SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mrs French"/1) | (@(roleclean,performerclean) "Mrs French")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23479 matches on Performance Comments, 4586 matches on Event Comments, 4561 matches on Performance Title, 9 matches on Author, and 1 matches on Roles/Actors.
Event Comment: The Earl of Arran to the Duchess of Ormond, 19 Jan. 1677@8: I met her Lord [Lord Cavendish] last night at the French play (HMC, Ormonde MSS., New Series, 1906, IV, 90). Henri Forneron, Louise de Keroualle, Duchess of Portsmouth (London, 1887): [The Duchess of Portsmouth] was at the last extremity when a slight change for the better took place, and she got up, had herself dressed, and dragged herself to her Sedan chair, to be carried to the French play, where she heard the king was to be with Madame Mazarin. The players had come to London for a short time, and Charles attended all their representations (pp. 197-98). Forneron apparently drew this information from a letter dated 20 Jan. 1677@8

Performances

Event Comment: A troupe of French Comedians played at theatre in Windsor Castle. On 25 July 1688 a warrant (L. C. 5@17, pp. 60, 65, in Boswell, Restoration Court Stage, pp. 61, 127) ordered the playhouse there to be made ready for the foreign company. According to L. C. 5@17, in Nicoll, Restoration Drama, p. 65, the French players arrived on 11 Aug. and remained at Windsor until 22 Sept

Performances

Event Comment: The warrant for the export of the goods of the French comedians who acted in the late summer is dated this day. See Calendar of Treasury Books, 1685-1689, p. 2082, and Boswell, Restoration Court Stage, p. 128. During October #200 was paid to John deSureis for himself and eleven companions, the French comedians who had been at Windsor (Boswell, Restoration Court Stage, p. 128)

Performances

Performances

Mainpiece Title: Concert

Music: Mr Abell; having had the Honour lately, to Sing to the Nobility and Gentry of Richmond and the Neighbouring Towns, thinks himself bound in Gratitude...to return his most Humble Thanks with a Performance of New Musick, in English, Latin, Italian, French-Mr Abell; &c....being Honour'd and Accompany'd-the Greatest Masters of Europe

Performance Comment: ..to return his most Humble Thanks with a Performance of New Musick, in English, Latin, Italian, French-Mr Abell; &c....being Honour'd and Accompany'd-the Greatest Masters of Europe.
Cast
Role: French Actor: Mr Abell

Performances

Mainpiece Title: Italian Interludes

Dance: Some mimical Entertainments a Famous-Scaramouch, Harlequin , who lately perform'd before the Court of Hanover and their Prussian Majesties, now arriv'd in England

Entertainment: Vaulting. An extraordinary Performance on the Manag'd Horse-the greatest Master of the Age , exceeding whatever has been done by any other, especially his resting on one hand with his whole Body extended while he drinks several Glasses of Wine, and then throwing himself a Somerset over the Horse's head; Rope/dancing With and without a Pole,-the two famous French Maids so much admir'd, for surpassing all others in their Art, that they have been presented with Medals at most of the Courts in Europe

Performance Comment: An extraordinary Performance on the Manag'd Horse-the greatest Master of the Age , exceeding whatever has been done by any other, especially his resting on one hand with his whole Body extended while he drinks several Glasses of Wine, and then throwing himself a Somerset over the Horse's head; Rope/dancing With and without a Pole,-the two famous French Maids so much admir'd, for surpassing all others in their Art, that they have been presented with Medals at most of the Courts in Europe.

Performances

Mainpiece Title: La Foire De St

Performance Comment: Germain. Parts-the French Company of Comedians , lately arriv'd from the Theatre Royal in Paris.
Event Comment: Performed after the French Manner. With New Scenes and Decorations proper to the Play. In which will be seen a Battle on Horseback between the Knight of the Sun and the Emperour of the Moon, call'd in French La Cavalcade Espagnol, a Performance never yet seen in England

Performances

Mainpiece Title: Arlequin Empereur Dans La Lune Or Harlequin Emperor In The Moon

Entertainment: A new leap over 14 Men-the Tumblers

Event Comment: By the Company of French Comedians, just arrived from France. A Comedy in French after the Italian Manner. Pit and Boxes at 5s. Stage Boxes 7s. 6d. Gallery 2s

Performances

Mainpiece Title: Harlequin Dead And Revived

Dance:

Performances

Mainpiece Title: Camilla

Afterpiece Title: The Metamorphoses of Cartouche

Performance Comment: Pantalon, the Doctor, Brighella , being the first Time of their Appearing on that Stage, wherein Brighella transforms himself into the following Shapes, viz. 1st, An Idiot; 2d, A Swiss Musick-Master (with the Stuttering Song); 3d, A Venetian Gondolier, with the Song in Imitation of Les Tambour; 4th, An Armenian Teyman; 5th, A Florentine Cook; 6th, A Scaramouch; 7th, A French Dwarf Lady. 3d, A Venetian Gondolier, with the Song in Imitation of Les Tambour; 4th, An Armenian Teyman; 5th, A Florentine Cook; 6th, A Scaramouch; 7th, A French Dwarf Lady.

Dance: TTwo Pierrots-Nivelon, Poitier

Song: Two Songs in Italian by the Author-Rochetti

Performances

Mainpiece Title: Concert

Music: The Vocal consisting of several Favourite Italian Songs-; Four English Ballads-a Gentlewoman who never appear'd on any Stage before; accompanied-; with Instruments Concerto-wise, after an entire New Manner. The Instrumental consisting of great Variety for all, particularly several new Pieces for French Horns-

Performance Comment: The Instrumental consisting of great Variety for all, particularly several new Pieces for French Horns-.

Performances

Mainpiece Title: Concert

Music: The Performers are to be in the following Characters. The Harpsichord-Colombine; Violoncello-Harlequin; Bassoon-Scaramouch; Double Bass-Pierot; Singing-Diana, an Indian King; Violins-a Spaniard, a Roman, an Hungarian, a Persian, a Turk, a Polander, an Arabian, a Muscovite; the Tenor-a Highlander; the German Flute-a Satyr; French Horns-Foresters; Hautboys-two Shepherds; others. The Concert of Performers will consist of between 40 and 50 of the best Hands

Performance Comment: The Harpsichord-Colombine; Violoncello-Harlequin; Bassoon-Scaramouch; Double Bass-Pierot; Singing-Diana, an Indian King; Violins-a Spaniard, a Roman, an Hungarian, a Persian, a Turk, a Polander, an Arabian, a Muscovite; the Tenor-a Highlander; the German Flute-a Satyr; French Horns-Foresters; Hautboys-two Shepherds; others. The Concert of Performers will consist of between 40 and 50 of the best Hands. others. The Concert of Performers will consist of between 40 and 50 of the best Hands.
Cast
Role: French Horns Actor: Foresters

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: Townly-W. Mills; Manly-Mills; Sir Francis-Griffin; Basset-Cibber; Lady Townly-Mrs Heron; Lady Grace-Mrs Butler; Lady Wronghead-Mrs Grace; Jenny-Miss Robinson .
Cast
Role: Lady Townly Actor: Mrs Heron
Role: Lady Grace Actor: Mrs Butler
Role: Lady Wronghead Actor: Mrs Grace

Music: Second Musick: First Concerto of the second Opera of Geminiani. Third Musick: Concerto for French Horns, Trumpets. II: Trio for French Horns, Hautboys, Harpsichord

Performance Comment: Third Musick: Concerto for French Horns, Trumpets. II: Trio for French Horns, Hautboys, Harpsichord .

Dance: In V: Les Bergeries, as17331006 V: Comic Dance by Nivelon, from CG

Song: I: Was Ever Nymph Like Rosamond by Miss Arne. II: Mi Folgo ad Ogni Fronda by Miss Arne. IV: If'Tis Joy to Wound a Lover by Miss Arne

Performances

Mainpiece Title: Loves Last Shift

Performance Comment: Loveless-Ryan; Elder Worthy-Hale; Young Worthy-Walker; Sir Novelty-Chapman; Sir William-Hippisley; Amanda-Mrs Hallam; Narcissa-Mrs Bullock; Hillaria-Mrs Buchanan; Flareit-Mrs Kilby .
Cast
Role: Amanda Actor: Mrs Hallam
Role: Narcissa Actor: Mrs Bullock
Role: Hillaria Actor: Mrs Buchanan
Role: Flareit Actor: Mrs Kilby

Afterpiece Title: Apollo and Daphne

Performance Comment: As17331023 (but Daily Journal retains Miss Rogers as French Woman) .

