SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr White"/1) | (@(roleclean,performerclean) "Mr White")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4332 matches on Event Comments, 1498 matches on Performance Comments, 556 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Nunnery

Dance: End of mainpiece The Irish Lilt by Mr and Mrs Ratchford

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Comus

Song: End of Act II of mainpiece The Tobacco Box by Mr and Miss Brett

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End IV: The Irish Lilt-Mr and Mrs Ratchford

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Double Disguise

Music: Afterpiece: Overture by Shield-; Duett on Two Flutes-Mr Forster

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Poor Soldier

Dance: End: The Irish Lilt-Mr and Mrs Ratchford

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Miss in her Teens

Dance: End IV: Double Hornpipe-Mr and Miss Bourk

Song: End I: Crazy Kate-Chambers; End III: song-Arrowsmith

Entertainment: End II: Imitations-a Gentleman [unidentified]

Monologue: Vaudeville. End: Bunbury's Representation of the Prince's Bow. Teacher-Delpini; in which he will introduce a song, Woman turn us round about-Delpini

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The First Floor

Dance: End III: Hornpipe-Whittow; End: Minuet de la Cour-Mr and Mrs Brigg; in which Codrile-; to conclude with a Scotch Reel-Whittow

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Provocation

Dance: End I: The Irish Lilt-Mr Ratchford, Mrs Ratchford; In V: Dance of Forresters-

Performances

Mainpiece Title: King Henry Ii; Or, The Death Of Fair Rosamond

Afterpiece Title: The Humours of Sir John Brute

Entertainment: Monologue End: The Monody on the Death of Mr Henderson (3rd time at this theatre)-Baker

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Dance: End I: The Irish Lilt-Mr and Mrs Ratchford; V: a Dance of Forresters-

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Rival Soldiers

Afterpiece Title: The Honest Thieves

Song: In I 1st piece: the original Duet-Mr and Mrs Pope

Entertainment: Monologue. End 2nd piece: [Collins' Ode on the Passions-Mrs Pope (1st and only Time [see17980515])

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: Britons Roused

Afterpiece Title: The Follies of a Day

Dance: End 2nd piece: a Minuet-Mr and Miss Betterton

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Botheration

Afterpiece Title: Voluntary Contributions

Dance: End I 1st piece: The Statute Dance-

Song: In 2nd piece: Mr O'Blarney's Description of London, as17980508

Performances

Mainpiece Title: The Raft

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Botheration

Dance: In III 2nd piece: Hornpipe in Fetters, as17971025

Song: In 3rd piece: Mr O'Blarney's Description of London, as17980508

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Botheration

Dance: Between mainpiece and afterpiece: a Hornpipe-Jackson

Song: End: The Irish Newsman-Clarke; In afterpiece: Mr O'Blarney's Description of London, as17980508

Performances

Mainpiece Title: She Stoops To Conquer; Or, The Mistakes Of A Night

Afterpiece Title: The Agreeable Surprise

Song: End: a favourite duet-Mr and Mrs Humphreys; and a comic song-Twaits

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Naval Pillar

Dance: In afterpiece: New Dance (composed by Bologna Jun.)-Bologna Jun., King, Mrs Watts, Mrs Parker (1st appearance these 2 years)

Song: The Songs written or selected for the afterpiece: Black Ey'd Susan-Incledon; When Britain first her Flag uprear'd-Incledon, Johnstone, Linton; An hungry Fox one day did spy (Old Welsh tune)-Munden; When Peace smiles around-Mrs Martyr; Sir Sydney Smith-Fawcett; When a Tar returns home-Fawcett, Munden, Mrs Martyr; Mr Speaker tho' 'tis late--Incledon, Johnstone, Townsend, Linton; A Bundle of Proverbs-Munden; In praise of the Pars who have leathered the World-Johnstone; +The Navy and Army of Britain forever-Townsend; The Embarkation-Incledon; Glee and Chorus [We come, ye guardians of our isle]-Mrs Martyr, Miss Sims, Miss Wheatley, Mrs Sydney; Recitative and Finale [Britons, your country's gratitude behold]-Mrs Chapman, Incledon, Johnstone, Townsend, Linton

Opera: End IV: Solemn Dirge. The Funeral Procession of Juliet-; Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Gardner, Denman, Blurton, King, Street, Lee, Little, Thomas, Sawyer, Tett, Dyke, Whitmore, Ms Waters, Ms Chapman, Ms Atkins, Ms Litchfield, Ms Mills, Ms Dibdin, Ms Wheatley, Ms Iliff, Ms Sims, Ms Whitmore, Ms Follett, Ms Watts, Ms Castelle, Ms Norton, Ms Gilbert, Ms Leserve, Ms Lloyd, Ms Masters, Ms Blurton, Ms Sydney, Ms Burnett, Ms Martyr

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Naval Pillar

Dance: As17991007

Song: afterpiece: As17991007, but Mr Speaker tho' 'tis late-_

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: A New Divertisement (composed by D'Egville)-Didelot, Mme Rose Didelot, Mr Laborie, Mme Laborie, Mme Hilligsberg, Deshayes (1st appearance in this country), Mlle Parisot (1st appearance at this theatre these 2 years); End Opera: a new Anacreontic Ballet, in 2 parts, Les Jeux d'Egle-Deshayes, Laborie, D'Egville, Didelot, Mme Hilligsberg, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mrs D'Egville, Mme Rose Didelot

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: The Deserter of Naples

Dance: After Singing at end: A New Dance- (By Permission of the Proprietors of the Royal Circus) composed by Byrne, in which Mr Byrne, Mrs Byrne, will make their 1st appearance on this stage these 4 years, assisted by the three Miss Adams', Master Byrne (Their 1st appearance on this stage), Blurton, Platt, Wilde, L. Bologna, Lewiss, Klanert, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Miss Dibdin

Song: End II: Black Ey'd Susan-Incledon; End IV: The Anchor Smiths-Townsend; End: Boxing the Compass-Fawcett; Old Towler-Incledon

Performances

Mainpiece Title: Cambro-britons

Afterpiece Title: The Agreeable Surprise

Song: End: Paddy's Description of Pizarro; or, Mr Paddy O'Doody and his Cousin Shaun Shaugnessy's Treat to the One Shilling Gallery-Johnstone

Event Comment: Receipts: #157 15s. [The Account Book lists the payment of 2s. per acting night to each shareholder: @Shareholder Mrs Martha Bedwell No. Share 1@No. Nights 36@Payment #3 12s.@Shareholder Mrs Creighton No. Shares 1@No. Nights 36@Payment #3 12s.@Shareholder Mr Francis Bedwell No. Shares 1@No. Nights 37@Payment #3 14s.@Shareholder Mr Robert Griffin No. Share 1@No. Nights 37@Payment #3 14s.@Shareholder Mr John Mitchell No. Shares 1@No. Nights 87@Payment #8 14s.@Shareholder Mrs Mary Michell No. Shares 1@No. Nights 87@Payment #8 14s.@Shareholder Mr John Walsh No. Shares 1@No. Nights 86@Payment #8 12s.@Shareholder Mr Lucuss No. Shares 1@No. Nights 54@Payment #5 8s.@Shareholder Col. Wade No. Shares 1@No. Nights 8@Payment 16s.@Shareholder Sir Arthur Croft No Shares 1@No. Nights 8@Payment 16s.@Shareholder Mr John White No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr John Croft, Esq No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr Rubin Adolphus No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr Henry Woodfall No. Shares 1@No. Nights 3@Payment 6s.@Total No. Shares 14@No. Nights 494@Payment #49 8s.@ Winston MS 8 notes that on 1 Feb. dl had only 20 renters at 2s. a night.

Performances

Mainpiece Title: The Prophetess

Cast
Role: Persian Ambassador Actor: White
Event Comment: Paid Charlotte Lane for making a white cloth coat and blue sattin waistcoat, loop'd and bound with silver for Mr Dyer, 18s.; for sewing silk and twist, 4s. 6d. Buckram and stays, 3s.; Hair cloth and wadding, 4s. dimety sleevelining & linnen pockets, 2s. 6d.; 2 doz. & 4 rich silver wire buttons at 8d.-18s. 6d. 19 breast buttons ditto at 4d.-6s. 4d. Dimety body lining to waistcoat and cuffs at 12s.-#1 13s.; 8 yds blue allopeen at 21!2 d.-17s. 4d. 21!4 yds white serge desoy at 5s.-11s. 3d. Also for Mr Dyer for making a yellow sattin waistcoat & cuffs, and mending a coat for Ranger, 8s.; sewing silk and twist, buckran & stays 4s.; three quarters yds white shallbon and interlining at 4d.-6s. 4d. Dimety body lining to waistcoat, 3s. 4d.; Stuff to make the backs 1s. 2 and 3!4 yds Blue Sattin for ye n silver'd buttons at 1s. 6d.-4s. 6d.; 11!2 doz. breast buttons ditto at 9d.-1s. 11!2d; For new buttoning and lacing a coat for Mrs Vincent 6s.; 2 doz. and 4 coat silver'd buttons at 1s. 6d.-3s. 6d.; 11!2 doz. breast buttons at 9d.-1s. 1 1!2d.; Sewing silk &c., 1s. 6d. (MS list in Davies, Life of Garrick, II, 322)

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Afterpiece Title: Damon and Phillida

Dance: As17551114

Performances

Mainpiece Title: The Jovial Crew

Performance Comment: Oldrents-Quick, first time; Hearty-Reinhold; Vincent-Mattocks; Hilliard-DuBellamy; Springlove-Wroughton; Oliver-Young; Randal-Dunstall; Martin-Thompson; Patrico-Booth; Beggars-Fox, Baker, Wewitzer, Lion; Clack-Shuter; Meriel (with Musical Alterations)-Miss Brown; Amie-Miss Dayes; Beggar Women-Mrs Pitt, Mr Evans, Mrs White; Rachel (With Musical Alterations)-Miss Catley; In II, the Original Crutch Dance-.

Afterpiece Title: No One's Enemy but His Own

Dance: II: The Provencale, as17740928; End: The Reel, as17741028

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper