SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mrs Pinny"/1) | (@(roleclean,performerclean) "Mrs Pinny")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23319 matches on Performance Comments, 4237 matches on Event Comments, 4199 matches on Performance Title, 9 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Anderson, Stede, Mrs LeBrun, Miss Jackson

Performances

Mainpiece Title: The Relapse

Cast
Role: Amanda Actor: Mrs Pritchard
Role: Berinthia Actor: Mrs Clive.

Afterpiece Title: The Virgin Unmask'd

Dance: Cooke, Picq, LaLauze, others; Scotch Dance-Villeneuve, Mrs Delagarde, Delagarde, Destrade, Mrs LeBrun, Mrs Villeneuve

Event Comment: Benefit for Miles, Mrs Baker, Mrs Chambers, Mrs Pitt

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Harlequin Statue

Song: II: My Fond Shepherd-Mrs Chambers; IV: Fair Kitty-Mrs Chambers

Dance: III: Drunken Peasant-Miles; Clown-Bennet; V: Granier, Leppie, Lucas

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Moss, who performed Peggy in February and October 1776. [Author of Prologue unknown.

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Performance Comment: As17761007, but Sir William-Lewis; Patie (the Gentle Shepherd)-Mrs Moss (1st appearance in that character in England); Roger-M'Donald; Peggy-Miss Douglas (1st appearance on the English stage); Scots Prologue-Mrs Moss in the character of a Country Boy.

Afterpiece Title: Entertainments of Singing and Dancing

Dance: Conclude: reel-the characters

Song: End I: The Banks of the Tweed-Mrs Moss; End III: Rosilind Castle-Mrs Moss; End: The Banks of Invermay-Mrs Moss

Performances

Mainpiece Title: A Bold Stroke For A Husband

Cast
Role: Victoria Actor: Mrs Bates
Role: Minette Actor: Mrs Wilson
Role: Laura Actor: Mrs Whitfield
Role: Marcella Actor: Mrs Morton
Role: Sanchia Actor: Mrs Davenett

Afterpiece Title: The Flitch of Bacon

Cast
Role: Eliza Actor: Mrs Bannister

Dance: End of Act III of mainpiece a New Divertissement (composed by Harris) in which the Minuet de la Cour and a new Pas de Deux by Harris and Mme Bithmere; End of Act IV a new Pantomime Ballet (composed by Harris) The Charms of a Camp; or, The Female Volunteer by Harris, Byrn, Mrs Ratchford, Mrs Davenett, Mrs Goodwin, &c.; End of mainpiece, The Rival Nymphs, as17840318but Mrs Ratchford in place of Miss Matthews

Performance Comment: ; End of mainpiece, The Rival Nymphs, as17840318but Mrs Ratchford in place of Miss Matthews .
Event Comment: Benefit for Mrs Bates. 1st piece: With the Triumphal Entry of Alexander into Babylon. 3rd piece: Not acted these 15 years [acted 18 Dec. 1771]

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Performance Comment: Alexander-Wroughton; Lysimachus-Farren; Hephestion-Davies; Clytus-Clarke; Roxana-Mrs Bates; Statira-Miss Younge (1st appearance in that character) .
Cast
Role: Roxana Actor: Mrs Bates

Afterpiece Title: The Land of Enchantment

Cast
Role: Lady Tereza Panca Actor: Mrs Webb
Role: Spanish Lady Actor: Mrs Pitt
Role: Duchess Actor: Mrs Poussin
Role: Mary the Buxom Actor: Mrs Wilson.

Afterpiece Title: Lethe

Performance Comment: Fine Gentleman-Lewis; Old Man-Quick; Drunken Man-Edwin; Lord Chalkstone-Wilson; Frenchman-Wewitzer; Mercury-Davies; /Esop-Fearon; Fine Lady (with a song)-Mrs Wilson .
Cast
Role: Fine Lady Actor: Mrs Wilson

Song: Vocal Parts [in Entry] by Johnstone, Brett, Doyle, Darley; Mrs Kennedy, Mrs Martyr, Miss Stuart, Mrs Bannister; End of 1st piece Moderation and Alteration by Edwin

Event Comment: Received from Mrs Brandon [for] Fruit Rent #20. Receipts: #151 7s. 6d. (143.7.6; 8.0.0)

Performances

Mainpiece Title: Alexander The Great

Cast
Role: Sysigambis Actor: Mrs Platt
Role: Parisatis Actor: Mrs Inchbald
Role: Roxana Actor: Mrs Pope.

