SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mrs Mary Michell"/1) | (@(roleclean,performerclean) "Mrs Mary Michell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23344 matches on Performance Comments, 4317 matches on Event Comments, 4254 matches on Performance Title, 38 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Concert

Performance Comment: Of about thirty Instruments and Voices-; [with] a Verse with Flutes-; [set by Mr Henry Purcel, in a Song for the Birthday of the late Queen Mary- (Post Boy, 17 Aug. 1697).
Event Comment: By Command of his Royal Highness the Duke, and their Highnesses the Princesses Caroline, Mary, and Louisa. Mainpiece: Written by the late Mr Congreve. [The Duke, Princesses Caroline, Mary, and Louisa present.]

Performances

Mainpiece Title: The Double Dealer

Cast
Role: Lady Pliant Actor: Mrs Cantrell
Role: Lady Froth Actor: Mrs Clive
Role: Lady Touchwood Actor: Mrs Butler

Music: As17351018

Dance: II: A new Grand Serious Ballet by Denoyer and others. IV: By Mlle Roland. End Afterpiece: Le Chasseur Royal by Denoyer, Mlle Roland, &c

Performances

Mainpiece Title: Alexanders Feast And The Coronation Anthems

Performance Comment: Principal Singers-Miss Linley, Miss Mary Linley, Miss Draper, Norris, Reinhold.

Music: End I: Concerto on Organ-Stanley; II: Violin Concerto-ThomasLinley

Performances

Mainpiece Title: Hamlet

Cast
Role: Player Queen Actor: Mrs Platt
Role: Queen Actor: Mrs Pope.

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Fawcett; Lord Edmond-Davies; Jack Connor-Macready; Count Frippon-Cubitt; Tough-Rock; Frill-Farley; Father Frank-Rees; Landlord-Thompson; Trap-Powel; Phelim-Ledger; Dowdle-Munden; Rachael-Miss Hopkins; Mary-Miss Stuart; Adelaide-Miss Chapman.
Cast
Role: Mary Actor: Miss Stuart

Song: As17931009

Performances

Mainpiece Title: The Mysteries Of The Castle

Performance Comment: As17950131, but Chorus of Country Girls-Mrs Masters.

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Fawcett; Lord Edmond-Davies; Jack Connor-Macready; Count Fripon-Rees; Tough-Rock; Father Frank-Davenport; Trap-Powel; Dowdle-Munden; Rachael-Miss Hopkins; Mary-Miss Stuart; Adelaide-Miss Chapman.
Cast
Role: Mary Actor: Miss Stuart

Performances

Mainpiece Title: The London Merchant

Cast
Role: Millwood Actor: Mrs Siddons

Afterpiece Title: Cape St

Performance Comment: Vincent. As17970309but Splicem-Cooke; Mary-Miss D'Evelyn; Busy-_; Boys-_; Old Woman-_; Nancy-_.
Cast
Role: Mary Actor: Miss D'Evelyn
Role: Lady Helen Actor: Mrs Powell
Role: Winifred Actor: Mrs Booth
Role: Princess Lodoiska Actor: Mrs Crouch

Ballet: The Scotch Ghost. As17961221

Event Comment: [K$King, Queen, Duke, Princess Royal, and Princesses Amelia, Caroline, Mary, Louisa present. For an Epigram on the late Mrs Oldfield, see Grub St. Journal, 17 Dec.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Cephalus and Procris

