SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Ward"/1) | (@(roleclean,performerclean) "Mr Ward")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4288 matches on Event Comments, 1706 matches on Performance Comments, 535 matches on Performance Title, 32 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Royal Chace

Related Works
Related Work: The Royal Chace; or, Harlequin Skeleton Author(s): Edward Phillips
Related Work: The Royal Chace; or, Merlin's Cave Author(s): Edward Phillips

Song: End of Act iv of mainpiece Tally Ho!, as17830516

Performances

Mainpiece Title: The Son-in-law

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Medea and Jason

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Genius of Nonsense

Dance: End of Act II of mainpiece, as17830604

Performances

Mainpiece Title: Summer Amusement; Or, An Adventure At Margate

Afterpiece Title: The Genius of Nonsense

Dance: End of Act I of Mainpiece, as17830531

Performances

Mainpiece Title: In A Village

Afterpiece Title: Man and Wife

Dance: As17830611

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: Harlequin Teague; or, The Giant's Causeway

Dance: Afterpiece to conclude with a Grand Ballet in Spanish Characters by Giorgi, Byrn, Miss Byrn, Sga Dagueville and others. [This was danced, as here assigned, at all subsequent performances.]

Song: In Act I of mainpiece a song in character by Miss Hooke

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Comus

Song: In Act II of mainpiece song by Miss Field

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Deaf Lover

Performance Comment: Meadows-[Lee] Lewes; Canteen-Suett; Young Wrongward-Phillimore; John-R. Palmer; William-Burton; Groom-Fawcett; Sternhold-Wrighten; Cook-Chaplin; Old Wrongward-Baddeley; Sophia-Miss Wheeler; Chambermaid-Miss Barnes; Betsy Blossom (with songs)-Mrs Wilson .
Cast
Role: Young Wrongward Actor: Phillimore
Role: Old Wrongward Actor: Baddeley

Performances

Mainpiece Title: The Metamorphosis

Afterpiece Title: The Apprentice

Dance: End of Act II of mainpiece, as17831018; End of mainpiece, as17831204

Performances

Mainpiece Title: King John

Afterpiece Title: The Lottery

Dance: End of mainpiece, as17831204

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: The Talisman

Song: End of mainpiece a song by Brett

Monologue: 1784 01 21 End of Act III of mainpiece a Masonic Address by a Brother [unidentified]

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Sultan

Dance: Afterpiece to conclude with a Grand Dance. Chief of the Bostanges-Harris; Principal Female Dancers-Mrs Ratchford, Miss Besford

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Sultan

Dance: End of mainpiece, as17831001; Afterpiece to conclude as17840306athi

Performances

Mainpiece Title: Cato

Afterpiece Title: Tom Thumb

Dance: As17840311athi

Song: End of Act II of mainpicce Auld Robin Grey, as17840426 imitations. After the Dancing, various Imitations, Vocal and Rhetorical by Bannister Jun

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Rival Knights

Afterpiece Title: Rose and Colin

Dance: End of Act II of mainpiece a Dramatic Romance, Adelaide de Brabant; or, The Triumph of Virtue. Principal Characters by Bithmere, Le Boeuf, Mme Bithmere. ["An infant son of Grimaldi (i.e. Joseph, aged 6) performs in an astonishing manner" (Gazetteer, 12 May).] End of Act IV an Allemande and Dance, called Malbrough (composed by Vestris Jun.) by Le Boeuf and Mme Bithmere

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Genius of Nonsense

Performances

Mainpiece Title: The Noble Peasant

Afterpiece Title: The Genius of Nonsense

Song: As17840730

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Sultan

Dance: End of mainpiece, as17841022; Afterpiece to conclude with a Grand Dana. Chief of the Bostanges-Harris; Principal Female Dancers-Mrs Ratchford, Miss Besford

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Spanish Rivals

Song: In Act II of mainpiece a song by Miss Stageldoir

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

Performances

Mainpiece Title: The Peasant Metamorphosis

Afterpiece Title: The Deserter

Dance: In 1st ballet, by Duquesney and the two Miss Simonets; After the Singing, Hornpipe by Baptist and a Comic Dance by Delpini

Song: End of 1st ballet a Serio-Comic Italian Song by Delpini. imitations. After the Dancing, as17850207

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Israelites; or, The Pamper'd Nabob

Dance: As17841116

Song: Preceding afterpiece a Trio, composed by an English composer in 1540 [unidentified], by Davies, Darley, Brett. The new Words by Holcroft, the new Accompaniments by Shield

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: The Magic Cavern

Performances

Mainpiece Title: 'tis Well It's No Worse

Afterpiece Title: The Diversions of the Morning

Afterpiece Title: Lethe, -AEsop, Old Man, Mercury, Drunken Man, Charon, Bowman, Snip, Fine Gentleman, Frenchman, Lord Chalkstone to be performed, for that night only, by a Society of Gentleman; Mrs Riot-Mrs Dore

Related Works
Related Work: Mercury Harlequin Author(s): Henry Woodward
Related Work: The Genii, Arabian Night's Entertainment Author(s): Henry Woodward

Monologue: 1785 04 25 Preceding the 1st piece an Address spoken by Brown

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Irish Widow

Song: End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto

Monologue: 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa