Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mrs Betterton"/1) | (@(roleclean,performerclean) "Mrs Betterton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
22547 results for: Keyword - Mrs Betterton
We found 23367 matches on Performance Comments, 4367 matches on Event Comments, 4201 matches on Performance Title, 369 matches on Author, and 52 matches on Roles/Actors.

3426
01 March 1781 @ Drury Lane Theatre

Event Comment: [As mainpiece the playbill announces the 7th night of The Royal Suppliants (see 17 Mar.), but because of Mrs Crawford's illness (see 3 Mar.) it was not acted. Its substitute is listed in the Account-Book.] Receipts: #159 4s. (158.5; 0.19)

Performances

Mainpiece Title: Hamlet

Performance Comment: See17800916, but Ophelia-Miss Field? (see17810524, and for Mrs Baddeley see17801202).

Afterpiece Title: Robinson Crusoe

3427
03 March 1786 @ Drury Lane Theatre

Event Comment: Tickets to be had and Places [for the boxes] to be taken of Fosbrook, at the Stage Door of the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performance to be had at the Theatre. New Lady's Magazine, Mar 1786, p. 110: performance under the direction of Dr Arnold, who conducted from the organ. I know that my redeemer liveth sung by Miss George; He was despised and rejected by Master Pring; How beautiful are the feet by Mrs Forster

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Parts by Bellamy, Arrowsmith, Carter, Master Pring; Mrs Forster, Miss George .

3428
07 February 1787 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 4 years. [Mrs Pollard is identified byMS annotation on Kemble playbill.] Receipts: #141 14s. 6d. (106.16.0; 32.5.6; 2.13.0)

Performances

Mainpiece Title: The Orphan

Performance Comment: Castalio-Kemble (1st appearance in that character); Polydore-Barrymore; Acasto-Packer; Ernesto-Chaplin; Chaplain-Fawcett; Page-Miss DeCamp; Chamont-Bannister Jun.; Serina-Miss Collins; Florella-Miss Tidswell; Monimia-A Young Lady (1st appearance [Mrs Pollard]) Edition of 1791 (John Bell) adds: Servant-$Phillimore.

Afterpiece Title: Harlequins Invasion

Cast
Role: Mrs Snip Actor: Mrs Booth.

3429
29 August 1787 @ Haymarket Theatre

Event Comment: [Herrington, who was from the Royalty, and Mrs Farmer are both identified in Public Advertiser, 30 Aug. As afterpiece the playbill announces Peeping Tom, but "The fatigues Edwin had undergone at his benefit the preceding evening rendered him incapable of performing last night. Peeping Tom was therefore obliged to be changed to The Golden Pippin" (Public Advertiser, 30 Aug.)

Performances

Mainpiece Title: Jane Shore

Performance Comment: Lord Hastings-A Gentleman (1st appearance on this stage [Herrington]); Gloster-Williamson; Belmour-Davies; Catesby-Gardner; Ratcliff-Johnson; Derby-Swords; Porter-Painter; Servant-Ledger; Shore-Bensley; Alicia-A Lady (1st appearance on any stage [Mrs Farmer]); Jane Shore-Miss Woollery.

Afterpiece Title: The Golden Pippin

3430
10 February 1794 @ Covent Garden

Event Comment: By Command of Their Majesties. [In mainpiece the playbill erroneously assigns Miss Ogle to Miss Stuart, and Kitty Willis to Mrs Fawcett.] Paid Advertisements in different Papers #62 9s. Receipts: #511 8s. (503/8; 8/0)

Performances

Mainpiece Title: The Belles Stratagem

Cast
Role: Mrs Racket Actor: Mrs Mattocks
Role: Lady Touchwood Actor: Mrs Pollock
Role: Miss Ogle Actor: Mrs Fawcett
Role: Letitia Hardy Actor: Mrs Pope.

Afterpiece Title: OSCAR AND MALVINA

Performance Comment: As17940206, but added to Musical Characters: Mrs Henley .

Music: As17940206

Song: In Act IV of mainpiece a Masquerade, in which Old Towler by Incledon

3431
11 March 1795 @ Covent Garden

Event Comment: Principal Instrumental Performers as 4 Mar. Morning Herald, 12 Mar.: Mrs Hindmarsh made her first appearance with much success

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers-Master Elliot, Kelly, Nield, Burdon (from Salisbury), Gray, Bartleman, Miss Parke, Mrs Hindmarsh. For partial list of individual selections, and singers thereof, see17950327 .

3432
09 February 1661 @ Salisbury Court

Performances

Mainpiece Title: The Mad Lover

Performance Comment: Betterton. Downes (Roscius Anglicanus, p. 18) refers to Betterton's playing a role.

3433
02 February 1698 @ Inner Temple

Event Comment: Betterton's Company. The fee of #20 was paid to John Miles, an officer of Betterton's Company. See Calendar of the Inner Temple Records, III, 342

Performances

Mainpiece Title: The Spanish Fryar Or The Double Discovery

3434
27 February 1700 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. This performance is known from a playbill apparently no longer extant: W. R. At the Desire of several Persons of Quality. At the New Theatre in Little Lincoln's-Inn Fields, this present Tuesday, being the 27th of February, will be presented, a Tragedy call'd The Mourning Bride. The Moorish? Entry perform'd by The Little? Boy. Vivant Rex. (W. J. Lawrence, The Elizabethan Playhouse and Other Studies (Stratford, 1913). See also R. W. Lowe, Thomas Betterton (London, 1891), and Fitzgerald, A New History, I, 389

Performances

Mainpiece Title: The Mourning Bride

3435
August 1695 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the premiere is not known, but the Epilogue refers to it as a summer production and the play was advertised in the London Gazette, No 3108, 22-26 Aug. 1695; hence, it appeared first not later than August. A song, Stretch'd in a dark and dismall grove, composed by John Eccles and sung by Mrs Hudson, is in Deliciae Musicae, The Third Book, 1696. A Comparison Between the Two Stages (p. 16): Sullen: Imprimis, Here's Pyrrhus King of Epire. Ramble: Whose is that? Sullen: Charles Hopkin's, an Irish Gentleman of good Sense, and an excellent Ovidian. Ramble: What was it's Fate? Sullen: Damn'd

Performances

Mainpiece Title: Pyrrhus King Of Epirus

3436
27 February 1697 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. James Brydges, Diary: About 2. I came home to dinner, where I found Lady Hussy, & Cozzen Betty, & Mrs Howard, about 5. After dinner I went to Lord Pembroke's who being abroad, I went to Lord Arundell of Treryce, who not being at home, I went to Ld. Allinton's, but he not being within, I went to Mr Pitts, who being abroad, I went to ye Dean of Peterborough's but he being at church I went to ye playhouse in Lincolns inn fields, where I met Dr Davenant & Ld. Rumny (Huntington MS St 26)

Performances

Mainpiece Title: The Mourning Bride

3437
04 March 1699 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. John Dryden to Mrs Steward, 4 March 1698@9: This Day is playd a reviv'd Comedy of Mr Congreve's called the Double Dealer, which was never very takeing; in the play bill was printed, Written by Mr Congreve; with Severall Expressions omitted: What kind of Expressions those were you may easily ghess; if you have seen the Monday's Gazette, wherein is the King s Order, for the reformation of the Stage: but the printing an Authours name, in a Play bill, is a new manner of proceeding, at least in England (Letters of John Dryden, 112-13)

Performances

Mainpiece Title: The Double Dealer

3438
17 January 1708 @ Drury Lane Theatre

Performances

Mainpiece Title: The Maids Tragedy

Performance Comment: Betterton and Mrs Barry acting their own parts, but see queen's, 6 Nov. 1707.

3439
20 November 1696 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. In view of the success of this double bill, it seems likely that the two works reached at least a sixth performance, probably on this day, thus providing a second benefit to the authors

Performances

Mainpiece Title: The Anatomist

Afterpiece Title: The Loves of Mars and Venus

3440
January 1697 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 21-23 Jan. 1696@7, suggests that it was first acted not later than early January 1697. The Preface to the edition of 1697 implies that it met with a cold reception and had no more than three performances

Performances

Mainpiece Title: The Unnatural Brother

3441
22 February 1697 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. Possibly Edmund Warcup attended this performance: Soe to the play with Dr Needham (The Journals of Edmund Warcup, 1676-1684, ed. Keith Feiling and F. R. D. Needham, English Historical Review, XL [1925], 241)

Performances

Mainpiece Title: The Mourning Bride

3442
04 March 1697 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. James Brydges, Diary: To ye playhouse in Lincolns inn fields, where I met Lds Henry Cavendish, Grey of Ruthia, & Abergavenny (Huntington MS St 26)

Performances

Mainpiece Title: The Mourning Bride

3443
09 March 1697 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. James Brydges, Diary: About 4: we went to ye playhouse in Lincolns inn fields, and meeting Sr John Cope here, after having Put ye Ladies in box kept for them, I went with him to Hyde Park, & from thence came again to ye play (Huntington MS St 26)

Performances

Mainpiece Title: The Mourning Bride

3444
13 March 1697 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. John Coke (see below), writing on 16 March 1696@7, referred to a "new farce" appearing at this theatre on this day, but no "new farce" is known at this period; on the other hand, an edition of Mountfort's farce published in 1697 indicates a revival in this season and is a likely possibility for this date. John Coke to Thomas Coke, 16 March 1696@7: Saturday a new farce was acted at the new house, which did not take. The Mourning Bride was acted till Saturday, and was full to the last (HMC, 12th Report, Part II, Cowper MSS., II, 368). Robert Shirley to Thomas Coke, 13 March 1696@7: I am, dear Sir, indebted to you in sending me so ingenious an account of Mr Congreve's tragedy, which I hear on all sides far exceeded what the world expected from him in that part of dramatic poetry (ibid)

Performances

Mainpiece Title: The Life And Death Of Doctor Faustus

3445
September 1697 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the first performance is not known. As the play was advertised in the Post Boy, 20-23 Nov. 1697, it was probably first acted not later than October 1697; and, in view of its apparently unsuccessful appearance, may have been a late summer or early fall production. When this play was entered in the Term Catalogues, it had the title, Love's Reward; or, The Unnatural Mother

Performances

Mainpiece Title: The Unnatural Mother

3446
28 October 1697 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. This performance is known from a playbill in the Folger Shakespeare Library: Not Acted these 16 Years. At the New Theatre, in Little Lincolns-Inn Fields, Tomorrow being Thursday the 28th of October, will be Reviv'd, A Play call'd Troilus and Cressida; or, Truth Found too late. No Person to stand on the Stage. Nor any Money to be after Return'd [sic] the Curtain is Drawn up. By His Majesties Servants. Vivat Rex

Performances

Mainpiece Title: Troilus And Cressida Or Truth Found Too Late

3447
01 November 1697 @ Inner Temple

Event Comment: Betterton's Company. This performance is recorded in A Calendar of the Inner Temple Records, ed. Inderwick, III, 227. Post Boy, 30 Oct.-2 Nov. 1697: There was Yesterday a very great Feast in the Temple, there being present the High Honourable the Lord Chancellor, with Divers of the Judges; after Dinner there was a Play Acted. John Oldmixon, Reflections on the Stage (London, 1699), p. 69: The Bar-Gown has often been play'd with, and shewn in a more despicable Figure, yet the Lawyers don't think it worth their while to cry out against Comedy, as aiming at the ruin of the Courts in Westminster-hall, and the Judges themselves have desir'd Love for Love, with all the faults Mr Collier has laid to its charge, to be presented 'em, and were extreamly well pleas'd with their entertainment, tho' the Lawyer there makes a trivial appearance

Performances

Mainpiece Title: Love For Love

3448
May 1699 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was entered in the Term Catalogues, June 1699, and advertised in the Post Man, 13-15 June 1699, suggests that it was first given not later than May 1699. In addition, references in the Epilogue to the vogue of Balon and Clementine (see 8, 10, and 15 April 1699) suggest a first production not earlier than April 1699

Performances

Mainpiece Title: Feignd Friendship Or The Mad Reformer

3449
December 1699 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the premiere is not known, but the Preface indicates that it appeared during the run of The Constant Couple, which apparently was most frequently acted during November, December, and January

Performances

Mainpiece Title: A Cure For Jealousie

3450
February 1700 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Boy, 19 March 1699@1700, makes it likely that the first performance occurred not later than February 1700. The Prologue also suggests a Lenten performance: Methinks in Lent

Performances

Mainpiece Title: The Generous Choice