SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Thomas French"/1) | (@(roleclean,performerclean) "Mr Thomas French")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5725 matches on Author, 4798 matches on Event Comments, 2024 matches on Performance Comments, 1122 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Unhappy Kindness; Or, A Fruitless Revenge

Related Works
Related Work: The Unhappy Kindness; or, A Fruitless Revenge Author(s): Thomas Scott

Performances

Mainpiece Title: The Pilgrim

Related Works
Related Work: The Pilgrim Author(s): Thomas Killigrew

Performances

Mainpiece Title: The Unhappy Favourite

Afterpiece Title: The Fall of Phaeton: With Harlequin a Captive

Related Works
Related Work: The Fall of Phaeton: With Harlequin a Captive Author(s): Thomas Arne

Performances

Mainpiece Title: The Pilgrim

Related Works
Related Work: The Pilgrim Author(s): Thomas Killigrew

Afterpiece Title: Rosamond

Related Works
Related Work: Rosamond Author(s): Thomas Clayton
Related Work: Henry the Second; or, The Fall of Rosamond Author(s): Thomas Hull

Dance: I: Drunken Peasant-Master Ferg; II: L'Allamande-Mlle Chateauneuf; IV: Punches-Master Ferg, Miss Wright

Performances

Mainpiece Title: The Miser

Related Works
Related Work: The Miser Author(s): Thomas Shadwell

Dance: I: A New Dance call'd Le Petit Scaramouche-the Fausans; III: Les Matelotes, as17411110; V: A New Dance call'd Arlequin Petit@Maitre-the Fausans

Performances

Mainpiece Title: Venice Preserved

Related Works
Related Work: Venice Preserv'd; or, A Plot Discover'd Author(s): Thomas Otway

Afterpiece Title: The Virgin Unmask'd

Song: Beard

Dance: Cooke, Sga Campioni

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne

Afterpiece Title: Miss in Her Teens

Dance: IV: Sg Piettro, Janeton Auretti, Master Piettro

Performances

Mainpiece Title: Eliza

Related Works
Related Work: Eliza Author(s): Thomas Arne

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: The Orphan

Related Works
Related Work: The Orphan; or, The Unhappy Marriage Author(s): Thomas Otway

Afterpiece Title: The Rites of Hecate

Performances

Mainpiece Title: The Orphan

Related Works
Related Work: The Orphan; or, The Unhappy Marriage Author(s): Thomas Otway

Afterpiece Title: The Cunning Man

Performances

Mainpiece Title: Matilda

Related Works
Related Work: Matilda Author(s): Thomas Francklin

Afterpiece Title: The Blackamoor Wash'd White

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Related Works
Related Work: The Gentle Shepherd; or, Patie and Roger Author(s): Thomas Linley Sr.

Afterpiece Title: The Students; or, The Humours of St

Dance: End I afterpiece: Hornpipe-

Music: Between the Acts: proper Scotch Music-; a new Scotch overture-

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Related Works
Related Work: The Gentle Shepherd; or, Patie and Roger Author(s): Thomas Linley Sr.

Afterpiece Title: The Exciseman Trick'd

Dance: End of Act III of mainpiece a new composed Reel, and Hornpipe by Master Holland, pupil to Holloway

Song: Hooly and Fairly, in character, by M'Donald; End of Act II The Huntsman's Sweet Halloo by Miss Hemet

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Related Works
Related Work: The Gentle Shepherd; or, Patie and Roger Author(s): Thomas Linley Sr.

Afterpiece Title: Wit's Last Stake

Related Works
Related Work: Wit's Last Stake Author(s): Thomas King

Dance: End of Act III of mainpiece a new composed Reel (performers not listed); In Act IV a Hornpipe by Middleton

Monologue: 1784 02 09 The Edinburgh Buck by a Genleman [unidentified]

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Performance Comment: Patie-M'Donald; Roger-Cockburn; Symon-Middlemist; Glaud (with The Cries of Edinburgh')-Thompson; Sir William Worthy-Aberdein; Bauldy-Murray; Jenny-Mrs Tassie (1st appearance); Mause-Mr Blair; Madge-Mr M'Nab; Peggy-Mrs Raeburn. A new Occasional Prologue, written and spoken by ThomasStewart .
Related Works
Related Work: The Gentle Shepherd; or, Patie and Roger Author(s): Thomas Linley Sr.

Afterpiece Title: The Double Amour

Related Works
Related Work: The Double Amour Author(s): Thomas Stewart

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Related Works
Related Work: The Follies of a Day Author(s): Thomas Holcroft
Related Work: The Follies of a Day; or, The Marriage of Figaro Author(s): Thomas Holcroft

Afterpiece Title: The Poor Soldier

Afterpiece Title: Harlequin Skeleton

Performances

Mainpiece Title: The Gentle Shepherd

Related Works
Related Work: The Gentle Shepherd; or, Patie and Roger Author(s): Thomas Linley Sr.

