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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Handel"/1) | (@(roleclean,performerclean) "Mr Handel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6102 results for: Keyword - Mr. Handel
We found 4410 matches on Event Comments, 1294 matches on Performance Comments, 695 matches on Performance Title, 95 matches on Author, and 6 matches on Roles/Actors.

1351
12 January 1748 @ Haymarket Theatre

Event Comment: Yesterday [11 Jan.] there was Practice...of a new Italian Dramatic Pastoral...As Lucius Verus consisted of celebrated Airs from Handel's Operas, the Music of the above Pastoral is chiefly extracted from the Works of the most famous Italian Composers. A new Pastoral Opera...With a new Concerto on the Violincello. Pit and Boxes Half a guinea; Gallery 5s. To begin at 6 p.m. No Person to be admitted without Tickets

Performances

Mainpiece Title: La Ingratitudine Punita

1352
31 March 1748 @ Covent Garden

Event Comment: Benefit for Leveridge. [See his advance notices on 18 and 24 March.] Wednesday Next Hamlet, Towards the Relief of the Unhappy sufferers by the late Fire. The Monies arising by that to be lodg'd with Messrs Ironside and Belchior to be paid by them into the Hands of the Committee (that is or shall be appointed) to be apply'd with the other charitable Collection towards the relief of the unhappy sufferers by the late dreadful calamity. [Miss Faulkner's song "Liberty" was probably the aria from Judas Maccabaeus: Come, ever smiling Liberty [Deutsch, Handel, p. 649).

Performances

Mainpiece Title: The Recruiting Officer

Song: I: Who'll Buy a Heart a Cantata by Stanley-Beard; II: Cupid's Power I Despise, Liberty-Miss Faulkner; III: a Song in the Anacreontic style- of Leveridge; IV: O Peace, Shepherd what art thou pursuing-Mrs Storer; V: Mirth Gives Courage-Leveridge; Epilogue of Thanks in Music-Leveridge

Dance: Master Granier, Miss Granier

1353
05 April 1748 @ King's Theatre

Performances

Mainpiece Title: Entertainment Of Music

Performance Comment: First Part: A new Overture [by Paradies-; D'Ogni Amator[ in L'Ingratitudine Punita-Ciacchi; Son Confusa Pastbrella [from same]-Sga Pirkir; Rasserena il mest Ciglio [in Artamene-Sga Galli; Concerto-Pasqualino; Se Fosse il mio Diletto (Hasse)-Reginelli; Leon Cacciato [in Selva in Scipione-Sga Casarini; [Second Part: Concerto-Carbenell; Heart thou Seat of soft Delight [in Acis and Galatea-Sga Frasi; Viv non ti contendono [in L'Ingratitudine Punita-Ciacchi; Vuoi Saper se tu mi piaci (Hasse)-Reginelli; Pender L'Amico [in Enrico-Sga Pirkir; Concerto-Miller; A me ritornate Speranzeptu Care [in Enrico-Sga Casarini; Passagier che su la Sponda (Hasse)-Reginelli;[ Third Part: Concerto-Vincent; O'inespettata Sorte (Veracina)-Sga Galli; The Prince unable to Conceal his Pain [from Alexander's Feast-Frasi; Come ever Smiling Liberty [in Judas Maccabaeus-Sga Casarini; Che quel Cor (Hasse)-Reginelli; A Grand Concerto [of Handel's-.

1354
28 February 1749 @ Covent Garden

Event Comment: This day publish'd Hercules an Oratorio in Score by Handel. Printed for J. Walsh

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Apollo and Daphne

1355
17 March 1749 @ Covent Garden

Performances

Mainpiece Title: Solomon

Performance Comment: Parts were: Zadoch (High Priest)-; a Levite-; Chorus of Priests-; Chorus of Israelite-s; Pharoah's Daughter-; Nicaule (Queen of Sheba)-; 1st Harlot-; 2nd Harlot- (Larpent MS). [Deutsch, Handel, p. 66o, lists cast as: Solomon-Signora Galli; Zadok-Lowe; Levite-Reinhold; Pharoah's Daughter, Nicaule, First Harlot-Signora Frasi; Second Harlot-Signora Sibilla.]

Afterpiece Title: a C Concerto

1356
01 May 1749 @ Covent Garden

Event Comment: Benefit for Vaughan and Evans [Box-Keepers). [Handel's Oratorios Solomon and Susanna published and the favorite songs in the Comic opera Li Tre Cicisbei Ridicoli.

