Event Comment: By Desire. Paid salary list #305; Rec'd Cash #142 12s. plus #24 4s.; in tickets. Total #166 16s. Paid for the making a Robe for Mrs Clive by Garrick's order #1 2s. 6d.; Paid Mr Oram (Scene painter) on acct #6 6s. by order of Lacy; for a Great coat for Sir Francis Wronghead by order of Lacy 14s. (Treasurer's Book). Receipts: #180 (Cross); #156 2s. (Treasurer's Book)

Event Comment: [Treasurer's Book lists Devil to Pay as afterpiece. Cross lists The Lying Valet.] Paid to Lewis going to Dr Boyce as per order #2 6s.; Paid to Garrick as per order #197 6s.; Paid to the King's Letter as per Mr Edwards #1 1s. (Treasurer's Book). [The General Advertiser lists Devil to Pay as the afterpiece, by particular desire.] Receipts: #160 (Cross); #124 10s. 6d. (Treasurer's Book)

Event Comment: Receipts: #118 16s. Paid Gum carpenter's bill #12. Paid Hull 16 nights from 24 Sept. at 6s. 8d. per night: #5 6s. 8d. Paid Mr Sanders 6 nights from the 13th inst. at 13s. 4d. per night: #4. [By this date Rich shows an income of #1,809 and an expenditure of #1, 541, holding a profitable balance of #268.

Event Comment: Receipts: #111 18s. Paid Wm. Jones for coals #73 13s. 2d. Paid Mr Kemp 26 nights to 31 Oct.: #41 12s. Paid Meares #2 14s. 3d

Event Comment: Mainpiece: By Particular Desire. Recipts: #222 0s. 6d. Paid Meares (Tailor) #1 11s. 4d.; Paid Mr Monck 80 days salary to this day #20; Paid Xmas Boxes: King's Footmen, #2 2s., Chairmen, #2 2s., Prince of Wales Footmen, #1 1s., Chairmen, #1 1s., Princess of Wales Footmen #1 1s., Chairmen #1 1s., Porters at Inns of Court #3 14s

Event Comment: Last time of performing till the Holidays. Boxes #72 15s. Paid Macklin one fifth part of #128 15s. being the surplus after #63 allowed for the charge as per agreement--#25 15s. Paid Mr Roubiliac as per bill #30 14s. Paid Stephen Gom, carpenter at Cowley a bill for work done from 6 Dec. 1759 to this day #53 (Account Book). Receipts: #191 15s. (Account Book)

Event Comment: Boxes #84 12s. 6d. Macklin's fifth part of surplus came to #30 14s. 9d. Paid Pattinson, Tallow Chandler #52 2s. Paid Coal Merchant in Full as per bill #71 13s. Paid Mr Rich #5 5s. to give to Miss Fielding for her performance in the part of Bertha in the Royal Merchant of the 7th Inst. (Account Book). Receipts: #216 14s

Event Comment: Rec'd stopages #3 9s. 6d.; Paid salary list-#441 4s.; Chorus 1 night, #2 5s. 6d.; Paid Mrs Brown, not on list #1 12s. 6d.; Paid Mr Williams (violin) in Musical Lady 10s. 6d. (Treasurer's Book). Receipts: #221 5s. (Treasurer's Book)

Event Comment: Both pieces By Command of their Majesties. Present their Majesties. Gave Yeomen of Guards #2 2s. Paid Mr Burton for playing in the Pippin and Sorcerer last season #20. Paid half year's Land Tax for theatre due Mich. last #39 7s. 6d., and ditto for House in Bow Passage #1 8s. 2d.; Paid Window lights for theatre half year #6 10s. 6d., and ditto for House in Bow Passage 15s. Receipts: #224 18s. 6d. (Account Book)

