SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Ward"/1) | (@(roleclean,performerclean) "Mr Ward")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4288 matches on Event Comments, 1706 matches on Performance Comments, 535 matches on Performance Title, 32 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Performances

Mainpiece Title: A Duke And No Duke

Performances

Mainpiece Title: The Maid's Last Prayer; Or, Any Rather Than Fail

Performances

Mainpiece Title: The Wary Widow; Or, Sir Noisy Parrat

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Richmond Heiress

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Lancashire Witches

Performances

Mainpiece Title: The Fatal Marriage; Or, The Innocent Adultery

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Ambitious Slave; Or, A Generous Revenge

Performances

Mainpiece Title: The Canterbury Guests; Or, A Bargain Broken

Related Works
Related Work: The Canterbury Guests; or, A Bargain Broken Author(s): Edward Ravenscroft

Performances

Mainpiece Title: The Comical History Of Don Quixote, The Third Part; With The Marriage Of Mary The Buxome

Performances

Mainpiece Title: Concert

Event Comment: Robert Shirley to Thomas Coke, Chartly, 21 Jan. 1695@6: I must agree with you that Wit and Sense seem this winter to have suffered an eclipse, and the dramatic writers more especially have showed how little they consulted either. I do assure you, I have not of late met with more of both than in your ingenious diverting letter to me, so that I am satisfied Wit is not retired out of town, but has only forsaken the stage. We that live in these northern parts are forced to range over fields and woods to find subjects of diversion, for in the frozen season of the year, there is nothing that is more so in the country than conversation. In my last ramble, either my own innate fancy, or the aversion I had to see such plays wrote in English as would hardly bear the reading, made me imagine I met with one of the Muses that had left the town, and by her discourse seemed to be Patroness of Dramatic Poetry. You know, Sir, to meet with a Nymph in the desert was no rarity in some countries heretofore, but yet I vow and swear between us, I asked her the occasion of her leaving the town, to which she made this sudden answer: @Neglected Wit is silent at a time@When puns, or bombast, stuff each doggrill rhyme.@In comic strain when they'd describe a fool,@The author proves the only ridicule.@In tragic verse while others fain would boast,@Landing some thousand Romans on the coast,@In what they would express themselves are lost,@Make Romans cowards, and make English great,@And make Bonduca valiant, to be beat.@Would Congreve or would Blackmoor now engage,@They might with manly thoughts reform the stage:@ ... As for Mr Southern's play, I have not yet seen it, so that I cannot at present give you my thoughts on it (HMC, 12th Report, Appendix, Part II, Cowper MSS., II, 359-60)

Performances

Performances

Mainpiece Title: Oedipus, King Of Thebes

Performances

Mainpiece Title: The Roman Bride's Revenge