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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera Milan"/1) | (@(roleclean,performerclean) "Opera Milan")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3692 results for: Keyword - Opera, Milan
We found 2385 matches on Performance Title, 1494 matches on Event Comments, 213 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

2551
23 May 1738 @ King's Theatre

Event Comment: LLondon Daily Post and General Advertiser, 24 May: May 23, 1738. All Persons that have subscrib'd or are willing to subscribe twenty Guineas for Italian Opera to be perform'd next Season at the King's Theatre...under my Direction, are desired to send ten Guineas to Mr Drummond the Banker....and Whereas I declared I would undertake the Operas provided I can agree with the Performers, and that 200 Subscriptions are procured, and as the greatest Part ob the Subscribers have already paid the 10 Guineas; it is desired that the remaining Subscribers will be pleased to send the Money to Mr Drummond, on or before the 5th of June next....J. J. Heidegger

Performances

Mainpiece Title: La Conquista Del Vello D'oro

2552
08 March 1740 @ Drury Lane Theatre

Event Comment: Mainpiece: Alter'd from Beaumont and Fletcher, by Sir John Vanbrugh and Mr Dryden. Afterpiece: An English Opera, written by the late Mr Addison, and new set to Musick by Mr Arne, reserving two or three Favourite Songs, out of his former Opera

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Rosamond

Dance: I: Drunken Peasant-Master Ferg; II: L'Allamande-Mlle Chateauneuf; IV: Punches-Master Ferg, Miss Wright

2553
24 March 1741 @ Drury Lane Theatre

Performances

Mainpiece Title: Rosamond

Performance Comment: King Henry-Lowe; Queen Elinor-Mrs Arne; Rosamond-Mrs Clive; Page-Miss Edwards; Sir Trusty-Savage; Grideline-Mrs Jones; between the Interludes will be performed several Grand Concertos-; end Act I, will be performed the Solemn Invocation@Scene in Oedipus-; with the Chorusses-; And after the Opera the Songs and Chorusses in As You Like It-; In which (By Desire) will be introduced the Song of Sweet Bird in the L'Allegro-Mrs Arne; accompanied on the Violin-Mr Arne.
Cast
Role: And after the Opera the Songs and Chorusses in Actor:

2554
12 December 1741 @ King's Theatre

Event Comment: A new Opera. [Music by Galuppi, text P. Rolli. See Loewenberg, Annals of Opera, I, 198.

Performances

Mainpiece Title: Penelope

2555
01 January 1743 @ King's Theatre

Event Comment: Text-Vanneschi; Music-Galuppi (Burney). A new Opera [Description as before] but the Silver Tickets will be deliver'd to the Subscribers at the Opera-Office, where Attendance will be given from Nine to One for that Purpose. [Not entered as a new piece in the Larpent MS.]

Performances

Mainpiece Title: Enrico

2556
24 March 1743 @ Haymarket Theatre

Event Comment: An English Opera. Benefit Mrs Lampe. 6 p.m. Prices 5s., 4s., 3s. Note. By Desire of several Ladies of Quality going to the Assembly, the Opera will be over by Nine o'Clock. Tickets at Mr Lampe's at the Golden Unicorn in Hanover St., Long-Acre

Performances

Mainpiece Title: Amelia

2557
20 October 1744 @ Haymarket Theatre

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Gardener's Wedding

Performance Comment: As17441018; Comic Medley Overture-; by late Mr Charke to which will be added a Ballad Opera-. (No cast in Daily Advertiser.)
Cast
Role: to which will be added a Ballad Opera Actor: .

Music: Between the acts: Select Pieces of Musick-; Singing-Mrs Hill; III: The Noon Tide Air from Comus-Mrs Hill

2558
06 January 1746 @ King's Theatre

Event Comment: [Covering all three columns of the front page of the Daily Advertiser is a letter defending the opera as an institution. The writer states that suggestions were made to close the theatres during the Jacobite Rebellion, that the cost of presenting operas during a season is #14,000, that about #2,000 of this is carried out of the country by the singers.

Performances

2559
04 March 1746 @ King's Theatre

Event Comment: A New Opera [a pasticcio by Gluck, chiefly from Tigrane, Sofonisbe, and Ipermestra; libretto revised by F. Vanneschi from B. Vitturi (Loewenberg, Annals of Opera, p. 104); see also W. B Squire, Musical Quarterly, I (1915).