Event Comment: Afterpiece: A Comic Opera altered [by Colman] from Gay. The Music entirely new by Dr Arne. Now acted for the first time in 2 Acts. [The 1776 Edition in Bell's British Theatre lists: Achilles-Mattocks; Peripas-$Reinhold; Lycomedes-$DuBellamy; Diphilus-$Dyer; Ajax-$Dunstall; Ulysses-$Owenson; Diomedes-$Fox; Argytes-$Baker; Deidamia-$Mrs Mattocks; Artemona-$Miss Brown; Philoe-$Miss Valois; Thetis-$Miss Catley. [$Miss Pearce may have played Lesbia).] Paid Banks for the Head of a Figure used in The Fair #1 1s.; Paid Mr Gard for performing 5 nights in the Fair and 3 in the Sorcerer #1. Paid Joseph Besford for performing 5 nights in the Fair 12s. 6d. (Account Book). [Afterpiece unfavorably reviewed in the Westminster Magazine.] Receipts: #149 18s. 6d. (Account Book)

Event Comment: This play, possibly an adaptation from Corneille, was apparently not printed. It bears, however, some resemblances to Walter Hawkesworth's Latin comedy, Labyrinthus (which was first acted at Trinity College, Cambridge, in March 1602@3); and this Restoration play may be a variation on Hawkesworth's. Pepys, Diary: To the King's Playhouse...my wife and I and Madamoiselle. I paid for her going in, and there saw The Labyrinth, the poorest play, methinks, that ever I saw, there being nothing in it but the odd accidents that fell out, by a lady's being bred up in men's apparel, and a man in a woman's

Event Comment: The King's Company. Pepys, Diary: And myself to the King's playhouse, which troubles me since, and hath cost me a forfeit of 10s., which I have paid, and there did see a good part of The English Monsieur, which is a mighty pretty play, very witty and pleasant. And the women do very well; but, above all, little Nelly, tha I am mightily pleased with the play, and much with the House, more than ever I expected, the women doing better than ever I expected, and very fine women

Event Comment: Pepys, Diary: By and by with Lord Bruncker by coach to his house, there to hear some Italian musique: and here we met Tom Killigrew, Sir Robert Murray, and the Italian Signor Baptista, who hath composed a play in Italian for the Opera, which T. Killigrew do intend to have up; and here he did sing one one of the acts. He himself is the poet as well as the musician.... This done, T. Killigrew and I to talk: and he tells me how the audience at his house [Bridges St.] is not above half so much as it used to be before the late fire. That Knipp is like to make the best actor that ever come upon the stage, she understanding so well: that they are going to give her #30 a-year more. That the stage is now by his pains a thousand times better and more glorious than ever heretofore. Now, wax candles, and many of them; then, not above 3 l6s. of tallow: now, all things civil, no rudeness anywhere; then, as in a bear-garden: then, two to three fiddlers; now, nine or ten of the best: then, nothing but rushes upon the ground, and every thing else mean; and now, all otherwise: then, the Queen seldom and the King never would come; now, not the King only for state, but all civil people do think they may come as well as any....That he hath gathered our Italians from several Courts in Christendome, to come to make a concert for the King, which he do give #200 a-year a-piece to: but badly paid, and do come in room of keeping four ridiculous gundilows, he having got the King to put them away, and lay out money this way; and indeed I do commend him for it, for I think it is a very noble undertaking. He do intend to have some times of the year these operas to be performed at the two present theatres, since he is defeated in what he intended in Moorefields on purpose for it; and he tells me plainly that the City audience was as good as the Court, but now they are most gone

Event Comment: The Duke's Company. The Diary of Robert Hooke (p. 108): To Hoskins with Sir Ch. Wren. By water with him to the Playhouse. Saw Tempest. Paid 3sh

Event Comment: Receipts: #212 7s. Paid Kemp for lamps #6 8s.; Meares, 5s. I slept in at the Play Houses but did not see him [his brother George] there. I met Miss Smith going into the Gallery at Covent Garden. I think it is a fortnight tomorrow that her sister has been buried (Hailey Brietzcke Diary, p. 147)

Event Comment: Mainpiece: By Particular Desire. Rec'd stopages #1 8s.; from John Palmer in part of his bond #70; Paid 5 days salary list #367 13s. 4d. Receipts: #173 16s. 6d. (Treasurer's Book). Went to the 2 shilling Gallery to see the new tragedy, with its musical entertainment The Cunning Man, a sort of translation of Rousseau's Devin du Village. Holland, Powell and Bensley played Warwick, Edward and Pembroke very well. Mrs Yates did great justice to Queen Margaret. Mrs Palmer did Elizabeth. The Prologue was spoken by Bensley, the Epilogue by Mrs Yates. The characters were very richly dressed in the dresses of the time. The improper use of ridiculous modern dresses on the stage often offends me (Diary of Sylas Neville, unpublished MS portion)

Event Comment: A Tragedy for Warm Weather. Written after the manner of the Worst, as well as the Best of the English Poets, containing amongst a Variety of Particulars, curious, entertaining, and pathetic, the Rebellion of the Journeymen Taylors on the Score of Wages, etc. Neville MS Diary: Half past Six went to ye Haymarket Theatre but could not get into ye Pit or first Gallery, so stood on ye last row of the shilling Gallery, tho' I could see little, to see how ye Taylors, a new tragedy for warm weather, would go off, being the first night of its performance. 3rd Act hiss'd-ye Gods in ye shilling Gallery called for ye Builder's Prologue-hissed off ye part of ye Old Maid twice and Davies who came to make an excuse. The Gentlemen, many of whom were there, cried No Prologue" but to no purpose. At last Foote said if he knew their demands he would be ready to comply with them. The noise ceasing, after some time he was told the Builder's Prologue was desired. He said he had done all in his power to get the performers, having seen them. After some time he came and informed them he had got the performers together, and if the House would be pleased to accept of ye Prologue in our dresses as we are you shall have it." This was followed by great clapping which shows the Genius of our English mobility ever generous after victory. Left ye House after ye Farce began. [Flints were journeymen tailors who refused to comply with the masters' terms and the regulations of the magistrate, in contradistinction to those who submitted and were in derision stiled Dungs. The term dates from 1764-OED. An extract from the Occasional Prologue (the Builder's Prologue) in prose on the opening of the Theatre Royal in the Haymarket, by Foote published in the London Magazine July 1767, p. 351. Foote, Scaffold, and Prompter are the three participants. Foote tells Scaffold he will be paid by the audience. Scaffold notes that the audience must in that case be pleased at all times. Foote promises no long processions [will] crowd my narrow scenes." He assumes that any of the reforms he plans will but echo the public voice. The Prompter then calls the actors on.

Event Comment: Mainpiece [1st time; C 5, usually ascribed to Thomas Holcroft, but probably by James Marshall; adapted from Trau, Schau, Wem! (later entitled Der Gasthof), by Johann Christian Brandes. Authors of Prelude and Epilogue unknown]. Account-Book, 23 Nov.: Paid Marshall, author, in full, #99 8s. [not the actor, engaged at cg this season, whose Christian name was Thomas]. Diary, 23 Nov. 1790: This Day is published The German Hotel (1s. 6d.). Receipts: #179 14s. (166.4; 13.10)

Event Comment: Mainpiece [1st time; C 5, usually ascribed to Thomas Holcroft, but probably by James Marshall; adapted from Trau, Schau, Wem! (later entitled Der Gasthof), by Johann Christian Brandes. Authors of Prelude and Epilogue unknown]. Account-Book, 23 Nov.: Paid Marshall, author, in full, #99 8s. [not the actor, engaged at cg this season, whose Christian name was Thomas]. Diary, 23 Nov. 1790: This Day is published The German Hotel (1s. 6d.). Receipts: #179 14s. (166.4; 13.10)

Event Comment: A play reviv'd for ye Lock Hospital (Cross). Never acted there before. Receipts: #210 (Cross)

Event Comment: Altered from Shirley by Garrick--(some hissing at it) (Cross). [See Theatrical Review, 1757 and Beginning of 1758 for generally favorable contemporary comment, but one which deplores Garrick's retention of Shirley's obsolete expressions. The printed version contains scenes in Act III not appearing in the Larpent MS] Receipts: #180 (Cross)

Event Comment: Afterpiece: With Alterations, not performed for 2 years [see 25 Nov. 1756]. Antony and Cleopatra deferred till Tuesday to give major performers a necessary respite (Winston MS 8). Receipts: #150 (Cross); #145 0s. 6d. (Winston MS 8)

Event Comment: Afterpiece: A pastoral never performed on any Stage, Words set to the music of eminent masters. Books of the Pastoral to be sold at the Theatre. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 20-22.