Performances

Mainpiece Title: The Committee

Afterpiece Title: Damon and Phillida

Dance: J. Granier, J. Granier's Sister

1357
16 March 1750 @ Covent Garden

Performances

Mainpiece Title: Theodora

Performance Comment: Valens-Reinhold bass; Didimus-Guadagni alto; Septimus-Lowe tenor; Theodora-Signora Frasi soprano; Irene-Signora Galli mezzo-soprano; Chorus of Christians-; Chorus of Heathens- (Deutsch, Handel, p. 683).

Afterpiece Title: New Concerto on the Organ

1358
21 March 1750 @ Covent Garden

Event Comment: PPrincess Amelia present; audience very thin (Deutsch, Handel, p. 684)

Performances

Mainpiece Title: Theodora

Afterpiece Title: New Concerto on the Organ

1359
18 April 1750 @ The Chapel at the Foundling's Hospital, or at the Lock Hospital, Hyde Park Corner

Performances

Mainpiece Title: The Messiah

Performance Comment: [See Gentleman's Magazine; Deutsch, Handel, p. 708.]

1360
15 May 1750 @ The Chapel at the Foundling's Hospital, or at the Lock Hospital, Hyde Park Corner

Event Comment: A Computation was made of what Number of Persons the chapel...would conveniently hold, and no greater number of Tickets were delivered to hear the Performance there on the First Instant. But so many Persons of Distinction coming unprovided with Tickets and pressing to pay Tickets, caused a greater number to be admitted than were expected. To prevent any disappointments, shall be performed, [again] [Deutsch, Handel, p. 690)

Performances

Mainpiece Title: The Messiah

1361
18 May 1750 @ Hickford's Room

Performances

Mainpiece Title: A Concert

Performance Comment: Violin solo-Felice de Giardini first appearance in London (Deutsch, Handel, p. 691); Vocal parts-Sga Cuzzoni.

1362
18 October 1750 @ Haymarket Theatre

Event Comment: For the Benefit of Gentleman who has wrote for the Stage. A Concert of Musick. The march in Judas Maccabaeus, Side-Drum-J. Woodbridge, late Kettledrummer to the Hon. Admiral Boscawen. Also a preamble on the Kettle-Drums, ending with Handel's Water Musick. A Variety of other Entertainments. Between the Parts of the Concert will be given gratis, the Tragedy of The Orphan. With an Occasional Prologue. Boxes 4s. Pit 2s. 6d. Gallery 1s. To begin at 6 p.m. [Performance had been delayed from 10 Oct. on account of illness of a principal performer.

Performances

Mainpiece Title: The Orphan

1363
16 March 1751 @ Castle Tavern

Event Comment: At the Castle Tavern, Paternoster Row (Deutsch, Handel, p. 704)

Performances

Mainpiece Title: Samson

1364
14 February 1752 @ Covent Garden

Event Comment: Pit and boxes to be put together, and no person to be admitted without Tickets, which will be deliver'd this day, at the Office in Covent Garden Theatre, at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be open'd at Half an Hour after Four c'oclock. Pit and Boxes at Five. To begin at Half an Hour after Six [repeated]. This day is publish'd Compos'd by Handel, at 10s. 6d., The Oratorio Joshua, in Score...Printed for J. Walsh, in Catherine St. in the Strand

Performances

Mainpiece Title: Joshua

1365
26 February 1752 @ Covent Garden

Performances

Mainpiece Title: Jeptha

Performance Comment: Jeptha-Beard tenor; Storage-Signora Galli Mezzosoprano; Iphis-Signora Frasi soprano; Hamor-Brent alto; Zebul-Wass bass; Angel-the Boy (Deutsch, Handel, p. 719); Chorus of Israelites- (Larpent MS).

