SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House in the Haymarket"/1) | (@(roleclean,performerclean) "Opera House in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3215 matches on Event Comments, 2570 matches on Performance Title, 280 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Pepys, Diary: By and by with Lord Bruncker by coach to his house, there to hear some Italian musique: and here we met Tom Killigrew, Sir Robert Murray, and the Italian Signor Baptista, who hath composed a play in Italian for the Opera, which T. Killigrew do intend to have up; and here he did sing one one of the acts. He himself is the poet as well as the musician.... This done, T. Killigrew and I to talk: and he tells me how the audience at his house [Bridges St.] is not above half so much as it used to be before the late fire. That Knipp is like to make the best actor that ever come upon the stage, she understanding so well: that they are going to give her #30 a-year more. That the stage is now by his pains a thousand times better and more glorious than ever heretofore. Now, wax candles, and many of them; then, not above 3 l6s. of tallow: now, all things civil, no rudeness anywhere; then, as in a bear-garden: then, two to three fiddlers; now, nine or ten of the best: then, nothing but rushes upon the ground, and every thing else mean; and now, all otherwise: then, the Queen seldom and the King never would come; now, not the King only for state, but all civil people do think they may come as well as any....That he hath gathered our Italians from several Courts in Christendome, to come to make a concert for the King, which he do give #200 a-year a-piece to: but badly paid, and do come in room of keeping four ridiculous gundilows, he having got the King to put them away, and lay out money this way; and indeed I do commend him for it, for I think it is a very noble undertaking. He do intend to have some times of the year these operas to be performed at the two present theatres, since he is defeated in what he intended in Moorefields on purpose for it; and he tells me plainly that the City audience was as good as the Court, but now they are most gone

Performances

Event Comment: [Pasticcio: an opera, cantata, or other composition made up of various pieces from different authors or sources. See H. Walpole to Mann, 1 Nov. 1752, Our Operas begin tomorrow with a pasticcio full of most of my favourite songs." Grove's Dictionary, II, 688: "A species of lyric drama composed of airs, duets and other movements selected from different sources and so grouped as to provide a mixed audience with the greatest possible number of favourite airs in succession." See favorable notice 20 March in the Public Advertiser. The Westminster Magazine remarked of Oratorio season at cg: "They have not possessed so uninterrupted a flow of success, but we remember that they have experienced more barren seasons. The instrumental band is superior to that at the other house, and the vocal not at all inferior. At this house they have produced selections of musical pieces, by the most capital masters, arranged so as to form entire entertainments. In general these are very agreeable." See 20 March.] Charges: #35

Performances

Mainpiece Title: A Pasticio With Concertos

Performance Comment: Act I a Pasticcio consisting of select airs and concertos-; Symphony-; Song-Ristorini; Accompanied Recitative and song-Reinhold (composed by Giordani); A new Song-Miss Venables (composed by Mr Arne); Chorus-Mr Nigri; song-Mrs Mattocks (composed by Bach); New Song-Mrs Barthelemon (composed by Mr Barthelemon; accompanied on the French Horn-Sg Spandau; a Song-Miss Catley (composed by Dr Arne); . .

Music: I: Concerto on violin-Barthelmon; II: a Serenata Beauty and Virtue-; translated from Metastasio and composed by Dr Arne; II: Concerto on Organ-Mr Arne; III: (Never Performed) The Thunder Ode written on the Hurricanes of the West Indies, by Mr Arne, Principal singers-Miss Catley, Mrs Mattocks, Miss Venables, Sg Ristorini, Mrs Barthelemon, Mr Reinhold; The concertos-Barthelemon, Spandau, Mr Arne

Event Comment: Benefit for Mme Banti. A Grand Serious Opera (1st time in this Country [1st performed at Paris, 1779]); the Music by Gluck. Accompanied With Chorusses under the Direction of Kelly. With entirely new Scenes designed by Marinari, and executed under his direction, Dresses and Decorations. Tickets to be had of Mme Banti, No. 7, Hay Market. The Company are respectfully entreated not to come upon the Stage this Night, as the Iphigenia is accompanied with a degree of Spectacle on which the effect of the Performance chiefly depends; besides, the Machinery used in this Opera will make it dangerous for the Company to be upon the Stage during the time of the representation. "We never saw a House more splendid, more crowded, nor more gratified...In spite of the request not to crowd upon the stage, it was quite thronged; and it was impossible to move the complicated and superb scenery with effect. We lament that no means can be devised to save the stage from this perpetual intrusion" (Morning Chronicle, 8 Apr.). "Banti had a crowded house for her benefit, and is said to have netted 1500 guineas" (Monthly Magazine, May 1796 p. 321)

Performances

Mainpiece Title: Ifigenia In Tauride

Dance: As17960315

Event Comment: Benefit Mrs Talbot and Mrs Martin. Daily Advertiser, 22 Feb.: A Publick Rehearsal of the Opera of Dione [Wednesday 21], at the New Theatre in the Haymarket. Boxes 5s. Pit 3s. Gallery 2s. 6 p.m

Performances

Mainpiece Title: The Recruiting Officer

Dance:

Event Comment: DDaily Advertiser, 22 June: We hear that Subscriptions are actually in great forwardness for having two different Operas next Winter, one at the King's Theatre in the Haymarket, under the Direction of Messrs Handel and Heydegger, and the other to be at one of the Playhouses, under the Management of Directors chosen from among the Subscribers

Performances

Event Comment: TThe King paid #1,000 to the Opera in the Haymarket. See Deutsch, Handel, p. 317

Performances

Event Comment: Daily Journal, 21 May: We hear that the Mad Company at the Haymarket design to keep up that Character, by performing the Beggar's Opera in Roman Dresses, and exhibiting Hurlothrumbo, in which Mrs Charke attempts the Character of Lord Flame

Performances

Mainpiece Title:

Event Comment: The King again granted #1,000 to the Opera in the Haymarket. See Calendar of Treasury Papers, 1735-1738, p. 257

Performances

Mainpiece Title: Orpheus

Event Comment: HHeidegger gets a new leave and license to perform operas at Haymarket Theatre from 8 Dec. 41 to 30 Oct. 45.-Deutsch, Handel, p. 526, from public Record Office L. C. 5@161, p. 97

Performances

Mainpiece Title: Alexander In Persia

Event Comment: By Subscription. A Burletta, or Comic Opera...being the first of this Species of Musical Drama ever exhibited in England. [But see Burney, II, 248, on both cast and music.] Pit and Boxes Half a guinea. Gallery 5s. To begin at 6 p.m. Last Wednesday arrived in London, from Italy, Signor Croza, with his New Company of Italian Performers, who are to entertain the Town the approaching Season, at the King's Theatre in the Haymarket, with Operas of a new kind, call'd Burlettas (General Advertiser, 23 Sept.)

Performances

Mainpiece Title: La Comedia In Comedia

Dance: GGrand Dance (compos'd by Poitier)-Mlle Poitier, Master Charles, Miss Jenny Poitier

Music: Rinaldo da Capua

Event Comment: To the Printer of the Public Advertiser: Sir, On seeing the Burletta of Galligantus at the little theatre in the Haymarket, I was agreeably surprised to see a performance of the kind carried on in so genteel a manner, no way inferior to any opera; and after the nicest inspection of the whole performance, I have the pleasure to inform the Nobility, Gentry, &c., I found all the performers were English, their Dresses very completely adapted, their voices excellent, and their actions quite genteel and comic, their music charming and set without the assistance of any Foreigner, it being composed by Mr J@@D@@, a Native of Ireland, whose excellency in that art needs no encomium. I am, yours A True Briton

Performances

Event Comment: By particular Desire. The last time of performing this season. Whoever has any demands on Messrs Vincent and Gordon on account of the Opera are desired to render their Bill this morning at the Office in the Haymarket

Performances

Mainpiece Title: Il Filosopho De Campagna

Event Comment: Benefit for Sga Todi. Opera: The Music by Piccinni. Tickets to be had of Sga Todi, No. 12, Haymarket

Performances

Mainpiece Title: La Buona Figliuola

Performance Comment: Principal Characters-Jermoli, Rossi, Coppola, Micheli, Sga Jermoli, Sga Prudom, Sga Todi. [Libretto (T. Cadell, 1777) lists the parts: Il Cavaliere Armidoro, Il Marchese della Conchiglia, Tagliaferro, Mengotto, La Marchesa Lucinda, Paoluccia, Cecchina, Sandrina.]Libretto (T. Cadell, 1777) lists the parts: Il Cavaliere Armidoro, Il Marchese della Conchiglia, Tagliaferro, Mengotto, La Marchesa Lucinda, Paoluccia, Cecchina, Sandrina.]

Dance: As17780203 throughout

Event Comment: "Spectas, et tu Spectabere is the inscription over the curtain in the Little Haymarket Theatre. I was there on 29th [sic] July 1794: they gave a National opera, N. B. a piece in Scottish costumes. The men were dressed in flesh-coloured breeches, with white and red ribbons twisted round their stockings, a short, brightly-coloured, striped masons' apron, brown coat and waistcoat, over the coat a large, broad ensign's sash in the same style as the apron, and black cap shaped like a shoe and trimmed with ribbons. The women all in white muslin, brightly coloured ribbons in their hair, very broad bands in the same style round their bodies, also for their hats. They perform the same abominable trash as at Sadlers Wells. A fellow yelled an aria so horribly and with such exaggerated grimaces that I began to sweat all over. N. B. He had to repeat the aria. 0 che bestie!" (Haydn, pp. 294-95)

Performances

Mainpiece Title: The Mountaineers

Performance Comment: As17940721 but omitted: Moors, Muleteers, and Goatherds; from Peasants: Mrs Norton, Miss M. and C. Wrighten, Mrs Gaudry, Mrs Butler, Mrs Hale, Mrs Masters, Miss Menage .
Related Works
Related Work: The Mountaineers Author(s): George Colman, the younger

Afterpiece Title: AULD ROBIN GRAY

Event Comment: The Subscription Operas being now over, Ladies (not Subscribers) may be accomodated with Boxes for the remainder of the season, by applying to Shelmerdine, at the Office of the Theatre, in the Haymarket

Performances

Mainpiece Title: An Act Of Elfrida

Afterpiece Title: I Due Svizzeri

Dance: End: a new divertissement, La Double Epreuve- (composed by D'Egville); End 2nd piece: Telemaque, as17990330

Event Comment: [Text by N. F. Haym. Music by G. F. Handel.] Colman's Opera Register: Mr O. Swiny ye Manager of ye Theatre was now setting out a New Opera, Heroick. all ye Habits new & richer than ye former with 4 New Scenes, & other Decorations & Machines. Ye Tragick Opera was called Theseus. Ye Musick composed by Mr Handel....ye Opera being thus prepared Mr Swiny would have got a Subscription for Six times, but could not.--he then did give out Tickets at half a Guinea each, for two Nights ye Boxes lay'd open to ye Pit, ye House was very full these two Nights