Event Comment: In a letter to the Daily Post. 4 June, the Patentees of Drury Lane-Mary Wilks, John Ellys, Hester Booth, and John Highmore-stated the cast of the Patentees. The gist of their statement is: (1) They operate under a Patent commencing 1 Sept. 1732 which, by Deaths and Legal Assignments, is the property of the four, with Highmore possessing one half, at an expence of #6,000 and upwards. (2) Several of the Players have threatened to desert the service of the Patentees and have contracted with some of the Trustees (the Sharers) to secure possession of the Theatre. (3) Drury Lane is let upon lease from the Duke of Bedford, granted to Thomas Kynaston and Francis Stanhope, Trustees for the Sharers (commonly called Renters) of Drury Lane at the rent of #50 annually upon a Fine of 1,000 guineas paid for the renewal of the lease. (4) The Players, under the Patentees, have acted at Drury Lane for twenty-one years without any interruption form the Trustees upon the sole contract that the Patentees pay the Trustees #3 12s. each acting night, besides the Liberty of seeing Plays. (5) At the beginning of this Season the manager's office received a letter from a few of the Renters demanding an Advance of Rent. Highmore, being new, was concerned, and asked the managers to take care of the matter; and thereafter the signers (the Patentees) had heard of no further discontent among the Renters. (6) To defend themselves against stories of hardship or complaint by the actors, the Patentees point out that the following weekly salaries had been paid: Colley Cibber #12 12s.; Theophilus Cibber #5; Mills Sr, #1 daily for 200 days certain, and a benefit, clear of all charges; Mills Jr #3; Johnson #5; Miller #5; Harper #4; Griffin #4; Shepard #3; Hallam, for himself and his father, the latter of little or no service, #3; Mrs Heron #5; Mrs Butler #3. For these charges and others, the Patentees stand a daily expence of #49 when the theatre is open. (7) Further, the Patentees paid Cibber Jr his wife's whole salary without her being able to act the greater part of the winter, #9 weekly for the two; Mills Jr, in the same circumstances with his wife, #5 10s. weekly for the two; Miller a salary (amounting to #40) for eight weeks before he acted, and a gratuity of ten guineas; Griffin a present of ten guineas; Harper a present, amount not specified; Mrs Heron an increase form 40s. to #5 weekly, although she refused afterward to play several parts assigned her and acted but seldom

Performances

Performances

Mainpiece Title: Rope Dancing

Entertainment: The most famous Rope/dancers; in Europe; As1st Dance with and without a Pole-2 young Maidens , lately arriv'd from France, to admiration; 2. Dance with 2 Children at his Feet, Dance with Boots and Spurs The Famous-M Barnes of whose performances this Kingdom is so sensible. 3.; Dancing-Mrs Finley; distinguished by the Name of Lady Mary for her incomparable Dancing, has much improved herself since the last Fair; You will likewise be entertained with such variety of Tumbling-Mr Finley andCo as never was in the Fair before

Performance Comment: Dance with 2 Children at his Feet, Dance with Boots and Spurs The Famous-M Barnes of whose performances this Kingdom is so sensible. 3.; Dancing-Mrs Finley; distinguished by the Name of Lady Mary for her incomparable Dancing, has much improved herself since the last Fair; You will likewise be entertained with such variety of Tumbling-Mr Finley andCo as never was in the Fair before.
Cast
Role: Dancing Actor: Mrs Finley
Event Comment: The King's Company. This play is on L. C. list, 5@12, p. 17: ye king here. See also Nicoll, Restoration Drama, p. 344. The play was apparently designed for the opening of the Bridges St playhouse in November 1666 but was not then acted. The edition of 1667 gives a intended cast. Bonhomme-Cartwright; Valerio-$C. Hart; Ergasto-$W. Winterson [$Wintershall]; Don Buisson-Burt; La Fleur-$E. Keninston [$Kynaston]; Sganarelle-J. Lacy; Mascarillio-$M. Moon [$Mohun]; Jodelet-R. Shatterel; Housekeepers-$Alexander, $Wilbraham; Mary and Anne-$The Two Marshalls; Isabella-$Mrs Rutter; Lysette-$Nel Guin; Prologue Intended for the Overture of the Theatre, 1666; Epilogue. [In this list the names Alexander and Wilbraham are not otherwise known and may represent errors in the printed list.