Performances

Mainpiece Title: Artamene

2560
23 April 1746 @ Haymarket Theatre

Event Comment: Benefit Gluck, composer of the operas at the King's Opera House in the Haymarket. Pit and Boxes together Half a guinea, Gallery 5s. 6:30 p.m. Tickets at Prince of Orange Coffee House in Haymarket

Performances

Mainpiece Title: A Concert

2561
22 September 1746 @ King's Theatre

Event Comment: [Whereas, from various accidents and disappointments the Undertaking an opera for the next year was resolv'd upon too late in the season to permit of solliciting the Subscriptions in the Usual Manner; and as the Proposals for the ensuing year are of a different nature, and, as it is presumed, much more to the Advantage of the Subscribers than any hitherto offered, it has been thought proper to take this method of informing the Publick, that attendance will be given at the Opera-Office in the Haymarket, every Tuesday, Thursday, and Saturday, from ten o'clock in the Morning till three in the afternoon, in order to shew the Proposals, take in subscriptions, and deliver our proper receipts.

Performances

2562
29 November 1746 @ King's Theatre

Event Comment: Attendance will be given this and every Day from Ten in the Morning 'till Three in the Afternoon, at the Opera House in the Haymarket, in order to take in Subscriptions for the Second Subscription to Operas; and whereas the number of Representations for the first Subscription has not been compleated; This is to give notice to the Subscribers, that by sending to the Office, they will have the Money for the deficient Number of Representations returned them; or if they please to go on with the Second Subscription, the Deficiency of the first which ends this Night will be made up to them in the Price of the Tickets for the Second Subscription

Performances

Mainpiece Title: Annibale In Capua

Dance:

2563
02 December 1746 @ King's Theatre

Event Comment: The subscribers to the Second Subscription for Operas, are desired to take Notice, that on Thursday Morning next will be a General Rehearsal of the new Opera called Mitridate upon the Stage, agreeable to the printed Proposals the Doors will be open'd at Ten, and the Rehearsal will begin at Eleven of the Clock. No Persons to be admitted without a Subscriber's Ticket, and each Ticket will admit four Persons

Performances

2564
30 October 1747 @ King's Theatre

Event Comment: [Whereas a Subscription is begun for an Italian Opera this Season, which will open Nov. 14, Gentlemen and Ladies who please to subscribe, are desir'd to send to the Opera office of the said Theatre.

Performances

2565
12 November 1747 @ King's Theatre

Event Comment: Rehears'd...the Opera of Lucius Verus: This Drama Consists of Airs, borrow'd entirely from Mr Handel's favourite Operas; and so may (probably) be justly styled the most exquisite Composition of Harmony, ever offer'd to the Publick. Those Lovers of Musick among us, whose Ears have been charm'd with Farinello, Faustina, Senesino, Cuzzoni, and other great Performers will now have an Opportunity of Reviving their former delight, which, if not so transporting as then, may yet prove a very high Entertainment. Mr Handel is acknowledged (universally) so great a Master of the Lyre; that nothing urg'd in Favour of his Captial Performances can reasonably be consider'd as a Puff (General Advertiser, 13 Nov.)

Performances

2566
14 March 1748 @ King's Theatre

Event Comment: We hear from the King's Theatre in the Haymarket, that as the Celebrated Opera Dido, wrote by Abbat Metastasio, and set to Musick by Sig Hasse, cannot be got ready for Representation till almost a fortnight, the Opera Lucius Verus (consisting of chosen Airs from the Compositions of Mr Handel) will be performed next Saturday (Daily Advertiser)

Performances

2567
28 March 1748 @ Covent Garden

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: The Author's Farce

Performance Comment: Luckless (the Author)-Cibber; Witmore-Bridges; Bookweight-James; Player-Anderson; Jack Pudding-Dunstall; Mrs Moneywood-Mrs James; Harriet-Miss Haughton; Wherein will be introduc'd an Operatic Puppet Show, call'd The Pleasures of the Town: Punch-Dunstall; Joan-Collins; Charon-Stoppelaer; Poet-Paddick; Sailor-Barnard; Robgrave-Smith; Don Tragedio-Storer; Dr Orator-Cushing; Signior Opera-Mrs Dunstall; Mrs Novel-Miss Copin; Goddess of Nonsense-Miss Young; With the Restoration of the King of Bantum, and the Foundlings Found Out: Murdertext-Morgan; Constable-Hacket; Bantomite Governor-Anderson; Bantomime Courier-Barnard; Foundlings-Cibber, Dunstall, Collins, Miss Haughton; Concluding with the Last New Grand Country Dance, call'd The Mouse Trap, or Foot's Vagaries: Miss in her Teens-La Petite Parisienne; Sg Piede-Villeneuve; Maitre de Ballet-Bencraft; Councillor-Morris; Lady Autumn-Oates; Rout, Drum Hunters-Delagarde, Anderson, Paddick, Mrs Dunstall, Mrs Gondou, Mrs Daniel, Mrs Villeneuve.
Cast
Role: Signior Opera Actor: Mrs Dunstall

Song: I: Go lovely Rose-Beard; II: Tis Liberty-Mrs Storer; III: Sper il Fostore-Miss Faulkner; IV: Smiling Liberty-Miss Faulkner

Dance: V: Drunken Peasant-Philips

2568
31 December 1748 @ King's Theatre

Event Comment: A new Comic Opera. [Leo's Amor Vuol Sofferenza. See Loewenberg, Annals of Opera, I, 195.] By His Majesty's Command no Person whatsoever to be admitted behind the Scenes

Performances

Mainpiece Title: La Finta Frascatana

Dance: Between Acts: Dancing-

2569
14 March 1749 @ King's Theatre

Event Comment: Other Decorations entirely new. A new Comic Opera [by Ciampi]. The New Comic Opera, entitled Le Tre Cicisbei Ridicoli, was perform'd last Tuesday at the King's Theatre in the Hay Market; though large Bills were stuck up in various Parts of the Town and Hand Bills dispers'd insinuating the Contrary (General Advertiser, 18 March)

Performances

Mainpiece Title: Le Tre Cicisbei Ridicoli

Dance: Between the Acts: New Dances-

2570
29 April 1749 @ Haymarket Theatre

Event Comment: By a Set of English Performers translated into French from The Beggar's Opera. Nothing under the full Price will be taken during the Time of the whole Performance, or any money returned after the Curtain is drawn up. To begin at six o'clock. Prices: 5s., 3s., 2s. As this is the first attempt of the kind that was ever made by the English, 'tis hoped the Town will not be offended, that we endeavour to equal the Foreigners in everything, that may conduce to divert or to please them; yet this apology we beg leave to make, that if in our Performance a little of our Native Accent should be discover'd, we humbly hope an English audience will excuse it

Performances

Mainpiece Title: L'opera Du Gueux

2571
13 November 1753 @ King's Theatre

Event Comment: By His Majesty's Command, no Persons whatsoever to be admitted behind the Scenes. [Repeated.] Director-Vanneschi, A New Opera. With New Decorations, etc. To begin at 6:00 p.m. Boxes and Pit a half guinea. Gallery 5s. [Repeated.] No Servants will be admitted into the Footman's Gallery, but those that attend their Masters or Ladies to the said Opera

Performances

Mainpiece Title: Nerone

2572
18 January 1754 @ Covent Garden

Event Comment: Printed books of the opera will be sold at the theatre. Published this day at 1s. Lo Studente A La Moda, dramma comicogiocoso, as it is acted at the Theatre Royal in Covent Garden. With an English Translation. Sold by H. Woodfall...Where may be had Gli Amanti Gelosi, with an English translation. [Opera in there acts in Italian and French. Larpent MS 103. Altered from A. Polomba La Violante. Music by G. B. Pergolesi. Rich applied to the Duke of Grafton (9 Jan.) for license to perform it.

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: Entertainment-[unspecified]

2573
29 January 1754 @ King's Theatre

Event Comment: A New Opera Composed by Hasse. [Revived with Alterations (Loewenberg, Annals of Opera).

Performances

Mainpiece Title: Artaserse

2574
04 March 1754 @ Covent Garden

Event Comment: Benefit for Sga Marina Giordani. Full Prices (Cross). A new Italian Comic Opera. The Music composed by Balthazar Galuppi. Ladies desired to send servants by Half an Hour after Three. This day publish'd at 1s. La Cameriera Accorta, Opera Comico, per Musica, as it is acted at Covent Garden. With an English Translation. Sold by H. Woodfall

Performances

Mainpiece Title: La Cameriera Accorta

Afterpiece Title: Enterntainment

Dance: [Unspecified.]

2575
23 April 1754 @ King's Theatre

Event Comment: A New Opera. First performance in England. The Musick composed by Jomelli; text-Metastasio (Loewenberg, Annals of Opera, p. 112)

Performances

Mainpiece Title: Attilio Regolo