SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr and Mrs Clarke"/1) | (@(roleclean,performerclean) "Mr and Mrs Clarke")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23726 matches on Performance Comments, 7656 matches on Event Comments, 4624 matches on Performance Title, 27 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Jan. 30, 1766, died Mrs Cibber. Was Miss Arne, born 1715. Married Theo Cibber 21 April 1734. Brought to bed of a son 5 April 1736. Left stage 1738 with Mr Sloper, who was charged with damages. Acted Dublin 1741. Returned to Covent Garden and performed till 1747. Joined Garrick till 1750. Returned to cg till 1753. Returned to dl and remained till she died (Winston MS 9 from Burney's Actor's MS)

Performances

Mainpiece Title: None

Event Comment: This Week a Patent passed the Great Seal for the Establishment of a new Theatre, to Samuel Foote, Esq. only (Public Advertiser, London notes, p. 2, col. 3). Mr Barry and Mrs Dancer from Dublin are said to be engaged for this summer at the Theatre Royal in the Haymarket (Gazetteer and New Daily Advertiser, London notes, p. 2, col. 2, which corroborates the Foote patent)

Performances

Event Comment: Account Book: @Receiv'd of Vincent for Music Forfeits this season #21 11s. 10d.@Rece'v'd for stage forfeits this season #14 4s. 2d.@Receiv'd of Mrs Carne for ends of Candles & Oyl #70 6s. 7d.@Receiv'd of Proprietors of Public Advertiser #50@Receiv'd of Proprietors of Daily Gazetteer #50@Paid Vincent for Music Books #4 5s. 2d.@9 June@Rec'd Assurance on 50 Renter's Old Shares at 4s. 10d. each #12 1s. 8d.@Rec'd Assurance on 50 Renter's New Shares at 2s. 6d. each #6 5s.@15 July@Rec'd of His Majesty by Mr Mathias #40@Rec'd of Madam Schellenbergen by Ditto #9@Total Income 1768-69: #30,759 16s. 2 1!2d.@Total Expense 1768-69: #24,035 8s. 3d.@31 May: Paid Arnold Composer #50 13s.@2 June: Paid Kirkman for tuning #20@

Performances

Mainpiece Title: None

Event Comment: Whitson Eve-No Play (Treasurer's Book). Paid 5 day's salary at #86 14s. 7d. per diem, #433 12s. 11d.; Mrs Weston 2 nights in Inst. of Garter, 5s.; Rec'd from Mr S. Barry's Bag #130 (Treasurer's Book)

Performances

Mainpiece Title: None

Event Comment: The proprietors of the Opera House think it is their duty to lay before the Nobility and Gentry to whose patronage they are highly endebted a list of the engagements made for the ensuing season. [No attention or expense spared to make the operas brilliant. Gordon spent two months in Italy, and made two trips to Paris to select the best singers and dancers.] The ill health of Sg Carabaldi having prevented his setting out in time and made it impossible for him to be here at the opening of the theatre. Sg Scheroli, the Tenor who has played the first Buffo with the greatest reputation in Italy, has kindly undertaken to play the part until his arrival. Company: Serious Opera-Millico, Mrs Davies, Scheroli (Tenor), Sga Galli, Sga Lodi. Comic Opera-Carabaldi, Scheroli, Sga Marchetti, Sga Galli, Fochetti, Sga Lodi, Sga Gardi. Poet-Sg Badini. Master of the Dances-Petro. Principal Dancers-Fierville, Pico, Vicenzo Lorenzo, Bocchini, Mariottini, Sga Mimi Faviere, Sga Mazzoni, Sga Nina Faviere, Colomba (from Milan), Mr Canter. Book-Boxkeeper-Yates. [Requests nobility and subscribers to pay up their subscriptions.

Performances

Event Comment: Pepys, Diary: Mr Moore coming to me, my wife staid at home, and he and I went out together...and so home with him to the cockpit, where, understanding that "Wit without money" was acted, I would not stay

Performances

Mainpiece Title: Wit Without Money

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. Pepys, Diary: Mr Shepley and I to the new Play-house near Lincoln's-Inn-Fields (which was formerly Gibbon's tennis-court), where the play of Beggar's Bush was newly begun; and so we went in and saw it, it was well acted: and here I saw the first time one Moone [Mohun], who is said to be the best actor in the world, lately come over with the King, and indeed it is the finest play-house, I believe, that ever was in England

Performances

Mainpiece Title: The Beggars Bush

Performance Comment: See below and also See16601107.
Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. Pepys, Diary: I to the new playhouse and saw part of the Traitor, a very good Tragedy; Mr Moon [Mohun] did act the Traitor very well

Performances

Mainpiece Title: The Traitor

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. The Prologue is in Thomas Jordan's A Royal Arbour of Loyal Poesie (1664). Andrew Newport to Sir Richard Leveson, 15 Dec.: Upon our stages we have women-actors, as beyond seas (HMC, 5th Report, Part I, 1876, p. 158). For a discussion of actresses who may have played Desdemona on this day, see Wilson, All the King's Ladies, pp. 6-8. Possibly Clun acted Iago. See An Elegy Upon the Most Execrable Murther of Mr Clun, 1664

Performances

Mainpiece Title: The Moore Of Venice

Event Comment: The King's Company. Pepys, Diary: Mr Moore and I to the Theatre, where was The Scornful Lady, acted very well, it being the first play that ever he saw

Performances

Mainpiece Title: The Scornful Lady

Event Comment: The King's Company. Pepys, Diary: I took my Lord Hinchinbroke and Mr Sidney to the Theatre, and shewed them The Widdow, and indifferent good play, but wronged by the women being to seek in their parts

Performances

Mainpiece Title: The Widow

Related Works
Related Work: The Widow of Delphi; or, The Descent of the Deities Author(s): Richard Cumberland
Event Comment: The Duke's Company. Pepys, Diary: Mr Creed and I to White-Fryars, where we saw The Bondman acted most excellently, and though I have seen it often, yet I am every time more and more pleased with Betterton's action

Performances

Mainpiece Title: The Bondman

Event Comment: The Duke's Company. Pepys, Diary: Then with Mr Shepley to the Theatre and saw Rollo ill acted

Performances

Mainpiece Title: Rollo Duke Of Normandy

Event Comment: The King's Company. Pepys, Diary: After dinner with Mr Creed and Captain Ferrers to the Theatre to see The Chances

Performances

Mainpiece Title: The Chances

Event Comment: Pepys, Diary: At noon comes Luellin to me, and he and I to the tavern and after that to Bartholomew fair, and there upon his motion to a pitiful alehouse, where we had a dirty slut or two come up that were whores, but my very heart went against them, so that I took no pleasure but a great deal of trouble in being there and getting from thence in fear of being seen. From hence he and I walked towards Ludgate and parted. I back to the fair all alone , and there met with the ladies Jemimah and Paulina, with Mr Pickering and Madamoiselle, at seeing the monkeys dance, which was much to see, when they could be brought to do so, but it troubled me to sit among such nasty company

Performances

Mainpiece Title: Entertainments

Event Comment: The King's Company. Pepys, Diary: Captain Ferrers and Mr Moore and I to the Theatre, and there saw Hamlett very well done

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Event Comment: The King's Company. This play appears on Herbert's List, following the entry for 26 Oct. 1661. (See William VanLennep, "Thomas Killigrew prepares his Plays for Production," J. Q. Adams Memorial Studies (Washington, D. C., 1948, p. 803.) Pepys, Diary: W. Pen and I to the Theatre, but it was so full that we could hardly get any room, so he went up to one of the boxes, and I into the 18d. places, and there saw Love at first sight, a play of Mr Killigrew's and the first time that it hath been acted since before the troubles, and great expectation there was, but I found the play to be a poor thing, and so I perceive every body else do. BM Add. Mss. 34217, fol. 31b, in Hotson Commonwealth and Restoration Stage, p. 246: @First then to speake of his Majestys Theatre@Where one would imagine Playes should be better@Love att the first sight did lead the dance@But att second sight it had the mischance@To be so dash'd out of Countenance as@It never after durst shew itts face@All though its bashfullnesse as tis thought@Be far from being the Authors ffault.

