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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Native de Barselona Di Cala Qualificatta"/1) | (@(roleclean,performerclean) "Native de Barselona Di Cala Qualificatta")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1878 results for: Keyword - Native de Barselona Di Cala Qualificatta
We found 1199 matches on Performance Title, 492 matches on Performance Comments, 195 matches on Event Comments, 168 matches on Author, and 0 matches on Roles/Actors.

1326
16 March 1793 @ Covent Garden

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Governor

Performance Comment: As17930311but European Officer-_; here called Henriquez-Byrn; Insurgent Chief-_; called Nunez-Farley; Creolian Girl-_; called Orra-Miss Smith; Governor-Follett given no name; Natives of the Island-Messrs Jones, etc.
Cast
Role: Natives of the Island Actor: Messrs Jones, etc.

1327
14 June 1710 @ Greenwich

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music ....The orchestra was not very strong, consisting of no more than sixty persons, but it was incomparable-; Signiora Margarita del'Epine; sang, but she was by no means as pleasing as in the opera....She was the only person who sang. The instrumental music was extremely beautiful: Pepusch; who directs everything, and played the thorough-bass, excelled all the others. The violins too could scarce have been better. But most notable of all was a most charming concerto played with Pepusch by a flute and a viol di gamba. The person who plays the flute is a Frenchman called-Paisible; whose equal is not to be found....The second man, who played the viol di gamba with such uncommon excellence, is an Italian called-Signor Pietro

1328
16 December 1777 @ King's Theatre

Performances

Mainpiece Title: Vittorina

Dance: End I: New Ballet, as17771104; End II: new ballet, Demicaractere, composed by Banti, Les Bohemiens-Sg and Sga Banti, Sg and Sga Zuchelli; End Opera: La Polonaise Favourite, as17771104

1329
08 May 1724 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: Several choiceConcertos-the Youth [J. Clegg][, never perform'd in Publick; [particularly, Concert of Vivaldi's called La Temista di Mare-; Solo-Mr Kitch; Solo Song [out of the Opera of Julius Caesar. Song Part-Mr Kitch; Violin-the Youth; [as done by Sig Castrucci in the Opera, Solo [of Sig Germiniani's-the Youth

1330
08 January 1735 @ Covent Garden

Performances

Mainpiece Title: Ariodante

1331
21 February 1772 @ King's Theatre

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

1332
27 April 1772 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: Part I.Overture-Abel; Duo Violincello, Violin-Vachon, Duport; Concerto on German Flute-Wendling; Solo on Viol di Gamba-Abel; Concerto on French Horn-Ponta; Part II.Concerto Hautboy-Fischer; Concerto on Harpsichord-Hulmandel; Solo on Violincello-Duport; Concerto on Violin-Vachon; Full piece-Vachon

1333
02 December 1774 @ Covent Garden

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Romance of An Hour

Dance: I: The Vintage Festival, as17741007; End Opera: The Irish Lilt-Aldridge, Miss Valois. [See17731005]

1334
22 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Summer Amusement

Afterpiece Title: Seeing is Believing: A Dramatic Proverb

Dance: As17830610

1335
06 January 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: As17840103 throughout

1336
10 June 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Seeing Is Believing: A Dramatic Proverb

Afterpiece Title: Gretna Green

Afterpiece Title: The Election of the Managers

1337
16 November 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Romance of an Hour

Dance: End of mainpiece a new Comic Dance, The Affrighted Dwarf, with a whimsical Transformation into Mad Moll (performers not listed)

Monologue: 1784 11 16 End of Act IV of mainpiece Bucks have at ye all by Cross

1338
04 January 1785 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: As17850101 throughout

1339
13 June 1785 @ Haymarket Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Seeing is Believing: A Dramatic Proverb

Dance: As17850609

1340
10 August 1786 @ Haymarket Theatre

Performances

Mainpiece Title: Seeing Is Believing: A Dramatic Proverb

Afterpiece Title: The Spanish Barber

Afterpiece Title: Rosin a

1341
26 February 1791 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Two Strings to Your Bow

1342
10 December 1791 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Modern Antiques

1343
19 October 1792 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Midnight Hour

1344
07 December 1793 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: MODERN ANTIQUES

Dance: As17931015

1345
28 April 1795 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Naval Volunteers; or, Britain's Bulwark

Afterpiece Title: Catharine and Petruchio

Dance: In 2nd piece: Hornpipe-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I: a Representation of a Ship in Distress, in which The Storm-Incledon; In the course of the Evening: Old Towler [both]-Incledon

1346
29 April 1796 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Prisoner at Large

Song: End I: The Storm-Incledon; End: a Grand Harmonic Selection, Admiral Benbow-Incledon; The Sailor Boy cap'ring on Shore-Fawcett; O bring me wine-Bowden; The Land of Potatoes-Johnstone; The Group of Lovers; or, Beauty at her Levee-Munden; Old Towler-Incledon

1347
17 October 1796 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Follies of a Day

Song: [One of Mrs Second's new songs was Hope thou cheerful ray of light (BUC 643).

1348
10 May 1797 @ Haymarket Theatre

Performances

Mainpiece Title: The Battle Of Eddington

Afterpiece Title: The Romance of an Hour

Song: Mainpiece: Vocal Parts, as17970123, but Master _Willoughby, Master Paul, A Young _Lady, Miss +Jones; End: +Ye Gentleman of England-; and the Companion, To all you Ladies now at Land-; A Sea Song, The Muffin Man-Master Sincock

1349
15 April 1800 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Rendezvous

Afterpiece Title: The Jew and the Doctor

Song: End I: The Storm (by G. A. Stevens)-Incledon; In course Evening: an entire new Glee, composed by King, The Witches[, the Words from the First Scene of Shakspeare's Macbeth, -Incledon, Townsend, Linton, Chorus; [Also Black Ey'd Susan-; Old Towler- [Incledon]

1350
17 June 1800 @ King's Theatre

Performances

Mainpiece Title: I Due Svizzeri

Afterpiece Title: Il Principe Spazzacamino

Dance: End: Le Mariage Mexicain, as18000225; End 2nd piece: Telemaque- [see18000619 and 18000621