Event Comment: Benefit for Holman. Mainpiece: Never [previously] acted here. In Act V the Funeral Procession of a Roman Commanderv. Morning Chronicle, 11 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Receipts: #263 3s. (130.16; 22.17; tickets: 109.10)

Event Comment: Mainpiece [1st time; C 5, by Thomas Morton; with incidental music by John Moorehead. Prologue by William Thomas Fitzgerald; Epilogue by Miles Peter Andrews (see text)]: With New Scenes [by Richards (Universal Magazine, Feb. 1800, p. 157)] and new Dresses. Morning Chronicle, 8 July 1800: This day is published Speed the Plough (2s.). Receipts: #256 7s. (253.4.6; 3.2.6)

Event Comment: Mainpiece: By Desire. [Genest, V, 120, suggests The Old Maid as afterpiece with Clerimont-Mrs Harlow-$Miss Pope; Miss Harlow-$Mrs Bennet; but Treasurer's Book Specifies Queen Mab.] Paid $French">Cautherley; Capt. Cape-$Baddeley; Mrs Harlow-$Miss Pope; Miss Harlow-$Mrs Bennet; but Treasurer's Book Specifies Queen Mab.] Paid $French on acct. #50; Shepherd for cotton #2 18s. 4d.; Mrs Hilman for cloaths #4 14s. 6d.; Mrs Humphreys for a suit of cloaths #9 9s.; Miss Allen for cleaning stockings #1 6s. 6d.; Licensing the Earl of Warwick and Cymon #4 4s. (Treasurer's Book). Receipts: #181 18s. 6d. (Treasurer's Book)

Event Comment: Rec'd of Miss Townsend for a place in the Boxes last night 5s. Gave King's Footmen #2 2s.; Queen's Footmen #2 2s.; King's Chairmen #2 2s.; Queen's Chairmen #2 2s.; Duke of Glouster's Footmen #2 2s. (Account Book). [The Account Book shows on this night a profitable balance of #5365 19s. 4d., for the operation of the theatre this season. During Rich's time a regular sum was deduted nightly for the Rich account (#6 in 1760-61) and in addition he withdrew large sums (up to #800) on many occasions. No such deductions or withdrawals appear so far in this last season of Beard's management.] Receipts: #197 15s. (Account Book)

Event Comment: Afterpiece [1st time; MD 3, by Sir George Collier, based on Zemire et Azor, by Jean Francois Marmontel]: The Music [by Thomas Linley Sen., adapted from Gretry], Scenes, Dresses, and Decorations entirely New. The Scenes, &c., designed by DeLoutherbourg. The Words of the Songs, &c. to be had at the Theatre. The Entertainment is splendidly got up--The Music by Thomas Linley Jun. [sic] was very well received (Hopkins Diary). Public Advertiser, 7 Dec. 1776: This Day is published the Songs in Selima and Azor (6d). [Text 1st published by J. Bell, 1784.] Receipts: #218 7s

Event Comment: Prelude [1st time;PREL I, probably by Richard Cumberland. Larpent MS 472; not published]. Mainpiece [1st time; M 3, by Richard Cumberland, based on Calypso and Telemachus, by John Hughes]: The Overture and all the Music entirely new, and composed by Butler. With new Scenery painted by Richards and Carver, and new Dresses. Books of the Masque to be had at the Theatre. Public Advertiser, 27 Mar. 1779: This Day is published Calypso (1s. 6d.)

Event Comment: "The new Mungo, like all country bred actors, did too much for the part, and was infinitely too redundant in his action" (Morning Chronicle, 13 Oct.). Receipts: #189 6s.(155.19; 33.4; 0.3)

Event Comment: Mainpiece [1st time; CO 3, by John O'Keeffe, altered from his The Banditti (see 28 Nov. 1781). Text in his Dramatic Works, Vol. 1 (T. Woodfall, 1798)]: With new Scenes [by Carver (O'Keeffe, u, 38)], Dresses, and a new Overture. The Selected Airs by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, and Carolan, the Irish Bard. The Overture and New Airs composed by Dr Arnold. Books of the Songs to be had at the Theatre. [This was Sga Sestini's 1st appearance on the English-speaking stage. For several preceding seasons she had been a member of the Italian opera company performing at the King's.] "Sestini . . . was handsome, sprightly, and a good actress, if great exuberance of gesticulation, activity of motion, and affected Italian smorfie could make her one; but her voice was gritty and sharp (something like singing through a comb), and she was nothing of a singer, except for lively comic airs. Yet she was . . . long a favourite with the mass of the public, though not with the connoisseurs" (Mount-Edgcumbe, p. 33). Account-Book, 30 June 1783: Paid O'Keeffe in full for The Castle of Andalusia #368 18s. 6d. Receipts: #166 2s. 6d. (165/9/0; 0/13/6)

Event Comment: Afterpiece [1st time; MF 2, by Charles Stuart and John O'Keene. Text 1st published, unauthorized, Dublin: For the Booksellers [1783]. Prologue by George Colman, the elder (O'Keeffe, I, 140)]: With a new Overture by Dr Arnold. With Italian, French, Irish, Scotch, Welsh and English