Event Comment: Mainpiece [1st time in London; T 5, by Hannah Brand, 1st acted at Norwich, 7 Apr. 1791. Again acted at king's on 2 Feb. as Agmunda; text 1st published in Miss Brand's@Plays@and@Poems (Norwich: Beatniffe and Payne, 1798) as Huniades; or, The Siege of Belgrade. Prologue and Epilogue by the author (London Chronicle, 19 Jan. 1792)]: The Dresses, Decorations, &c. entirely new. Receipts: #367 1s. 6d. (314.2.6; 51.8.0; 1.11.0)

Event Comment: This play was seen by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 333, 335). Jolly's company acted this play at Norwich

Event Comment: Jacques Thierry and Will Schellinks saw this performance (Seaton, Literary Relationships, pp. 334, 336). Although this performance falls in Passion Week, the date seems correct. Because the patent theatres normally closed during Passion Week, this performance has been tentatively assigned to the red bull Company. As Jolly played Part I (A Girle Worth Gold) at Norwich, this is probably a presentation of Part I

Event Comment: Betterton's Company. It is not certain that this play was given at this time, but Vanbrugh, writing on 25 Dec. 1699, states that Thomas Dogget, who had been acting in Norwich, was in London "last Week," and acted six times, presumably on 18, 19, 20, 21, 22, 23 Dec. 1699. The Amorous Widow is a likely play for this week, as Barnaby Brittle was one of Dogget's best roles. In addition, the Inner Temple, which usually requested popular plays, selected it for its revels on 3 Feb. 1699@1700. Nearly all the individuals in the cast in the 1710 edition acted in London during this season, with two exceptions: Fieldhouse and Mrs Hunt. Their roles may have been played by them or by other performers if they were not in the company at this time. I owe the suggestion that this was the play in which Dogget appeared to Professor Lucyle Hook

Event Comment: Daily Journal, 13 July: We have an Account from Norwich by Yeaterday's Post, that the celebrated Actress Mrs Seymour, who lately married Mr Boheme, died there of a Fever the 10th Instant

Event Comment: Daily Advertiser, 6 Nov.: The King, the Prince of Wales and Princess Amelia, were again to . . . Artaxerxes, in which Signor Farnelli continues to sing to a crowded Audience, with all imaginable Applause. Egmont, Diary, II, 132: Went to the opera, where I heard the finest voice that Europe affords, Faranelli, lately come over. Norwich Gazette, 9 Nov.: We hear that both Operas (occasion'd by their dividing) are at a vast expence to entertain the Nobility and Gentry for the ensuing Season; the Opera House in the Haymarket are reckon'd to stand near 12000l. and Mr Handell at near 9000l. for the Season

Event Comment: Benefit for Mrs Vincent. N.B. To prevent any Interruption in the Performance, No Building on the Stage. Last time of performing the Mainpiece this season. Tickets of Mrs Vincent at the Norwich Stuff Warehouse in King St. Covent Garden, and at the Stage Door

Event Comment: Mr Davies from the Norwich Company a tolerable figure a bad voice & speaks tolerable may be useful pretty well receiv'd (Hopkins Diary). Ld Aimwoth, A Gentleman (Cross Diary). Mainpiece: Not played in two years. [See 27 April 1769.] Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [Repeated.

Event Comment: Mr Inchbald from the Norwich Compy. made his first appearance in Osmyn very bad Figure, Indifferent voice and a very bad Actor. a Small hiss at End of Play (Hopkins Diary). Osmyn, Young Gentleman (Cross Diary). This appears to be the last night of Miss Younge's performing in London this season--She left Drury Lane, and went ot Dublin. Mr Joseph Inchbald became an actor in the York Company of Comedians--He died at Leeds in Yorkshire, where he is buried--I knew him intimately--he was an excellent man, and an admirable actor of old comic characters, and of drunken men--He was at once-poor fellow-the greatest Sloven and in many Particulars of the nicest Delicacy too, that could be imagined (Hopkins Diary-MacMillan)

Event Comment: Afterpiece: By particular Desire. Juliet by Mrs Morland from the Norwich Theater a thin small figure too long a waist--wants power has a small impediment in her Speech she may be useful but never Capital--Pretty well receiv'd (Hopkins Diary). Mrs Morland the late Miss Westray (O. Smith) (Winston MS 10)

Event Comment: Mr Lacy a Proprietor of this Theatre made his first appearance upon the Stage in the part of Alexander. He is very Tall, & Thin, a good Voice but His Fright took away from it's power--he was rec'ed with Applause. Mr Garrick wrote a New Occasional Prologue to introduce him, which was Spoken by Mr King & rec'ed with great Applause (Hopkins Diary). Paid 4 days list at #91 8s. 10d. per diem #365 15s. 4d.; Mr J. French on Acct #10 10s. (Treasurer's Book). [The Westminster Magazine commented on Willoughby Lacy's performance (Oct. 1774): "His performance was far from answering the expectations we had been taught to form from a friend and pupil of our English Roscius. Indeed Mr Lacy is a very young man: therefore we ought not to draw the line of our expectation. His figure is at present lank, awkward, and unengaging; his voice distinctly powerful, but inharmonious; his action outre, vulgar and forced: his attitudes unnatural, affected and disgustful; and his delivery a continued rant, without proper change, a pleasing variety, or a just discrimination of the necessary difference of tone demanded by the different passions. These...capital defects...are not unsurmountable...The play was prefaced by a new Prologue, evidently the production of Mr Garrick. It had some humor and was well received. The purport of it was to beg favor for the hero of the evening, whom it compared to a young swimmer, who had tried to float in two shallow streams, and was now about to venture himself in the great deep. This image is certainly an apt one, though, it is no great compliment to the audiences of Norwich and Birmingham."] Receipts: #248 19s. (Treasurer's Book)

Event Comment: [Henderson's 1st appearance as Richard was at Bath, 20 Oct. 1772. Mrs Massey was from the Norwich theatre.

Event Comment: [In mainpiece the playbill assigns Ferdinand to Johnstone, but "The sudden illness of Johnstone gave much dissatisfaction, though Cubitt did all in his power to supply his place" (Town and Country Magazine, Sept. 1785, p. 451). William Palmer was from the Norwich theatre; Meadows from the HAY.] The Doors to be opened at 5:30. To begin at 6:30 [see 14 Nov.]. Places for the Boxes to be taken of Brandon, at the Stage-Door. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] The Alterations and Improvements in the Theatre this Season are made by Richards, and executed under his Superintendance by Catton and others. [Public Advertiser, 22 Sept., notes that these improvements consisted of the enlargement of the boxes, in which "the seats are formed into recesses which communicate with the other boxes"; all the pillars, "even those of iron in the back boxes [being] capped, cased, fluted and gilt"; the front of the boxes and galleries being newly painted a "warm lilac"; the back of the boxes being wainscotted and painted crimson.] Paid Charewomen for cleaning Theatre #13 0s. 6d. Receipts: #214 2s. 6d. (210/10/0; 3/12/6)

Event Comment: Mainpiece: Not acted these 10 years. [Mrs Brown was from the Norwich theatre.] Receipts: #200 11s. (198/17; 1/14)

Event Comment: Mainpiece: Not acted these 3 years [acted 19 Feb. 1784]. Afterpiece: Written by the late Henry Fielding, Esq. [The playbill lists Edwin as Coupee, but "Brown, in consequence of the sudden illness of Edwin . . . [undertook] the part of Coupee" (Morning Chronicle, 1 Feb.). He was from the Norwich theatre.] Receipts: #291 10s. (286/14/6; 4/15/6)

Event Comment: [Mrs Belfille was from the Norwich theatre.] Account-Book, 6 Dec.: Paid Mrs Belfille for a Stage Dress #21 10s. 6d. Afterpiece: Not acted these 15 years [acted 15 Jan. 1776]. The Doors will be opened at 5:15. To begin at 6:15 [see 30 Apr. 1787]. Receipts: #243 5s. 6d. (238.1.0; 5.4.6)