SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Goodmans Fields"/1) | (@(roleclean,performerclean) "New Theatre in Goodmans Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5062 matches on Event Comments, 2735 matches on Performance Title, 1866 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: With additional Music by Reeve. Afterpiece: 1st Time at this Theatre [1st acted at the hay, 2 July 1788]. Receipts: #174 14s. 6d. (158.0.6; 16.14.0)

Performances

Mainpiece Title: Orpheus And Eurydice

Afterpiece Title: The Prisoner at Large

Performances

Mainpiece Title: Acis And Galatea 0; Redemption 0

Afterpiece Title: Acis and Galatea 1

Afterpiece Title: Acis and Galatea 2

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: Awake! Awake! Aeolian lyre-Reinhold (Arnold); Ye sons of Israel-Chorus (Joshua); Let the bright Seraphim-Miss Barcly (Samson); Concerto on the violoncello-Lindley (1st performance at this theatre); Ask if yon damask rose be sweet-Mrs Bland (Susanna); The many end the skies-Chorus (Alexander's Feast); Angels ever bright and fair-Master Welsh (Theodora); Search round the world-; May no rash intruder-Chorus (Solomon); Ye sacred priests-Mrs Crouch (Jephtha); Glory be to the Father-Chorus (Jubilate).

Music: As17920229

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Romp

Performance Comment: Watty Cockney-Blanchard; Capt. Sightly-Marshall; Old Cockney-Thompson; Barnacle-Cubitt; Penelope-Miss Stuart; Miss La Blonde-Miss Leserve; Priscilla Tomboy-Mrs Davis (from the Theatre Royal, Manchester; 1st appearance in London). 1st appearance in London).
Event Comment: Account-Book: Present Their Majesties. [Their attendance this night is not indicated on the playbill, but "Though the Royal Command was not communicated to this Theatre till late yesterday morning, and consequently but a small part of the public could have notice of the public could have notice of the intention of Their Majesties to honour the house with their presence, yet it was crouded in all parts" (Morning Herald, 16 Mar.).] Receipts: #347 12s. (344.3.6; 3.8.6)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Rosina

Event Comment: Benefit for Quick. 1st piece: Written by Mrs Inchbald. 2nd piece: For that night only. 3rd piece: Written by Foote; 1st time at that Theatre. Morning Herald, 28 Mar.: Tickets to be had of Quick, No. 98, High Holborn. Receipts: #325 4s. 6d. (152.3.0; 5.10.6; tickets: 167.11.0) (charge: #105)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Tony Lumpkin's Ramble to Town

Afterpiece Title: The Cozeners

Dance: End 1st piece: A Divertisement-Byrne, Ratchford, Mrs Ratchford, Mlle St.Amand

Event Comment: Paid Poor Rate for the Theatre #21 16s.; Macleish, printer [of the playbills], to 7th Inst. #67 1s. Receipts: #210 13s. 6d. (207.17.0; 2.16.6)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Oscar and Malvina

Music: As17920125

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill. In afterpiece the playbill retains Palmer as Petruchio, but "Mr Palmer not coming to the Theatre tonight, I acted Petruchio for him" (Kemble Mem.).] Receipts: #231 14s. 6d. (186.3.6; 40.1.0; 5.10.0; tickets: none listed) (charge: #178 17s. 6d.)

Performances

Mainpiece Title: Dido Queen Of Carthage

Afterpiece Title: Katharine and Petruchio

Event Comment: [Mrs Whitlock was from the Newcastle theatre.

Performances

Mainpiece Title: Poor Old Hay-market

Afterpiece Title: The Battle of Hexham; or, Days of Old

Afterpiece Title: Seeing is Believing

Event Comment: 2nd piece: The Characters will be dressed in the Habits of the Times. Books of the Songs to be had at the Theatre. "The Eustache de St. Pierre of Bensley was his Chef d'oeuvre: it suited the sourness of his aspect, his nasal intonation, and the general bluntness of his manner" (Monthly Mirror, 1796, p. 185)

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Surrender of Calais

Event Comment: Benefit for Mrs Kemble. Mainpiece: Never performed at this Theatre. Afterpiece: Not acted these 4 years. Morning Herald, 28 July: Tickets to be had of Mrs Kemble at Adams's Masquerade Warehouse, Hay-market

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Dead Alive

Event Comment: Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. No Money to be returned. Places for the Boxes to be taken of Fosbrook at the Office of the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 21 Nov.]. Receipts: #231 12s. (129.9; 35.14; 3.9)

Performances

Mainpiece Title: At King's The School For Scandal

Afterpiece Title: All The World's A Stage

Song: III: a song-Dignum

Event Comment: [Miss Grist was from the Newcastle theatre.] Receipts: #294 7s

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Irishman in London

Event Comment: By Permission of the Lord Chamberlain. Benefit for Sims. Mainpiece: As altered from Wycherley by David Garrick, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had of Sims, the Theatrical Register, Wrekin Tavern, Broad-court, Long-acre; at the Blue Post Coffee-house, Charlotte-street, Rathbone-place; the Tun, Goodge-street, Middlesex Hospital; the Green Man, Union-street, Middlesex Hospital; the Wheat Sheaf, Rathbone-place; of Price, at the Coach and Horses, Holborn; at the Duke of Clarence Coffee-house, Haymarket; Spencer's, Two Blue Posts, Southampton-buildings; and of Rice at the Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Who's the Dupe

