SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Vascour and Wife"/1) | (@(roleclean,performerclean) "Mr Vascour and Wife")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4529 matches on Event Comments, 2818 matches on Performance Title, 1522 matches on Performance Comments, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Last night a new song call'd The Subscription was perform'd at Drury Lane; written by Mr Mozeen, and set to music by Mr Arne, which was receiv'd with universal applause

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Debauchees

Song: II: The Subscription-Lowe

Dance: III: Dance-the Mechels

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Virgin Unmasked

Song: II: Britons Strike Home-Lowe

Dance: V: Mechel, Mlle Mechel

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Lottery

Dance: VIII: Grand Comic Dance, as17450926

Song: V: The Subscription-Lowe

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Lottery

Song: III: Lowe

Dance: V: Mechels, Mlle Mechel

Event Comment: The Gentlemen and Ladies that had tickets for Mr W. Hallam's Benefit of Richard III [16 Dec.] and could not come in then, Mr Hallam hopes they will come this night and their Tickets will be admitted[repeated in bills for 27, 28, and 30 Dec.]

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Flora

Song: Brett

Dance: As17451028

Event Comment: By Desire of the Officers of the two Regiments of the Tower Hamlets. Gentlemen and Ladies who had tickets for Mr W. Hallam's Benefit of Richard III and could not come then, Mr Hallam hopes they will come tonight, and their Tickets will be admitted

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Flora

Song: Brett

Dance: As17460101

Event Comment: Benefit Mr DeVoto, Painter. Boxes 2s. 6d. Pit 2s. First Gallery 1s. 6d. Upper Gallery 1s. At the particular Desire of several Gentlemen and Ladies we were obliged to change the play of the Orphan to Love Makes a Man. Tickets delivered out for the Orphan will be admitted tonight. [On 25 Jan. Devoto had announced The Orphan with the part of Monimia to be attempted by Mr. Devoto's Daughter, being the first Time of Her appearing on any Stage.

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Stage Coach

Event Comment: This Benefit being designed for the Use of Mr Mills and his Creditors, Tickets for the Creditors are to be had of Mr Lucas, at the Sun Tavern, Clare Market; and for Mills at His Lodgings in Bow St., Covent Garden

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Devil to Pay

Song: II: Lowe; III: Duet My Faith and Truth, as17460104 IV: Miss Edwards

Dance: V: Muilment

Event Comment: For the Benefit and Increase of a Fund establish'd for the Support of decay'd Musicians and their Families. [Prices as usual.

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Musick

Performance Comment: Part I. Overture. Della Caduta de Giganti by Gluck-;Airs: Care Paiple in La Caduti de Giganti-Jozzi; San Prigioniero in Il Trionfo della Continenza-Signora Pompeati; Bella consola-Ciacchi; Men Tedela by Handel-Monticelli; La Sortemia Tiranna in Il Trionfo-Signora Imer; Part II. Concerto-Weideman; Airs:Return O God of Hosts, Samson-Signora Frasi; Il Cormeo by Handel-Monticelli; Pensa che il Cielo trema in La Caduta-Ciacchi; Mai l'Amorio verace (La Caduta)-Signora Imer; Concerto-Carbonell; Air:O da Pastor Lampugani-Monticelli; Part III. Concerto-Miller; Airs: Per Pieta in Il Trionfo-Jozzi; Volgo Dubbiosa in La Caduta-Signora Pompeati; The Prince unable to conceal his Pain, Alexander's Feast-Signora Frasi; Duetto in Il Trionfo-Mosticelli, Signora Imer; A Grand Concerto of Mr Handel's-.
Event Comment: Mainpiece: By Particular Desire. Afterpiece a new Pastoral English Opera set to Music by Mr DeFesch. Tickets to be had at DeFesch's Lodgings, the Ironmonger's in St Martin's Court, Leicester-Fields; and of Hobson at the stage door. Tickets deliver'd out for As You Like It by Mr DeFesch will be taken

Performances

Mainpiece Title: The Lying Lover

Afterpiece Title: Love and Friendship

Performance Comment: Camillo-Lowe; Aegeon-Bibby; Clorinda-Miss Edwards; Philander-Mrs Clive.
Cast
Role: Philander Actor: Mrs Clive.
Event Comment: Mainpiece: By Command. Present the Duke, Princess Amelia, The Princess of Hesse. Paid Mr Day for the use of a Turkish Vase 2 nights in Tamerlane for Mr Bencraft #1 1s. Receipts: #144 12s. 6d

Performances

Mainpiece Title: The Stratagem

Cast
Role: Sir Charles Actor: Anderson

Afterpiece Title: Duke and no Duke

Event Comment: [B$Bridges doubled Plunder and Advocate.

Performances

Mainpiece Title: The Humours Of The Army; Or, The Female Officer

Performance Comment: Female Officer-Mrs Woffington; Major Youngfox-Mills; Capt Wildish-Delane; Wilmot-Sparks; Bisket-Yates; Col O/goghegegagogan-Barrington; Capt MacHighland-Neale; M Capitaine les Mathematiques-Blakes; Capt Cadwallader-Macklin; Brigadier Bloodmore-Berry; Lt Plunder-Bridges; Capt Hearty-Winstone; Serj File/off-I. Sparkes; Corp Henroost-Taswell; Corp Pilfer-Collins; Knapsack-Ray; Advocate-Bridges; Provost-Usher; Clerk-Bransby; Lady Bloodmore-Mrs Cross; Victoria-Mrs Mills; Jenny Firelock-Miss Minors; Nine Husbands-Miss Pitt; Leonora-Mrs Bennet; Clara-Miss Cole.
Cast
Role: Capt MacHighland Actor: Neale
Role: Nine Husbands Actor: Miss Pitt

Afterpiece Title: The Lottery

Song: II: Lowe

Dance: V: As17461216

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Sealand Actor: Rosco
Role: Mrs Sealand Actor: Mrs James
Role: Isabella Actor: Mrs Bland

Afterpiece Title: The Lying Valet

Dance: As17461231

Performances

Mainpiece Title: Diversions Of The Morning

Event Comment: Written by Shakespear. Play to begin at 6 o'clock. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the Stage-Door of the Theatre. As the Admittance of Persons behind the Scenes has occasioned a general Complaint on Account of the frequent Interruptions in the Performance, tis hop'd Gentlemen won't be offended, that no Money will be taken there for the future. [This notice appears on succeeding bills for the season and will hence not be repeated. See note on public objection to nonadmittance behind scenes 22 Feb. 1748.] Receipts: #150 (Cross); #I26 12s. (Clay MS). Nichols Literary Anecdotes, II, 319-20: There is one part of theatrical conduct which ought unquestionably to be recorded to Mr Garrick's honour, since the cause of virtue and morality and the formation of public manners are very considerably dependent upon it, and that is the zeal with which he ever aimed to banish from the stage all those plays which carry with them an immoral tendency, and to prune from those which do not absolutely on the whole promote the interests of vice such scenes of licentiousness and libertinism as a redundency of wit and too great liveliness of imagination have induced some of our comic writers to indulge themselves in, and to which the sympathetic disposition of an age of gallantry and intrigue had given a sanction. The purity of the English stage was certainly much more fully establish'd during the administration of this theatrical minister than it had ever been during preceding managements; for, what the publick taste had itself to some measure begun, he, by keeping that taste within its proper channel, and feeding it with a pure and untainted stream, seems to have completed; and to have endeavoured as much as possible to adhere to the promise made in the prologue which was spoken at the first opening of that theatre under his direction, @Bade scenic virtue form the rising age@And truth diffuse her radiance from the stage.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Macklin; Antonio-Delane; Bassanio-Havard; Gratiano-Mills; Launcelot-Neale; Morochius-Sparks; Lorenzo (with proper songs)-Lowe; Portia-Mrs Clive; Nerissa-Mrs Bennet; Jessica-Mrs Ridout; Duke-Winstone; Solanio-Berry; Salarino-Blakes; Gobbo-Ray; Tubal-Taswell; Balthasar-Simpson; Prologue [written by Samuel Johnson]-Garrick; Epilogue-Mrs Woffington [Rosenbach copy of Prologue and Epilogue. Spoken at the opening of the Theatre in Drury Lane, 1747.]Rosenbach copy of Prologue and Epilogue. Spoken at the opening of the Theatre in Drury Lane, 1747.]
Event Comment: Rehears'd...the Opera of Lucius Verus: This Drama Consists of Airs, borrow'd entirely from Mr Handel's favourite Operas; and so may (probably) be justly styled the most exquisite Composition of Harmony, ever offer'd to the Publick. Those Lovers of Musick among us, whose Ears have been charm'd with Farinello, Faustina, Senesino, Cuzzoni, and other great Performers will now have an Opportunity of Reviving their former delight, which, if not so transporting as then, may yet prove a very high Entertainment. Mr Handel is acknowledged (universally) so great a Master of the Lyre; that nothing urg'd in Favour of his Captial Performances can reasonably be consider'd as a Puff (General Advertiser, 13 Nov.)

Performances

Event Comment: With all the Musick, Songs, Dances, Scenes, Machines, Habits, and other Decorations proper to the Play

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Foote; Johnson-Ryan; Smith-Bridges; Kings of Brentfort-Stoppelaer, Paget; Prince Prettyman-Ridout; Gent. Usher-Collins; Volscius-Gibson; Physician-Rosco; Drawcansir-Dunstall; Thimble-James; Thunder-Bridgwater; Lightening-Miss Morrison; Sun-Bencraft; Moon-Leveridge; Earth-Roberts; Amarillis-Miss Hippisley; Chloris-Mrs Bland; Pallas-Storer; the Sing@Song Dancing Spirits-Mrs Lampe, Miss Younge; Players, Soldiers (horse and foot), Heralds, Cardinals, Judges, Serjeant's at Arms-the rest of the Comedians; Vocal Parts-Leveridge, Bencraft, Roberts, Mrs Lampe, Miss Younge; Also an Additional Reinforcement of Mr Bayes's New Rais'd Troops-.
Cast
Role: Chloris Actor: Mrs Bland
Event Comment: We hear that the play Venice Preserv'd is in Rehearsal at the Theatre Royal in Covent Garden, and is to be perform'd on Friday next; and that the part of Pierre will be attempted by a Gentleman who never appear'd on any stage before (General Advertiser). [This month was published A Letter to a certain Patentee, in which the Conduct of Managers is impartially considered, and a few Periods bestowed on those darlings of the Publick, Mr G k, Mr F te, Mrs P d, &c." Addressed to Rich it is criticism of his personnel policies as manager, with side comments on his morals, and some on his performances: of his Orpheus and Eurydice, the author agrees that three flaming scenes of Hell, now left out, should have been omitted from the beginning. The Serpent, however, generally behaves himself so well, that "I have had more real pleasure in his appearance than if he had been a living one." Dislikes his replacing Ryan with Hallam, dislikes his abuse of Mrs Pritchard, criticizes his casting Hippisley as Polonius, since Polonius requires more than Hippisley can give, the latter being able to act only in the comic way.

Performances

Event Comment: GGeneral Advertiser: On Wednesday next at Drury Lane will be reviv'd the Historical Play of King Henry the Fifth, written by Shakespear, the Part of King Henry to be performed by Mr Barry; and the Chorus to be spoken by Mr Garrick. Receipts. #130 (Cross); #132 5s. (Powel)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Anatomist

Dance: II: New Comic Dance call'd The Savoyards-Matthews

Performances

Mainpiece Title: The Foundling

Event Comment: CCross: Benefit for ye Author. Mr Garrick order'd ye foundling to be given out for Sat: & as you like it for Mon: But ye Pit rose, & insisted ye Foundling shou'd be given out again for Monday, wch was done, tho; ye Lords who oppos'd it were in ye House. [Horace Walpole's account of the affair Foundling to Sir Horace Mann, in a letter of 11 March 1748 (ed. Cunningham, II, 106) runs as follows: "There has been a new comedy call'd The Foundling; far from good, but it took. Lord Hobart and some young men made a party to damn it, merely for the love of damnation. The Templars espoused the play, and went aamed with syringes charg'd with stinking oil, and with sticking plaisters for Bubby's fair hair; but it did not come to action. Garrick was impertinent, and the pretty men gave over their plot the moment they grew to be in the right."] Receipts: #170 (Cross); house charges #63 (Powel); cash #168 10s. 6d.; tickets #18 5s. (Clay MS)

Performances

Mainpiece Title: The Foundling

Event Comment: Benefit for Barry. Pit and Boxes laid together, and Stage, for better accommodation of the Ladies, will be form'd into Front and Side Boxes. Tickets to be had of Barry at the corner of Bow St., and of Hobson at the Stage Door. [This month was printd The Town, a Satire by Wm. Kenrick, with especial attack upon Garrick and Garrick's plays. In Miss in her Teens, he boasts the strange pretense, To satire Coxcombs, while he murders sense." Kenrick is one of the few who criticizes Garrick (p. 21) for playing a low character Abel Drugger, rather than a king. He yields indirect praise to Janeton Auretti by blaming the town for cheering her dance, while neglecting the players: @Yet if Janeton shakes her slender feet@How loud the thunder clatters through the Pit.@ Prologue intended to have been spoken on the Revival of The Distress'd Mother, for the Benefit of Mr Barry, but omitted through some misunderstanding. Written by Mr Rolt, printed in Gentleman's Magazine, March 1748, p. 134.] Receipts: #270 (Cross); house charges, #60 (Powel); cash, #80 3s. 6d.; tickets, #118 5s. (Clay MS)

Performances

Mainpiece Title: The Distress'd Mother

Performance Comment: Orestes-Barry for first time; Pyrrhus-Delane; Hermione-Mrs Pritchard; Andromache, with the original Epilogue-Mrs Cibber; Pylades-Havard; Phoenix-Winstone; Cleone-Mrs Ridout; Cephisa-Miss Minors.

Afterpiece Title: Miss in Her Teens

Dance: Cooke, Anne Auretti

Event Comment: Benefit for Ryan. Mainpiece: Not acted these 7 years. [see 2 Nov. 1743]. Afterpiece: Several scenes taken from The Muses Looking Glass, written by Mr Randolph. [See letter to Mr Ryan 5 March acquainting the town with Randolph's works.

Performances

Mainpiece Title: The Rover; Or, The Banish'd Cavaliers

Afterpiece Title: The Muses Looking-Glass

Performance Comment: Colax-Ryan; The Extremes of Fortitude Liberality Meekness Justice, in the Characters of Aphobus, Deilus, Anelitheurus, Asotus, Orgylus, Argus, Nimis, Nihil-Ridout, Collins, Morgan, Cibber, Bridges, Cushing, Dunstall, Rosco; their Clerks (Plus and Parum)-James, Bencraft; Mediocrity in the character of Urania-Mrs Bland; To conclude with a new masque of Music representing the Intellectual Virtues, compos'd by Lampe: Fortitude-Beard; Modesty-Mrs Storer; Truth-Mrs Lampe; Dancing-Villeneuve, Desse, Delagarde, Oates, Miss Vandersluys, Mrs Villeneuve, Mrs Gondou, Mrs LaFont, Master, Miss Granier.
Related Works
Related Work: The Muses Looking-Glass Author(s): Thomas Randolph

Song: Singing In Italian and English-Miss Faulkner [Songs unspecified]

Event Comment: Benefit for Mr Delane. He did not publish a Bill 'till after Mr Barry's Day [see 10 March] (Cross). Tickets and places to be had of Delane, in Broad Court, the upper end of Bow St., Covent Garden, and of Hobson, at the stage Door. On Thursday next, by Particular Desire, the last new comedy call'd The Foundling. Receipts: #156 (Cross); house charges, #60 (Powel); cash, #91 14s.; tickets, #62 15s. (Clay MS)

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Miss in Her Teens

Event Comment: Benefit for Mr Luke? Sparks. Tickets and places to be had of Hobson at the stage door, and of Sparks at Courteen's Coffee-House in Bow St., Covent Garden. Dramatic Censor, I, 34-35: The whole part of the King, except his soliloquy, is truly wretched for an actor: and, to say truth, I never saw one who did not make a very insipid figure in it, the late Mr Sparks excepted; he was great in the formentioned soliloquy, respectable in every passage of the least regard, and so peculiarly happy in falling, when stabled, from the throne, that we may truly say, a good end apologized for a very bad character. Receipts: #150 (Cross); house charges, #63 (Powel); cash, #80 7s. 6d.; tickets, #91 5s. (Clay MS)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Double Disappointment

Song: III: Sullivan

Dance: V: Comic Dance, as17480314