SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary Benefit "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary Benefit ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14530 matches on Event Comments, 2620 matches on Performance Comments, 638 matches on Performance Title, 35 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: By Particular Desire. Mr Holland but coolly receiv'd in Oakly, at first. The last Scene in the Genii the Wings did not change on Account of the Barrel being broke (Hopkins). Oakly by Mr Holland, First time (Cross Diary). Receipts: #124 18s. 6d. (MacMillan)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Genii

Event Comment: Mainpiece: By Desire. Mr Packer being hoarse, Mr Aickin played Young Belmont (Hopkins Diary)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Hermit

Event Comment: This Comedy was written by Mr Kelly as soon as the Curtain was drawn up they began to hiss--a party was made against it--because he was suspected of Writing for the Court party. Much hissing. Mr Garrick call'd for. No play &c. Cry'd out, at last the play was got thro' with much hissing and Groaning When the play was given out again One Party was for it no more and Kelly's party was for it again so that no play at all was given out (Hopkins Diary). [See Criticism in "British Theatre" article, London Magazine, March, also an extended account of the attack upon the piece. This occurs also in the Town and Country Magazine, which mentions that since the curtain was not drawn up for the farce the audience received a refund.

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: Hob in the Well

Event Comment: Paid Mr J. French by consent of assignees [24 Jan.] #5 5s.; Paid Mr J. French's assignees his balance of acct with managers #60 9s. (Treasurer's Book). Garrick (Hopkins Diary). Receipts: #258 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Padlock

Event Comment: Mrs Smith Polly (first time) very well (Hopkins Diary). Paid Salary list #513 17s. 6d.; Miss Mansell and Mr Dimon 5 guineas each per order, #10 10s.; Mr Clinch ditt, #5 5s.; Rec'd stopages #20 13s. (Treasurer's Book). Receipts: #141 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17721023; II: Minuet, Allemande-Mas. Holland, Miss Armstrong, Scholars of Daigville

Event Comment: House. This was to have been Mr Weston's Night but Miss Younge being ill he desired to have it deferr'd (Hopkins Diary). The School For Wives iS oblig'd to be deferr'd till Saturday, on acct of Mr Weston's indisposition (playbill). Receipts: #250 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Note of Hand

Event Comment: Signor Martini danc'd for first time tolerable (Hopkins Diary). Paid Mr Park 1 boy 18 nights #6 15s.; Pryor (turner) #3 6d.; Mr Blanchard (tallow chandler) #43 17s. 2d. Receipts: #156 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Jubilee

Dance: I: A New Comic Dance call'd The Gardeners-Sg Martini, first appearance on the English Stage, and Sga Paccini

Event Comment: Mrs Abington's First appearance in Clarinda . She was very easy and like the Character. Mr G. as Usual play'd finely (Hopkins Diary). Rec'd of Mr Parker in full of note #30. Receipts: #279 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deserter

Dance: I: The Gardeners, as17760116

Event Comment: Paid Lampmen #3 18s.; Tailors #11 2s. 10d.; Mantua Makers #3 14s. 6d.; Carpenters #16 15s. 6d.; Printer [of playbills] #19 5s. 6d. The Hypocrite and Christmas Tale in three Acts was advertised for to-morrow. This Morning at Rehearsal Lacy came and told Sheridan that he could not be off from his Agreement with Mr Langford and Captain Thomson. Sheridan told him, if he did agree, that he would withdraw himself from the Management of the Theatre--accordingly at eight this Evening he sent me with a Letter to Lacy confirming what he told him, and ordered me to receive my orders from Mr L and that he withdrew the Christmas Tale, as he had altered, for a Farce, it was his Property. This put us all into confusion--Sent to Mrs Abington to know if she would play in the Hypocrite, as it was advertised--Her answer was, that she had made her Agreement with Sheridan only, and would play under no other Manager. About twelve at night we got Richard the third settled, and sent Bills accordingly (Hopkins Diary). [For further remarks concerning this situation see 15 Oct.] Receipts: #173 6s

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Braganza

Afterpiece Title: The Rival Candidates

Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Event Comment: [Pantomime new by Woodward] Went off with great Applause. ye Cyclops Dance encored (Cross). New Habits, Scenes, and Decorations. Full Prices. As the performance greatly depends upon the Music and Machinery, no gentleman can possibly be admitted into the Orchestra or behind the Scenes. [This prohibition repeated in all subsequent performances, will not be further noted here.] N.B. The Play of the Revenge oblig'd to be deferred on account of Mossop's indisposition. Receipts: #210 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Mercury Harlequin

Performance Comment: The Principal Characters-Woodward, Blakes, Beard, Bransby, Ackman, Walker, Atkins, Clough, Miss Barton, Miss Haughton, Mrs Vernon.
Event Comment: Great applause again--& he mended (Cross). Receipts: #150 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Chaplet

Performance Comment: Damon-Beard; Palamon-Rooker; Laura-Mrs Vernon; Pastora-Mrs Clive; To conclude with a Rural Dance-.
Event Comment: Went off with applause (Cross). Afterpiece: a New Pantomime after the Manner of the Italian Comedy, with New Scenes, Habits, Decorations. Nothing under Full Prices will be taken. No Gentleman can possibly be admitted behind the Scenes or into the Orchestra, on account of the Machinery and Music. The Music composed by Dr Boyce. The Songs will be printed, and deliver'd at the doors. Receipts: #200 (Cross)

Performances

Mainpiece Title: The London Merchant Or The History Of George Barnwell

Afterpiece Title: Harlequins Invasion or A ChristmasGambol

Performance Comment: Harlequin-King1st time; others-Yates, Bransby, Moody, Blakes, Burton, Clough, Packer, Scrase, Vaughan, Ackman, Fox, Mrs Bennet, Miss Pope; The Vocal Parts-Champness, Reinhold, Mrs Vernon, Miss Young, Miss Spencer; The Dances-Grimaldi, Giorgi, Sga Giorgi, Miss Baker; And a new Occasional Prologue-.
Event Comment: Public Advertiser, 3 Mar.: "A new Prologue was spoken by King on Saturday Evening, and received with uncommon Applause." [Mrs Sherborn is identified in Lysons, Collectanea.] Receipts: #215 16s. 6d. (187.12.0; 25.17.0; 2.7.6)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Deserter

Performance Comment: Henry-Vernon; Russet-Bannister; Simkin-Fawcett; Skirmish-Parsons; Flint-Wright; Soldiers-Legg, Kear, Carpenter, Chaplin, Follett, Holcroft; Jenny-Mrs Wrighten; Margaret-Mrs Love; Louisa-A Young Lady (1st appearance on any stage [Mrs Sherborn]).Mrs Sherborn]).

Dance: End III: The Double Festival, as17770213

Event Comment: Mainpiece: Not acted these 6 years [not acted since 28 Apr. 1773]. With new Scenes [by French and Carver (text)] and Dresses. [In the Vocal Parts the playbill lists Sga Prudom, but "at the end of the second act, Smith came forward and apologized for the absence of Signora Prudom, and begged that Mrs Wrighten might be permitted to take her part . . . Mrs Wrighten was received with applause" (London Chronicle, 20 Oct.). Sga Romanzini was from the Royal Circus.] Receipts: #123 8s. 6d. (92/15/0; 29/11/0; 1/2/6)

Performances

Mainpiece Title: King Arthur Or The British Worthy

Performance Comment: King Arthur-Smith; Oswald-Brereton; Merlin-Aickin; Osmond-Farren; Conon-Packer; Albanact-Wrighten; Aurelius-R. Palmer; Guillamar-Griffiths; Grimbald-Bannister; Philidel-Miss Field; Cupid-Sga Romanzini (1st appearance on this stage); Emmeline-Miss Farren. [Edition of 1781 (W. Strahan [et al]) adds: Æolus-Danby; Matilda-Miss Barnes; and specifies Honour-Vernon [but he had withdrawn from the stage (see17811009); the part was probably acted by Du-Bellamy]; Venus-Miss Phillips; Airy Spirits-Miss Collett, Miss Wright.] hathi. hathi.