Song: End I: song-a Young Lady; End II: song-Incledon; End III: song-a Lady; End IV: song-Johannot

Entertainment: Monologues End: Roxana's Epilogue-; British Loyalty; or, A Squeeze to St. Paul's-Lyon

Event Comment: Mainpiece: The Overture and all the Music composed by Carter. Words of the Songs to be had at the Theatre. MS annotation on BM playbill (cg, Vol. VIII), 15 Dec. 1792: Mr Hurlstone in full for Just in Time #150. Receipts: #286 3s

Performances

Mainpiece Title: Just In Time

Afterpiece Title: The Follies of a Day

Dance: II: a Dance-Byrn, Mme Rossi. [Danced, as here assigned, in all subsequent performances.

Event Comment: [In afterpiece the playbill retains Mrs Goodall as Widow Brady , but as she "was incapable of performing this evening, the Farce should have been changed, for poor Miss Collins was a lamentable Mrs Brady ; before the second act was half over, the greater part of the audience quitted the theatre" (Thespian Magazine, Dec. 1792, p. 150).] Receipts: #169 1s. (129.10; 37.19; 1.12)

Performances

Mainpiece Title: At King's The Siege Of Belgrade

Afterpiece Title: The Irish Widow

Event Comment: The Careless Husband [advertised on playbill of 8 Nov.] is obliged to be deferred on account of the Indisposition of a Principal Performer. [This was F. Aickin's last appearance in London. Subsequently he acted for several years at the Liverpool theatre, of which he was the manager.] Receipts: #349 11s

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Hartford Bridge

Song: As17921029

Event Comment: [This was Mrs Wells's last appearance as a regular member of the company of any London theatre.] Receipts: #290 11s. 6d

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Harlequin's Museum

Dance: As17921226

Event Comment: [Mrs Pollock is identified by MS annotation on BM playbill (cg, Vol. VIII). Her 1st appearance was at this theatre, 24 Nov. 1792.] Receipts: #304 14s

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Harlequin's Museum

Dance: As17921226

Event Comment: Among the Instrumental Performers are C. Ashley, Patria, Sarjant, Mahon, Boyce, Mountain, Lavenu, Simpson, Gwilliam, Purney, Munro, Leander, Kaye, Sharp, Wood, &c. &c. Double Drums, Bass Trumpets, &c. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. No Money to be returned. Places to be had of Brandon at the Box-Office in Hart-Street. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performance, 6d. each, may be had at the Theatre. The Director's Books have these words at the bottom of each Title Page: "Printed by H. Macleish, Recorder Office, Duke's-court, Drury-lane.

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Event Comment: The Proprietor of this Theatre having informed us that a report has been recently circulated, highly injurious to this Building; we, in consequence of his request, beg leave to asure the Public that such report is unfounded. John Johnson, Mary-le-bone; James Paine, Northend, Hammersmith; Thomas Hardwicke, Rathbone Place; Robert Brettingham, Berkley-Square. Architects

Performances

Mainpiece Title: I Giuochi D'agrigento

Dance: As17930216

Event Comment: 1st piece: With Alterations; Not acted these 6 years [acted 18 May 1792]. [The playbill announces this performance as "By Command of Their Majesties," but they, "who had been expected here last night, did not arrive; the indisposition of two of the Princesses having detained them at Windsor" (Morning Herald, 16 Apr.). "After the Relief of Williamstadt [which is not listed on the playbill, but which on 13 Apr. is called '8th Time,' and on 16 Apr. '10th Time'], the Irishman in London...was attempted to be performed; but after many unsuccessful apologies, the piece was not suffered to proceed, and the farce originally intended for representation, The Lying Valet, not without considerable difficulty, many of the performers having quit the theatre, was gone through with, to the gratification of a part of the audience who appeared determined rather to exercise their power than adhere to propriety" (Public Advertiser, 16 Apr.).] The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]. Receipts: #345 5s

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Relief of Williamstadt

Afterpiece Title: The Lying Valet

Dance: End: The Bouquet-Byrn, Mme Rossi

Song: III: a song in character-Mrs Clendining

Event Comment: Afterpiece: Books of the Songs to be had at the Theatre. Receipts: #138 15s. (85.5; 46.9; 7.1)

Performances

Mainpiece Title: At King's The Country Girl

Afterpiece Title: The Mariners

Event Comment: Kemble Mem., 18 May: On account of Whitsun Eve the Opera was yesterday [at king's]; we acted therefore at Mr Colman's Theatre. Receipts: #73 (64.3; 8.17)

Performances

Mainpiece Title: At Hay The Jealous Wife

Afterpiece Title: The Mariners

Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Son-in-Law

Event Comment: To prevent future disturbances in the Theatre, the Publick is most respectfully informed that nothing can be represented which is not included in the Entertainments regularly announced in the Bills of the Day

Performances

Mainpiece Title: Piety In Pattens

Afterpiece Title: The London Hermit

Afterpiece Title: Peeping Tom