Song: the Grand Triumphal Entry of Alexander into Babylon, as17871022; Vocal Parts, as17871022, but Bonville, +Janson, Mrs +Gray, Miss +Rowson, Miss +Paye, Mrs +Byrne, _Brown, Mrs _Morton, Miss _Blower

Event Comment: Mainpiece [1st time; D 5, by Benjamin Thompson, altered from Menschenhass und Reue, by August Friedrich Ferdinand von Kotzebue. Prologue by William Linley; Epilogue by Matthew Gregory Lewis (European Magazine, Mar. 1798, p. 260)]: With new Scenes, Dresses, &c. With Musick [by Thomas Shaw]. "Mrs Siddons was succesful in all the impassioned parts; but she cannot sustain a mixed character. She is the Muse of Tragedy herself, and when she descends from her lofty state to the level of familiar dialogue, she instantly ceases to astonish and we to admire" (Monthly Mirror, Apr. 1798, p. 234). "The dialogue must be considerably abridged, as well for the purpose of preserving the interest of the piece, as for shortening the time of representation, which is at least an hour too long, it being half past ten before the curtain dropt" [see 26 Mar.] (Morning Herald, 26 Mar.). Receipts: #420 7s. 6d. (378.11.6; 40.18.0; 1.8.0)

Performances

Mainpiece Title: The Stranger

Performance Comment: Characters-Kemble, Barrymore, Palmer, Wewitzer, Suett, R. Palmer; Aickin, Webb, Evans, Fisher, Mrs Siddons, Mrs Goodall, Miss Stuart. Cast from text (T. N. Longman and O. Rees, 1802): The Stranger-Kemble; +Count Wintersen-Barrymore; +Baron Steinfort-Palmer; +Mr Solomon-Wewitzer; +Peter-Suett; +Francis-R. Palmer; +Tobias-Aickin; +George-Webb; +Count's Son-$Master Wells; Stranger's Son-$Master Tokely; Mrs Haller-Mrs Siddons; +Countess Wintersen-Mrs Goodall; +Charlotte-Miss Stuart; +Annette-$Mrs Bland; Savoyard-$Miss Leak; Maid-$Mrs Jones; Stranger's Daughter-$Miss Beton; unassigned-Evans, Fisher; Prologee-Barrymore; Epilogue-Suett. [These were spoken, as here assigned, at the 1st 9 performances only (see17980416), except Epilogue again on 15 May.]These were spoken, as here assigned, at the 1st 9 performances only (see17980416), except Epilogue again on 15 May.]
Cast
Role: Mrs Haller Actor: Mrs Siddons
Role: Countess Wintersen Actor: Mrs Goodall
Role: Annette Actor: Mrs Bland
Role: Maid Actor: Mrs Jones

Afterpiece Title: The Prize

Cast
Role: Juba Actor: Mrs Roffey
Role: Mrs Caddy Actor: Miss Tidswell

Song: Incidental: Vocal Parts-Mrs Bland, Miss Leak their songs; To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Incidental to mainpiece: Principal Dancer-Sga Bossi DelCaro. [These were the same in all subsequent performances, except on 5 May.

Event Comment: Account-Book: Tickets delivered by Ledger, Thompson, Klanert, Claremont, Simmons, Wilde, Miss Mills, Miss Sims, Mrs Lloyd, Mrs Masters, Lee, Goostree, Street, Mrs Mills, Mrs Sydney, Abbot, Mrs Egan will be admitted. 3rd piece: Representation of the Battle, as 9 Nov. 1799. Receipts: #424 9s. 6d. (40.13.6; 5.3.0; tickets: 378.13.0)

Performances

Mainpiece Title: The Child Of Nature

Performance Comment: Alberto-Murray; Count Valentia-Betterton; Marquis Almanza-Whitfield; Duke Mercia-Davenport; Seville-Whitmore; Granada-Atkins; Marchioness Merida-Mrs Maddocks; Amanthis-Miss Murray.

Afterpiece Title: The Dramatist

Cast
Role: Lady Waitfor't Actor: Mrs Davenport
Role: Cubba Actor: Mrs Litchfield
Role: Louisa Actor: Mrs Chapman.

