiece Title: Theseus

Event Comment: Admission as 26 Oct. Colman's Opera Register: ye Prince & Princess of Wales present, ye House not near full. Ye New Singers...meet with little applause as yet Mrs Robinson not singing

Performances

Mainpiece Title: Ernelinda

Event Comment: By Command. Admission as 26 Oct. Colman's Opera Register: Ye Prince & Princess present, ye House extraordinary full

Performances

Mainpiece Title: Arminius

Dance: As17141204

Event Comment: By His Royal Highness's Command. Colman's Opera Register: Ye King, Prince & Princess present, & a full House

Performances

Mainpiece Title: Rinaldo

Event Comment: Colman's Opera Register: a very thin house

Performances

Mainpiece Title: Rinaldo

Event Comment: Benefit Mrs Robinson. By Command. With the Original Mad-Scenev. Admission as 2 April. Colman's Opera Register: Ye House & ye stage full ye King, Prince, &c. present

Performances

Mainpiece Title: Ernelinda

Event Comment: By Command. Admission as 26 Oct. 1714. Colman's Opera Register: Ye House extraordinary full

Performances

Mainpiece Title: Hydaspes

Event Comment: Admission as 19 Nov. And whereas several Ladies who had Tickets have been dasappointed of seeing the Opera for want of Room, and others were obliged to stand during the whole Performance, tho's no more Tickets were deliver'd out than usual, and the House will conveniently hold: The Directors think it necessary to declare, that they will discharge any of the Boxkeepers who shall be detected in letting in any Person whatsoever without a Ticket

Performances

Mainpiece Title: Astartus

Event Comment: TThe King, Prince and Princess of Wales present. Universal Mercury, February 1726: Mr Handel had the Satisfaction of seeing an old Opera of his not only fill the House, which had not been done for a considerable time before, but People crowding so fast to it, that above 300 were turn'd away for want of room

Performances

Mainpiece Title: Otho

Event Comment: [T$Their Majesties, Prince, and three eldest Princesses present.] Colman Opera Register: a full House

Performances

Mainpiece Title: Alexander

Event Comment: [The Royal Family present.] Colman Opera Register: A thin House

Performances

Mainpiece Title: Alexander

Event Comment: A new Opera. Written by the late Mr Gay. With New Habits and Scenes. Receipts: #207 11s. 6d. Daily Courant, 12 Feb.: Mr Pultney and Mr Pope were in the Pit....They were in the House before any body else was admitted. Sir William Windham was also present at this Performance; but notwithstanding the Countenance given to it, there was so much Obscenity and Scurrility in it, that it raised a general Abhorrence in the Audience. [See also The Bee, 17 Feb., for a puff concerning this performance and the play in general.

Performances

Mainpiece Title: Achilles

Performance Comment: Edition of 1733 lists; Lycomedes-Quin; Diphilus-Aston; Achilles-Salway; Ulysses-Chapman; Diomedes-Laguerre; Ajax-Hall; Periphas-Walker; Agyrtes-Leveridge; Thetis-Mrs Buchanan; Theaspe-Mrs Cantrell; Deidamia-Miss Norsa; Lesbia-Miss Binks; Philoe-Miss Oates; Artemona-Mrs Egleton; Prologue by Gay-Quin.
Cast
Role: Thetis Actor: Mrs Buchanan
Role: Theaspe Actor: Mrs Cantrell
Related Works
Related Work: Achilles in Petticoats Author(s): George Colman, the elder
Event Comment: London Daily Post and General Advertiser, 30 Nov.: Last Night there was a Rehearsal of a new Opera before his Royal Highness the Prince of Wales at his House in Pall-Mall, in which Farinelli and Senesino each of them perform'd a Part

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Drury; the other parts as17341119. the other parts as17341119.
Cast
Role: Othello Actor: Drury
Event Comment: [The Queen, Duke, and princesses present.] Lord Hervey to Henry Fox, 13 Nov.: I am just returned with the Queen from a long dull Opera, and a cold, empty House.--Ilchester, Lord Hervey and his Friends, p. 255

Performances

Mainpiece Title: Alcina

Event Comment: MMrs Pendarves, 27 Nov.: They [The king's] have Farinelli, Merighi, with no sound in her voice, but thundering action-a beauty with no other merit; and one Chimenti, a tolerable good woman with a pretty voice, and Montagnana, who roars as usual! With this band of singers, and dull Italian operas, such as you almost fall asleep at, they presume to rival Handel-who has Strada, that sings better than ever she did; Gizziello, who is much improved since last year; and Annabali, who has the best part of Senesino's voice and Caristini's, with a prodigious fine taste and good action! We have had Alcina, and Atalanta, which is acted tonight for the last night with the fireworks....Mrs Porter acts three times a week; I have made a party to go next week; she is the only support of the stage, the house is crammed whenever she acts.-Delany, Autobiography, I, 5578-79

