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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in the Hay Market"/1) | (@(roleclean,performerclean) "New Theatre in the Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8519 results for: Keyword - New Theatre in the Hay-Market
We found 5014 matches on Event Comments, 2829 matches on Performance Title, 1764 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

976
19 September 1745 @ Drury Lane Theatre

Event Comment: At Common Prices. Places for Boxes to be taken of Hobson, at the Stage Door of the Theatre. To begin exactly at 6 o'clock

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Mills; Aimwell-Delane; Sullen-Winstone; Scrub-Macklin; Gibbet-Neale; Mrs Sullen-Mrs Woffington; Dorinda-Mrs Mills; Lady Bountiful-Mrs Bridges; Cherry-Mrs Ridout; Boniface-I. Sparkes; Foigard-Barrington (from the Theatre in Dublin).

Song: Lowe, Mrs Arne

977
14 February 1777 @ Covent Garden

Event Comment: Boxes 10s. 6d. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. Places for the Boxes to be taken of Sarjant (only) at the Stage Door. Books of the Oratorios to be had at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season. The date of Tenducci's re-appearance in London seems to have been a matter of some uncertainty (see dl, 10 Feb.)]

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Principal Vocal Parts-Tenducci (1st appearance at that theatre these 8 years), Saville, Reinhold, Miss Storace, Miss Harrop (1st public appearance).

Music: End of Part I: concerto on the violoncello-Cervetto; End of Part II: concerto on the violin-Lamotte

978
11 June 1777 @ Haymarket Theatre

Event Comment: "[Henderson] appears to have cultivated the gifts of nature, with great industry; he promises better to attain the character of a player of consummate judgment than a great player, properly so called. Edwin, in spite of his thin voice and disgusting articulation, is at least equal to half his London contemporaries; and exhibited proofs that neither his conception, nor style of playing, is limited to a particular cast of parts, or mode of acting" (London Magazine, June 1777, p. 288). [ Miss Barsanti was from the Crow Street Theatre, Dublin.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Henderson (from the Theatre Royal, Bath; 1st appearance in London); Antonio-Younger; Bassanio-Davies; Salanio-Egan; Solarino-T. Davis; Lorenzo (with songs)-Du-Bellamy; Old Gobbo-Blissett; Tubal-Massey; Launcelot-Edwin; Duke-Fearon; Gratiano-Palmer; Nerissa-Mrs Hunter; Jessica (with a song)-Mrs Hitchcock; Portia-Miss Barsanti (1st appearance on this stage).

Afterpiece Title: Piety in Pattens