SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Oliver Goldsmith"/1) | (@(roleclean,performerclean) "Oliver Goldsmith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 272 matches on Performance Comments, 29 matches on Event Comments, 16 matches on Author, 5 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Jovial Crew; or, The Merry Beggars

Performance Comment: Oliver-Mills; Springlove-Cross; Old Rents-Turbutt; Hearty-Dunstall; Randal-Morgan; Patrico-Woodburn; Martin-Ray; Justice Clack-Taswell; Vincent-Blakes; Hillyard-Moreland; Rachel-Mrs Chetwood; Meriel-Miss Budgell; Amice-Miss Bradshaw; Beggars-Collins, Gray, Miss Scotts.
Cast
Role: Oliver Actor: Mills

Song: BBritons Strike Home-Moreland

Dance: Muilment, Mlle Auguste; A Dance-Desse, Mrs Walter

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Ladies' Frolick

Performance Comment: Oliver-Dodd; Justice Clack-Parsons; Hilliard-Bannister; Vincent-Davies; Beggars-Wright, Waldron, Kear, Booth, Messink, Mrs Bradshaw, Mrs Love; Meriel-Miss Rogers; Rachel-Miss Radley; In Act I, a Crutch Dance-.
Cast
Role: Oliver Actor: Dodd

Dance: End: A Comic Dance-two children, scholars of Daigville

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Ladies Frolick

Performance Comment: Oliver-Dodd; Clack-Parsons; Scentwell-Griffith; Meriel-Mrs Hunt; Rachel-Mrs Wrighten, first time; Hilliard-Davies; Vincent-Fawcett; Beggars-Wright, Waldron, Kear, Messink, Courtney, Jones, Mrs Love, Mrs Smith; A New Song-; will be introduced and In Act I, the Crutch Dance-.
Cast
Role: Oliver Actor: Dodd

Song: II: Rise Glory-Mrs Wrighten

Dance: V: The Sailors Revels, as17730928

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Ladies Frolick

Performance Comment: Oliver-Dodd; Justice Clack-Parsons; Hilliard-Davies; Meriel-Miss Jarratt; Rachel-Mrs Smith, first time; Vincent-Fawcett; Beggars-Wright, Legg, Messink, Griffiths, Carpenter, Blanchard, Mrs Love, Mrs S. Smith; In Act I a Crutch Dance-.
Cast
Role: Oliver Actor: Dodd

Entertainment: End: the Favourite Interlude, Linco's Travels-, with Particular remarks on London; Linco-King; Old Woman-Mrs Bradshaw

Performances

Mainpiece Title: Imitation; Or, The Female Fortune-hunters

Afterpiece Title: The Ladies' Frolick

Performance Comment: Oliver-Dodd; Justice Clack-Waldron; Hilliard-Williames; Vincent-Staunton; Scentwell-Burton; Beggars-Chapman, Fawcett, Wright, Phillimore, Chaplin, Alfred, Spencer, Kenny; Mrs Love, Mrs Smith, Mrs Booth, Mrs Granger, Miss Simson, Miss Hale, Miss Barnes, Miss Tidswell; Meriel-Miss Field; Rachel-Miss Phillips .
Cast
Role: Oliver Actor: Dodd

Dance: After the Epilogue The Butterfly, as17830426; In Act I of afterpiece the Crutch Dance {performers not listed)

Song: In Act II of mainpiece song on the Knights of St. Patrick, &c. (singer not listed)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Ladies' Frolick

Performance Comment: Oliver-Dodd; Justice Clack-Waldron; Hilliard-Williames; Vincent-Staunton; Scentwell-Burton; Beggars-Chapman, Fawcett, Wright, Phillimore, Chaplin, Alfred, Spencer, Kenny; Mrs Love, Mrs Smith, Mrs Booth, Mrs Burnett, Miss Simson, Miss Hale, Miss Barnes, Miss Tidswell, &c.; Meriel-Miss Field; Rachel-Miss Phillips .
Cast
Role: Oliver Actor: Dodd

