Event Comment: By Permission of the Lord Chamberlain, Mainpiece: Altered from the Original [Woman is a Riddle, by Christopher Bullock. Not in Larpent MS; not published]. 2nd piece [1st time; M. INT I, author unknown. MS not in Larpent; not published]. 3rd piece: Written by Henry Fielding, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered by Davis, Wright, Mrs Lefevre will be admitted. Constant fires will be kept on the stage, Pit, Boxes and Galleries to air the house

Event Comment: Benefit for Reddish [and his last appearance on the stage]. Tickets sold at the Doors will not be admitted. Public Advertiser, 1 May: Tickets to be had of Reddish, No. 14, near the Turnpike, Tottenham Court Road. "Poor Reddish, on the 5th of May, had a benefit, and it was resolved to try whether he could not go through the character of Posthumus. He was now infirm; in common occurrences imbecile, but to be exited by his former profession, or nothing. The late John Ireland gave an affecting detail of this attempt. He met his friend an hour before the performance began. Reddish entered the room with the step of an idiot, his eye wandering, and his whole countenance vacant. Mr Ireland congratulated him, that he was sufficiently recovered to perform his favourite Posthumus. 'Yes', said he, 'and in the garden scene I shall astonish you.' 'The garden scene! I thought you were to play Posthumus?' 'No, Sir, I play Romeo.' His friend assured him that Posthumus was the part he was to act--and he walked to the theatre, reciting Romeo all the way. When dressed for Posthumus, and in the green-room, it was still hard to undeceive him--at length he was pushed upon the stage....The instant he came in sight of the audience his recollection seemed to return; his countenance resumed meaning, his eye became lighted up, he made the modest bow of respect, and played the scene as well as he had ever done. But Romeo again met him in the green-room, and it was only the stage cue that had the power to unsettle this delusion; and that never failed to do it through the whole play. Mr Ireland thought him, on this occasion, less assuming and more natural than he had seemed in the full enjoyment of his reason" (Boaden, Kemble, I, XVI-XVII; Ireland, 58-60)

Event Comment: Benefit for Suett and Wright. Morning Herald, 3 May: Tickets to be had of Suett at his house, No. 20, Gloucester-street, Queen's-square, Bloomsbury; of Wright at his house, No. 21, Bennett-street, Westminster. [Afterpiece: Prologue by David Garrick.] Receipts: #232 10s. (67/13/0; 30/16/6; 0/12/6; tickets: 133/8/0) (charge: #115 10s.)

Event Comment: Benefit for Mr and Mrs Brown. Mainpiece: With a Grand Processionv, as 21 Sept. 1787. [The Cottagers, a comic opera written by Mrs Brown's daughter, was published in 1788, and 1st acted at the Crow Street Theatre, Dublin, 19 May 1789.] Receipts: #167 7s. (58.2; 7.9; tickets: 101.16)

Event Comment: Afterpiece: To conclude with the Representation of an Engagement between the English and Spaniards, and the Storming of Fort Omoa, on the Spanish Main. Account-Book: Paid Chorus to 11th Inclusive #7 10s.; Poor Rate 1@2 Year #45 17s. 10d.; Thompson on Acct. Supernumeraries #10. Receipts: #212 3s. 6d. (179.13.0; 30.13.6; 1.17.0)

Event Comment: Benefit for Mrs Mountain. 1st piece: Not acted these 4 years [acted 22 May 1789]. 3rd piece: Not acted these 18 years [acted 3 June 1783]. Morning Herald, 27 Apr.: Tickets to be had of Mrs Mountain, No. 9, Bow-street, Covent Garden. Receipts: #119 10s. (117.12.6; 1.17.6; tickets: none listed) (charge: #105)

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The King and Queene & a Box for ye Maydes of Honor at the Opera. See also Nicoll, Restoration Drama, p. 350, and 1 Jan. 1684@5. The opera was certainly given on 3 June, probably on 10 June, and probably on 13 June, the day that the news of the Duke of Monmouth's landing reached London; as Downes states that it was acted six times, there were three additional performances between 3 and 13 June 1685. Downes (Roscius Anglicanus, p. 40): In Anno 1685. The Opera of Albion and Albanius was perform'd; wrote by Mr Dryden, and Compos'd by Monsieur Grabue: This being perform'd on a very Unlucky Day, being the Day the Duke of Monmouth, Landed in the West: The Nation being in a great Consternation, it was perform'd but Six times, which not Answering half the Charge they were at, Involv'd the Company very much in Debt. Roger North: The first full opera that was made and prepared for the stage, was the Albanio of Mr Grabue, in English, but of a French genius. It is printed in full score, but proved the ruin of the poor man, for the King's death supplanted all his hopes, and so it dyed (Roger North on Music, ed. John Wilson [London, 1959], p. 311). The Prologue and Epilogue, published separately, are reprinted in Wiley, Rare Prologues and Epilogues, pp. 244-46. The score and the libretto were published in 1687 (licensing date of 15 March 1686@7): Albion and Albanius; An Opera; Or, Representation in Musick. Set by Lewis Grabu, Esq; Master of His late Majesty's Musick

Event Comment: The United Company. On 23 April 1689 Luttrell purchased a copy of the Prologue. The broadside copy, with Luttrell's date of acquisition, is in the possession of Mr Louis Silver, Wilmette, Illinois, to whose courtesy I am indebted for permission to use this date. When the Prologue, which is reprinted in Wiley, Rare Prologues and Epilogues, pp. 271-72, appeared in The Fourth and Last Volume of the Works of Mr Tho. Brown (1719), the Prologue has the title: Jo. Haines in Penance; Or, his Recantation-Prologue, at his acting of Poet Bays in the Duke of Buckingham's Play call'd The Rehearsal. Spoken in a white Sheet, with a burning Taper in his Hand, upon his Admittance in to the House after his Return from the Church of Rome. In the Preface to his play, The Fatal Mistake (1691-92), Haines stated: In troth I have Acted Mr Bays so often, and so feelingly, that I could not possibly forbear copying after so fair an Original

Event Comment: [T$Theophilus Cibber opened the theatre this one night. Mainpiece, a Mock Tragedy by Joseph Reed. Afterpiece, anonymous.] Tickets to be had at the Swan, Westminster Bridge; Forest's Coffee House and Cannon Tavern, Charing Cross; the Tuns in the Borough, Southwark; the Rainbow Coffee House, near the Royal Exchange; and the Bedford Coffee House, Covent Garden. N.B. Tickets for the Author to be had at Mr Briscall's at Parliament-Street Coffee House; the Bedford Head, Southampton St.; Mr Wells at the Crown and W in Russel Court, Covent Garden; Mr Long's in Little Britain; the Union Coffee House in Cornhill; the White Lion in Talbot Court; and the Sun Tavern, Shadwell

Event Comment: Betterton's Company. The date of the premiere is not known, but the Epilogue refers to it as a summer production and the play was advertised in the London Gazette, No 3108, 22-26 Aug. 1695; hence, it appeared first not later than August. A song, Stretch'd in a dark and dismall grove, composed by John Eccles and sung by Mrs Hudson, is in Deliciae Musicae, The Third Book, 1696. A Comparison Between the Two Stages (p. 16): Sullen: Imprimis, Here's Pyrrhus King of Epire. Ramble: Whose is that? Sullen: Charles Hopkin's, an Irish Gentleman of good Sense, and an excellent Ovidian. Ramble: What was it's Fate? Sullen: Damn'd

Event Comment: Benefit Mrs Orme. Tickets 3s. At 6 p.m

Event Comment: Tickets for Mrs Noakes and Sandham taken this day

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by the late Mr Congreve. Daily Advertiser, 13 Dec: Charles Mecklin was try'd for the Murder of Mr Hallam the Player, and found Guilty of Manslaughter

Event Comment: At Cibber's Academy in the Hay-Market...will be presented a Concert of Musick, Vocal and Instrumental. The Vocal Parts-Mr Brett, Mrs Hill, and others; the Instrumental by eminent Masters. The Doors to be open'd at Four, the Concert to begin at Five, and no Persons to be admitted after Seven o'clock. The Prices are Four Shillings, Half a Crown and Eighteen Pence. Places may be bespoke at the Academy. After the Concert will be exhibited Gratis, a Rehearsal, in Form, of the Play-(often acted with great Applause) call'd Romeo and Juliet. Written by Shakespear. The Characters personated by the Master of the Academy, his Assistants, Pupils, and Servants. With Proper Habits, Scenes and Decorations. [After Cibber announced his Academy, he received the following letter from the Justice of the Peace: I see by your advertisements, in regard to your Academical Performances, that they are of the same Nature as Mr L/c@y's were some Years ago, which brought him to a great deal of Trouble. Some strong Applications are making now to give you some; of which I think proper to give you Notice, in this private Manner, that you may avoid it.-Tho. de Veil. 31 Oct. Cibber, A Serio-Comic Apology. p. 12.

Event Comment: [Pages covering this date missing from Treasurer's Book.] Tomorrow at 12 o'clock will be publish'd Don Saverio: A Musical Drama, as it is performed at Drury Lane. The Music composed by Mr Arne. Printed for John Watts, and sold by him at the Printing Office in Wild Court, near Lincoln's Inn Fields (General Advertiser). Receipts: #180 (Cross)