SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera Milan"/1) | (@(roleclean,performerclean) "Opera Milan")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2385 matches on Performance Title, 1494 matches on Event Comments, 213 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Opera of Pyramus and Thisbe is oblig'd to be deferr'd till further notice, on account of the Indisposition of one of the performers

Performances

Mainpiece Title: The Drummer; Or, The Haunted House

Afterpiece Title: Orpheus and Eurydice

Event Comment: Afterpiece a Mock Opera, written by Shakespear. The Music composed by J. F. Lampe

Performances

Mainpiece Title: The Miser

Afterpiece Title: Pyramus and Thisbe

Event Comment: Afterpiece an opera in two acts not acted these 6 years [see 24 March 1741]. The words by Mr Addison. The Music compos'd by Mr Arne

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Rosamond

Event Comment: A new Pastoral Opera. [Really a pasticcio. Text-Vanneschi; some music by St. Germain (Burney).] Pit and boxes half a guinea. Gallery 5s. 6:30 p.m

Performances

Mainpiece Title: L'incostanza Deluza

Event Comment: [B+Beggar's Opera announced for Monday 25 Feb.] Prices 1s. 6d

Performances

Mainpiece Title: Othello

Afterpiece Title: The Virgin Unmasked

Performances

Mainpiece Title: A Concert

Performance Comment: Vocal parts-Sg Palma, Sullivan; The favorite songs in the last New Opera, call'd L'Incostanza Deluza-the two Misses Scott; The Instrumental parts-the best masters; particularly a solo on the Violin-Sg Pasquali; a concerto on the Violincello-Sg Pasquali Jr.
Event Comment: Whereas it was first intended to lay the pit and boxes together, for the better accommodation of the ladies, who are desirous of having their places kept, the boxes will be enclosed as usual. -General Advertiser. The songs added to the farcical opera call'd the What D'Ye Call It to be performed tomorrow night at cg, were wrote some years ago by a Gentleman since deceased, whose pieces of the Lyric kind have been often admir'd by people of Taste; there is a pleasing variety in them, and they are thought to be well adapted to the several characters in which they are introduced. The Music, which is entirely new, and compos'd by Mr Lampe, is allow'd by all who have heard it, to be an agreeable mixture of humour, spirit, and harmony. -Daily Advertiser. General Advertiser, 4 April: Yesterday was a rehearsal of The What D'Ye Call It

Performances

Mainpiece Title: Joseph

Event Comment: Benefit Bridges, Blakes and Cross, prompter. Afterpiece: By Desire. Mr Garrick's Indisposition continuing, we have, at the particular desire of several ladies, chang'd our play. Tickets deliver'd out for the Stratagem will be taken. [On this Day appeared the Daily Advertiser a full column presentment by the Court of Westminster to the Justices of the Peace against unlicensed players]: This court being inform'd that common Players of Interludes have for several years...assembled...in Mayfair to erect Booths and exhibit Drolls and Shews...whereby numbers of His Majesty's subjects have been encouraged to assemble and commit riots and other Misdemeanours in Breach of His Majesty's Peace, and to the disturbance of the Neighborhood, and that some of the players are and now contracting for ground in order to erect Sheds, Booths and other places...for shewing and acting plays...&c, &c, &c...for the more effectual suppressing of the evils aforesaid, it is hereby recommended unto his Majesty's Justices of the Peace to meet together at such time as they shall appoint in order to proceed according to the law against all such offenders as shall be brought before them by the peace officers, who are required to be aiding the Justice of the Peace. [The gist of the Presentment lies in the statement]: that they [the Justices] shall apprehend all and every other person and Persons who in any other place or places within the said City and Liberty shall act or represent for gain, any Tragedy, Comedy, Opera, Play, Interlude, Farce, or any other Entertainment for the stage

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Tragedy of Tragedies

Dance: I: Sga Bettini; III: Muilment

Song: II: Lowe; V: Nanny O (By Desire)-Lowe

Event Comment: The Rebellion, is so far from being a disadvantage to the play-houses that, I assure you, it brings them very good houses; and the masters receive so much profit from the Nonjuror, that I wish it does not give them a respect for the name the rest of their lives.-Mrs Cibber to Garrick, 24 Oct. in Boaden, Private Correspondence of Garrick, I, 37. She continues: There will be no operas this year, so if you, Mr Quin and I, agree to play without any salary, and pick up some of the best actors and actresses that are disengaged, at what salary you both think proper, I make no doubt we shall get a licence to play there for fifty, sixty, or any number of nights you agree upon. Mr Heidigger shall pay scenes, & pay those that receive wages; and deliver the overplus to some proper person to enlist men to serve in any of the regiments of Guards, at five pounds per man;--this is the service St. Martin's Parish puts the money to that they collect,--and I mention it, because it is thought the most serviceable to the Government, of any scheme yet proposed

Performances

Mainpiece Title: The Nonjuror

Afterpiece Title: The Debauchees

Dance: V: Grand Comic Dance, as17450926

Event Comment: Yesterday Mr Rich paid into the Chamberlain's Office at Guildhall, the sum of #602 7s. to the Veteran's scheme, being the three night's receipts arising from the Beggar's Opera, performed at cg: And he thinks it incumbent on him in justice to the several persons interested in the Said theatre, to declare, that when the above scheme was by him proposed, they all most generously subscrib'd their demands for these three nights in order to enlarge the sums to be rais'd for the above purpose.-General Advertiser. [The Gentlemen's Magazine, Dec. 1745, states the idea of this gift was proposed by Mrs Cibber, and that the tallow chandlers also gave the candles.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Orpheus and Eurydice

Event Comment: [Long letter on operas in Daily Advertiser.] Barrington acted the part of Teague, in which he introduced several humorous Irish songs; which were received with universal applause, he being allowed by the whole audience to be the most complete Teague that ever appeared on the stage.--General Advertiser, 3 Jan

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Intriguing Chambermaid

Song: II, III: Lowe

Event Comment: Farce not acted in 6 years [see 30 May 1739]. [Another letter on operas in Daily Advertiser.

Performances

Mainpiece Title: The Committee

Afterpiece Title: Damon and Phillida

Song: II: Lowe

Dance: V: Muilment

Event Comment: [G+General Advertiser presents long defense of Italian Opera in a Letter to the Author, signed Linus.

Performances

Mainpiece Title: The Committee

Afterpiece Title: Damon and Phillida

Song: II: My Faith and Truth from Samson-Mrs Clive, Miss Edwards; III: Lowe

Dance: V: Mechel

Event Comment: A new Opera. [Music by Galuppi (Nicoll, Early Eighteenth Century Drama, p. 400).

Performances

Mainpiece Title: Il Trionfo Della Continenza

Event Comment: Mainpiece: By Particular Desire. Afterpiece a new Pastoral English Opera set to Music by Mr DeFesch. Tickets to be had at DeFesch's Lodgings, the Ironmonger's in St Martin's Court, Leicester-Fields; and of Hobson at the stage door. Tickets deliver'd out for As You Like It by Mr DeFesch will be taken

Performances

Mainpiece Title: The Lying Lover

Afterpiece Title: Love and Friendship

Event Comment: A New Opera. [Possibly a pasticcio by Lampugnani, possibly a revival of Rossane, previously revived 15 Nov. 1743, and see the discussion under that date.

Performances

Mainpiece Title: Alexander In India

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Double Disappointment

Performance Comment: As17460318 but a New Prologue to the Opera-_.

Song: III: Colin and Phebe-Lowe, Miss Edwards; IV: Cantata-Lowe

Event Comment: Benefit Shawford, Peacopp [Housekeeper], Currier, Fryar. Tickets deliver'd for the Beggar's Opera will be taken

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Double Disappointment

Dance: V: Mechel, Mlle Mechel

Event Comment: A New Opera [a pasticcio with some new music by Galuppi]. 6:30 p.m

Performances

Mainpiece Title: Antigone

Event Comment: By His Majesty's Command, No Persons to be admitted behind the Scenes. A New Opera [another pasticcio]. Pit and Boxes a half Guinea; gallery 5s. 6 p.m

Performances

Mainpiece Title: Annibale In Capua

Dance:

Event Comment: At the Theatre, the Bottom of Lemon St., Goodman's Fields. [The terminology is repeated in the bills until 16 Feb. 1747. The concert formula is continued as before.] Afterpiece: By Particular desire. First time at this stage. [On Wednesday The Beggar's Opera and The Anatomist were announced for today.

Performances

Mainpiece Title: The London Merchant; Or, The True And Ancient History Of George Barnwell

Afterpiece Title: The Anatomist; or, The Sham Doctor

Dance: Mr Miles, Mrs Miles, Master Morgan, Miss Baker

Event Comment: WWalpole to Sir Horace Mann: We have operas but no company at them; the Prince and Lord Middlesex Impresarii. Plays only are in fashion; at one house the best company that perhaps ever were together, Quin, Garrick, Mrs Pritchard, Mrs Cibber: at the other Barry, a favorite young actor and the Violette, whose dancing our friends don't like: I scold them, but all the answer is "Lord! you are so English."-Horace Walpole's Correspondence with Sir Horace Mann, II, 42

Performances

Mainpiece Title: Othello

Dance: The German Camp, as17461204; The Vintage, as17461204

Event Comment: With new Dances and other Decorations. A new Opera [not new; composer-Terradellas; see 24 Jan. 1736]

Performances

Mainpiece Title: Mitridate

Dance:

Event Comment: At the end of the Opera, a Piece of Scenery in a Taste entirely new

Performances

Mainpiece Title: Mitridate

Event Comment: At the end of the Opera a piece of Scenery in a Taste entirely new [repeated 6, 10 Jan.]

Performances

Mainpiece Title: Mitridate

Dance: