SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid Mr Barthelemon"/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid Mr Barthelemon")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15926 matches on Event Comments, 2665 matches on Performance Comments, 704 matches on Performance Title, 131 matches on Author, and 0 matches on Roles/Actors.
Event Comment: marly Vocals in Concert as 16 Aug. and Mrs Barthelemon will sing a new Rondeau. The words by Lady Dorothea DuBois, set by Barthelemon, who will accompany the song upon the German Pedal Harp

Performances

Mainpiece Title: La Serva Padrona

Performances

Mainpiece Title: Gioas Re Di Giuda

Performance Comment: Parts-Tenducci, Savoi, Morigi, Sga Grassi, Sga Guglielmi, Mrs Barthelemon.

Music: I: Solo on Violincello-Duport; II, after the Duetto: A Concerto on the Violin-the celebratedMrs Lombardini Sirmen

Song: II: Song-Sga Guglielmi, accompanied by Duport

Performances

Mainpiece Title: La Passione

Performance Comment: Parts-Tenducci, Savoi, Morigi, Sga Grassi, Sga Guglielmi, Mrs Barthelemon.

Music: End Said Part [i.e., La Passione]: A Concerto on Violin-Sga Sirmen; in which will be performed a Stabat Mater (composed by Pergolesi)-Sga Sirmen; End I: Concerto on Bassoon-Baumgarten; End II: Solo on Violin-Sga Sirmen; [to finish with a Grand Chorus [by Guglielmi-

Performance Comment: e., La Passione]: A Concerto on Violin-Sga Sirmen; in which will be performed a Stabat Mater (composed by Pergolesi)-Sga Sirmen; End I: Concerto on Bassoon-Baumgarten; End II: Solo on Violin-Sga Sirmen; [to finish with a Grand Chorus [by Guglielmi-.

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: Vocal Parts-Reinhold, Mrs Thompson, a Young Lady, Mrs Barthelemon, a number of the best Chorus singers.

Performances

Mainpiece Title: Ambarvalia

Performance Comment: Bacchus-Reinhold; Brother-Phillips; Driads-Miss Wilde, Miss Thompson; Cupid-Master Brown; Ceres-Mrs Barthelemon; Arval Brothers-Burton, Steele, Dorien, Ladd, Offie'd, Lambert, Ogden, Master Green, Master Tannett, Master Wood.
Cast
Role: Ceres Actor: Mrs Barthelemon

Performances

Mainpiece Title: Artaxerxes

Performance Comment: As17751018, but Mandane-Mrs Barthelemon, first time.

Afterpiece Title: Cross Purposes

Dance: End Opera: The Vintage Festival-Dagueville, Sga Vidini. [See17741007.

Performances

Mainpiece Title: La Buona Figliuola

Performance Comment: Principal Characters-Trebbi, Manzoletto, Gherardi, Micheli, Mrs Barthelemon, Sga Prudom, Sga Sestini. [Libretto (T. Cadell, 1777) lists the parts: Il Cavaliere Armidoro, Il Marchese della Conchiglia, Tagliaferro, Mengotto, La Marchesa Lucinda, Paoluccia, Cecchina, Sandrina.]Libretto (T. Cadell, 1777) lists the parts: Il Cavaliere Armidoro, Il Marchese della Conchiglia, Tagliaferro, Mengotto, La Marchesa Lucinda, Paoluccia, Cecchina, Sandrina.]

Dance: End I: New Ballet, as17801125, but Henry; End II: +The Fortunate Escape, as17801125; End Opera: The Country Gallant, as17801125

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I The Pastimes of Terpsycore, as17831227; End of Opera an entirely new Anacreontic Ballet (1st time), composed by D'Auberval, Le Reveil du Bonheur, by Slingsby, Vestris [Jun.], Mme Rossi, Mme Theodore, Mme Simonet, and Cupid-Miss De Camp. The Music of both dances by Barthelemon

Performance Comment: ], Mme Rossi, Mme Theodore, Mme Simonet, and Cupid-Miss De Camp. The Music of both dances by Barthelemon .

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II Friendship leads to Love, as17840214; End of Opera an entirely new Grand Ballet, composed by D'Auberval, Orpheo. Orpheo-Lepicq; Silenus-Blake; Adonis-Vestris Dun.]; Evohe, Priestess of Bacchus-Mme Rossi; Egle-Mme Theodore. The Music by Barthelemon

Performance Comment: Orpheo-Lepicq; Silenus-Blake; Adonis-Vestris Dun.]; Evohe, Priestess of Bacchus-Mme Rossi; Egle-Mme Theodore. The Music by Barthelemon .
Event Comment: Receipts: #151 18s. Paid Mr Dallon on acct of salary omitted 15th inst. #1 10s. and salary for 22 inst. #1 10s.; Paid Mr Whitefield (assistant in the wardrobe) 3 months salary due 24th inst. #7 10s.; J. Rich on acct #21; Paid Stephen Gom at Uxbridge in full #38 5s

Performances

Mainpiece Title: The Provokd Husband

Event Comment: Receipts: #127. Paid Mrs Lee for playing Dorinda in The Stratagem the 20th inst., #5 5s. Paid Mr Weller for extra attendance in getting The Fair ready #2 2s. Paid Mr Kemp 13 nights from the 1st to 15th inst. at #1 12s. per night, #20 16s

Performances

Mainpiece Title: The Merry Wives Of Windsor

Cast
Role: Ford Actor: Ryan
Role: Mrs Ford Actor: Mrs Hamilton.
Event Comment: Gentleman's Journal, November 16@2: In my first Journal I gave you a large account of the Musick Feast on St Cecilia's day; So, to avoid repetitions, I shall onely tell you that the last was no ways inferiour to the former....The following Ode was admirably set to Music by Mr Henry Purcell and perform'd twice with universal applause, particularly the second Stanza, which was sung with incredible Graces by Mr Purcell himself. [See Purcell's Works, Purcell Society, VIII, and Orpheus Britannicus, 1702, 1706, 1711. The Ode appears to have been written by Nicholas Brady.

Performances

Mainpiece Title: Concert

Event Comment: At Cibber's Academy in the Hay-Market...will be presented a Concert of Musick, Vocal and Instrumental. The Vocal Parts-Mr Brett, Mrs Hill, and others; the Instrumental by eminent Masters. The Doors to be open'd at Four, the Concert to begin at Five, and no Persons to be admitted after Seven o'clock. The Prices are Four Shillings, Half a Crown and Eighteen Pence. Places may be bespoke at the Academy. After the Concert will be exhibited Gratis, a Rehearsal, in Form, of the Play-(often acted with great Applause) call'd Romeo and Juliet. Written by Shakespear. The Characters personated by the Master of the Academy, his Assistants, Pupils, and Servants. With Proper Habits, Scenes and Decorations. [After Cibber announced his Academy, he received the following letter from the Justice of the Peace: I see by your advertisements, in regard to your Academical Performances, that they are of the same Nature as Mr L/c@y's were some Years ago, which brought him to a great deal of Trouble. Some strong Applications are making now to give you some; of which I think proper to give you Notice, in this private Manner, that you may avoid it.-Tho. de Veil. 31 Oct. Cibber, A Serio-Comic Apology. p. 12.

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: Last night a new song call'd The Subscription was perform'd at Drury Lane; written by Mr Mozeen, and set to music by Mr Arne, which was receiv'd with universal applause

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Debauchees

Song: II: The Subscription-Lowe

Dance: III: Dance-the Mechels

Event Comment: Three Brothers of ye Delavals play'd ye Eldest Othello, ye next Iago, ye next Cassio--+Brabantio & Lodovico Mr Pine Roderigo-Cap. Stevens and Wife Emelia $Mrs Quan did Desdemona, the performance was very decent & met with great applause the Audience from ye Boxes to the upper Gallery were fill'd with people of ye first rank & make a most brilliant appearance. & ye greatest Crowd at ye Doors I ever saw. their Agreement for ye House was a receipt of one of the Alfred Houses upon an Averidge. they had all new cloaths, & very nicely ornamented with Diamonds (Cross). [See eulogy and criticism in some detail concerning the acting, by John Hill, Inspector No 3.] All Gentlemen and Ladies who intend going in coaches this evening to Drury Lane Theatre, are desired to order their coachmen to drive thro' Covent Garden, and stop at Bridges St. Door, and as soon as they have set down the company to drive off directly towards the Strand.--Those who go in chairs, are requested to order the men to the New Door in Russel St., and to prevent the avenues being stopt up no person will be admitted to either passage without first showing their tickets at the outward door (General Advertiser). Tickets Lost. If any person has found three tickets (numbers forgot) for the private play this night at Drury Lane, and will be so kind as to bring them to the Bar of the Rainbow Coffee House, Ironmonger Lane, shall receive 15s. for the whole, or in proportion for one or two of them (General Advertiser). Tomorrow Morning at 8 o'clock will be published' (price 6d.) by Thomas Carnan, at Mr Newberry's, at the Bible and Sun in St Paul's Churchyard; An Occasional Prologue and Epilogue to Othello, as it will this night be acted at the theatre-Royal in Drury Lane, by Persons of distinction, for their diversion. Written by Christopher Smart, A.M., Fellow of Pembroke Hall in the University of Cambridge. To be had at the place above mentioned, and at the pamphlet shops at the Royal Exchange and Charing Cross. This Prologue and Epilogue will be entered in the Hall Book of the Company of Stationers, and whoever presumes to pyrate them, or any part of them, will be persecuted as the Law directs (General Advertiser). [Both pieces by Christopher Smart, according to the Daily Advertiser. See two exceedingly favorable critical comments and one derogatory reprinted in the Gentleman's Magazine, March 1751 (pp. 119-22): "The greatest part of the play was much better performed than it ever was on any stage before. In the whole, there was a face of nature that no theatrical piece, acted by common players ever came up to." Macklin was Delaval's dramatic coach, according to one of these articles.