1366
09 April 1752 @ The Chapel at the Foundling's Hospital, or at the Lock Hospital, Hyde Park Corner

Event Comment: At the Chapel, Foundling Hospital (Deutsch, Handel, p. 725). The number of Tickets was 1,200 (Gentleman's Magazine, April)

Performances

Mainpiece Title: The Messiah

1367
04 November 1752 @ Covent Garden

Event Comment: Yesterday George Frederick Handel, Esq; was couch'd by William Bromfield, Esq; Surgeon to her Royal Highness the Princess of Wales, when it was thought there was all imaginable hopes of success by the Operation, which must give the greatest pleasure to all lovers of Music

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Fair

1368
11 April 1753 @ Covent Garden

Event Comment: The Lord Chamberlain to the Manager of the Theatre in Covent Garden...These are strictly to charge and command you not to act any Plays, Oratorios, or any other Theatrical Performance in Passion Week for the Future on any Pretence whatsoever (Deutsch, Handel, p. 740, from Public Record Office: L.C. 5@162, pp. 2 ff.). [Deutsch cites similar ones for dl, king's and hay.

Performances

Mainpiece Title: Samson

1369
01 May 1753 @ The Chapel at the Foundling's Hospital, or at the Lock Hospital, Hyde Park Corner

Event Comment: At the Foundling Hospital. To begin at 12 noon. Price half a guinea each. [Above 800 coaches and chairs and tickets amounted to 925 guineas (London Magazine, May 1753). Tickets brought #706 3s. 10d., Deutsch, Handel, from Minutes of Fondling Hospital.

Performances

Mainpiece Title: The Messiah

1370
13 February 1754 @ Haymarket Theatre

Event Comment: Benefit for Galli. Composed by Handel. Boxes and Pit 1!2 Guinea. Gallery 5s

Performances

Mainpiece Title: Acis And Galatea

Music: Solo on violoncello-Lonzetti; Italian Song=-Signora Galli; Violin Solo-Hallandall

1371
28 February 1754 @ King's Theatre

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Music

Performance Comment: Part I: Overture by Ciampi-; Intennerir mi sento (Galluppi)-Serasini; Ti parli in seno amore (Perez)-Sga Frasi; Concerto violencello Pasqualini-; Lasciar t' amato bene from Nerone-Sga Visconti; Dal suo gentil sembiante (P. Pulli)-Albuzzi; Part II:Concerto-Dubourg; Sfogati o Ciel sereno (Hasse)-Passerini; Endless pleasure (Handel)-Beard; Concerto on bassoon-Miller; Puppille care from Nerone-Serasini; E Maggiore degn' altro Dolore from Nerone-Sga Visconti; Part III: Concerto on oboe-Vincent; Rasserani i mesta rai (Pescetti)-Albuzzi; Non vi piacque ingiusti Dei (Mazzoni)-Sga Frasi; Oh 'Tis Elysium All (Pasquali)-Beard; Compiangermi non sai (Braun)-Passerini; Duet Tu vuoi ch'io O cara (Vinci)-Sga Visconti, Serafini.

1372
06 April 1754 @ King's Theatre

Event Comment: Musick composed by Handel

Performances

Mainpiece Title: Admeto

1373
15 May 1754 @ The Chapel at the Foundling's Hospital, or at the Lock Hospital, Hyde Park Corner

Performances

Mainpiece Title: The Messiah

Performance Comment: [Deutsch, Handel, pp. 750-52, lists 33 musicians, 18 singers, five servants, plus a number of organ blowers, porters, and constables who put on this performance. Among the singers the following from the theatres and the opera performed: Beard, Giulia Frasi, Sga Galli, Christina Passerini, Wass, Baildon, and Baildon Jr Champness, Wilder, Dupre, Walz, Cox, and Legg.]

1374
02 February 1756 @ The Great Room, Dean Street, Soho

Event Comment: Benefit for Sga Passerini at the Great Room, Dean Street, Soho. N.B. The Pastoral will precede the Oratorio. The Pastoral, by Desire. The overture and greatest part of which composed by his Majesty the King of Prussia. Mainpiece by Handel. Tickets for the 29th will be taken. Tickets at half a guinea for the Pit, and 5s. for the Gallery. To begin at 6:30 p.m. [The Pastoral is not named in the Bill, but from comment on its musical composer is deemed to be Charlottenburg Festegiante. See 16 March.

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Charlottenburg Festegiante

1375
05 March 1756 @ Covent Garden

Event Comment: Pit and Boxes to be laid together. No Person to be admitted without tickets, which will be deliver'd this day at the office of the Theatre at Half a Guinea each. First Gallery, 5s. Second Gallery 3s. 6d. Galleries to be opened at Half an HoUr after Four o'Clock. Pit and Boxes at Five. To begin exactly at Six. This Day publish'd, Athalia, an Oratorio by Handel

Performances

Mainpiece Title: Athalia