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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Handel"/1) | (@(roleclean,performerclean) "Mr Handel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6051 results for: Keyword - Mr. Handel
We found 4410 matches on Event Comments, 1294 matches on Performance Comments, 695 matches on Performance Title, 18 matches on Author, and 6 matches on Roles/Actors.

1201
29 September 1797 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Performance Comment: Fernando-Johnstone; Spado-Munden; Pedrillo-Fawcett; Don Caesar (1st time)-Townsend; Philippo (1st time)-Mrs Clendining; Don Scipio-Powel; Rapino-Abbot; Calvette-Ledger; Don Juan-Davenport; Sanguino-Thompson; Vasquez-Farley; Alphonso-Incledon; with Oft on a plat of rising Ground, composed by Handel-Incledon; Victoria-Mrs Mountain; Catalina (1st time)-Mrs Litchfield; Isabel-Mrs Platt; Lorenza-Mrs Martyr.
Cast
Role: Philippo Actor: Mrs Clendining
Role: Handel Actor: Incledon
Role: Victoria Actor: Mrs Mountain
Role: Catalina Actor: Mrs Litchfield
Role: Isabel Actor: Mrs Platt
Role: Lorenza Actor: Mrs Martyr.

Afterpiece Title: The Honest Thieves

Cast
Role: Ruth Actor: Mrs Knight
Role: Mrs Day Actor: Mrs Davenport.

1202
06 December 1710 @ Queen's Theatre

Event Comment: Receipts: #128 18s. 6d. [According to Deutsch, p. 30, Francesca Vanini-Boschi introduced a Handel aria into this opera on this day.

Performances

Mainpiece Title: Pyrrhus And Demetrius

1203
24 February 1711 @ Queen's Theatre

Event Comment: [Text by Giacomo Rossi. Music by G. F. Handel.] By Subscription

Performances

Mainpiece Title: Rinaldo

1204
25 May 1715 @ King's Theatre

Event Comment: [Music by Handel. Text probably by J. J. Heidegger.] By Subscription, with the Pit and Boxes by ticket only (not to exceed 400). Stage Boxes 15s. Gallery 5s. At 6 p.m. And Whereas there is a great many Scenes and Machines to be mov'd in this Opera, which cannot be done if Persons should stand upon the Stage (where they could not be without Danger) it is therefore hop'd no Body, even the Subscribers, will take it Ill that they must be deny'd Entrance on the Stage

Performances

Mainpiece Title: Amadis

Cast
Role: Oriana Actor: Mrs Anastasia Robinson

Dance:

1205
02 December 1719 @ King's Theatre

Event Comment: For further deliberations of the Royal Academy of Music, see Lord Chamberlain's Office, 7@3 or Deutsch, Handel, p. 97

Performances

Mainpiece Title: None

1206
09 December 1721 @ King's Theatre

Event Comment: [Text by P. A. Rolli. Music by G. F. Handel.] A new Opera. Pit and Boxes at a half guinea. And in Regard to the Increase of the Number of Subscribers, no more than Three Hundred and Fifty Tickets will be delivered out. No Tickets will be disposed of at the Theatre, nor any Money taken there but for the Gallery. Gallery 5s

Performances

Mainpiece Title: Floridante

Cast
Role: Elmira Actor: Mrs Anastasia Robinson

1207
12 January 1723 @ King's Theatre

Event Comment: [Text by Haym. Music by Handel.] Admission as 7 Nov. Daily Journal, 14 Jan.: On Saturday Night, his Majesty was at the Opera...and Signiora Catzoni, newly arrived from Italy, perform'd for the first Time, to the Surprize and admiration of the Audience, which was very numerous. [See also London Journal and British Journal, 12 and 19 Jan.

Performances

Mainpiece Title: Otho

Cast
Role: Matilda Actor: Mrs Anastasia Robinson.

1208
15 January 1723 @ King's Theatre

Event Comment: Admission as 7 Nov. M De Fabrice to Count Flemming, 15 Jan. (in Deutsch, Handel, p. 147): Today is the second performance and there is such a run on it that tickets are already being sold at 2 and 3 guineas which are ordinarily half a guinea. London Journal, 19 Jan.: Last Tuesday being the second Time of Madam Cotzoni's Performance, we hear that Opera Tickets sold that Day and the preceding, at 4 Guineas each

Performances

Mainpiece Title: Otho

1209
12 March 1723 @ King's Theatre

Event Comment: Benefit Signiora Margherita Durastanti. And particular Care will be taken to place Benches on the Stage for the Accommodation of the Company. N.B. Whereas the Benefit for Signiora Durastanti is Part of her Contract, the Directors of the Royal Academy of Musick resolve not to make use of the Liberty of the House for that Night. [This benefit brought her nearly a thousand pounds.-Deutsch, Handel, p. 160.