Performances

Mainpiece Title: The Princess Or Love At First Sight

Performance Comment: An edition in 1663 (in Killigrew's Comedies and Tragedies) lists no actors' names, no prologue, no epilogue.
Event Comment: The Duke's Company. Pepys, Diary: By and by called on by Mr Sanchy and his mistress, and with them by coach to the Opera, to see The Mad Lover, but not much pleased with the play

Performances

Mainpiece Title: The Mad Lover

Event Comment: The King's Company. Pepys, Diary: Seeing that the Spanish Curate was acted to-day, I...home again and sent to young Mr Pen and his sister to go anon with my wife and I to the Theatre...we went by coach to the play, and there saw it well acted, and a good play it is, only Diego the Sexton did overdo his part too much. [Sir Edward Browne seems to connect this play with the Duke's Company. See Introdutcion to 1661-1662.

Performances

Mainpiece Title: The Spanish Curate

Event Comment: [The edition of 1662 suggests that this was a ballet, the text offering description or synopses of the entries. Edition of 1662: Being part of that Magnificent Entertainment by the Noble Prince, DelaGrange, Lord Lieutenant of Lincolns Inn. Presented to the High and Mighty Charles II, Monarch of Great Britain, France and Ireland. On Friday 3 of January 1662. Evelyn, Diary: After Prayers I went to Lond: invited to the solemn foolerie of the Prince de la Grange at Lincolne Inn: where came also the King, Duke, &c.: beginning with a grand Masquev and a formal Pleading before the mock-princes (Grandes), Nobles & Knights of the Sunn: He had his L. Chancelor, Chamberlaine, Treasurer, & other royal officers gloriously clad & attended, which ended in a magnificent Banquet: one Mr John? Lort, being the young spark, who maintained the Pageantrie. Pepys, Diary: While I was there, comes by the King's life-guard, he being gone to Lincoln's Inn this afternoon to see the Revells there; there being, according to an old custom, a prince and all his nobles and other matters of sport and charge. John Ward (notebooks, 6 Jan.): I saw a Leopard and the same day as strange a sight which was the mock prince of Lincolnes' Inne his Nobels his Knights of the Garter and his other officers (Shakespeare Quarterly, XI [1960], 494)

Performances

Mainpiece Title: Greek Words Universal Motion

Event Comment: The Duke's Company. Pepys, Diary: [Mr Herbert] and I and the two young ladies and my wife to the playhouse, the Opera, and saw The Mayde in the Mill, a pretty good play

Performances

Mainpiece Title: The Maid In The Mill

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. Langbaine (English Dramatic Poets, p. 477): This Play has been received with Success (as I said) in our Time; and as I remember, the deceas'd Mr Lacy acted Jonny Thump, Sir Gervase Simple's Man, with general Applause

Performances

Mainpiece Title: Love In A Maze

Event Comment: Some time (probably not long) before this date Aglaura [by Sir John Suckling] was acted by the King's Company. Pepys, Diary: Thence to Mr Wotton, the shoemaker's, and there bought a pair of boots, cost me 30s., and he told me how Bird hath lately broke his leg, while he was fencing in Aglaura, upon the stage, and that the new theatre of all will be ready against term

Performances

Performances

Mainpiece Title: An Unidentified Play

Event Comment: This was probably acted by the King's Company, which acted the play several times in 1660-61. Pepys, Diary: At White Hall by appointment, Mr Creed carried my wife and I to the Cockpitt, and we had excellent places, and saw the King, Queen, Duke of Monmouth, his son, and my Lady Castlemaine, and all the fine ladies; and The Scornfull Lady, well performed. They had done by eleven o'clock

Performances

Mainpiece Title: The Scornful Lady