Performances

Mainpiece Title: Theseus

Performance Comment: Deutsch (p. 52) conjectures the cast: Teseo-Valeriano; Aailea-Signora del'Epine; Medea-Signora Pilotti; Egeo-Valentini; Clizia-Signora Gallia; Arcane-Mrs Barbier; Fedra-Signora Manina; Minerva-Leveridge.
Event Comment: The Duke's Company. Pepys, Diary: To the Opera, and there saw Romeo and Juliet, the first time it was ever acted; but it is a play of itself the worst that ever I heard in my life, and the worst acted that ever I saw these people do, and I am resolved to go no more to see the first time of acting, for they were all of them out more or less. Downes (p. 22): Note, There being a Fight and Scuffle in this Play, between the House of Capulet, and House of Paris; Mrs Holden Acting his Wife, enter'd in a Hurry, Crying, O my Dear Count! She Inadvertently left out, O, in the pronuntiation of the Word Count! giving it a Vehement Accent, put the House into such a Laughter, that London Bridge at low-water was silence to it. This Tragedy of Romeo and Juliet, was made some time after into a Tragi-comedy, by Mr James Howard, he preserving Romeo and Juliet alive; so that when the Tragedy was Reviv'd again, twas Play'd Alternately, Tragical one Day, and Tragicomical another; for several Days together. [No specific notices are known which would indicate when Howard's version appeared.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Downes (Roscius Anglicanus, p. 22): Romeo-Harris; Mercutio-Betterton; Paris-Price; Fryar-Richards; Sampson-Sandford; Gregory-Underhill; Juliet-Mrs Saunderson; Count Paris' Wife-Mrs Holden. Spencer (Shakespeare Improved, p. 73) thinks that James Nokes acted the Nurse.
Event Comment: The United Company. The date of the first performance is not known, but Luttrell's copy (Huntington Library) of the play bears the date of acquisition 3 June [1690, apparently], and the play was advertised in the London Gazette, No 2566, 12-16 June 1690. See Fredson Bowers, A Bibliographical History of the Fletcher-Betterton Play, The Prophetess, 1690, The Library, 5th Series, XVI (1961), 169-75. It seems likely that the opera was first given early in June 1690. An edition of The Vocal and Instrumental Musick of The Prophetess appeared in 1691. See Works of Henry Purcell, Purcell Society, IX. Downes (Roscius Anglicanus, p. 42): The Prophetess, or Dioclesian an Opera, Wrote by Mr Betterton; being set out with Coastly Scenes, Machines and Cloaths: The Vocal and Instrumental Musick, done by Mr Purcel; and Dances by Mr Priest; it gratify'd the Expectation of Court and City; and got the Author great Reputation. [See also R. E. Moore, Henry Purcell and the Restoration Theater (Cambridge, Mass., 1961), Chapter V; and E. W. White, Early Theatrical Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59), 44.] The Muses' Mercury (January 1707, pp. 4-5): This prologue was forbidden to be spoken the second Night of the Representation of the Prophetess. Mrs Shadwell was the occasion of its being taken notice of by the Ministry in the last Reign: He happen'd to be at the House on the first Night, and taking the beginning of the Prologue to have a double meaning, and that Meaning to reflect on the Revolution, he told a Gentleman, He would immediately Put a stop to it. When that Gentleman ask'd, Why he wou'd do the Author such a Disservice? He said, Because while Mr Dryden was Poet Laureat, he wou'd never let any Play of his be Acted. Mr Shadwell informed the Secretary of State of it, and representing it in its worst Colours, the Prologue was never Spoken afterwards, and is not printed in Mr Dryden's Works, or his Miscellanies. Cibber, Apology (ed. Lowe, II, 13-14): A Prologue (by Dryden) to the Prophetess was forbid by the Lord Dorset after the first War in Ireland. It must be confess'd that this Prologue had some familiar, metaphorical Sneers at the Revolution itself; and as the Poetry of it was good, the Offence of it was less pardonable

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Performance Comment: [Edition of 1690: No actors' names. Geta-Leigh (Cibber, Apology, ed. $Lowe, I, 149).] A Prologue by John Dryden was suppressed after the first performance; it appeared in the first edition of the play. Epilogue. A Prologue by John Dryden was suppressed after the first performance; it appeared in the first edition of the play. Epilogue.
Event Comment: LLord Wentworth to the Earl of Strafford, 19 Jan.: We was at Covent Garden Play House last night, my mother was so good as to treat us with it, and the Dragon of Wantcliff was the farce. I like it vastly and the musick is excessive pretty, and tho it is a burlesque on the operas yet Mr Handel owns he thinks the tunes very well composed....and it has been acted 36 times already and they are always pretty full. The poor operas I doubt go on but badly, for tho every body praises both Cafferielli and the opera yet it has never been full, and if it is not now at first it will be very empty towards the latter end of the winter.--Wentworth Papers, p. 539

Performances

Mainpiece Title: The Northern Lass

Performance Comment: London Daily Post and General Advertiser missing, but Genest, III, 549, lists: Sir Philip-Ryan; Sir Paul-Hippisley; Tridewell-Hale; Anvil-Bridgwater; Widgin-Chapman; Bulfinch-Rosco; Pade-Arthur; Howdye-Neale; Widow Fitchow-Mrs Horton; Northern Lass-Mrs Vincent.
Cast
Role: Northern Lass Actor: Mrs Vincent.

Afterpiece Title: The Dragon of Wantley

Performances

Mainpiece Title: Virginia

Performance Comment: Announced, but not performed. "On Saturday night the opera was that King's scene of confusion and distress that no serious opera, with all its cantabile faintings, rapes, battles and murders ever produced. On the drawing up of the curtain it was not a Roman legion in marshal array that caught the eye. No, it was a corps of the sons of the feather and fashionâ??British bucksâ??British beaus . . . Off! Off! was the cry from every part of the house. To this admonishing shout they were all Atlases ... By no efforts could the opera be put in train. The manager and his friends exerted themselves in vain to appease the fury ... This scene of tumult and disorder continued for upwards of three hours and a half, when the audience retreated, some discontented, and others more pleased than ever they were at a regular entertainment" (Morning Herald, 15 May) .
Event Comment: Benefit Butler. At the particular Desire of several Persons of Quality and Distinction. 7 P.M. N.B. The Reason of the Play being deferred from Tuesday the 20th of August . . . was on Account of the Absence of one of the principal Performers; so that Mr Butler humbly hopes his Friends will excuse it, and honour him with their Company; and to prevent any Disorder, Guards will attend at the Doors, every thing being to be perform'd in the same exact Manner as at the Theatres Royal

Performances

Mainpiece Title: The Orphan

Performance Comment: Castalio-Egerton, who perform'd it some time ago at the Haymarket; Polydor-Butler, his first Appearance on the Stage .

Afterpiece Title: The Mock Doctor

Dance: III: By Mr Delawn

Song: II: Wasever Nymphlike Rosamondby Miss Hill. V: A Song by a Gentleman

Event Comment: The Company in the Haymarket being busily employ'd in reviving several pieces, are oblig'd to defer playing till further notice (General Advertiser). [T. Cibber stated that when his troupe had a successful run of Romeo and Juliet, and when Mrs Clive arranged for a benefit performance there, the Patentees applied to the Lord Chamberlain and, in consequence, the Lord Chamberlain's Office legally stopped the performances at the Haymarket. Cibber's next move was the Academy device of 1 Nov.--Cibber, A Serio-Comic Apology, p. 10.

Performances

Event Comment: [This is the only occasion in the 18th century when a play was acted in London on this date. "The performance at the Haymarket on the 30th of January has been noticed by his Majesty in a manner which is still a topic of conversation in the higher circles...There will be no more theatrical performances on the 30th of January" (London Chronicle, 28 Feb.). On 3 Feb. the Lord Chamberlain wrote to Sheridan as follows: "Sir--Information has been received at this Office that Theatrical Entertainments were exhibited at the Theatre, under your direction, in St. James's Haymarket on the 30th of Last Month, contrary to all precedent, and repugnant to Decency, being the Anniversary of the Martyrdom of King Charles the First. I do not know by what Authority such a Step was taken but, as Chamberlain of His Majesty's Household, think it my Duty to desire that you will be pleased to Cause the Practice to be discontinued in future. I am, Sir, Your Obedient, Humble Servant, Salisbury" (MS Letters to Sheridan from Various Correspondents,II, 64, in Harvard Theatre Collection). The Morning Chronicle on 31 Jan. offered another opinion: "It gave us infinite pleasure that last night we happily broke through one of the most absurd fasts in the calendar. The Managers of Drury Lane, with proper regard to the public, rescued them from the common dullness of a 30th of January." But the absurd fast remained in force until 1843.] Receipts: #339 18s. (291.4; 40.0; 8.11; ticket not come in: 0.3)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Englishman in Paris

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Wilson, widow of Richard Wilson, lately of the Theatre-Royal, Covent-Garden and Haymarket [whose 1st appearance on the stage was at Manchester, 26 Feb. 1796]. Tickets to be had of Mrs Wilson, No. 239, Piccadilly, near the Haymarket

Performances

Mainpiece Title: The Rivals

Performance Comment: Captain Absolute-Palmer; Faulkland-Egerton; Julia-Mrs Wilson (1st time in a London Theatre, and 4th on any stage).
Related Works
Related Work: The Rival Modes Author(s): James Moore Smythe

Afterpiece Title: The Miser

Performance Comment: Lappet-Mrs Wilson; other Characters-The Ladies and Gentlemen of the Shakesperian Society.

Entertainment: Monologue Mainpiece: The Original Epilogue [by Richard Brinsley Sheridan]-Mrs Wilson

Event Comment: The King's Company. Pepys, Diary: Thence to the King's play-house, and there saw Bartholomew Fayre, which do still please me; and is, as it is acted, the best comedy in the world, I believe. I chanced to sit by Tom Killigrew, who tells me that he is setting up a Nursery; that is, is going to build a house in Moorefields, wherein he will have common plays acted. But four operas it shall have in the year, to act six weeks at a time; where we shall have the best scenes and machines, the best musique, and every thing as magnificent as is in Christendome; and to that end hath sent for voices and painters and other persons from Italy

Performances

Mainpiece Title: Bartholomew Fair