Afterpiece Title: The Mouth of the Nile

Cast
Role: Belinda Actor: Mrs Follett
Role: Dolly Actor: Mrs Litchfield.
Role: Adela Actor: Mrs Sydney

Dance: In 1st piece: Hornpipe-Cuerton; End 2nd piece: The Minuet de la Cour, a Favorite Scotch Pas Deux-Klanert, Mrs Watts

Event Comment: Benefit Mackenzie, Mrs Edzard, and Mrs Spicer. Receipts: money #17 3s.; tickets #63 11s

Performances

Mainpiece Title: A Woman's Revenge

Afterpiece Title: Hob

Afterpiece Title: Jealous Doctor

Dance: End I: Louvre-Mrs Wall; II: Tollet's Grounds-Newhouse, Mrs Rogier; III: A new Entry-Glover

Event Comment: Benefit Mrs Clarke and Mrs Forrester. Receipts: money #19 15s.; tickets #75 16s

Performances

Mainpiece Title: The Comical History Of Don Quixote, Part Ii

Performance Comment: Quixote-Boheme; Sancho-Hall; Duke-Milward; Ambrosio-Walker; Cardenio-Pitt; Manuel-Chapman; Bernardo-Hippisley; Duchess-Mrs Berriman; Marcella-Mrs Templer; Lucinda-Miss Holliday; Teresa-Mrs Cook; Moll-Mrs Egleton.
Cast
Role: Duchess Actor: Mrs Berriman
Role: Marcella Actor: Mrs Templer
Role: Teresa Actor: Mrs Cook
Role: Moll Actor: Mrs Egleton.

Afterpiece Title: Flora

Performance Comment: See17300513, but Hob-Legar; Flora-Mrs Forrester; Sir Thomas-Hippisley; Friendly-Salway; Old Hob-Hall; Roger-Clarke; Dick-Pitt; Betty-Mrs Clarke; Hob's Mother-Mrs Egleton.
Cast
Role: Flora Actor: Mrs Forrester
Role: Betty Actor: Mrs Clarke
Role: Hob's Mother Actor: Mrs Egleton.

Song: An Irish Song-Mrs Forester (in the main piece)

Dance: TTollet's Ground-Mrs Bullock, Mrs Ogden; Numidian-Glover, Miss LaTour

Event Comment: Benefit Mrs Egleton and Mrs Wright. Receipts: money #33 16s.; tickets #112 18s

Performances

Mainpiece Title: The Constant Couple

Performance Comment: As17310322 but Lady Darling-Mrs Martin; Parly-Mrs Egleton.
Cast
Role: Lady Darling Actor: Mrs Martin
Role: Parly Actor: Mrs Egleton.
Role: Angelica Actor: Mrs Buchanan
Role: Lady Lurewell Actor: Mrs Younger.

Song: Dialogue to Old Ballad Tunes-Leveridge, Mrs Wright; Bagpipe Song in Porus-; Veneta Bella in Alexander-; English Cantata= by Pepusch-Mrs Wright; accompanied by a Trumpet-

Dance: TTwo Pierrots-Poitier, Nivelon; Highlander and his Wife-Salle, Mrs Laguerre; Tambourine-Mlle Salle

Performances

Mainpiece Title: Timon Of Athens

Performance Comment: Timon-Milward; Alcibiades-Walker; Apemantus-Quin; Nicias-Salway; Phaeax-Hippisley; Elius-Neale; Cleon-Dyer; Isander-Hall; Isadore-H. Bullock; Thrasilius-Hallam; Demetrius-Paget; Diphilus-Houghton; Old Man-Aston; Poet-Chapman; Painter-Wilcox; Musician-Ray; Jeweller-Harrington; Gentlemen-Hale, Clarke; Evandra-Mrs Hallam; Melissa-Mrs Buchanan; Chloe-Mrs Stevens; Thais-Mrs Forrester; Phryne-Mrs Kilby.
Cast
Role: Evandra Actor: Mrs Hallam
Role: Melissa Actor: Mrs Buchanan
Role: Chloe Actor: Mrs Stevens
Role: Thais Actor: Mrs Forrester
Role: Phryne Actor: Mrs Kilby.

