SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Old Toby"/1) | (@(roleclean,performerclean) "Old Toby")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1672 matches on Performance Comments, 985 matches on Performance Title, 321 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: MMrs Horton dy'd-an Old Actress, but off ye Stage some years Aged 57 (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Lilliput

Event Comment: This year was published A Collection of the Dresses of Different Nations, Antient and Modern, Particularly Old English Dresses after the Designs of Holbein, VanDyke, Hollar and others, with an account of the Authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the Habits of the Principal characters on the English Stage. Two vols. with French Text [Recueil des Habiliments...] facing English text. Coptume plates included. Vol II for the English. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Mercury Harlequin

Event Comment: Benefit for Morgan, the Oldest Actor in England. Last time of the company's performing this season. Tickets to be had at the Bedford Coffee House and of Mr Crudge at the Stage Door. [This charitable performance included a composite group from Drury Lane and Covent Garden.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The School Boy

Dance: I: Country Lass, as17570512; II: Dutch Sailor, as17570525; III: Dutch Peasant, as17570512

Performances

Mainpiece Title: A School For A Wife; Or, The Lucky Adventure

Performance Comment: A diverting droll, with the comical Humours of Old Gripeall, and his Man Paddy MacBlunder. To conclude with a Codntry dance-the Characters in the Droll.

Song:

Dance:

Event Comment: To the Public: An Impartial Account of Cibber's Impromptu, by a Spectator: @In a frolicsome humour I went t'other day@To see the Diversions collected by THE',@When seen -from Amazement I could not refrain@That such an odd Oglio should come in his brain;@That from Chaos, Confusion and Visible night@He could bring such a queer group of figures to light:@I went-with a critical spleen that disdained@This project -but found myself well entertained.@For the English there's ships; for the Scots a good song;@[what] He sought to provide for Hibernia was Wrong@When this I observ'd to aworthy dear Honey -@He reply'd -"Blurr and Houns? there's enough for your money.@But to state the affair without laughter or fun@All agreed -my shift was superior to none;@With new Scenes, new Machines, Music, Dancing and all,@To risk our Diversions THE' ventured a fall@And if his last trump should unluckily fail,@[Brain?] must lay a scheme to keep out of a jail.@A few trivial errors we ought to forgive@Pay to Merit reward and let Industry live,@For your Candor alone must determine his fate@For the sake of Old Coll', let Theophilus eat.@ His Benefit tomorrow, Wednesday, the 14th Instant, at the Theatre in The Haymarket

Performances

Event Comment: BBarry play'd at C. Garden some little Noise, on Account of his being ye occasion of ye late Riot, & demanding more Money than usual-but his speech declaring his Innocence; King Lear went on in quiet (Cross). It is hoped that the Ladies and Gentlemen who took places for the Fatal Marriage this evening will excuse its not being acted 'till tomorrow, as it is impossible for Mrs Cibber to perform the character of Isabella without proper respit. The Old Comedy alter'd from Shirley [The Gamesters] will be reviv'd next week (Public Advertiser). Receipts: #160 (Cross)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Male Coquette

Event Comment: During this month was published The Case of Authors...Stated with Regard to Booksellers, the Stage, and the Public by James Ralph. Pages 23-31 condemn both Garrick and Rich for their treatment of authors: "Those who have custody of the stage claim also custody of the Muse...There is no drawback on the profit of the night in old plays....To fly from Garrick in case of any contempt or neglect to Mr Rich, is enough to deter any man in his senses from embarking a second time on such a hopeless voyage.

Performances

Event Comment: Being the last time of performing till the Holidays. Receipts: #119 5s. Rec'd 10 nights' rent from Mr Handel's Oratorios at #25 per night, #250, plus #2 2s. for Coals used for the Oratorios. Barry's 1!3 of the surplus this night came to #13 1s. 8d. Paid 54 Old Rentners' interest on 54 shares for Handel's Oratorios at 1s. 8d. per share, or #5 8s. per night, for 10 night, #54. [Mrs Lecuss came in as a regular renter for 1 share.] (Account Book)

Performances

Mainpiece Title: Theodosius

Related Works
Related Work: The Weathercock Author(s): Samuel Arnold

Afterpiece Title: The Contrivances

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: Benefit for Beard. Tickets of Beard next door to Old Slaughter's Coffee House, St. Martin's Lane, and of Varney at stage door. Part of Pit laid into Boxes. Amphitheatre on stage. Receipts: #280 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Catharine and Petruchio

Song: Beard, Champnes

Music: A Piece on the Harp-Mr Evans

Event Comment: Benefit for Mrs Yates. Farce damn'd & Half-pence thrown. Mrs Cibber's Son dy'd two Days ago & she never came ot play for Holland, Mrs Yates, or me ye old Game at this Season. Receipts: #150 (Cross)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: No Matter What

Dance: IV: The Italian Peasants, as17571004

Event Comment: Benefit for Roberts. Receipts: #33 17s. 6d. Charges: #80. Deficiency covered by income from tickets, #115 9s. Two New Renters came in a 1 share each: Mrs Tabitha Mendez, and Mrs Susan White. [This addition brought the total of New Renters' shares to 50, which equalled the holdings of the Old Renters] (Account Book)

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Catherine and Petruchio

Dance: III: Country Lass-Miss Vallois; V: Comic Ballet, as17580428

Song: II, IV: Roberts

Event Comment: [This month published Observations on the Use of Theatres, their present regulations and possible improvements. Price 1s. Printed for Cooper. See review in Gentleman's Magazine (p. 232). Proposal is that the "conduct of theatrical entertainments be for the future taken under the care of the goverment, and a person of judgment and integrity appointed by the name of comptroller, or conductor of the stage, who alone shall determine what old plays shall be acted, and what new ones received; and who shall take charge of the money received, and defray the necessary expenses, accounting for the remainder to the public. The author seemingly Dr John Hill, lately (see 21 Dec. 1758) upset by the failure of his farce, The Rout. (Winston MS 8). Receipts: #108 (Cross); #122 6d. (Winston MS 8)

Performances

Mainpiece Title: The Orphan Of China

Event Comment: To begin each day at twelve noon and end at ten at night during the short time of St Bartholomew Fair at Yates' (from Drury Lane) Great Concert Hall in the Greyhound Inn, Smithfield. There is a commodious way to the Hall opposite the Sheep-Penn. The diverting entertainment contains the distresses of a young lady that was stolen by a French pirate; the gallantry of an English Captain who rescued her; their unfortunate shipwreck, and their being thrown upon a desolate island; their sufferings through famine; the unexpected relief they met with on a part of the island; governed only by women; their being afterwards seized as pirates; the punishment inflicted on them by the Female Goverment; and their amazing delivering by the Queen's finding her husband and her only son, whom she had lost and thought dead upwards of twenty years. Interspersed with the comical and diverting adventures of Lt Fireball, a true English Tar, Noddy a distressed Beau, Snivel Thimble, a tailor; Splitfarthing an Old Userer; and Glisterspite a Finical Surgeon. In which will be introduced a Dialogue between Mynheer Vanflawkin, a Dutchman, and Mynheer-the German

Performances

Mainpiece Title: The Shipwrecked Lovers; Or, Friendly Perfidy Punished

Song: tragi-comic song in the Welch Taste call'd% Hugh Morgan's Lamentation-a Choice Spirit from Common's Court

Dance: Conclude: a song, dance-

Music: An extraordinary Band of Musick is furnished such as you don't hear every day

Event Comment: Benefit for Beard. Mainpiece: By Particular Desire; Last time of performing it this season. Afterpiece: Not acted these two years. Pit and Boxes laid together at 5s. First Gallery 2s. Upper Gallery 1s. Stage 5s. Those who have places either in the Boxes or the Pit are requested to come thro the Box-Lobby, as at an Oratorio; and to send their servants to keep places by 3 o'clock. Tickets to be had of Mr Beard, at his house next Old Slaughter's, St Martin's Lane; and of Mr Sarjant at the Stage Door where places for the Boxes may be taken. Receipts: #129 1s. plus #246 from tickets (Boxes and Pit 984). Total income #375 1s. Charges #63. [Beard found his own wax candles]

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Country House

Dance: CCountry Dance-Characters of the Opera; A Hornpipe-Miss Dawson; End II: A New Dance call'd The Shepherdess-Miss Wilford

Event Comment: [The following puff appeared in the Public Advertiser: "Yesterday about twelve the Races began on the Bowling Green, Southwark. There were several started for the Plate called Public Approbation, amongst the Rest was a celebrated Theatrical Horse, and two or Three Racers belonging to the same Stable, and some young Colts and Fillies, lately bred in the Stud of an eminent Sportsman in the Haymarket. The dispute laid principally between the noted Don Quixote and the Little Female Minor. The contest was warm, and several Heats were ran [a number of performances during the day?] before it could be decided; which at length was given by a small Majority of the Subscribers and the Clerk of the Course, in favor of the latter. However, her Antagonists being Bloed, they have challenged her to run again, play or pay, for three Days sucessively; and she will start This Day, tomorrow and Monday next, exactly at Twelve. Bets are laid, the Little Minor against the Field; and Eight to Six that in the end she distances the famous Old Horse, and beats him absolutely hollow."

Performances

Mainpiece Title: The Female Minor

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: Lethe

Performance Comment: As17610413 but Fine Lady-Mrs Green; Old Man, Lord Chalkstone-Shuter; Fine Gentleman-attempted 1st time by Mrs Burden; Frenchman-Holtom; Drunken man-Dunstall.

Dance: TThe Waggoners, as17610228

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Afterpiece Title: Lethe

Performance Comment: Fine Gentleman-Dyer; Old Man, Chalkstone-Shuter; Frenchman-Holtom; Drunk Man-Dunstall; Fine Lady-Mrs Burden.

Dance: TThe Pedlar Trick'd, as17611001

Event Comment: A Burletta, Benefit for Sg & Sga Paganini, [Who] being desirous of returning to Italy...take this Opportunity to express their most grateful Sense of the many Favours with which they have been honoured in this Kingdom; and being willing that the Necessitous should share in that Bounty which they owe more to the Generosity of the English Nation than to their own Merits, they have allotted a fourth part of the Profits which may arise from the above Burletta (free from all Expense whatever) towards the carrying on and extending the Utility of the Asylum or House of Refuge for Female Orphans...and another Part of the aforesaid Profits will be given towards relieving old Signor Cataneo, who, during forty Years was useful to the Operas, but is now in extreme Distress; and the Manager, who is at the Expence of this Benefit, has chearfully consented to the Disposition here mentioned. As it is intended to apply the whole Profits which may arise from letting out the Servants Gallery [at 2s. 6d. each person] for the Benefit of the Asylum, over and above what was before alloted to it, 'tis humbly hoped that the Nobility, Gentry, etc. will not take it amiss if their Servants are not admitted that Night, as has been the Practice at this Theatre on Occasions of Charity. Tickets will delivered out for this Benefit, this day at the Opera Office, and signed by Mr Crawford, and all Monies given for Tickets above their usual Price, is to be shared in the Charity abovementioned. Tickets delivered for 23 March will be taken

Performances

Mainpiece Title: Il Mercato Del Malmantile

Event Comment: Characters in Mainpiece New Dress'd in the Habits of the Times. [Theatrical Intelligence for 4 Nov. (Theatrical Miscellaneous Cuttings, G 60.23, Boston Public Library) notes: Last night the reformation in dress took place at the theatre in the revival of the second part of King Henry IV. The beauty as well as the propriety of the dresses give great satisfaction. The Old English Habits are indeed admirably suited to the style and manners of the plays of that time, in which a peculiarity prevails very remote from modern dialogue and the present fashion. The effect of this observation of the Costume, as the French call it, is very visible in the representation of Every Man in His Humour, and will, we hope, for the future be strictly observed in dressing every character of the plays of that age." The author then comments on Love's succes as Falstaff, and Garrick's effectiveness as the sick king especially in delivering the long speeches.

Performances

Mainpiece Title: King Henry Iv, Part Ii

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: Every Man In His Humour

Cast
Role: Old Knowel Actor: Sparks

Afterpiece Title: Lethe

Performance Comment: Fine Gentleman-Woodward; Aesop-Walker; Drunken Man-Dunstall; Old Man, Lord Chalkstone-Shuter; Frenchman-Holtom; Trueman-Davies; Fine Lady-Mrs Green.

Dance: TThe Cudgell'd Husband, as17631101

Event Comment: Oratorio by Dr Morell. Set by Mr Smith to the Music of some old genuine performances of Handel (Biographia Dramatica). Music of the Songs and Chorusses entirely from works of Mr Handel. This day publish'd Nabal an Oratorio, as performed at Covent Garden. Price 1s. This day Publish'd Midas: an English Burletta. 2nd Edition. Price 1s. As it is acted with great applause at Covent Garden

Performances

Mainpiece Title: Nabal

Music: As17640309

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Lethe

Performance Comment: Fine Gentleman-Woodward; Aesop-Walker; Drunken Man-Dunstall; Old Man, Lord Chalkstone-Shuter; Frenchman-Holtom; Fine Lady-Mrs Green.
Event Comment: Benefit for the Widow and the Distressed Family of Mr Lambe, who was unfortunately killed at the late Fire, near Wardour St., Soho. The widow Lambe having a large family of children, the youngest of which being but 5 months old, humbly hopes those charitably disposed persons who intend to honor her by their appearance on this occasion, will excuse her application in person. Boxes 10s. 6d. Pit 5s. Gallery 3s. To begin at 6:30 p.m

Performances

Mainpiece Title: Acis And Galatea

Music: Between the acts: Solo on Violincello-Chiri; Concerto on Bassoon-Baumgarten; Concerto on Hautboy-Simpson; Solo on Violin-Hay who will lead the performance; To conclude with the Coronation Anthem-

Performances

Mainpiece Title: King Lear, And His Three Daughters

Afterpiece Title: Lethe

Performance Comment: Fine Gentleman-Woodward; Aesop-Walker; Mercury-Baker; Charon-Buck; Drunken Man-Dunstall; Old Man, Lord Chalkstone-Shuter; Frenchman-Holtom; Fine Lady-Mrs Green.
Event Comment: Benefit for Weston. Afterpiece: Taken from The Old Batchelor

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Credulous Husband

Song: IV: A favorite song in Love in a Village-Mrs Weston

Entertainment: End: Joe Haines Epilogue on an Ass-Shuter