Performances

Mainpiece Title: Atalanta

Event Comment: WWalpole to Sir Horace Mann: We have operas but no company at them; the Prince and Lord Middlesex Impresarii. Plays only are in fashion; at one house the best company that perhaps ever were together, Quin, Garrick, Mrs Pritchard, Mrs Cibber: at the other Barry, a favorite young actor and the Violette, whose dancing our friends don't like: I scold them, but all the answer is "Lord! you are so English."-Horace Walpole's Correspondence with Sir Horace Mann, II, 42

Performances

Mainpiece Title: Othello

Dance: The German Camp, as17461204; The Vintage, as17461204

Event Comment: Mainpiece: By Desire. A great Noise, the whole House against us-When Garrick appear'd one from the Slips cry'd out Monsieur, & great Numbers Hiss'd-the play went on-wch done, the Mutiny began, amazing noise-no plating, except one Apple; ye pit to ye Boxes cry'd-now draw yr Swords, wch makes us think, the Riot was occasion'd by the Box people being so busy & turning some out of the pit & Gall: before. Some benches were pull'd up, & Mr Lacy gave up the Dance to appease 'em-being Sat: our friends were at ye Opera, & the common people had leisure to do Mischief (Cross). [Lynham in The Chevalier Noverre, quotes from the Journal Etranger of 25 Nov. 1775: 'The blackguards...tore up the benches and threw them into the Pit on the opposing party; they broke all the mirrors, the chandeliers, &c., and tried to climb onto the stage to masacre everybody; but, as there is a magnificent organization in this theatre, in three minutes all the decor had been removed, all the traps were ready to come into play to swallow up those who might venture up, all the wings were filled with men armed with sticks, swords, halberds, &c., and behind the scenes the great reservoir was ready to be opened to drown those who might fall on the stage itself."Cross lists no Receipts.

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Chinese Festival

Performance Comment: As17551112, but Parts-Mons _Delaistre; _StLeger; _Pochee; _Granier; _Walker; _Atkins; Sga _Pietro; Mrs _Addison; Mlle _Charon; Mlle _Rousselet; Mrs _Philips; Mrs _Lawson; _Scrase; _Jefferson; _Vaughan; _Burton; _Marr; _Chamness; _Bullbrick; _Clough; _Allen; _Gray; Mrs _Bradshaw; Mrs _Hippisley; Mrs _Mathews; Mrs _Simson; Miss _Mills, _Lewis. _StLeger; _Pochee; _Granier; _Walker; _Atkins; Sga _Pietro; Mrs _Addison; Mlle _Charon; Mlle _Rousselet; Mrs _Philips; Mrs _Lawson; _Scrase; _Jefferson; _Vaughan; _Burton; _Marr; _Chamness; _Bullbrick; _Clough; _Allen; _Gray; Mrs _Bradshaw; Mrs _Hippisley; Mrs _Mathews; Mrs _Simson; Miss _Mills, _Lewis.
Event Comment: Afterpiece from ye Village Opera (Cross). Benefit for Mrs Pritchard. Tickets at her house in York St., and at Pritchard's Warehouse in Tavistock St. Receipts: #240 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Villagers

Performance Comment: Principal parts-Palmer, Beard, Yates, Blakes, Vaughan, Burton, Mrs Cross, Mrs Clive, Miss Minors; To Conclude with a Dance-the Villagers.

Dance: IV: New Sailor's Dance, as17560217

Event Comment: full column letter to the public signed by John Beard appeared in the Public Advertiser announcing his agreement to the half-price demands of the rioters, and excusing himself for not acquiescing with more alacrity on the night of the demand. His excuse was that he was merely manager for other proprietors, and that property interest was involved in the financial sacrifice he was asked to make. He noted further reasons for not immediately giving in to demands of the rioters: Mr Beard had at that time received several anonymous threatening letters and notes concerning many other branches of what they called Reformation. He was ordered by one to add a farce to Love in a Village, or the House should be pulled about his ears. By andther he was commanded to put a stop to the farther representation of that Opera, upon the penalty of enforcing his compliance by a Riot the next night of performance, and very lately received certain information of meetings, which have already been held, and an Association forming to reduce the prices at the Theatre to what they were forty years since, tho' it is notorious the Expence of Theatrical Entertainments are more than doubled. For these reasons he looked upon the Occasion of the present disturbance only as a prelude to future violence; as the first not the last salutation of this extraordinary kind to be expected, and apprehended that too easy an acquiescence might possibly prove rather encouragement than prevention. Nevertheless in gratitude for the many favours and indulgencies received from the Publick, and from an earnest desire to promote that order and decorum so essential in all Public Assemblies, the Proprietors have now jointly authorized Mr Beard to declare that they shall think themselves equally bound with the managers of the other Theatre to an observance of those limitations which they have agreed to." This letter repeated in Public Advertiser, 3 March.

Performances

Mainpiece Title: None

Event Comment: Benefit for Tenducci. By Particular Desire. Upper Gallery 3s. 6d. The House will be doubly Illuminated for the Upper Boxes and Upper Gallery to read their Books. Books of the opera to be had at the Theatre. Nor will any Pit Tickets be admitted into the Gallery

Performances

Mainpiece Title: Antigonus

Dance: As17650105