Music: New Grand Overture by Dr Pepusch-; III: Mr Handel's celebrated Water Musick-; Kettle Drums-Poitier

Dance: I: Tambourine-Miss Rogers; IV: Footing Dance with Hornpipe-Jones, Mrs Ogden; V: Scottish Dance-Glover, Mrs Laguerre, Dupre, Mrs Pelling, Delagarde, Mrs Ogden

Song: IV: The Hunting Song in Admetus-Mrs Wright; accompanyed with Trumpets and French Horns-. *uoÅcg II: A New Masque of Vocal and Instrumental Musick by Mr Rosengrave, in Honour of Flora, the Goddess of the Spring. Vocal Parts-Leveridge, Salway; Dances-Nivelon, Glover, Miss Rogers, Pelling, Delagarde, Newhouse, Mrs Pelling, Miss LaTour, Mrs Ogden

Performance Comment: *uoÅcg II: A New Masque of Vocal and Instrumental Musick by Mr Rosengrave, in Honour of Flora, the Goddess of the Spring. Vocal Parts-Leveridge, Salway; Dances-Nivelon, Glover, Miss Rogers, Pelling, Delagarde, Newhouse, Mrs Pelling, Miss LaTour, Mrs Ogden.

Performances

Mainpiece Title: The Com1cal History Of Don Quixote

Performance Comment: Ambrosia-Giffard; Quixote-Lyon; Sancha Pancha-Hulett; Finisher-Master Giffard; Marcella-Mrs Thurmond; Mary-Mrs Roberts .
Cast
Role: Marcella Actor: Mrs Thurmond
Role: Mary Actor: Mrs Roberts

Dance: A new Rural Dance proper to the Play by Delagarde, Sandham, Evans, Woodward, Miss Wherrit, Miss Sandham, Mrs Vallois, Mrs Dove. Coquette by Mrs Bullock. Comic Dance by Vallois. Dutch Skipper by d'Vallois and Mrs Bullock

Performance Comment: Coquette by Mrs Bullock. Comic Dance by Vallois. Dutch Skipper by d'Vallois and Mrs Bullock .

Performances

Mainpiece Title: Julius Caesar

Performance Comment: As17350901, but Calphurnia-Mrs Butler .
Cast
Role: Calphurnia Actor: Mrs Butler
Role: Portia Actor: Mrs Thurmond

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Newmarket's Delight (new) by Delamagne, Pelling, Davenport, Rector, Janno. III: Revellers by Essex and Mrs Walter. IV: Two Pierrots by Poitier and Pelling. V: Shepherd's Mount by Denoyer, Essex, Mrs Walter, Mrs Anderson, Pelling, Villeneuve, Davenport, Miss Mann, Mrs Davenport, Miss Brett

Performance Comment: II: Newmarket's Delight (new) by Delamagne, Pelling, Davenport, Rector, Janno. III: Revellers by Essex and Mrs Walter. IV: Two Pierrots by Poitier and Pelling. V: Shepherd's Mount by Denoyer, Essex, Mrs Walter, Mrs Anderson, Pelling, Villeneuve, Davenport, Miss Mann, Mrs Davenport, Miss Brett .
Event Comment: Benefit Mrs Stevens, Mrs Wright

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: As17370314 but Othello-Stephens; Desdemona-Mrs Stevens.
Cast
Role: Desdemona Actor: Mrs Stevens.
Role: Emilia Actor: Mrs Mullart

Afterpiece Title: Flora

Song: A Cantata-Mrs Wright; Caelia has a Thousand Charms (set by Purcell)-Beard; The Agreement-Leveridge, Laguerre, Mrs Wright

Dance: GGrecian Sailors-Glover

Event Comment: Benefit Mrs Horton. [Tickets at Mrs Horton's, in King-street, cg.

Performances

Mainpiece Title: Theodosius

Cast
Role: Athenais Actor: Mrs Horton
Role: Pulcheria Actor: Mrs Hallam.

Afterpiece Title: The Honest Yorkshireman

Cast
Role: Combrush Actor: Mrs Vincent.

Dance: A new Comic Dance-Nivelon, Mrs LeBrun; Je ne scai quoi-Tench, Villeneuve, Miss Oates; French Peasant-Lalauze, Mlle Roland, Tench, Desse, Villeneuve, Dupre, Mrs Moreau, Miss Oates, Miss Cantrel, Miss Norman

Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales. Benefit Mrs Butler. [Tickets at Mrs Butler's House in Leicester Fields.

Performances

Mainpiece Title: Love's Last Shift

Performance Comment: As17390122, but Sir Novelty-Woodward; Sly-Ray; Narcissa-Mrs Furnival; Flareit-Mrs Grace; Anne-Mrs Cross.
Cast
Role: Narcissa Actor: Mrs Furnival
Role: Flareit Actor: Mrs Grace
Role: Anne Actor: Mrs Cross.
Role: Amanda Actor: Mrs Butler
Role: Hillaria Actor: Mrs Mills

Afterpiece Title: The Lottery

Performance Comment: As17390118, but Chloe-Mrs Roberts.
Cast
Role: Chloe Actor: Mrs Roberts.

Dance: I: Moors Dance-Muilment; II: Punches Dance-Master Ferg, Miss Wright; III: Grand Ballet-Denoyer, Muilment, Mrs Thompson; V: Minuet-Denoyer, Mrs Walter

Song: TThe Noontide Air, as17390407

Event Comment: Benefit Mrs Walter. Tickets at Mrs Walter's House, near the Fishmonger's, in Bridges Street. Afterpiece: As 30 April

Performances

Mainpiece Title: The Confederacy

Performance Comment: As17391208, but Moneytrap-Taswell; Corinna-Mrs Walter.
Cast
Role: Corinna Actor: Mrs Walter.
Role: Clarissa Actor: Mrs Butler
Role: Araminta Actor: Mrs Pritchard
Role: Cloggit Actor: Mrs Marshall
Role: Amlet Actor: Mrs Macklin
Role: Flippanta Actor: Mrs Clive.

Afterpiece Title: The Tragedy of Tragedies

Cast
Role: Queen Dollalolla Actor: Mrs Bennet

Dance: I: Tambourine-Mlle Chateauneuf; II: Muilment; III: Wooden Shoes-Master Ferg; IV: Pierots-Lalauze, Livier; V: Minuet-Rector, Mrs Walter; End Afterpiece: Maggot-Cooke, Mrs Walter

Song: V: Eccho Song (Comus)-Mrs Arne

Event Comment: Benefit Dukes and Mrs Freeman. Tickets for Mrs Freeman at the Rainbow Coffee House in Fuller's Rents. Tickets and places for the Boxes to be taken at the Stage Door of the Theater. Tickets that are bought out Side of the Door will not be admitted

Performances

Mainpiece Title: The Careless Husband

Performance Comment: As17421124, but Edging-Mrs Freeman, who never appear'd on any Stage before.

Afterpiece Title: The Devil to Pay

Performance Comment: As17430107, but Nell (by Desire)-Mrs Freeman; Doctor-_; Butler-_; Cook-_; Coachman-_.
Cast
Role: Nell Actor: Mrs Freeman
Role: Lady Loverule Actor: Mrs Bambridge
Role: Lucy Actor: Mrs Vallois

Dance: II: The Welch Buffoons-two Masters Granier; IV: A Grand Ballet-Carney, Mrs Roland; V: A Minuet, a Louvre-Mr Dukes, Mrs Freeman

Event Comment: Benefit Berry, Mrs Ridout, Mrs Mozeen, and Miss Minors. Tickets deliver'd for Oroonoko will be taken. Oroonoko oblig'd to be deferr'd on account of the Indisposition of a principal performer. Afterpiece: At the particular request of several ladies of Quality

Performances

Mainpiece Title: The Fine Lady's Airs

Cast
Role: Lady Tossup Actor: Mrs Cross
Role: Lady Rodomont Actor: Mrs Woffington

Afterpiece Title: The Dragon of Wantley

Cast
Role: Margerina Actor: Mrs Clive
Role: Mauxalinda Actor: Mrs Mozeen.

Dance: Salomon, Sga Padouana, the Mechels, Salomon's son

Song: III: A Duet of Purcell's call'd Caesar and Urania-Mrs Clive, Mrs Mozeen

Event Comment: Benefit for Mr and Mrs Dunstall, Mrs Lampe and Miss Young. Mainpiece: Not acted these 3 years [see 4 Feb. 1746]. Tickets to be had at Lampe's, the Sign of the Holy Lamb, Drury Lane, near Long Acre; at Dunstall's in Hunt's Court, Castle St., Leicester Fields; and at the Stage Door. Afterpiece: Words by Shakespeare, Music by Lampe