Dance: End of Act IV of mainpiece, as17830918; In Act I of afterpiece the celebrated Crutch-Dance [performers not listed; danced in all subsequent performances]

Performances

Mainpiece Title: The Carmelite

Afterpiece Title: The Ladies' Frolick

Performance Comment: Oliver-Dodd; Justice Clack-Waldron; Hilliard-Williames; Vincent-Staunton; Scentwell-Burton; Beggars-Chapman, Fawcett, Wright, Phillimore, Chaplin, Wilson, Alfred, Spencer; Mrs Love, Mrs Smith, Mrs Booth, Mrs Burnett, Miss Simson, Miss Hale, Miss Burnett, Miss Tidswell, &c.; Meriel-Miss Field; Rachel-Miss Phillips .
Cast
Role: Oliver Actor: Dodd

Dance: In Act I of afterpiece the celebrated Crutch Dance [performers not listed]

Performances

Mainpiece Title: Lady Jane Grey

Afterpiece Title: Harlequin Sorcerer

Entertainment: End: A New Occasional Epilogue written by Mr Goldsmith will be spoken-Lewes

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Irish Widow

Monologue: Interlude. Taken from The Register Office. End of Play, By Particular Desire and for that night only. The New Character-Mrs Gardener , her first appearance here these 2 years; Melpomene-Miss Francis

Entertainment: After Interlude: Epilogue-Lee Lewes in the character of Harlequin (Written by late Dr Goldsmith) which will conclude with an escape thro' the Tub, as in the Pantomime of Mother Shipton

Dance: End Epilogue: The Merry Sailors, as17760314

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Romp

Entertainment: Monologues End: A Dissertation on Hobby Horses , in which (the speaker) will mount upon their different Hobbies the following Personages: The Ladies , Patriots , Statesmen , Captains , Lawyers , Macaronies , Soldiers , Fidlers , Manager , and his own Hobby-Brown; End afterpiece: Dr Goldsmith's Epilogue in the Character of Harlequin , to conclude with a Leap eight feet high-Brown

Performances

Mainpiece Title: The Royal Heroe; Or, Lover Of His Country, Intermix'd With Several Comical And Diverting Scenes, Call'd the Blundering Brothers, With The Merry Adventures Of Timothy Addlepot And Davy Dunce

Performance Comment: Hero-Johnson; Justinian-Boman; Fernando-Jones; Timothy-Godwin; Col Britain-Gold; Antonio-Adams; Lieutenant-Symonds; Davy-Smith; Goldsmith-Blogg; Leonora-Mrs Godwin; Lucia-Miss Charke; Angelina-Mrs Smith; Eumenes-Mrs Charke.
Cast
Role: Goldsmith Actor: Blogg

Afterpiece Title: Harlequin Sclavonian; or,Monsieur in the Suds

Song: Blogg

Event Comment: Ninth Day. For the Author. Charges #67 15s. Balance to Goldsmith #98. Paid Dr Goldsmith the balances of his 1st and 2nd nights for The Good Natured Man #145 12s. 6d. #96 15s. (Account Book). Receipts: #165 15s. (Account Book)

Performances

Mainpiece Title: The Good Natured Man

Related Works
Related Work: The Good-Natured Man Author(s): Oliver Goldsmith

Afterpiece Title: Midas

Event Comment: Benefit for Quick. Afterpiece: A new Farce never performed. Altered from Sir Charles Sedley's Piece of the same title by Dr Goldsmith. Acted only this night (playbill). [The notation on the alteration is by Kemble on the playbill. The characters are: Sourby, Octavio, Wentworth, Dancing Master, Scamper, Clarissa and Jenny. See Edition by Alice I. Perry Wood (Cambridge, Mass., 1931).] Charges #66 5s. Profit to Quick #7 6d., plus #80 from tickets (Box 100; Pit 263; Gallery 156) (Account Book). [Brief review of the Grumbler in the Westminster Magazine for May 1773: "It was several years ago translated from the French, and received this night some additional touches from the pen of Dr Goldsmith. An entertainment of one act cannot be expected to contain much. The whole merit of this is centered in one character, and perhaps in one scene."] Receipts: #73 5s. 6d

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Grumbler

Related Works
Related Work: The Grumbler Author(s): Oliver Goldsmith

Dance: After the Interlude: The Whim, as17730426

Monologue: 1773 5 8 End of Play: Interlude. An Interlude by S. Foote Esq; Lady Pentweazle-Quick; Carmine-Davis

Performances

Mainpiece Title: Britain's Glory

Afterpiece Title: THE SURRENDER OF CALAIS

Afterpiece Title: THE CHILDREN IN THE WOOD

Performance Comment: As17940719 but Lord Alford (1st time)-Palmer Jun.//Josephine (1st time)-Mrs Harlowe; omitted: Gabriel, Oliver, Servants . omitted: Gabriel, Oliver, Servants .
Cast
Role: Oliver Actor: Pindar

Monologue: 1794 08 30 End of Act I of 3rd piece Collins's Ode on the Passions by Palmer

Performances

Mainpiece Title: Glory's Resurrection

Performance Comment: Being the Triumphs of London Reviv'd for the Inauguration of the Right Honourable Sir Francis Child, Kt. Lord Mayor of London. Containing the Description (and also the Sculptures) of the Pageants, and the whole Solemnity of the Day: All set forth at the proper cost and charge of the Honourable Company of Goldsmiths. By Elkanah Settle.
Event Comment: At Phillips's Great Theatrical Booth opposite Cow Lane. With the surprising performances of an Englishman and a Citizen of London [Lort] who performs all the Equilibres on the Slack Rope that were performed by the muchfamed Turk. Prices: 2s. 6d., 1s. 6d., 1s., 6d. To begin at Twelve. [Time and prices the same at all booths.] Afterpiece: With the Escape of Harlequin into a Glass Bottle, also the last new additional Scene of Sig Jumpedo Jumping Down his own Throat. [An unhappy evening, for "last night the gallery of Phillips' booth fell down, with a great number of people in it, by which accident several persons were hurt, and some dangerously. This misfortune could be owing to nothing but the carelessness of the workmen, who upon such occasions deserve to be severely punished" (General Advertiser, 24 Aug.). The Daily Advertiser noted that Mr Stringellow, a goldsmith, in Aldersgate St., and Thomas Hodges, a journeyman-plaisterer in Golden Lane, were killed.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Harlot's Progress

Event Comment: N.B. We have engag'd Mr King; & Miss Baker from Ireland, one Mr Moody, a Stroler,-Mr Beard is gone to Covent Garden, 'tis said to be manager Mr Mossop to Ireland. Receipts: #120 (Cross). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places from Mr Varney at the Stage Door. No admittance behind scenes. [The customary note about prices and admittance will not be noted further here.] [At the opening of the theatres this season appeared an essay in Goldsmith's Bee, giving close observations upon actors, and deploring the relative stiffness and formality of English actors in comparison with the French. Advised English actors to travel abroad. Yet (Vol. 1759, p. 12) commented on the magnificnece of "our theatres as far superior to any others in Europe where plays only are acted. The great care our performers take in painting for a part, their exactness in all minutiae of dress, and other little scenical proprieties has been taken notice of by Riccoboni." Complains of the convention of laying a rug before a dying scene and of the vacant expressions of mutes on stage.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Admission: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for Boxes to taken of Mr Sarjant at the Stage Door of the Theatre. Play to begin exactly at o'clock. [This information, appearing at the foot of each bill, will not be repeatdd hereafter, except for significant differences.] Receipts: #111 5s. Deficit brought over from last season accounts, Journal T. Folio, 182, #164 0s. 6d. Paid Mr Lambert 3 month's salary to 15 Aug. last #25 (Covent Garden Cash Book). [Goldsmith's Bee (1759, p. 9) remarks on the better business used by Lovegold in the French theatre than used at cg: "Lovegold [in France] in the height of his passion stops to pick up a pin, quilting it in his coat, and snuffs out an extra candle." Implies that such subconscious revelations of the character of the miser might well be used by the English.