Performances

Mainpiece Title: The Damaseiles A La Mode

Event Comment: Lady Mary Bertie to Katherine Noel, 4 March 1670@1: I was with my Lady Rochester and my Lady Bettey Howard and Mrs Lee at a play (HMC, 12th Report, Part V, Vol. II, page 23)

Performances

Event Comment: Evelyn, Diary: Saw a Comedie at night, at court, acted by the Ladys onely, viz: The Lady Mary & Ann his R. Highnesses two Daughters, & my deare friend Mrs Blagg, who having the principal part, perform'd it to admiration: They were all covered with Jewels. [It seems likely that Evelyn saw a rehearsal or was in error concerning the date of performance.] Newdigate newsletters (Folger Shakespeare Library): On Twelfe day the principallest abt ye Court divert their Matys with a Play & Opera where in ye Splendor & Grandeur of the English Monarchy will be seen (Wilson, Theatre Notes, p. 79). See also Nicoll, Restoration Drama, pp. 357-58, for an order of this date, L. C. 5@141, p. 83, concerning habits for the opera

Performances

Mainpiece Title: Calisto

Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369: ye Q a Box & a Box for ye Maids of Honr double dealer. [See also Nicoll, Restoration Drama, p. 352.] Cibber relates an incident which may pertain to this performance, Apology, I, 185-86: Queen Mary having commanded the Double Dealer to be acted, Kynaston happen'd to be so ill that he could not hope to be able next Day to perform his Part of the Lord Touchwood. In this Exigence, the Author, Mr Congreve, advis'd that it might be given to me, if at so short a Warning I would undertake it. The Flattery of being thus distinguish'd by so celebrated an Author, and the Honour to act before a Queen, you may be sure made me blind to whatever Difficulties might attend it. I accepted the Part, and was ready in it before I slept; next Day the Queen was presented at the Play, and was received with a new Prologue from the Author, spoken by Mrs Barry, humbly acknowledging the great Honour done to the Stage....After the Play, Mr Congreve made me the Compliment of saying, That I had not only answer'd, but had exceeded his Expectations, and that he would shew me he was sincere in his saying more of me to the Masters.--He was as good as his Word, and the next Pay-day I found my Sallary of fifteen was then advanced to twenty Shillings a Week

Performances

Mainpiece Title: The Double Dealer

Event Comment: On Wednesday next in the Evening Mrs Midnight's Concert and Oratory will again be performed...at the Haymarket. The last time this Entertainment was performed, the House was crowded, that many Hundreds could not get admittance, and persons of Quality and Distinction found Satisfaction...My Service to Sister Henley. Mary Midnight (Daily Advertiser)

Performances

Event Comment: In an edition of Covent Garden Drollery, M. Summers, p. 67, prints an Epilogue, Spoken by the Lady Mary Mordant, before the King and Queen, at court, to the faithfull Shepherdess; Summers includes a letter (p. 121) from Gerrard to Lord Strafford, 9 Jan. 1662@3, concerning a performance of The Faithfull Shepherdess at Court. In another edition of the Covent Garden Drollery (London, 1928), G. Thorn-Drury argues that the performance belongs to Twelfth Night, 1633@4 (pp. 146-47)

Performances

Event Comment: The King's Company. Pepys, Diary: With my wife by water to the Royall Theatre; and there saw The Committee, a merry but indifferent play, only Lacey's part, an Irish footman, is beyond imagination. Here I saw my Lord Falconbridge, and his Lady, my Lady Mary Cromwell, who looks as well as I have known her and as well clad; but when the House began to fill she put on her vizard, and so kept it on all the play; which of late is become a great fashion among the ladies, which hides their whole face

Performances

Mainpiece Title: The Committee

Event Comment: Pepys, Diary: Though nine o'clock at night, carried them [Mary Joyce, Anthony Joyce and Kate Joyce] into a puppet play in Lincolnes Inn Fields, where there was the story of Holofernes, and other clockwork, well done

