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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House at Paris"/1) | (@(roleclean,performerclean) "Opera House at Paris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6040 results for: Keyword - Opera House at Paris
We found 3135 matches on Event Comments, 3014 matches on Performance Title, 498 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

3776
01 January 1743 @ King's Theatre

Event Comment: Text-Vanneschi; Music-Galuppi (Burney). A new Opera [Description as before] but the Silver Tickets will be deliver'd to the Subscribers at the Opera-Office, where Attendance will be given from Nine to One for that Purpose. [Not entered as a new piece in the Larpent MS.]

Performances

Mainpiece Title: Enrico

3777
24 March 1743 @ Haymarket Theatre

Event Comment: An English Opera. Benefit Mrs Lampe. 6 p.m. Prices 5s., 4s., 3s. Note. By Desire of several Ladies of Quality going to the Assembly, the Opera will be over by Nine o'Clock. Tickets at Mr Lampe's at the Golden Unicorn in Hanover St., Long-Acre

Performances

Mainpiece Title: Amelia

3778
20 October 1744 @ Haymarket Theatre

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Gardener's Wedding

Performance Comment: As17441018; Comic Medley Overture-; by late Mr Charke to which will be added a Ballad Opera-. (No cast in Daily Advertiser.)
Cast
Role: to which will be added a Ballad Opera Actor: .

Music: Between the acts: Select Pieces of Musick-; Singing-Mrs Hill; III: The Noon Tide Air from Comus-Mrs Hill

3779
06 January 1746 @ King's Theatre

Event Comment: [Covering all three columns of the front page of the Daily Advertiser is a letter defending the opera as an institution. The writer states that suggestions were made to close the theatres during the Jacobite Rebellion, that the cost of presenting operas during a season is #14,000, that about #2,000 of this is carried out of the country by the singers.

Performances

3780
04 March 1746 @ King's Theatre

Event Comment: A New Opera [a pasticcio by Gluck, chiefly from Tigrane, Sofonisbe, and Ipermestra; libretto revised by F. Vanneschi from B. Vitturi (Loewenberg, Annals of Opera, p. 104); see also W. B Squire, Musical Quarterly, I (1915).

Performances

Mainpiece Title: Artamene

3781
22 September 1746 @ King's Theatre

Event Comment: [Whereas, from various accidents and disappointments the Undertaking an opera for the next year was resolv'd upon too late in the season to permit of solliciting the Subscriptions in the Usual Manner; and as the Proposals for the ensuing year are of a different nature, and, as it is presumed, much more to the Advantage of the Subscribers than any hitherto offered, it has been thought proper to take this method of informing the Publick, that attendance will be given at the Opera-Office in the Haymarket, every Tuesday, Thursday, and Saturday, from ten o'clock in the Morning till three in the afternoon, in order to shew the Proposals, take in subscriptions, and deliver our proper receipts.

Performances

3782
02 December 1746 @ King's Theatre

Event Comment: The subscribers to the Second Subscription for Operas, are desired to take Notice, that on Thursday Morning next will be a General Rehearsal of the new Opera called Mitridate upon the Stage, agreeable to the printed Proposals the Doors will be open'd at Ten, and the Rehearsal will begin at Eleven of the Clock. No Persons to be admitted without a Subscriber's Ticket, and each Ticket will admit four Persons

Performances

3783
30 October 1747 @ King's Theatre

Event Comment: [Whereas a Subscription is begun for an Italian Opera this Season, which will open Nov. 14, Gentlemen and Ladies who please to subscribe, are desir'd to send to the Opera office of the said Theatre.

Performances

3784
12 November 1747 @ King's Theatre

Event Comment: Rehears'd...the Opera of Lucius Verus: This Drama Consists of Airs, borrow'd entirely from Mr Handel's favourite Operas; and so may (probably) be justly styled the most exquisite Composition of Harmony, ever offer'd to the Publick. Those Lovers of Musick among us, whose Ears have been charm'd with Farinello, Faustina, Senesino, Cuzzoni, and other great Performers will now have an Opportunity of Reviving their former delight, which, if not so transporting as then, may yet prove a very high Entertainment. Mr Handel is acknowledged (universally) so great a Master of the Lyre; that nothing urg'd in Favour of his Captial Performances can reasonably be consider'd as a Puff (General Advertiser, 13 Nov.)

Performances

3785
14 March 1748 @ King's Theatre

Event Comment: We hear from the King's Theatre in the Haymarket, that as the Celebrated Opera Dido, wrote by Abbat Metastasio, and set to Musick by Sig Hasse, cannot be got ready for Representation till almost a fortnight, the Opera Lucius Verus (consisting of chosen Airs from the Compositions of Mr Handel) will be performed next Saturday (Daily Advertiser)

Performances

3786
28 March 1748 @ Covent Garden

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: The Author's Farce

Performance Comment: Luckless (the Author)-Cibber; Witmore-Bridges; Bookweight-James; Player-Anderson; Jack Pudding-Dunstall; Mrs Moneywood-Mrs James; Harriet-Miss Haughton; Wherein will be introduc'd an Operatic Puppet Show, call'd The Pleasures of the Town: Punch-Dunstall; Joan-Collins; Charon-Stoppelaer; Poet-Paddick; Sailor-Barnard; Robgrave-Smith; Don Tragedio-Storer; Dr Orator-Cushing; Signior Opera-Mrs Dunstall; Mrs Novel-Miss Copin; Goddess of Nonsense-Miss Young; With the Restoration of the King of Bantum, and the Foundlings Found Out: Murdertext-Morgan; Constable-Hacket; Bantomite Governor-Anderson; Bantomime Courier-Barnard; Foundlings-Cibber, Dunstall, Collins, Miss Haughton; Concluding with the Last New Grand Country Dance, call'd The Mouse Trap, or Foot's Vagaries: Miss in her Teens-La Petite Parisienne; Sg Piede-Villeneuve; Maitre de Ballet-Bencraft; Councillor-Morris; Lady Autumn-Oates; Rout, Drum Hunters-Delagarde, Anderson, Paddick, Mrs Dunstall, Mrs Gondou, Mrs Daniel, Mrs Villeneuve.
Cast
Role: Signior Opera Actor: Mrs Dunstall
Role: Miss in her Teens Actor: La Petite Parisienne

Song: I: Go lovely Rose-Beard; II: Tis Liberty-Mrs Storer; III: Sper il Fostore-Miss Faulkner; IV: Smiling Liberty-Miss Faulkner

Dance: V: Drunken Peasant-Philips

3787
31 December 1748 @ King's Theatre

Event Comment: A new Comic Opera. [Leo's Amor Vuol Sofferenza. See Loewenberg, Annals of Opera, I, 195.] By His Majesty's Command no Person whatsoever to be admitted behind the Scenes

Performances

Mainpiece Title: La Finta Frascatana

Dance: Between Acts: Dancing-

3788
14 March 1749 @ King's Theatre

Event Comment: Other Decorations entirely new. A new Comic Opera [by Ciampi]. The New Comic Opera, entitled Le Tre Cicisbei Ridicoli, was perform'd last Tuesday at the King's Theatre in the Hay Market; though large Bills were stuck up in various Parts of the Town and Hand Bills dispers'd insinuating the Contrary (General Advertiser, 18 March)

Performances

Mainpiece Title: Le Tre Cicisbei Ridicoli

Dance: Between the Acts: New Dances-

3789
29 April 1749 @ Haymarket Theatre

Event Comment: By a Set of English Performers translated into French from The Beggar's Opera. Nothing under the full Price will be taken during the Time of the whole Performance, or any money returned after the Curtain is drawn up. To begin at six o'clock. Prices: 5s., 3s., 2s. As this is the first attempt of the kind that was ever made by the English, 'tis hoped the Town will not be offended, that we endeavour to equal the Foreigners in everything, that may conduce to divert or to please them; yet this apology we beg leave to make, that if in our Performance a little of our Native Accent should be discover'd, we humbly hope an English audience will excuse it

Performances

Mainpiece Title: L'opera Du Gueux

3790
13 November 1753 @ King's Theatre

Event Comment: By His Majesty's Command, no Persons whatsoever to be admitted behind the Scenes. [Repeated.] Director-Vanneschi, A New Opera. With New Decorations, etc. To begin at 6:00 p.m. Boxes and Pit a half guinea. Gallery 5s. [Repeated.] No Servants will be admitted into the Footman's Gallery, but those that attend their Masters or Ladies to the said Opera

Performances

Mainpiece Title: Nerone

3791
18 January 1754 @ Covent Garden

Event Comment: Printed books of the opera will be sold at the theatre. Published this day at 1s. Lo Studente A La Moda, dramma comicogiocoso, as it is acted at the Theatre Royal in Covent Garden. With an English Translation. Sold by H. Woodfall...Where may be had Gli Amanti Gelosi, with an English translation. [Opera in there acts in Italian and French. Larpent MS 103. Altered from A. Polomba La Violante. Music by G. B. Pergolesi. Rich applied to the Duke of Grafton (9 Jan.) for license to perform it.

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: Entertainment-[unspecified]

3792
29 January 1754 @ King's Theatre

Event Comment: A New Opera Composed by Hasse. [Revived with Alterations (Loewenberg, Annals of Opera).

Performances

Mainpiece Title: Artaserse

3793
04 March 1754 @ Covent Garden

Event Comment: Benefit for Sga Marina Giordani. Full Prices (Cross). A new Italian Comic Opera. The Music composed by Balthazar Galuppi. Ladies desired to send servants by Half an Hour after Three. This day publish'd at 1s. La Cameriera Accorta, Opera Comico, per Musica, as it is acted at Covent Garden. With an English Translation. Sold by H. Woodfall

Performances

Mainpiece Title: La Cameriera Accorta

Afterpiece Title: Enterntainment

Dance: [Unspecified.]

3794
23 April 1754 @ King's Theatre

Event Comment: A New Opera. First performance in England. The Musick composed by Jomelli; text-Metastasio (Loewenberg, Annals of Opera, p. 112)

Performances

Mainpiece Title: Attilio Regolo

3795
18 November 1754 @ Covent Garden

Event Comment: Play a New Italian Burletta. The first performance in England. Libertto by Goldoni; Music by Galuppi (Loewenberg, Annals of Opera, p. 107). Books of the Opera will be sold at the theatre. Ladies send servants by half past three. Nothing but full prices will be taken during the performance

Performances

Mainpiece Title: L'arcadia In Brenta

3796
16 January 1755 @ The Great Room, Dean Street, Soho

Event Comment: At Mr Ogle's Great Room, Dean St., Soho. A Pastoral Opera [by John Hoadley] set by Dr Green. To begin at 7 p.m. Tickets 5s. Books of the Opera at places of Performance at 6d. Benefit for Robinson, organist of Westminster Abbey

Performances

Mainpiece Title: Phoebe

3797
09 September 1755 @ Haymarket Theatre

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John-Charles; Jobson-Quelch; Cook-Pinner; Coachman-Venables; Butler-Blakey; Conjurer-Metteer; Footman-Turner; Fidler-May; Lettice-Mrs Chetwood; Betty-Miss Davies; Lady Loverule-Mrs Quelch; Nell-Miss Cary [who acted Polly in the Beggar's Opera, her second on any stage but see17550821 and 25 Aug. and 28 Aug.].who acted Polly in the Beggar's Opera, her second on any stage but see17550821 and 25 Aug. and 28 Aug.].

Dance: II: Hornpipe-Walker; III: Pierots Dance-; IV: Hornpipe-a small jolly Tar but seven years old, who never appeared on any Stage before; End: La Dance du Village-

3798
11 November 1755 @ King's Theatre

Event Comment: A New Opera. Musick composed by Jomelli. Pit and Boxes 1!2 guinea. Gallery 5s. 6 p.m. By His Majesty's Command, no Person admitted behind the Scenes. [Repeated in the bills.] The Subscribers to the Operas for the ensuing Season, are desir'd to pay their Subscription money to Mr Crawford, Treasurer of the said Theatre. Pit Tickets, for Tuesdays only, 15 Tickets for five Guineas

Performances

Mainpiece Title: Andromaca

Dance: With new Dances- [repeated several times]

3799
10 February 1756 @ King's Theatre

Event Comment: A new Opera. [But not performed.] 'Twas with inexpressible Concern that Mr Vanneschi found the Nobility and Gentry disappointed last Night, by the new Opera's not being then performed; a circumstance wholly owing to Sig Ricciarelli's being, on a sudden, taken extremely ill Yesterday, at an hour too late for its being made known to the Public (Public Advertiser, 11 Feb.)

Performances

Mainpiece Title: L'olimpiade

3800
11 February 1756 @ Drury Lane Theatre

Event Comment: Compos'd by Mr Smith--the Introduction, which was a Dialogue in Prose, between Mr Havard & Yates, Much hiss'd & dislik'd. The Opera had great Applause. Miss Young recover'd (Cross). The Opera never performed before with songs from Shakespear, Dryden, &c. The Music by Mr Smith. [The Bill lists no cast or actors. The cast has been retrieved by Hogan from the 1756 ed. plus the musical score published by J. Walsh. Note some parts were doubled. See "Shakespeare's Tempest at Drury Lane During Garrick's Management", G. W. Stone Jr, Shakespeare Quarterly, Winter 1956.] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Tempest