Performances

Mainpiece Title: Othello Moor Of Venice

Performance Comment: As17330915, but Brabantio-Aston; Roderigo-Chapman; Desdemona-Mrs Younger; Lodovico-Hale; Montano-Lacy .
Cast
Role: Desdemona Actor: Mrs Younger
Role: Emilia Actor: Mrs Stevens

Afterpiece Title: Apollo and Daphne

Performance Comment: As17331027, but Apollo-Glover; Zephyrus omitted; Spaniard-Le Sac; Polonese-Pelling; French Woman-Miss Rogers .

Performances

Mainpiece Title: Love For Love

Cast
Role: Angelica Actor: Mrs Heron
Role: Mrs Frail Actor: Mrs Butler
Role: Mrs Foresight Actor: Mrs Grace

Afterpiece Title: The Devil to Pay

Music: Second Musick: 3d Concerto of the 1st Opera of Geminiani. Third Musick: Overture, with French Horns, composed for Ptolemy by Handel. V: Handel's Water Musick, accompanied with French Horns

Performance Comment: Third Musick: Overture, with French Horns, composed for Ptolemy by Handel. V: Handel's Water Musick, accompanied with French Horns .

Dance: III: Black and White Joak by Nivelon and Miss Mann. V: Les ombres des Amants Fideles by Essex, Miss Robinson, Miss Latour, &c

Song: I: Was ever Nymph like Rosamond by Miss Arne. II: Hush, ye pretty, warbling Choir by Miss Arne. IV: Lusingue pui care by Miss Arne

Performances

Mainpiece Title: The Inconstant

Cast
Role: Oriana Actor: Mrs Buchanan
Role: Bisarre Actor: Mrs Horton
Role: Lamorce Actor: Mrs Kilby

Music: Overture to Ariadne. Select Pieces between the Acts. V: Handel's Water Musick, in which Benj. Baker will play the Kettle-Drums, accompanied with Trumpets and French Horns

Performance Comment: Select Pieces between the Acts. V: Handel's Water Musick, in which Benj. Baker will play the Kettle-Drums, accompanied with Trumpets and French Horns .

Dance: I: Le Depit Amoureux by Desse and Mlle Delorme. II: Comic Dance by Nivelon and Mlle De L'Isle. IV: French Peasants by Lalauze, Mlle D'Hervigni, &c. V: The Faithful Shepherd by Glover, Miss Rogers, Tench, Desse, Dupre, Livier, Mrs Ogden, Mlle Delorme, Miss Norman, Mrs Kilby

Performance Comment: II: Comic Dance by Nivelon and Mlle De L'Isle. IV: French Peasants by Lalauze, Mlle D'Hervigni, &c. V: The Faithful Shepherd by Glover, Miss Rogers, Tench, Desse, Dupre, Livier, Mrs Ogden, Mlle Delorme, Miss Norman, Mrs Kilby .

Song: I: Chancon a Boire, as17360504. II: The Confession sung by Roberts and Miss Hillyard. III: The opinion of the Ancients, as17360412

Event Comment: DDaily Advertiser, 4 Oct.: The French Company of Comedians newly arriv'd from Paris, it's said, consists of seventy Persons. It seems to be a little unnatural that French Strollers should have a Superior Privilege to those of our own Country

Performances

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par LAmour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Event Comment: DDaily Advertiser, 10 Nov.: Two of the French Strollers having desir'd Leave of the Town to act three Nights at one of the Patent Theatres, the Master of that House is desir'd to consider, whether if he lends it to those Foreigners, he can ever hope to have it fill'd with an English Audience, who probably will chastise the Abuse of Power in an ungrateful Patentee, as they did the Want of it in a French Harlequin

Performances

Mainpiece Title: Mithridates King Of Pontus

Cast
Role: Monimia Actor: Mrs Ware
Role: Semandra Actor: Mrs Horton.

Performances

Mainpiece Title: The Mistake Or The Lovers Quarrel

Afterpiece Title: Orpheus and Eurydice

Performance Comment: As17401013, but Followers of Eurydice-French _Girl, Mlle Roland.