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Devil to Pay

Event Comment: Farce hiss'd (Cross). The Confederacy is oblig'd to be deferr'd a few days (playbill). [Goldsmith in The Bee (Vol. 1759, p. 154) comments on the farce: "Too narrow a plan...The poor affecting the manners of the rich might be carried on through one character or two, at the most, with great propriety; but to have almost every personage on the scene almost of the same character, was unartful in the poet to the last degree." He laments the barrenness of incident, but admits one or two scenes are "fine satire and sufficiently humorous...Whatever defects there might be in the composition, there were none in the action; in this the performers shewed more humour than I had fancied them capable of."] Receipts: #160 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: High Life Below Stairs

Event Comment: Benefit for Mrs Cibber. Tickets delivered for The Orphan will be taken. No building on stage. [Goldsmith, in his Bee (Vol. 1759, p. 56), commenting on Mad Clairon s' excellent preservation of character on stage, glances at Mrs Cibber, perhaps in this night's performance: 'I can never pardon a lady on the stage who, when she draws the admriation of the whole audience, turns about to make them a low courtesy for their applause. Such a figure no longer continues Belvidera , but at once drops into Mrs Cibber." See comment upon her deportment as Ophelia , 29 April 1763.

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: High Life Below Stairs

Dance: TThe Cow Keepers, as17600313

Event Comment: For the Author [of mainpiece]. Charges: #64 5s. Balance due. Goldsmith #145 12s. 6d. (Account Book). Receipts: #209 17s. 6d. (Account Book)

Performances

Mainpiece Title: The Good Natured Man

Related Works
Related Work: The Good-Natured Man Author(s): Oliver Goldsmith

Afterpiece Title: The Musical Lady

Event Comment: The sixth Day. For the Author. Charges #64 5s. Balance to Goldsmith #96 15s. (Account Book). Receipts: #161 (Account Book)

Performances

Mainpiece Title: The Good Natured Man

Related Works
Related Work: The Good-Natured Man Author(s): Oliver Goldsmith

Afterpiece Title: Miss in Her Teens

Event Comment: Paid Dr Goldsmith the balance of his 3rd night of the Good Natured Man of the 9th Inst....#98 (Account Book). Receipts: #124 12s. (Account Book)

Performances

Mainpiece Title: The Good Natured Man

Related Works
Related Work: The Good-Natured Man Author(s): Oliver Goldsmith

Afterpiece Title: Thomasand Sally

Dance: End: The Merry Sailors, as17671009

Event Comment: Mainpiece: A New Comedy [by Charlotte Lennox]. Never Performed. Prologue by Colman. Epilogue by Goldsmith. Treated so badly by the audience this first night that Mrs Lennox withdrew it. Burgoyne's The Heiress [dl, 14 Jan. 1784] draws upon it (Genest, V, 242). Receipts: #234 5s. (Account Book)

Performances

Mainpiece Title: The Sister

Afterpiece Title: Damon and Phillida

Dance: I: The Reel, as17681212

Event Comment: Prologue by Garrick; Epilogue by Cumberland, spoken by Foote and Mrs Jewell. A Comedy Never performed [by Foote]. [Audience included Dr Johnson, Mr Colman, Mr Garrick, Dr Goldsmith, Mr Macpherson, Mr Stevens, Sir Joshua Reynolds, Lord Littleton....So much applause that the audience stopped the play and required one speech repeated (Theatrical Intelligencer).

Performances

Mainpiece Title: The Maid Of Bath

Afterpiece Title: Miss in Her Teens

Dance: II: Double Hornpipe-Master West, Miss West