SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid Mr Barthelemon"/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid Mr Barthelemon")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15901 matches on Event Comments, 2665 matches on Performance Comments, 704 matches on Performance Title, 34 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Last time of performing [the afterpiece] this Season. Tickets deliver'd out by Vernon, Sanderson, &c. for a Bold Stroke for a Wife will be taken this night. Receipts: #140 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: The Fair Quaker Of Deal

Performance Comment: As17571227, but Sailors-Vernon.
Cast
Role: Sailors Actor: Vernon.

Afterpiece Title: Queen Mab

Ballet: II: The Prussian Camp. As17580131, but Blakes_

Performances

Mainpiece Title: The Fatal Marriage

Cast
Role: Bellford Actor: Jefferson

Afterpiece Title: Lethe

Performance Comment: As17580211, but others-Vernon, +Mozeen, +Bransby, +Jefferson.
Cast
Role: others Actor:

Dance: I: The Italian Peasants, as17571004

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Principal parts: Beard, Tenducci, Peretti, Mattocks, Miss Thomas, Miss Brent. Artabanes-Beard; Arabaces-Tenducci; Rimenes-Mattocks; Artaxerxes-Peretti, first appearance on English stage; Mandane-Miss Brent, Edition of 1762; Semira-Miss Thomas. (Genest, IV, 650) mistakenly assigns the part to Mrs Vernon.

Ballet: II: A New Ballet call'd The Statue Animated. Pygmalion-Maranesi; Scaramouch-Sodi; Inchantress-Miss Valois; Statue-Miss Wilford

Performance Comment: Pygmalion-Maranesi; Scaramouch-Sodi; Inchantress-Miss Valois; Statue-Miss Wilford.
Cast
Role: Statue Actor: Miss Wilford.

Dance: End Opera: A New Dutch Dance-Maranesi, Mlle Capdeville

Event Comment: At Yeates' Theatrical Booth, Greyhound Inn, during the time of Bartholomew Fair. The whole to be decorated with decency, and propriety, together with a grand Band of Music, consisting of French Horns, Violins, Trumpets, Hautboys, &c. N.B. There is a convenient Way to the theatre in Cow Lane for coaches, where Ladies and Gentlemen may have admittance without interruption. Boxes 2s. 6d. Pit 2s. First Gallery 1s. Upper 6d. [Several persons had provided booths in the Inns at Smithfield to perform Drolls and Interludes, as had been customary for many years, and were preparing to exhibit accordingly; but the City Marshall and other officers, by order of the Lord Mayor oblig'd them to take down their Shew Cloths and decamp (Morley, Memoirs of Bartholemew Fair).

Performances

Mainpiece Title: Trial Scenes Of The Cock Lane Ghost

Afterpiece Title: Tars of Old England

Entertainment: Exhortation of the Little Lilliputian Squire Hum, a child of five years old. TheGrand Hornpipical Balletin the taste and after the manner of Mrs Vernon and Miss Nancy Dawson,-a young lady

Performance Comment: TheGrand Hornpipical Balletin the taste and after the manner of Mrs Vernon and Miss Nancy Dawson,-a young lady.

Performances

Mainpiece Title: The Messiah

Performance Comment: Parts-Mrs Smith, Miss Harper, Sga Galli (first performance her in 16 years), Vernon, Meredith (who never performed in public).

Music: Solo on the Violin-Agus Jr (scholar of Nardini) lately arriv'd from Italy; Concerto on Clarinet-Mahoon

Event Comment: Rec'd stopages #12 3s.Paid Lighting, Paving streets 2 quarters to Mich. last #19 13s. 9d. Receipts: #139 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: As17751204, but the Vocal Parts-Vernon, _Fawcett.
Cast
Role: the Vocal Parts Actor: Vernon, _Fawcett.
Role: Maria Actor: Miss P. Hopkins
Role: the music Actor: Barthelemon

Afterpiece Title: The Sultan

Event Comment: The Lady of the Manor [announced on playbill of 20 Nov.] is (on account of Vernon's Indisposition) deferred till Monday next

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: The Invasion

Cast
Role: Beaufort Actor: Mahon
Event Comment: [This was Vernon's last appearance on the stage.] The Doors to be opened at 5:15. To begin at 6:15 [same for rest of season]. Receipts: #220 3s. 6d. (172/12/0; 47/4/6; 0/7/0)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Camp

Song: As17810927

Performances

Mainpiece Title: Tryphon

Event Comment: The United Company. The date of the first performance is not known, but Luttrell dated his copy of the separately-printed Prologue and Epilogue 5 April 1684 (J. W. Dodds, Thomas Southerne, p. 48). Very probably the play first appeared during the week of 31 March-5 April, immediately following Easter. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 191-94. This may have been the last new role William Smith undertook for some years; see Cibber, Apology, ed. Lowe, 1, 78-79, for the incident which prompted Smith's leaving the stage for awhile. One song, I never saw a face till now, with music by Captain Pack, is in The Theater of Music, the First Book, 1685; and another, O why did e'er my thoughts aspire, the music by R. King, is in the same collection. A third song, See how fair Corinna lies, the music by Captain Pack, is in A Collection of Twenty-Four Songs, 1685

Performances

Mainpiece Title: The Disappointment; Or, The Mother In Fashion

Performance Comment: Edition of 1684: Alphonso-Betterton; Lorenzo-Smith; Alberto-Wilshire; Lesbino-Carlisle; Rogero-Leigh; Erminia-Mrs Cook; Juliana-Mrs Percival; Angelline-Mrs Knight; Her Supposed Mother-Mrs Corey; Clara-Mrs Leigh; The Prologue by Mr John Dryden-Mr Betterton; The Epilogue by the Honourable John Stafford, Esq-.
Event Comment: The United Company. The date of the first performance is not known, but the Preface states:...the many inconveniences this hasty Peice has been expos'd to, as the Season of the being [sic] so near Christmas. [The Preface also refers to several scenes omitted in the action and expresses gratitude to Mountfort who wrote one scene of the fifth act.] This play was entered in the Term Catalogues, Feb. 1690@1

Performances

Mainpiece Title: The Mistakes

Performance Comment: Edition of 1691: Don Juan de Mendoza-Hodgson; Alberto-Powell; Antonio-Alexander [Verbruggen]; Ricardo-Montford; Lopez-Bowen; Bernardo-Trefusis; Miranda-Mrs Bracegirdle; Astella-Mrs Butler; Maria-Mrs Richardson; Prologue [by Mr Dryden-Bright, Bowen, Williams; Epilogue [by Mr Tate-Mrs Butler [in Mans Cloaths; Another Epilogue-Mr Montfort.
Cast
Role: Ricardo Actor: Montford
Role: Another Epilogue Actor: Mr Montfort.

Performances

Mainpiece Title: The Female Vertuosos

Performance Comment: Edition of 1693: Prologue by Mr Doggett-Mr Doggett; Sir Maurice Meanwell-Underhill; Meanwell-Hodgson; Sir Timothy Witless-Bright; Wittless-Doggett; Sir Maggot Jingle-Bowman; Clerimont-Powell; Trap-Bowen; Bully-Hains; Lady Meanwell-Mrs Leigh; Lovewitt-Mrs Knight; Mariana-Mrs Bracegirdle; Catchat-Mrs Mountfort; Lucy-Mrs Rogers; The Epilogue-Mrs Catchat.
Cast
Role: Catchat Actor: Mrs Mountfort
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, 4-7 July 1698, suggests that the first performance occurred not later than late May or early June 1698

Performances

Mainpiece Title: Fatal Friendship

Event Comment: Thomas Brown to George Moult, 12 Sept. 1699: But tho' Bartholomew-Fair is dead and buried for a twelvemonth, yet it is some consolation to us, that it revives in both the play-houses. Poetry is so little regarded there, and the audience is so taken up with show and sight, that an author will not much trouble himself about his thoughts and language, so he is but in fee with the dancing-masters, and has a few luscious songs to lard his dry composition. One would almost swear, that Smithfield had removed into Drury-lane and Lincolns-Inn-Fields, since they set so small a value on good sense, and so great a one on trifles that have no relation to the play. By the by, I am to tell you, that some of their late bills are so very monstrous, that neither we, nor our forefathers, ever knew anything like them: They are as long as the title-pages to some of Mr Prynn's works; nay, you may much sooner dispatch the Gazette, even when it is most crowded with advertisements. And as their bills are so prodigious, so are the entertainments they present us with: For, not to mention the Bohemian women, that first taught us how to dance and swim together; not the famous Mr Clinch of Barnet, with his kit and organ; nor the worthy gentlemen that condescended to dance a Cheshirerounds, at the instance of several persons of quality; nor t'other gentleman that sung like a turky-cock; nor, lastly, that prodigy of a man that mimick'd the harmony of the Essex lions; not to mention these and a hundred other notable curiosities, we have been so unmercifully over-run with an inundation of Monsieurs from Paris, that one would be almost tempted to wish that the war had still continued, if it were for no other reason but because it would have prevented the coming over of these light-heel'd gentlemen, who have been a greater plague to our theatres, than their privateers were to our merchantmen. Shortly, I suppose, we shall be entertain'd here with all sorts of sights and shows, as, jumping thro' a hoop; (for why should not that be as proper as Mr Sympson's vaulting upon the wooden-horses?) dancing upon the high ropes, leaping over eight men's heads, wrestling, boxing, cudgelling, fighting at back-sword, quarter-staff, bear-baiting, and all the other noble exercises that divert the good folk at Hockley; for when once such an infection as this has gain'd ground upon us, who can tell where it will stop? What a wretched pass is this wicked age come to, when Ben. Johnson and Shakespear won't relish without these bagatelles to recommend them, and nothing but farce and grimace will go down? For my part, I wonder they have not incorporated parson Burgess into their society; for after the auditors are stupify'd with a dull scene or so, he would make a shift to relieve them. In short, Mr Collier may save himself the trouble of writing against the theatre; for, if these lewd practices are not laid aside, and sense and wit don't come into play again, a man may easily foretell, without pretending to the gift of prophecy, that the stage will be shortliv'd, and the strong Kentish man will take possession of the two play-houses, as he has already done of that in Dorset-Garden (The Works of Thomas Brown, 4th ed. [London, 1715], I, 216-18)

Performances

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Devil to Pay

Dance: CClown-Nivelon; Misses Scott; Scot's Dance-Glover, Desse, Mrs Ogden, Tench, Mrs Delorme

Event Comment: HHandel to Jennens: I have taken the Opera House in the Hay-marketh, engaged, as Singers, Signora Francesina, Miss Robinson, Beard, Reinhold, Mr Gates with his Boyes's and several of the best Chorus Singers from the Choirs, and I have some hopes that Mrs Cibber will sing for me. She sent word from Bath (where she is now) that she would perform for me next winter with great pleasure if it did not interfere with her playing, but I think I can obtain Mr Riches's permission (with whom she is engaged to play in Covent Garden House) since so obligingly he gave leave to Mr Beard and Mr Reinhold.--Deutsch Handel, pp. 591-92

Performances

Mainpiece Title: Alceste

Event Comment: WWilliam Hint in letter (Daily Gazetteer, 31 Oct.): Here again we find Mr Delane ill cast for the sake of casting Mr Sheridan?; Still worse, Need I say how much better this play would have been acted had Mr Delane? play'd Pierre, and Mr Garrick? Jaffier

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Afterpiece Title: The Amorous Goddess

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Mr Smith-Burton; Mr Johnson-Palmer; other parts-Yates, Packer, Philips, Blakes, Mozeen, Clough, Scrase, Bransby, Atkins, Marr, Ackman, Vaughan, Raftor, Johnson, Allen, Rooker, Gray, Miss Barton, Mrs Hippisley, Miss Mills, Miss Simson; With an additional reinforcement of Mr Bayes' New Raised Troops-.

Afterpiece Title: The Anatomist

Dance: TThe Swiss, as17581102

Event Comment: [See note for 9 Jan. 1770 of a mild riot this night during best scene of The Orphan.] Afterpiece: A New Opera [by George Alexander Stevens] the Music composed by Mr Fisher. Books of the entertainment to be had at the theatre. Gave Duke of Glocester's Footmen #2 2s. (Account Book). [Afterpiece a roaring burlesque of Lee's Rival Queens. Larpent MS 302 includes Semi Chorus, Grand Chorus, and Perdiccas, not listed in the Playbill. The Court awakes with total hangover. Alexander orders a pot of coffee to clear his head. Thais begs him to leave the gout giving juice-Retire with me @ In my Chinese pavilion, drink some Tea." Afterpiece reviewed inthe Freeholder's Magazine for Jan.] Mr Shuter and Mrs Mattocks gave great satisfaction in their different characters; the words of the songs were written by Mr George Alexander Stephens, author of the celebrated Lecture upon Heads, and several other whimsical productions; and the airs which had Uncommon merit, were composed by Mr Fisher, a young genius, who has hitherto been but little known in the musical world. Receipts: #215 8s. 6d

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Court of Alexander

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Wilkinson (1st appearance in that character on this stage); Mr Johnson-Hull; Mr Smith-Clarke; other Characters-Quick, Dunstall, Whitfield, Robson, Wewitzer, Baker, L'Estrange, Death, Jones, Fearon, Thompson, Cushing, Fox, Smith, Stevens, Mrs Poussin, Miss Green, Miss Morris, Miss Dayes. With a Reinforcement of Mr Bayes's New Raised Troops [for which, and for a list of the other parts, see dl, 13 Dec. 1777].for which, and for a list of the other parts, see dl, 13 Dec. 1777].

Afterpiece Title: The Norwood Gypsies

Dance: As17771229

Performances

Mainpiece Title: The Humours Of Oxford

Performance Comment: Gainlove-Harricks; Shamwell-King; Haughty-Johnson; Young Ape@all-Mills; Old Ape@all-Shatford; Dash-Curtis; Timothy-Middleton; Officer-Smith; Vice Chancellor-Bate; Conundrum-Swords; Colonel Truemore-Powell; Lady Science-Mrs Lefevre; Victoria-Miss Miller; Kitty-Miss Dudley; Wife-Miss Shelbourne; Maid-Miss Baker; Clarinda-Mrs Clifford; Occasional Prologue-Kennedy.
Cast
Role: Old Ape@all Actor: Shatford
Role: Clarinda Actor: Mrs Clifford

Afterpiece Title: A Mirror for the Ladies

Afterpiece Title: The Wrangling Lovers

Song: End III: Hunting Song-Miss Harris

Monologue: Vaudeville.Between Acts 3rd piece: a few Pantomimical Scenes. Harlequin-Best; Columbine-Miss Dudley

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: Next Door Neighbours

Performance Comment: Characters by Palmer, Aickin, Palmer Jun., Kemble, Baddeley, Bannister Jun., Evatt, R. Palmer, Ledger, Abbott, Chapman, Mrs Brooks, Miss Heard, Mrs Edwards, Mrs Kemble. Cast from text (G. G. J. and J. Robinson, 1791), and playbill of 16 July 1792: Sir George Splendorville-Palmer; Willford-Aickin; Henry-Palmer Jun.; Mr Manly-Kemble; Mr Blackman-Baddeley; Bluntly-Bannister Jun.; Lord Hazard-Evatt; Mr Lucre-R. Palmer; Servants-Ledger, Abbott; Shopman-Chapman; Lady Caroline Seymour-Mrs Brooks; Lady Bridget Squander-Miss Heard; Evans-Mrs Edwards; Eleanor-Mrs Kemble; Prologue-Bannister Jun; Epilogue-Mrs Kemble.
Cast
Role: Willford Actor: Aickin

Afterpiece Title: The Author

Cast
Role: Sandford Actor: R. Palmer

Performances

Mainpiece Title: The Welch Heiress

Afterpiece Title: My Grandmother