Performances

Mainpiece Title: Othello By Gentlemen

Event Comment: great Nreat Noise--before the Entertainm[en]t began Mr Garrick went on & said--Gent: as we find the new Scene, tho' it pleases some, offends others & as we wou'd please all, we shall omit it after this Night--but I hope when the other House is merry with us, we may be merry with them--the Song was printed & thrown down from ye Slips--great Noise--great applause--some blows in the pit--some Gents insisted upon its being given out again, wch Mr Lacy did--the Inspector very Impudent to-day (14th) about Woodward for saying I thank you to Fitzpatrick who threw an Apple at him from ye Stage Box on Fryday last--the fool against us to-day (Cross). [Cross omits receipts this night.

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Harlequin Ranger

Event Comment: Wrote by one Mr Crisp. A Gentlewoman, who never appear'd upon ye Stage before did Marcia (Mrs Graham) & had deservidly great applause, the whole play went off, with General Approbation. Mr Carey had his fiddle broke by an apple playing the first Music--the Prologue & Epilogue much lik'd--both wrote by Garrick (Cross). Gentlewoman-Mrs Graham, afterwards Mrs Yates (Winston MS 8). Tuner Letter the 2nd pub. at 6d.--29 pages

Performances

Mainpiece Title: Virginia

Event Comment: Oratorio by Dr Morell. Set by Mr Smith to the Music of some old genuine performances of Handel (Biographia Dramatica). Music of the Songs and Chorusses entirely from works of Mr Handel. This day publish'd Nabal an Oratorio, as performed at Covent Garden. Price 1s. This day Publish'd Midas: an English Burletta. 2nd Edition. Price 1s. As it is acted with great applause at Covent Garden

Performances

Mainpiece Title: Nabal

Music: As17640309

Event Comment: Lyric Ode (never performed) "On the Witches, Fairies, and Aerial Beings in Shakespeare. The Music entirely New." [The Westminster Magazine for March commented: "This poem is said to be written by a young gentleman of Oxford, and has many strokes of genius and inagination in it. The music, we hear, is composed by Mr Linley Jr, who has (since his return from Italy) been a student under that most excellent musician Dr Boyce. This composition must be allowed to be an extraordinary effort of genius in so young a man. The Fugue of the overture is masterly. The song of 'There in old Arden's inmost shade,' is well suited to the scene described by the poet....But what we think most deserving of praise is the power our young composer has shown in the chorusses....From the general and sincere applause with which the Ode was received, we may venture to pronounce, that if Mr Linley Jr pursues his studies, he will one day stand foremost in the list of modern composers."

Performances

Mainpiece Title: A Lyric Ode Alexanders Feast And The Coronation Anthems

Music: After the Ode: A Miscellaneous Act-; New Overture-; Song-a Gentleman (his first appearance in Public); Concerto on Oboe-Fischer; Song-Miss M. Linley (composed by Bach); Concerto on violin-Linley Jr; Song-Miss Linley (composed by Sacchini); Duetto-the Two Miss Linley's (composed by Piccini); Chorus

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Capulet-Sparks; Montague-Bridgwater; Escalus-Gibson; Benvolio-Usher; Paris-Anderson; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Bennett; Sampson-Collins; Abram-Dunstall; Balthazar-White; Mercutio-Dyer; Tibalt-Cushing; Nurse-Mrs Pitt; Juliet-aYoung Gentlewoman (who never appeared on any stage before); [With a Masquerade Dance- [proper to the play; [and an Additional Scene introduced representing the Funeral Procession of Juliet-; [which will be accompanied with a Solemn Dirge-; the vocal parts-Lowe, Howard, Legg, Baker, Roberts, Mrs Lampe, Miss Young, Mrs Chambers; [With an Occasional Prologue-Barry.*c1753 10 10 cg A Prologue by Barry to introduce a young gentlewoman in Juliet (Miss Nossiter) who never appear'd upon any stage. Great Applause. The Prologue about Mrs Cibber's Leaving Rich (Cross). Romeo was perform'd by Barry and Juliet by Miss Nossiter, being the first time of her appearing on any theatre. The delicacy of her figure, and her gracefull distress, obtained for her the warmest applause; and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.] and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.]
Event Comment: Receipts: #59 14s. Paid Dall [Scene painter] on acct of his salary, #1 10s.; Paid Austin [Dall's assistant] six days salary 12s.; Paid Besford (porter) a week's salary 12s.; Paid Mr Warring in full for assisting to examine Mr White's acct #10 10s. [Dall and Austin received the amounts recorded here each week. No further records of these payments will be made except for special variations.

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Afterpiece Title: A Duke and no Duke

Event Comment: The Duke's Company. If the run of The Wits occurred as it is outlined above, this would presumably be the first day of Hamlet. Pepys, Diary: To the Opera, and there saw Hamlet, Prince of Denmark, done with scenes very well, but above all, Betterton did the prince's part beyond imagination. Downes (p. 21): The Tragedy of Hamlet: Hamlet being Perform'd by Mr Betterton, Sir William (having seen Mr Taylor of the Black-Fryars Company Act it, who being Instructed by the Author Mr Shakespear) taught Mr Betterton in every Particle of it; which by his exact Performance of it, gain'd him Esteem and Reputation, Superlative to all other Plays...No succeeding Tragedy for several Years got more Reputation, or Money to the Company than this

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, where there was a new play (Cutter of Coleman Street), made in the year 1658, with reflections much upon the late times; and it being the first time, the pay was doubled, and so to save money, my wife and I went up into the gallery, and there sat and saw very well; and a very good play it is. It seems of Cowly's making. Downes (Roscius Anglicanus, p. 25): This Comedy being Acted so perfectly Well and Exact, it was perform'd a whole Week with a full Audience. John Dennis, Dedication to The Comical Gallant, 1702: The only Play that ever Mr Cowley writ, was barbarously treated the first night, as the late Mr Dryden has more than once informed me, who has told me that he went to see it with the famous Mr Sprat, now Bishop of Rochester, and that after the Play was done, they both made a visit to Mr Cowley. Langbaine (English Dramatick Poets, p. 81): This Play met with some Opposition, at its Representation under this new Name, from some who envyed the Authors unshaken Loyalty to the Prince, and the Royal Cause, in the worst of Times. BM Add. Mss. 34217, fol. 31b, in Hotson (Commonwealth and Restoration Stage, p. 247): @The Cutter of Coleman street had more fame@Before the Author chang'd its name@And shewd himselfe an Englishman right@By mending of things to spoyle them quite@And bee's more to blame because he can tell@(No better) to make new strings soe well.

Performances

Mainpiece Title: The Cutter Of Coleman Street

Performance Comment: Downes (Roscius Anglicanus, p. 25): Colonel Jolly-Betterton; Old Trueman-Lovel; Young Trueman-Harris; Cutter-Underhill; Captain Worme-Sandford; Parson Soaker-Dacres; Puny-Nokes; Will-Price; Aurelia-Mrs Betterton [Mrs Saunderson]; Lucia-Mrs Anne Gibbs; Laughing Jane-Mrs Long; [The edition of 1663 has a Prologue-; an Epilogue-[, but no actors' names., but no actors' names.
Cast
Role: Captain Worme Actor: Sandford
Event Comment: James Brydges, Diary: I went to Mr Roberts's, who had a consort of musick, Mr Frank Roberts Mr Banister, la Riche Mr Shore, &c. I staid here till towards eleven, & then home with Lady Lucy Bright & my Wife (Huntington MS St 26)

Performances

Mainpiece Title: Concert

Event Comment: James Brydges, Diary: Toward seven...to ye Playhouse in Lincolns Inn fields; here I saw Mr Freeman, Mr Worsely, Sr Edwd Ernly &c.: from hence I went to ye Playhouse in Covent Garden, thinking to have met my Brother Frank, Sister Jacob &c.: there, but did not. I sat with Mr Cook of Darby, & spoke with Mr Winninton &c. (Huntington MS ST 26)

Performances