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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Handel"/1) | (@(roleclean,performerclean) "Mr Handel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6102 results for: Keyword - Mr. Handel
We found 4410 matches on Event Comments, 1294 matches on Performance Comments, 695 matches on Performance Title, 95 matches on Author, and 6 matches on Roles/Actors.

1301
26 June 1733 @ King's Theatre

Event Comment: TThe King paid #1,000 to the Opera in the Haymarket. See Deutsch, Handel, p. 317

Performances

1302
05 July 1733 @ King's Theatre

Event Comment: For a payment of #250 by the Prince of Wales to Opera, see Deutsch, Handel, p. 319

Performances

1303
20 October 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Careless Husband

Music: Second Musick: First Concerto of the 1st Opera of Geminiani. Third Music: Overture compos'd by Handel for Alexander. I: A Concerto call'd The Cuckoo composed by Vivaldi. III: Duo for Two French Horns by Charle and Giay

Performance Comment: Third Music: Overture compos'd by Handel for Alexander. I: A Concerto call'd The Cuckoo composed by Vivaldi. III: Duo for Two French Horns by Charle and Giay .

Dance: V: La Follette s'cest ravizee by Nivelon and Miss Mann

Song: II: Quanto Dolce by Miss Arne. IV: Per le forte del tormento by Miss Arne and Young Master Arne

1304
01 December 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Devil to Pay

Music: Second Musick: 6th Concerto of the 1st Opera of Geminiani. Third Musick: Overture for Admetus by Handel. II: Se met turbo, a Song in Porus, on the Flute Traverse. IV: Concerto for Two Hautboys composed by Dr Pepusch

Performance Comment: Third Musick: Overture for Admetus by Handel. II: Se met turbo, a Song in Porus, on the Flute Traverse. IV: Concerto for Two Hautboys composed by Dr Pepusch .

Dance: I: La Bagatelle by Essex and Miss Latour. III: Les Bergeries by Essex, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett. In V: Mock Minuet, as17331027

1305
04 December 1733 @ King's Theatre

Event Comment: A New Opera. [Text by Apostolo Zeno. Recitatives by Handel. Prince and three eldest Princesses present.]

Performances

Mainpiece Title: Caius Fabricius

1306
26 January 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The Relapse

Music: Second Musick: the 8th Concerto of Corelli, commonly called The Natalia. Third Musick: Overture of Alexander, composed by Handel. III: The Cuckoo, composed by Vivaldi

Performance Comment: Third Musick: Overture of Alexander, composed by Handel. III: The Cuckoo, composed by Vivaldi .

Dance: II: Les Amants Constants, as17340123 In V: Grand Dance in Momus, as17331231

Song: I: Lusingue pui care by Miss Arne. IV: Sentir si Dire by Miss Arne

1307
26 January 1734 @ King's Theatre

Event Comment: A New Opera. [Text by F. Colman. Music by Handel.] Colman Opera Register: Ariadne in Crete a new Opera & very good & perform'd very often Sigr Carestino sung surprisingly well: a new Eunuch many times perform'd

Performances

Mainpiece Title: Ariadne [in Creta]

1308
12 February 1734 @ King's Theatre

Event Comment: [Their Majesties, Prince of Wales, and three eldest Princesses present. Egmont also present. For a satiric pamphlet on opera, see Harmony in an Uproar, dated 12 Feb.; much of it is reprinted in Deutsch, Handel, pp. 344-57.]

Performances

Mainpiece Title: Ariadne [in Creta]

1309
27 April 1734 @ King's Theatre

Performances

Mainpiece Title: Sosarmes

Performance Comment: Cast not listed, but Deutsch, Handel, p. 364, reconstructs the cast: Sosarme-Carestini; Haliate-Signora Durastanti; Erenice-Signora Maria Caterina Negri; Elmira-Signora Strada; Argone-Scalzi; Melo-Signora Rosa Negri; Altomaro-Waltz .