Performances

Mainpiece Title: Puppet Plays

Event Comment: The King's company. On 31 Aug. or 1 Sept. 1664 Orrery wrote to Sir Henry Bennett: Ther was noe Play of myne Acted, they are now but Studyinge it; I hope within less then a Fortnight twill be on ye Theater And if you are not surfetted, with what of mine you have already seene [Henry V], I will beg ye honour to wait on you when tis Acted (see The Dramatic Works of Roger Boyle, ed. W. S. Clark@II [Cambridge, Mass., 1937], 1, 102). The play is also on the list of Herbert, Dramatic Records, p. 138. Boswell, Restoration Court Stage, p. 281, lists it among the plays given at court, but Sir Heneage Finch's note (see below) seems to indicate an afternoon performance. Sir Heneage Finch to Sir Edward Dering, 15 Sept. 1664: Yesterday was acted, in the Greatest and noblest presence wch ye Court can make, before ye fullest Theatre, & with the highest applause imaginable, my Lo Orerys new play calld ye Generall formerly acted in Ireland by the name of Altamira, but much altered & improved. From thence the whole Court went to Wallingford house, where the Earl of Arran and the Lady Mary Stuart were that night before Supper marryd in the Gallery (Dramatic Works of Roger Boyle, I, 103, from Stowe MS 744 f. 81)

Performances

Mainpiece Title: The Generall

Event Comment: On this day Pepys heard a report about the reopening of the play-houses which probably was an erroneous rumor: And found Sir W. Pen talking to Orange Moll [Mary Meggs] of the King's house, who, to our great comfort, told us that they begun to act on the 18th of this month

Performances

Event Comment: The King's Company. Pepys, Diary: My wife and I and Sir W. Pen to the King's playhouse, where the house extraordinary full; and there was the King and Duke of York to see the new play, Queen Elizabeth's Troubles, and the History of Eighty Eight. I confess I have sucked in so much of the sad story of Queen Elizabeth, for my cradle, that I was ready to weep for her sometimes; but the play is the most ridiculous that sure ever come upon the stage; and, indeed, is merely a shew, only shews the true garbe of the Queen in those days, just as we see Queen Mary and Queen Elizabeth painted; but the play is merely a puppet play, acted by living puppets. Neither the design nor language better; and one stands by and tells us the meaning of things: only I was pleased to see Knipp dance among the milkmaids, and to hear her sing a song to Queen Elizabeth; and too see her come out in her night-gowne with no lockes on, but her bare face and hair only tied up in a knot behind; which is the comeliest dress that ever I saw her in to her advantage

Performances

Mainpiece Title: Queen Elizabeths Troubles And The History Of Eighty Eight

Event Comment: The Duke's Company. Pepys, Diary: With Sir W. Pen, my wife, and Mary Batelier to the Duke of York's house, and there saw Heraclius, which is a good play; but they did so spoil it with their laughing, and being all of them out, and with the noise they made within the theatre, that I was ashamed of it, and resolve not to come thither again a good while, believing that this negligence, which I never observed before, proceeds only from their want of company in the pit, that they have no care how they act

Performances

Mainpiece Title: Heraclius

Event Comment: Pepys, Diary: To the Duke of York's playhouse, and there met my wife and Deb. and Mary Mercer and Batelier, where also W. Hewer was, and saw Hamlet, which we have not seen this year before, or more; and mightily pleased with it; but, above all, with Betterton, the best part, I believe, that ever man acted

Performances

Mainpiece Title: Hamlet

Event Comment: Lady Mary Bertie to Katherine Noel, 2 Jan. 1670@1: There is letely come out a new play writ by Mr Dreyden who made the Indian Emperor. It is caled the Conquest of Grenada. My brother Norreys tooke a box and carryed my Lady Rochester and his mistresse and all us to, and on Tuestay wee are to goe see the second part of it which is then the first tim acted (Rutland MSS, HMC, 12th Report, Part V [London, 1889], 22). From this letter it is difficult to tell whether by "Tuestay" is meant Tuesday 3 Jan. 1670@1 or Tuesday 10 Jan. 1670@1. Hence, Part II has been entered on both days

Performances

Event Comment: Lady Mary Bertie to Katherine Noel, 4 Feb. 1670@1: I have news to send you but that there are two very fine new plays lately acted (HMC, 12th Report, Part V [London, 1889], II, 22)

Performances

Event Comment: Lady Mary Bertie to Katherine Noel, 4 Feb. 1670@1: They say the greate Ball is to be danced on Munday night (HMC, 12th Report, Part V, Vol. II, p. 22). If this refers to the ballet, see 9 Feb. 1670@1

Performances