Performances

Mainpiece Title: A Concert Of Musick

Performance Comment: Vocal parts-Lowe, youngest Miss Turner; violin-Brown; violoncello-a Gentleman; Concerto on bassoon-Hebden; French Horn-Wynch; German Flute-a Gentleman.
Cast
Role: French Horn Actor: Wynch

Performances

Mainpiece Title: The Old Womans Oratory 1

Performance Comment: Occasional Prologue-a Gentleman; 1. A grandpiece, with Kettle Drums and Trumpets-; first Violoncello-Cupid; 2. The Inauguration Speech-Mrs Midnight; 3. Concerto for two Clarinettes-; 4. Mr Handel's Water@Piece-; with a Preamble on the Kettle@Drums-.

Afterpiece Title: Old Womans Oratory 2

Performance Comment: 1. a Trumpet Concerto-; 2. The Speech of Mrs Midnight in Defence of her Existence-; 3. Solo on the Viol d'Amor-; 4. A Declamatory Piece on the Jew's Harp-a Casuist; 5. March in Judas Macchabeus-; ; with the Side Drum-.

Afterpiece Title: Old Womans Oratory 3

Performance Comment: 1. A new Concerto for several different Instruments-; 2. A Piece of innocent Politicks-; 3. A French Horn Concerto-; 4. An Oration on the Salt Box-a Rationalist; 5. Overture by Dr Boyce-; Epilogue-Master Hallet in the Character of Cupid.
Cast
Role: A French Horn Concerto Actor:

Performances

Mainpiece Title: The Old Womans Oratory 1

Afterpiece Title: Old Womans Oratory 2

Performance Comment: 1. A Full Piece-; 2. The Speech of Mrs Midnight in Defence of her Existence-; 3. Solo on the Viol d'Amor-; 4. Overture in Otho-; 5. An Oration on the Salt@Box-a Rationalist.

Afterpiece Title: Old Womans Oratory 3

Performance Comment: 1. A new Concerto on the Cymbalo-; 2. A Piece of innocent Politicks-; 3. A French Horn Concerto-; 4. A Declamatory Piece on the Jew's Harp-a Casuist; 5. March in Judas Macchabeus-; with the Side Drum-; Epilogue-Master Hallet.
Cast
Role: A French Horn Concerto Actor:
Event Comment: Some Noise at the Dancers, but not great (Cross). Tomorrow will be publish'd The Dancers Damn'd; Or The Devil to Pay at the old House. Price 6d. Printed for R. Griffiths. [Appears to be an eyewitness, journalistic account, but turns into a considered attack upon mob patriotism. Author purports to describe the action which took place Wednesday night 12 Nov. 1755: 'When the Chinese scene was expos'd, the leader of the Loyal party advanced to the front of the Gallery and thus bespake the House: "O Britons! O my Countrymen! Ye will certainly not suffer these foreign clogs to amuse us. Our destruction is at hand. These sixty dancers are come over with a design to undermine our constitution. This Navarre is Marshall Lewendahl, and the least amongst them is an ensign, disguised in order to perpetrate our ruin!"' After alternate encouragement and abuse Reason, who had descended from the clouds, spoke: "I came hither by the persuasion of Truth and Justice to tell you that amongst all this number of dancers that now stand ready to entertain you there are no more than Four French men and about the same number of females; that their Chief is a Swiss Protestant, who, had not his merit protected him would have been hiss'd off the stage at Paris, for being a Swiss Protestant. And will you damn him for the same reason? Will you pay less regard to Genius than a French Audience? Here a cat-call and one cried out: 'Swiss! What the devil do we know of Swiss! a Swiss is a foreigner, and all foreigners are Frenchmen; and so damn you all!"'] Receipts: #140 (Cross)

Performances

Mainpiece Title: As You Like It

Cast
Role: Celia Actor: Mrs Clive
Role: Phoebe Actor: Mrs Hippisley

Afterpiece Title: The Chinese Festival

Performances

Mainpiece Title: A Medley Concert And Auction

Performance Comment: Address-Cibber; A Scotch Song-; A concerto-; First Comic Lecture-Cibber; Grand Concerto for French Horns-; Second Comic Lecture-Cibber; The Italian Peasant (comic dance)-; A New Cantata The Wheelbarrow-; Comic Medley overture-; Auction of choice curiosities of extraordinary Value-Cibber; Italian air-Sga Mimicotti as17570628; Oration call'd the Pig or Advice to the Critics-Miss Dorothy Midnight; Comic Ballet The Marine Boys marching to Portsmouth-; Handel's Water Music-Mother Midnight.

Afterpiece Title: Harlequins Frolic

Cast
Role: Frenchman Actor: