SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr William Turner"/1) | (@(roleclean,performerclean) "Mr William Turner")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10808 matches on Author, 4580 matches on Event Comments, 2731 matches on Performance Comments, 613 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The United Company. The date of this revival is not precisely known but that it occurred in mid-March is indicated by Luttrell's date of 21 March 1683@4 on his copy of the separately-printed Prologue and Epilogue (Bindley Collection, William Andrews Clark@Jr@Library). It should be noted, however, that Friday 21 March is a Friday in Lent, a day on which the companies sometimes did not act. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 202-6. When this play was advertised to be acted on 8 Nov. 1704, the bill bore the heading: "Not Acted these 20 Years." Langbaine (English Dramatic Poets, p. 37): This Play was reviv'd by the Players, since the Union of the Two Houses, and reprinted in quarto Lond. 1684 with a new Prologue and Epilogue, the former written by Jo. Haynes the Comedian

Performances

Mainpiece Title: The Northern Lass

Event Comment: On this day Luttrell purchased a copy (Bindley Collection, William Andrew Clark@Jr@Library) of The Beggars Delight As it was Sung at the Theatre Royal, published in 1684 by J. Dean

Performances

Event Comment: The United Company. The date of the first performance is not certain, but Luttrell dated his copy of the separately-printed Prologue and Epilogue 4 June 1684 (Bindley Collection, William Andrews Clark@Jr@Library). Ordinarily the broadside prologues and epilogues appear to have been available shortly after the premier; hence, it is likely that this play appeared in the first week of June 1684. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 211-14

Performances

Mainpiece Title: Sir Hercules Buffoon; Or, The Poetical Squire

Event Comment: The United Company. This play may have been revived during this month or earlier. A song, Come Jug my honey let's to bed, the music by Thomas Farmer, sung by Reading and Mrs Norris, was printed in Choice New Songs never before Printed [by Thomas D'Urfey, 1684]. Luttrell purchased a copy of this collection on 8 Jan. 1684@5 (Bindley Collection, William Andrews Clark@Jr@Library)

Performances

Mainpiece Title: The Cheats Of Scapin

Event Comment: On this date William Hemmings' The Eunuch was licensed. The play was published in 1687, but there is no certainty that it was acted. The problem is made more complicated by the production of Sedley's Bellamira--see 12 May 1687-which was derived from Terence's The Eunuch. See the introductory note for the 1676-77 season for the possibility that The Eunuch was acted then

Performances

Event Comment: The United Company. The date of the first performance is not known, but Lord Granville, writing on 5 May 1688, refers to the King's presence on the third day, and since The Squire of Alsatia may have begun its run about 2 May 1688, Crowne's play must have been produced by the end of April. Lord Granville to Sir William Leveson, 5 May 1688: The town is as empty of news as the Court; we have had a new play called The Fall of Darius (written by Crown), by which the poet, though he could get no fame, yet had a most extraordinary third day by reason the King's presence at it; the first day of its acting Mrs Bower [Barry] was taken so violently ill in the midst of her part that she was forced to be carried off, and instead of dying in jest was in danger of doing it in earnest. Mrs Cook is dead and Mrs Boute...is again come upon the stage, where she appears with great applause. We are promised this week another new play of Shadwell's called the Alsatia Bully, which is very much commended by those who have had the private perusal of it (HMC, 5th Report, Part II, pP. 197-98). Dedication, Edition of 1688: A misfortune fell upon this Play, that might very well dizzy the Judgments of the Audience. Just before the Play began, Mrs Barry was struck with a very violent Fever, that took all Spirit from her, by consequence from the Play; the Scenes She acted fell dead from her; and in the 4th Act her distemper grew so much upon her, She cou'd go on no further, but all her part in that Act was wholly cut out and neither Spoke nor Read; that the People went away without Knowning the contexture of the Play, yet thought they knew all....[My] Thanks to His Majesty for the Honor of his Presence, on the Day which was to be for my Advantage; which He was pleased to Grant me. [See L. C. 5@148, p. 195--in Nicoll, Restoration Drama, p. 356--for a grant of #20 as a gift from the King to Crowne for this play.

Performances

Mainpiece Title: Darius, King Of Persia

Event Comment: On this day occurred the Coronation of William and Mary

Performances

Performances

Mainpiece Title: A Jovial Crew

Performance Comment: The Prologue to King William & Queen Mary At a Play Acted before Their Majesties at Whitehall, on Friday the 15th of November 1689. Written by N. Tate-.
Related Works
Related Work: The Jovial Crew; or, The Merry Beggars Author(s): William Bates
Related Work: The Jovial Crew Author(s): William BatesWilliam YongeWilliam Concanen
Event Comment: The United Company. This performance is on the L. C. list, 5@141, p. 369. See also Nicoll, Restoration Drama, p. 352. In L. C. 5@150, p. 156, is an order to prepare the stage for the play, and, in L. C. 5@150, p. 164, is another order for new equipment. Luttrell, A Brief Relation, II, 125: The 4th, being his majesties birth day...and at night was a consort of musick, and a play afterwards. Matthew Prior wrote A Pindarique Ode which was sung before Their Majesties at court on this day. See The Literary Works of Matthew Prior, ed. H. B. Wright and M. K. Spears (Oxford, 1959), I, 96-98; II, 858. Cibber, Apology, I, 128: The agreeable was so natural to [Mountfort], that even in that dissolute Character of the Rover he seem'd to wash off the Guilt from Vice, and gave it Charms and Merit. For tho' it may be a Reproach to the Poet to draw such Characters not only unpunish'd but rewarded, the Actor may still be allow'd his due Praise in his excellent Performance. And this is a Distinction which, when this Comedy was acted at Whitehall, King William's Queen Mary was pleas'd to make in favour of Monfort, notwithstanding her Disapprobation of the Play

Performances

Mainpiece Title: The Rover

Related Works
Related Work: The Lady’s Revenge; or, The Rover Reclaim'd Author(s): William Popple

Performances

Mainpiece Title: Concert

Performance Comment: A Pindarick Ode, on New@Year's@Day-; Vocal and Instrumental Musick Perform'd before Their Sacred Majesties, K. William and Q. Mary. Set by Dr John Blow, and Written by ThomasD'Urfey-.
Event Comment: A warrant, L. C. 5@150, p. 306, in Nicoll, Restoration Drama, p. 357, dated this day calls for a payment of L10 to William Mountfort for King Edward the Third, acted on an unspecified date before the Queen

Performances

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Monday October 30, 1693. For the Entertainment of the Right Honourable Sir William Ashurst, Knight, Lord Mayor of the City of London. Containing A True Description of the several Pageants; with the Speeches Spoken on each Pageant. All set forth at the proper Cost and Charges of the Worshipful Company of Merchant Taylors. Together with The Festival Songs for His Lordship and the Companies Diversion.
Event Comment: According to the testimony of Sir Thomas Skipwith, 10 Dec. 1694, the young actors played during the vacation nearly thirty days without Betterton, Williams, Bright, Kinaston, Sandford, or Mrs Betterton, and made sufficient money to keep them over the vacation. L. C. 7@3, 17 Dec. 1694, in Nicoll, Restoration Drama, p. 374

Performances

Event Comment: The Lord Mayor's Show. By Elkanah Settle. See Celia Fennes, Through England on a Side Saddle in the Time of William and Mary (1888), pp. 242 ff, for an account of a Lord Mayor's show in the late seventeenth century

Performances

Mainpiece Title: The Triumphs Of London

Event Comment: See Cibber, Apology, I, 201-2, for his account of the mistake Betterton's Company made in not retaining Williams and Mrs Mountfort-Verbruggen, and of the problems of Rich's Company. In this passage Cibber implies that Hamlet, Othello, and Julius Caesar were acted at Drury Lane soon after the division of the companies

Performances

Event Comment: Rich's Company. This performance is known by a playbill in the Folger Shakespeare Library: At the New Theatre, in Little Lincolns-Inn Fields, this present Wensday the 27th of October, will be presented, A Comedy call'd, The Committee, or The Faithful Irishman. No Persons to Stand on the Stage. Nor any Money to be after Return'd [sic] the Curtain is Drawn up. By his Majesties Servants. Vivat Rex. [The playbill is reproduced, opposite page 230, in William VanLennep, Some Early English Playbills, Harvard Library Bulletin, VIII (1954).

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Event Comment: Post Boy, 20-23 Aug. 1698: Jephtha's Rash Vow: Will be play'd again this Bartholomew Fair at Blakes and Penkethman's Booth, over against Hosier Lane. [See also William King, 25 Aug. 1698.

Performances

Mainpiece Title: Jephtha's Rash Vow

Event Comment: According to the London Post, 24-27 Nov. 1699, William Joye, a strong man showing dexterities of strength, performed before The King at Kensington

Performances

Event Comment: London Post, 24-27 Nov. 1699: [William Joy] being oblig'd to leave Town in order to pursue some other Method, can shew but twice, which will be God-willing on Wednesday and Friday next at the Theatre in Dorset Garden, beginning Precisely at 11 a Clock, being resolved to shew no more before he leaves the Town

Performances

Mainpiece Title: Entertainments

Event Comment: Benefit William Bowen

Performances

Mainpiece Title: The Libertine Destroy'd

Event Comment: Benefit William Penkethman

Performances

Mainpiece Title: Love Makes A Man

Event Comment: [King William died on Sunday 8, and the playhouses were forbidden to act until after the Coronation, 23 April.

Performances

Event Comment: Written by the famous Author William Shakespear

Performances

Mainpiece Title: Cimbiline King Of Brittain; The Great Protector Of His Country

Event Comment: At the Desire of several Persons of Quality. Written by the Famous William Shakespear

Performances

Mainpiece Title: Cymbeline King Of Brittain; The Great Protector Of His Country

Event Comment: [By William Walker. Not advertised in Daily Courant, but this date accepted as premiere by Nicoll, p. 363 and Genest, II, 303.] Preface: It was so hem'd in between the Benefits that it seem'd meerly Confin'd to the Limits of a Single Night before hand

Performances

Mainpiece Title: Marry; Or, Do Worse

Related Works
Related Work: Marry; or Do Worse Author(s): William Walker