Performances

Mainpiece Title: Coriolanus

1210
17 March 1724 @ King's Theatre

Event Comment: Benefit Signora Margherita Durastanti. Particular Care will be taken to Place Benches on the Stage for the Accommodation of the Company. [According to Deutsch, Handel, p. 160, her benefit brought her #1,000, in addition to a salary of 1,200 guineas yearly. The Cantata is printed in the Daily Journal, 18 March.

Performances

Mainpiece Title: Coriolanus

1211
31 October 1724 @ King's Theatre

Event Comment: [Text by A. Piovene, adapted by N. F. Haym. Music by Handel.] Tickets half a guinea each. And in Regard to the Number of Subscribers, no more than Three Hundred and Forty Tickets will be deliver'd out. N.B. No Tickets will be given out at the Door, nor any Persons whatever admitted for Money. Gallery 5s. At 6 p.m

Performances

Mainpiece Title: Tamerlane

1212
13 February 1725 @ King's Theatre

Event Comment: [Text by A. Salvi, altered by Haym. Music by Handel.] Admission as 31 Oct. 1724

Performances

Mainpiece Title: Rodelinda

1213
12 March 1726 @ King's Theatre

Event Comment: [Text by Rolli. Music by Handel.

Performances

Mainpiece Title: Scipio

1214
05 May 1726 @ King's Theatre

Event Comment: [Text by Rolli. Music by Handel.] At 7 p.m. Daily Journal, 7 May: On Thursday Night, Signiora Faustina, the famous Roman Songstress, performed his Majesty, their Royal Highnesses, and great Numbers of the Nobility and Quality, in...Alexander...with great Applause

Performances

Mainpiece Title: Alexander

1215
31 January 1727 @ King's Theatre

Event Comment: [Music by Handel. Text possible by Haym or Rolli. Le Nuove Scene sone del Sigr Giuseppe Goupy.

Performances

Mainpiece Title: Admetus

1216
29 April 1727 @ King's Theatre

Event Comment: For a long letter on operatic affairs, see Deutsch, Handel, pp. 207-8

Performances

Mainpiece Title: Floridante

1217
11 November 1727 @ King's Theatre

Event Comment: [Text by P. A. Rolli. Music by Handel.] Admission by Ticket only (not more than 400) at half a guinea. Gallery 5s

Performances

Mainpiece Title: Richard The First, King Of England

1218
17 February 1728 @ King's Theatre

Event Comment: [Music by Handel. Text by Haym.] The King, Queen, Princess Amelia, and Princess Carolina present

Performances

Mainpiece Title: Siroe

1219
30 April 1728 @ King's Theatre

Event Comment: [Text by Haym. Music by Handel.

Performances

Mainpiece Title: Ptolemy

1220
02 December 1729 @ King's Theatre

Event Comment: [Text altered from A. Salvi. Music by Handel.] Pit and Boxes by Tickets only at half a guinea. Gallery 5s. At 6 p.m. [Customary notices.

Performances

Mainpiece Title: Lotharius

1221
09 December 1729 @ King's Theatre

Event Comment: For a comment on this performance, see Rolli to Riva, 11 Dec., in Deutsch, Handel, pp. 249-50

Performances

Mainpiece Title: Lotharius

1222
24 February 1730 @ King's Theatre

Event Comment: [Text by S. Stampigli. Music by Handel.

Performances

Mainpiece Title: Parthenope

1223
04 April 1730 @ King's Theatre

Event Comment: A New Opera. [By Zeno. Music probably by Bartholmeo Cordans.-see Deutsch, Handel, p. 254.

Performances

Mainpiece Title: Ormisda

1224
19 May 1730 @ King's Theatre

Performances

Mainpiece Title: Ptolemy

Performance Comment: Deutsch, Handel, p. 254 lists: Tolomeo-Bernacchi; Seleuce-Signora Strada; Elisa-Signora Merighi; Alessandro-Signora Bertolli; Araspe-Fabri.

1225
04 May 1731 @ King's Theatre

Event Comment: [For a reconstruction of the cast, see Deutsch, Handel, p. 274. Their Majesties present.

Performances

Mainpiece Title: Rodelinda