Afterpiece Title: Whos the Dupe

Dance: In mainpiece by Zuchelli, Henry, Miss Armstrong, Miss M. Stageldoir. [This was the same, as here assigned, in all subsequent performances, but beginning with 11 Dec. Henry is omitted.]

Song: In mainpiece the Vocal Parts by Du-Bellamy, Williams, Fawcett, Chaplin, Phillimore, &c.; Miss Phillips, Miss Collett, Miss Wright, Miss Stageldoir, Mrs Wrighten

Performances

Mainpiece Title: Almena

Performance Comment: Parts by: Vernon, Champnes, Giustinelli, Miss Wright, Miss Vincent, Miss Williams, Sga Cremonini. Mahomed-Vernon; Mirza-Giustinelli; Abudah-Champnes; Almena-Miss Wright; Zara-Mrs Vincent; Selima-Miss Williams; Aspatia-Siga Cremonini (Edition of 1764).

Dance: II: New Dance, The Tartar's Festival-Aldridge, Berardi, Giorgi, Lauchry, Sga Giorgi, Miss Baker

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Cunning Man

Performance Comment: Parts by: Vernon, Champness, Mrs Arne. The Dances-Duquesney, Sga Giorgi; Cunning Man-Champness; Colin-Vernon; Phoebe-Mrs Arne (Edition of 1766).

Performances

Mainpiece Title: The Fathers Or The Good Naturd Man

Performance Comment: Principal Characters by King, Dodd, Bensley, Parsons, Baddeley, Whitfield, Webster, Mrs Baddeley, Mrs Hopkins, Miss Younge. [Cast from text (T. Cadell, 1778): Sir George Boncour-King; Young Kennel-Dodd; Mr Boncour-Bensley; Old Valence-Parsons; Old Kennel-Baddeley; Young Valence-Whitfield; Young Boncour-Webster; Miss Valence-Mrs Baddeley; Mrs Boncour-Mrs Hopkins; Miss Boncour-Miss Younge; Prologue-King; Epilogue-Miss Younge. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Mrs Boncour Actor: Mrs Hopkins

Afterpiece Title: The Irish Widow

Dance: As17780919

Event Comment: By Command of their Majesties. Eighth time (Treasurer's Book). For benefit of House (Hopkins Diary). Receipts: #249 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Chances

Cast
Role: Mother Actor: Mrs Hopkins

Afterpiece Title: The Lyar

Dance: V: The Irish Fair, as17730918

Event Comment: Rec'd of Mr Weston from his summer Benefit #30; Paid Mr DeLoutherbourg on acct #41 13s. 4d.; Mr Nicoll for ropes #20 10s.(Treasurer's Book). [DeLoutherbourg received this amount monthly for 8 months during the season, amounting to #333 5s. 8d. No further itemization of this reguar amount will be made.] Receipts: #128 7s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Performance Comment: Stockwell-Usher, first time; Fulmer-Baddeley; Belcour-King; Major O'Flaherty-Moody; Capt. Dudley-Packer; Charles Dudley-Cautherly; Varland-Parsons; Lady Rusport-Mrs Hopkins; Housekeeper-Mrs Bradshaw; Lucy-Mrs Love; Mrs Fulmer-Miss Sherry; Louisa Dudley-Mrs Baddeley; Charlotte, with original Epilogue-Mrs Abington.
Cast
Role: Lady Rusport Actor: Mrs Hopkins

Afterpiece Title: The Genii

Event Comment: This Night the passages that seem'd to give offence were omitted. A little hissing but not so much as the first Night (Hopkins). [Identical in Hopkins Diary-MacMillan.] went off pretty well, tho' 'twas expected the audience would not suffer it to be Acted. The Company ready to play the Stratagem (Cross Diary). The Characters New Dress'd. Play Publish'd at 1s. 6d. Receipts: #160 5s. (MacMillan)