Performances

Mainpiece Title: The Fair Quaker Of Deal; Or, The Humours Of The Navy

Performance Comment: Worthy-Ryan; Sir Charles-Giffard; Flip-Dunstall; Beau Mizen-Cibber; Arabella-Mrs Dunstall; Rovewell-Gibson; Easy-Storer; Cribbige-Anderson; Purser-Paget; Belinda-Mrs Bland; Jenny Private-Miss Young; Jiltup-Miss Copen; Advocate-Miss Ferguson; Barmaid-Miss Haughton; Sailors-Morgan, James, Collins, Bencraft; Fair Quaker-Mrs Hale; In II, the Famous Song of Ninety Two-Beard; In III, Hornpipe-Oates.
Cast
Role: Arabella Actor: Mrs Dunstall
Role: Belinda Actor: Mrs Bland
Role: Fair Quaker Actor: Mrs Hale

Afterpiece Title: Pyramus and Thisbe

Performance Comment: Pyramus-Beard; Moonshine-Roberts; Lion-a Gentleman; Thisbe-Mrs Lampe; the whole to conclude with the Last New Dance call'd Foote's Vagaries-.
Cast
Role: Thisbe Actor: Mrs Lampe

Song: I: Duet-Mrs Lampe, Miss Young; IV: Myself I Shall adore by Handel-Mrs Lampe

Event Comment: Benefit for Mrs Storer. Mainpiece: Not acted these 12 years. [See 1 Jan. 1735.] Tickets at Mrs Storer's lodgings at the corner of New Broad Court, Bow Street, and at the Stage Door

Performances

Mainpiece Title: The Wonder; Or, A Woman Keeps A Secret

Performance Comment: Don Felix-Giffard; Col. Briton-Gibson; Lopez-James; Pedro-Collins; Frederick-Anderson; Gibby-Dunstall; Lissardo-Storer; Alguazile-Morgan; Isabella-Mrs Hale; Flora-Miss Haughton; Inis-Mrs Dunstall; Violante-Mrs Giffard.
Cast
Role: Isabella Actor: Mrs Hale
Role: Inis Actor: Mrs Dunstall
Role: Violante Actor: Mrs Giffard.

Afterpiece Title: Venus and Adonis

Cast
Role: Adonis Actor: Mrs Storer
Role: Venus Actor: Mrs Lampe

Song: II: The Smiling Hour by Handel-Mrs Storer; III: From Rosie Bowers by Henry Purcel-Mrs Storer

Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17490429 but Hero-Mrs Elmy; Balthasar-_ Fryar-Bridges; Borachio-Blakes; Margaret-Mrs Havard.

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: Mrs Highman Actor: Mrs Bennet.
Role: Lettice Actor: Mrs Clive.

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Event Comment: Benefit for Stevens, Mrs Chambers, Mrs Pitt. No building on Stage

Performances

Mainpiece Title: King Henry V

Performance Comment: As17540417 but Fluellin-Arthur; Constable-_; Dauphin-Usher; Hostess-Mrs Pitt.
Cast
Role: Hostess Actor: Mrs Pitt.
Role: Catherine Actor: Mrs Dyer

Afterpiece Title: The Devil to Pay

Performance Comment: As17530924, but Nell-Mrs Chambers, 1st time.
Cast
Role: Nell Actor: Mrs Chambers, 1st time.
Role: Lady Loverule Actor: Mrs Pitt

Song: II: Jenny Bright as the Day-Mrs Chambers; IV: The Favourite Dialogue of No Never-Legg, Mrs Chambers

Dance: III: Italian Peasants, as17531120

Event Comment: [G$Goldsmith's comment in The Bee (1759, p. 14) the following season seems to have glanced at Mrs Pritchard's performance of Jane Shore, since Mrs Pritchard was growing quite stout at this time: In his remarks of "casting" he is distressed at "an actress that might act the Wapping Landlady without a bolster, pining in the character of Jane Shore, and while unwieldy with fat endeavoring to convince the audience that she is dying from hunger." The part at Drury Lane for the next eight years went to Mrs Yates, Mrs Pritchard playing it only once again "for that night only" at her daughter's benefit, 7 April 1766.] Receipts: #140 (Cross); #138 18s. (Winston MS 8)

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Garrick; Shore-Mossop; Gloster-Davies; Bellmour-Blakes; Darby-Burton; Catesby-Mozeen; Ratcliffe-Packer; Alicia-Mrs Cibber; Jane Shore-Mrs Pritchard.
Cast
Role: Alicia Actor: Mrs Cibber
Role: Jane Shore Actor: Mrs Pritchard.

Afterpiece Title: The Anatomist

Cast
Role: Beatrice Actor: Mrs Bennet.

Dance: new Pantomime Dance call'd%The Swiss-Grimaldi, Dupuy, Mrs Vernon