Afterpiece Title: The Double Amour

Related Works
Related Work: The Double Amour Author(s): Thomas Stewart

Dance: End IV: a Dance-Allison, Pupils of Allison

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Honest Thieves

Related Works
Related Work: The Honest Thieves; or, The Faithful Irishman Author(s): Thomas Knight

Afterpiece Title: The Village Fete

Song: End: Wigs-, including His own Wig, Doctor's Wig, Coachman's Wig; The Storm-Incledon; In 3rd piece: Chorusses, As17970518

Event Comment: The King's Company. This play appears on Herbert's List, following the entry for 26 Oct. 1661. (See William VanLennep, "Thomas Killigrew prepares his Plays for Production," J. Q. Adams Memorial Studies (Washington, D. C., 1948, p. 803.) Pepys, Diary: W. Pen and I to the Theatre, but it was so full that we could hardly get any room, so he went up to one of the boxes, and I into the 18d. places, and there saw Love at first sight, a play of Mr Killigrew's and the first time that it hath been acted since before the troubles, and great expectation there was, but I found the play to be a poor thing, and so I perceive every body else do. BM Add. Mss. 34217, fol. 31b, in Hotson Commonwealth and Restoration Stage, p. 246: @First then to speake of his Majestys Theatre@Where one would imagine Playes should be better@Love att the first sight did lead the dance@But att second sight it had the mischance@To be so dash'd out of Countenance as@It never after durst shew itts face@All though its bashfullnesse as tis thought@Be far from being the Authors ffault.

Performances

Mainpiece Title: The Princess; Or, Love At First Sight

Related Works
Related Work: The Princess; or, Love at First Sight Author(s): Thomas Killigrew
Related Work: The Injured Princess; or, The Fatal Wager Author(s): Thomas D'Urfey
Related Work: Love at First Sight Author(s): Thomas King
Event Comment: A New English Opera. [Text by Thomas Lediard.] Set to Musick after the Italian Manner by Mr John Frederick Lampe. The Scenes and Cloaths are entirely New. With the Representation of a Transparent Theatre. Curiously Illuminated, and adorn'd with a great Number of Emblems, Mottos, Devices, and Inscriptions; and embellish'd with Machines, in a Manner entirely new. N.B. The Illuminations and other Preparations for this Opera are such, that no Person whatever can be admitted to the Stage. Pit and Boxes put together at 6s. Gallery 3s. 6 p.m. [For a discussion of Lediard and this work, see a series of articles by Ifan Kyrle Fletcher, Sybil Rosenfeld, and Richard Southern in Theatre Notebook, II (1948), 42-54.

Performances

Mainpiece Title: Britannia

Related Works
Related Work: Britannia Author(s): Thomas Lediard
Related Work: Britannia Author(s): Thomas Arne
Event Comment: Benefit Cross (Prompter) and Mrs Cross. Mainpiece not acted for 40 years [see 22 Dec. 1710]. Written by the author of The Yeoman of Kent [Thomas Baker]. Tickets deliver'd by Mr Burton will be taken. Tickets to be had of Cross at his lodgings over against the Rose Tavern in Russell St., Covent Garden

Performances

Mainpiece Title: The Fine Lady's Airs; Or, An Equipage Of Lovers

Related Works
Related Work: The Fine Lady's Airs: or, an Equipage of Lovers Author(s): Thomas Baker

Afterpiece Title: The King and the Miller of Mansfield

Song: I: By particular Desire, Arrah my Judy-Barrington

Dance: Salomon, Sga Padouana, Salomon's Son

Performances

Mainpiece Title: Zara

Afterpiece Title: Britannia

Performance Comment: Britannia-Mrs Jefferson; Genius-Miss Isabella Young; Mars-Beard; Serjeant-Champnes; Triton-Vernon; Neptune-Champnes; Boatswain-Beard; Nancy-Miss Thomas(From Edition of 1755).
Cast
Role: Nancy Actor: Miss Thomas
Related Works
Related Work: Britannia Author(s): Thomas Lediard
Related Work: Britannia Author(s): Thomas Arne
Event Comment: By Permission. Benefit for Thomas Barry. Neville MS Diary: Mr Barry having obtained permission to play 3 nights after the time at which Foote by his patent is obliged to shut his house

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Related Works
Related Work: The Orphan; or, The Unhappy Marriage Author(s): Thomas Otway

Afterpiece Title: The Lyar

Dance: End: The Fingalian-Miss Froment; End I Farce: Hornpipe-Miss Froment

Event Comment: [Extra night] Benefit for the Fund, established for the Relief of those Performers who, through Infirmity, shall be obliged to retire from the Stage. The Theatrical Fund was established in 1765, under the auspices of the late Mr Beard and Mrs Rich; and received the sanction of Parliament in 1776. There are now, and have been for more than 20 years, several Annuitants supported by it, chiefly families and widows. Yet notwithstanding it has been so long set on foot, the interest arising from the Funded Capital has never been equal to defraying one half of the annual disbursements. The deficiencies have been continually supplied by progressive weekly contributions from the performers. When this is considered, it is respectfully presumed the generosity of a British Public will be exerted this night in favour of so liberal and beneficial an institution. Thomas Hull, Treasurer. Tickets to be had of Hull, Treasurer to the Institution, No. 7, Duke's-Court, near Dean's Yard, Westminster. Receipts: none listed

Performances

Mainpiece Title: The Way To Get Married

Related Works
Related Work: The Way to Get Married Author(s): Thomas Morton

Afterpiece Title: Harlequin's Treasure 0

Afterpiece Title: Harlequin's Treasure 1

Afterpiece Title: Harlequin's Treasure 2

Entertainment: MonologueEnd: The Barber's Petition, as17960506; with Wigs, as17960506