1310
28 June 1734 @ Haymarket Theatre

Event Comment: The Prince of Wales paid #250 to Handel's Opera Company. See BM, Add MSS 24, 403

Performances

Mainpiece Title: The Nonjuror

Dance: II: Two Pierrots by Davenport and Olbeldiston. III: Harlequin by Miss Brett. V: A new Country Dance by Davenport, proper to the Play

Song: I: A Generi Affetti by Miss Jones and Master Arne. IV: Was ever Nymph like Rosamond by Miss Jones

1311
09 November 1734 @ Covent Garden

Event Comment: First Piece: A new Dramatick Entertainment in Musick. [Music by Handel.] Second Piece: An Opera. With several Additions, intermix'd with Choruses. Pit and Boxes half a guinea. First Gallery 4s. Upper Gallery 21. 6d. [King and Princesses Amelia and Caroline present.]

Performances

Mainpiece Title: Terpsicore

Afterpiece Title: Pastor Fido

Related Works
Related Work: The Faithful Shepherd Author(s): George Frideric Handel

1312
27 November 1734 @ Covent Garden

Performances

Mainpiece Title: Ariadne [in Creta]

Performance Comment: Cast not listed, but see conjectures by Deutsch, Handel, p. 375 .

1313
18 December 1734 @ Covent Garden

Event Comment: [For a discussion of this revival, see Deutsch, Handel, p. 377. Their Majesties present.]

Performances

Mainpiece Title: Orestes

1314
05 March 1735 @ Covent Garden

Performances

Mainpiece Title: Esther

Performance Comment: Cast not listed, but Deutsch, Handel, p. 383, conjectures: Esther-Signora Strada; Ahasuerus-Oarestini; Haman-Waltz; Habdonah-Beard; Mordecai-Signora Maria Caterina Negri .

1315
19 March 1735 @ Covent Garden

Event Comment: As 5 March. old Whig, 20 March: In the flourishing State of this Opera [Artaxerxes], 'tis no Wonder that the other Theatres decline. Handel, whose excellent Compositions have often pleased our Ears, and touched our Hearts, has this Winter sometimes performed to an almost empty Pitt. He has lately reviv'd his fine Oratorio of Esther, in which he has introduced two Concerto's on the Organ that are inimitable. But so strong is the Disgust taken against him, that even this has been far from bringing him crowded Audiences; tho' there were no other publick Entertainments on those Evenings

Performances

Mainpiece Title: Esther

1316
01 April 1735 @ Covent Garden

Performances

Mainpiece Title: Athalia

Performance Comment: Cast not listed, but Deutsch, Handel, p. 385, constructs the cast: Athalia-Miss Young; Josabeth-Signora Strada; Joas-the Boy; Joad-Carestini; Mathan-Beard; Abner-Waltz. With a New Concerto on the Organ;..

Afterpiece Title: the first Concerto in the Oratorio of Esther; and the last in Deborah

1317
08 May 1735 @ Covent Garden

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Mock Lawyer

Music: First Musick: A Concerto for Hautboys, &c. Second Musick: A Concerto of Geminiani. Third Musick: Overture to Ariadne. The Act Tunes for French Horns, Trumpets, &c. V: Handel's Water Musick

Performance Comment: Second Musick: A Concerto of Geminiani. Third Musick: Overture to Ariadne. The Act Tunes for French Horns, Trumpets, &c. V: Handel's Water Musick .

Dance: I: Tambourine by Miss Rogers. Flanderkins by Duke and Mrs Ogden. III: Two Pierrots by Duke and Delagarde. IV: Richmond Maggot by Le Sac and Miss Rogers

Song: V: As17350422

1318
04 May 1736 @ Covent Garden

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Damon and Phillida

Dance: I: By Miss Rogers. III: Ballet, as17360417 V: Sailors, as17360501

Song: II: By Mrs Roberts. IV: Chancon a Boire, to music by Handel, sung by Leveridge and Laguerre

Performance Comment: IV: Chancon a Boire, to music by Handel, sung by Leveridge and Laguerre .

1319
11 May 1736 @ Covent Garden

Performances

Mainpiece Title: The Inconstant

Music: Overture to Ariadne. Select Pieces between the Acts. V: Handel's Water Musick, in which Benj. Baker will play the Kettle-Drums, accompanied with Trumpets and French Horns

Performance Comment: Select Pieces between the Acts. V: Handel's Water Musick, in which Benj. Baker will play the Kettle-Drums, accompanied with Trumpets and French Horns .

Dance: I: Le Depit Amoureux by Desse and Mlle Delorme. II: Comic Dance by Nivelon and Mlle De L'Isle. IV: French Peasants by Lalauze, Mlle D'Hervigni, &c. V: The Faithful Shepherd by Glover, Miss Rogers, Tench, Desse, Dupre, Livier, Mrs Ogden, Mlle Delorme, Miss Norman, Mrs Kilby

Song: I: Chancon a Boire, as17360504. II: The Confession sung by Roberts and Miss Hillyard. III: The opinion of the Ancients, as17360412

1320
12 May 1736 @ Covent Garden

Event Comment: A New Opera. [Librettist not known. Music by Handel.] London Daily Post and General Advertiser, 13 May: Last Night was perform'd ... Atalanta ...in which was a new Set of Scenes painted in Honour to this Happy Union, which took up the full length of the Stage: The Fore-part of the Scene represented an Avenue to the Temple of Hymen, adorn'd with Figures of several Heathen Deities. Next was a Triumphal Arch on the Top of which were the Arms of their Royal Highnesses, over which was placed a Princely Coronet. Under the Arch was the Figure of Fame, on a Cloud, sounding the Praises of this Happy Pair. The Names Fredericus and Augusta appear'd above in transparent Characters. Thro' the Arch was seen a Pediment supported by four Columns, on which stood two Cupids embracing, and supporting the Feathers, in a Princely Coronet, the Royal Ensign of the Prince of Wales. At the farther End was a View of Hymen's Temple, and the Wings were adorn'd with the Loves and Graces bearing Hymenael Torches, and putting Fire to Incense in Urns, to be ofter'd up upon this Joyful Union. The Opera concluded with a Grand Chorus, during which several beautiful Illuminations were display'd. . . . There were present their Majesties, the Duke, and the Four Princesses

Performances

Mainpiece Title: Atalanta: In Honour Of The Royal Nuptials Of Their Royal Highnesses The Prince And Princess Of Wales

1321
15 May 1736 @ Covent Garden

Event Comment: See a letter by Benjamin Victor to Matthew Debourg, in Victor, original Letters . . . (1776), I, I4ff which Deutsch, Handel, p. 409, thinks should be dated ca. 15 May 1736. Ricb's Register: Duke and Princesses present

Performances

Mainpiece Title: Atalanta

1322
15 May 1736 @ King's Theatre

Event Comment: According to the newspapers, the Prince and Princess were present, but Deutsch, Handel, p. 408, thinks that they may have been at CG instead

Performances

Mainpiece Title: The Feast Of Hymen

1323
06 November 1736 @ Covent Garden

Performances

Mainpiece Title: Alcina

Performance Comment: Deutsch, Handel, p. 416, states that Ruggiero-Conti.

1324
27 November 1736 @ Covent Garden

Event Comment: MMrs Pendarves, 27 Nov.: They [The king's] have Farinelli, Merighi, with no sound in her voice, but thundering action-a beauty with no other merit; and one Chimenti, a tolerable good woman with a pretty voice, and Montagnana, who roars as usual! With this band of singers, and dull Italian operas, such as you almost fall asleep at, they presume to rival Handel-who has Strada, that sings better than ever she did; Gizziello, who is much improved since last year; and Annabali, who has the best part of Senesino's voice and Caristini's, with a prodigious fine taste and good action! We have had Alcina, and Atalanta, which is acted tonight for the last night with the fireworks....Mrs Porter acts three times a week; I have made a party to go next week; she is the only support of the stage, the house is crammed whenever she acts.-Delany, Autobiography, I, 5578-79

Performances

Mainpiece Title: Atalanta

1325
29 January 1737 @ Covent Garden

Performances

Mainpiece Title: Parthenope

Performance Comment: See Deutsch, Handel, p. 424, for cast.