SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Van Richardson"/1) | (@(roleclean,performerclean) "Mr Van Richardson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4245 matches on Event Comments, 1351 matches on Performance Comments, 633 matches on Performance Title, 43 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Plain Dealer

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361: The King at ye Mistress. See also Nicoll, Restoration Drama, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. Sir George Etherege to Will Richards, 19 May 1687: I have heard of the success of The Eunuch, and am very glad the town has so good a taste to give the same just applause to Sir Charles Sedley's writing, which his friends have always done to his conversation (Letterbook, ed. Rosenfeld, p. 212). Sir George Etherege to Middleton, 2O June 1687: I saw a play about ten years ago Called the Eunuch, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] Thomas Shadwell, The Tenth Satyr of Juvenal (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd Bellamira, or the Mistress, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, Thyrsis unjustly you complain, headed A Song in Bellamira, or, the Mistress. Set by Mr Tho. Shadwell, is in Vinculum Societatis, 1687 (licensed 8 June 1687)

Performances

Mainpiece Title: Bellamira; Or, The Mistress

Performances

Mainpiece Title: London's Triumph; Or, The Goldsmith's Jubilee

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Circe

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Sir Courtly Nice

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Performances

Mainpiece Title: King Arthur

Performances

Mainpiece Title: The Traytor

Performances

Mainpiece Title: Regulus

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Performances

Mainpiece Title: A Duke And No Duke

Performances

Mainpiece Title: The Maid's Last Prayer; Or, Any Rather Than Fail