Event Comment: Benefit of Settree. Tickets delivered by Mas. Settree and Miss Twist will be taken

Event Comment: Benefit for Miss Gaudry, the Marine Cook, the Lilliputian Clown, and Lilliputian Harlequin

Event Comment: BBenefit for Mr Arne and Mr Arne Jr. Boxes Half a Guinea. First Gallery 3s. Upper Gallery 2s. To begin exactly at Half an Hour after Six o'clock. Tickets to be had of Mr Arne Sr next door to the Passage in Charles St., Covent Garden; and of Mr Arne Jr at his Chambers, No 4. in Garden Court, Temple. [N.B. This Benefit had been advertised the Wednesday before; With the New Songs perform'd at the Charity for Decay'd Musicians, the Principal Parts by Lowe, Mattocks, Miss Brent, Miss Frederica, Miss Pliemess, Miss Carter, and the Gentlemen of the Choir.

Event Comment: After the play on Saturday Night Mr Yates sent me the part of Bottom in the Fairy Tale & Said he would play it no more the part was given to Mr Baddeley & he play'd it to Night (Hopkins). Mr Yates sent me the part of Bottom, and said I must give it to somebody else, for he would do it no more.-Mr Baddeley Played it tonight, and very well (Hopkins Diary-MacMillan). Songs in the Entertainment given at the theatre. Receipts: #124 6d. (MacMillan)

Event Comment: Opera, music by Sacchini &c. [not performed, according to Public Advertiser, 8 Nov., because of illness of two singers, one being Sga Sestini. A Letter by William Lee in The Public Advertiser (7 Nov.) notes that beginning in 1772 he had served refreshments in a room which served also as a passage to the boxes; alterations made to enclose the passage were made in 1773; Lee was charged #60 a year for the room (with the fire and light at his own expense). Then Elizabeth Smith, who had had charge of concessions died. In 1774 Lee was charged #160 plus #80 for coals and light. Hence Lee lost #130 and was saved only by a benefit by the graciousness of the Nobility and Gentry.

Event Comment: G[arrick] This Night was advertis'd for Mr Barry's Benefit but he being ill his Benefit was deferr'd (Hopkins Diary). Garrick is removed from Southampton St. to Adelphi Terrace (Winston MS 10). This day is publish'd Theatrical Biography; or, Memoirs of the principal performers of the three Theatres Royal. Drury Lane: Garrick, Barry, Reddish, Aickin, King, Moody, Dodd, Love, Vernon, Parsons, Baddeley, Mrs Barry, Mrs Abington, Miss Younger, Miss Hayward, Mrs Baddeley, Miss Pope, Mrs Egerton, Mrs W. Barry and Mrs Jefferson. Covent Garden: Ross, Smith, Savigny, Woodward, Yates, Shuter, Bensley, Dyer, Mattocks, Clark, Mrs Yates, Mrs Mattocks, Miss Macklin, Mrs Bulkley, Mrs Green, and Mrs Thompson. Haymarket: Foote, Weston, Aikin, Didier, Davies, Mrs Gardner, Mrs Jewell, and Mrs Didier. Together with critical and impartial remarks on their respective professional merits. Printed for S. Bladon. Receipts: #265 18s. (Treasurer's Book)

Event Comment: During this month the dissident players from the King's Company--Goodman, Gray, and Clarke--returned from Edinburgh. For details, see Hotson, Commonwealth and Restoration Stage, pp. 262-63

Event Comment: The King's Company. The date of the first production is not known. Although the play was not entered in the Term Catalogues until May 1681, Wilson (Six Restoration Play-Dates, p.222) has argued that the reference in the Prologue to the young men (presumably Gray, Goodman, and Clarke; see February 1679@80) who had gone to Scotland and returned empty-handed suggests a performance near March 1680, when these references would have more point than they would have a year later

Event Comment: KKing Lear and Amelia oblig'd to be deferr'd on account of indisposition of Clarke. Receipts: #75 9s. (Account Book)

Event Comment: Cash advanc'd Clarke as per bond #400. Paid Richards (scene painter) as per Bill #190. Receipts. #230 6s. (Account Book)

Event Comment: Henry II oblig'd to be deferr'd on account of Clarke's Illness. [Bensley took his part in Alexander the Great.

Event Comment: Gentleman's Magazine, XLX, p. 147: The cause of Macklin against Clarke, Aldys, Lee, James, and Miles came on to be tried in the Court of the King's Bench. The Indictment consisted of two counts; the first specifying that on the 18th of November 1773 the defendents had been guilty of a riot; the other that they had been guilty of conspiracy....The jury withdrew and in a few minutes brought Clark in guilty of the riot and the others of conspiracy. Judgment was deferred till next term

Event Comment: [In mainpiece the playbill retains Clarke as Antonio, but on the Kemble playbill a MS annotation substitutes Hull.]

Event Comment: A new Comic Opera [an alteration by Lorenzo Da Ponte of LE GELOSIE VILLANE (see 15 Apr. 1784)]; the music by Sarti and Paisiello [with additions by Carlo Pozzi]

Event Comment: 1st piece: A Comic Opera in 1 Act [and see 1 Apr.); the music by Cimarosa. 2nd piece: A new Grand Tragi-Comic Opera; the music by Gazzaniga, [with additions by) Federici, Sarti, Guglielmi; under the direction of Federici. In the course of the Opera a Grand Funeral Procession, according to the ancient customs of Spain, consisting of upwards of 100 persons. The music of both dances by Miller. With entire new Dresses, Scenery, and Decorations. [And see 4 Mar.) Loewenberg, 442: Leporello's "Catalogue Song" from Mozart's Don Giovanni was included in this version of the

Event Comment: 2nd piece: A Comic Opera; the music by Guglielmi. First time at this Theatre [1st performed at Naples, 1789, and in London at the Pantheon, 1 Mar. 1791]; reduced to I act

Event Comment: A new Grand Serious Opera, with Chorusses; the Music by Bianchi, under the direction of Federici. With entirely new Scenes designed by Marinari, Dresses composed and executed by Sestini, and Decorations. "[Banti] I must ever consider as far the most delightful singer I ever heard . . . Her first appearance in this country was in the opera of Semiramide, and all her part in it was of the most beautiful description. In addition to the songs belonging to the opera, she introduced a remarkably fine air by Guglielmi, from the Oratorio of Deborah, with an accompaniment for a violin obligato, originally played by Cramer, afterwards by Viotti and others. This song, though long and one of great exertion, was so prodigious a favourite that it never failed of being encored, not only in its novelty, but in every subsequent revival. Her acting, and recitative were excellent, and in the last scene, where Semiramide dies, was incomparably fine" (Mount-Edgcumbe, pp. 82, 84)