Performances

Mainpiece Title: The Dupe

Dance: III: The Irish Lilt, as17630922

Event Comment: [R+Rich's Register lists The English Merchant.] Paid Blandford (tallow chandler) #49 8s. 10d. Paid George Garrick for use of the managers #15 15s.; Paid French on account #20; Advanced to Granier on note #4 2s. 10d.; to Keen on note #4 4s. Rec'd stopages 16s. 6d. (Treasurer's Book). Sylas Neville (Neville MS Diary): With difficulty got into the Pit at Drury Lane, where I stood at the side so jambed up that I could not read the newspaper I carried: But I saw the play very well. It was Rule a Wife and Have a Wife, with the Farce of the Devil to Pay. Duke by Havard, Cacafago by Love, very well. Copper Capt. by Palmer, pretty well. Old woman pretty well by Mrs Baddeley, Astifania by Mrs Pritchard excellently, tho she is too old for the first part of this character. Leon inimitably by Garrick. I think he shows a good deal of Abel drugger, [both published and unpublished portions of the Neville Diary.] Receipts: #261 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Garrick; Duke-Havard; Cacafoggo-Love; Juan-Packer; Sancho-Aickin; Copper Captain-Palmer; Alonzo-Ackman; Altea-Mrs Lee; Margaretta-Mrs Hopkins; Old Woman-Baddeley; Maid-Weston; Estifania-Mrs Pritchard.
Cast
Role: Margaretta Actor: Mrs Hopkins

Afterpiece Title: The Devil to Pay

Event Comment: This Night was to have been the Distress'd Mother For the Benefit of Mr & Mrs Hopkins & the Benefits being all Settled it was put off till the 24th (Hopkins). By Command of their Majesties. Receipts: #184 3s. 6d. (MacMillan)

Performances

Mainpiece Title: The Provokd Husband

Cast
Role: Lady Wronghead Actor: Mrs Hopkins

Afterpiece Title: High Life below Stairs

Dance: The Irish Lilt, as17630922

Event Comment: [Puff for the afterpiece]: As this Pastoral was not originally designed for the theatre, it is thought proper to give the public some account of it, and by what means it has now found its way to the stage. The Chorusses and Airs were selected from Mr Handel, and several other eminent masters, by a gentleman whose taste and knowledge in music is perhaps his least merit. Having conceived the design of a musical entertainment of this miscellaneous nature he found himself oblig'd...to connect them [the airs] by a Recitative of his own composition: This naturally produced a kind of a little drama, and the ease and elegance of the whole is the more to be admired when it is considered that the words were of necessity composed in perfect subservience to the music. The piece has been several times performed at Salisbury and greatly admired by many of the first Rank. The author, upon Mr Norris being engaged at the theatre, was applied to for leave to bring it on the stage, to which he has most obligingly given his consent. [Cast given] After an agreeable Overture, the curtain rises and discovers a rural scene, and a troop of nymphs and shepherds assembled to celebrate the Spring. Their rejoicings open with a grand cheerful chorus. We cannot say enough of the taste and execution of Mr Vernon and Miss Young in this scene. The united sprightliness and simplicity of the duet was truly admirable. [Song given, followed by a brief description of the parting of the shepherds, the announcement of Peace so they won't have to part, and special commendation for the various songs of Mr Vincent, and Mr Norris.] We will venture to prophesy that it will be more and more admired at every representation; though perhaps it may not fall in with the Taste of the Groundlings, who, like Polonius, are for a Jig or a Tale of Bawdry, or they sleep (Public Advertiser)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Spring

Dance: II: The Irish Lilt, as17621023

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Fainall-Reddish; Mirabel-Jefferson; Petulant-Baddeley; Sir Wilful-Yates; Witwou'd-King; Waitwell-Parsons; Lady Wishfort-Mrs Hopkins; Mrs Marwood-Miss Sherry; Mrs Fainall-Mrs Greville; Foible-Mrs Davies; Mincing-Miss Platt; Millamant-Mrs Abington; in Act III, a Cantata-Mrs Scott.
Cast
Role: Lady Wishfort Actor: Mrs Hopkins

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Deserter

Performance Comment: Henry-Vernon; Russet-Bannister; Simpkin-Fawcett; Soldiers-Legg, Kear, Griffith, Carpenter; Skirmish-Parsons; Flint-Wright; Jenny-Mrs Wrighten; Margaret-Mrs Love; Louisa-Mrs Smith.