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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Theobald"/1) | (@(roleclean,performerclean) "Mr Theobald")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6598 results for: Keyword - Mr Theobald
We found 4239 matches on Event Comments, 1143 matches on Performance Comments, 1040 matches on Author, 530 matches on Performance Title, and 1 matches on Roles/Actors.

1951
09 February 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Pigmy Revels

Dance: II: Comic Dance, as17720922

1952
23 October 1773 @ Covent Garden

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Thomasand Sally

1953
07 January 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Lyar

1954
03 March 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Citizen

1955
30 May 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: No Performance

1956
09 December 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Cobler; or, a Wife of Ten Thousand

1957
01 February 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Rival Candidates

1958
03 May 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Quaker

1959
07 October 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Deserter

1960
24 November 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Queen Mab

Dance: II: The Savage Hunters, as17751118

1961
12 April 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Waterman

Dance: I: The Sailors Revels, as17751220

Entertainment: A Variety of New Imitations, vocal and rhetorical-Bannister

1962
13 December 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: A ChristmasTale

1963
19 February 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Cady of Bagdad

Dance: In II: Masquerade Scene Dancing-Blurton, Henry; End III: The Provincalle, as17780128

Song: Masquerade Scene As17771031

1964
19 March 1785 @ Covent Garden

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: Midas

1965
28 December 1792 @ Drury Lane Theatre

Performances

Mainpiece Title: At King's Othello

Afterpiece Title: The Patron

1966
29 January 1793 @ Covent Garden

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Farmer

1967
15 September 1794 @ Covent Garden

Performances

Mainpiece Title: The Rival Queens; Or, Drury-lane And Covent-garden

Afterpiece Title: The Suspicious Husband

Afterpiece Title: Sprigs of Laurel

1968
28 February 1719 @ Lincoln's Inn Fields

Performances

Mainpiece Title: 'tis Well If It Takes

Performance Comment: Edition of 1719 lists: Loveless-Leigh; Oldish-Bullock Sr; Charles-Ryan; Prate-Spiller; Careful-Quin; Easy-Pack; Boy-Billy Bullock; Corinna-Mrs Bullock; Alicia-Mrs Moreau; Wishit-Mrs Knight; Isabella-Miss Willis; Beatrice-Mrs Spiller; Lucy-Mrs Giffard; Betty-Mrs Robertson; Prologue-Ryan; Epilogue-C. Bullock in the character of Harlequin ; Song written by Theobald and set to music by Babel-Pack in III.

1969
21 November 1719 @ Lincoln's Inn Fields

Event Comment: Original Weekly Journal, 21 Nov., announces forthcoming plays: On 26 Nov. Leigh's The Pretenders and on 10 Dec. Theobald's Richard II, Alter'd and Improv'd from Shakespear

Performances

Mainpiece Title: Woman's A Riddle

Dance:

1970
21 January 1725 @ Lincoln's Inn Fields

Event Comment: Afterpiece: [By Lewis Theobald.] The Cloaths, Scenes, Machines, Flyings, and otehr Decorations, Being entirely new. N.B. Tis desir'd that no Persons will take it ill, that they are refus'd Admittance behind the Scenes, it being impossible to perform the necessary Decorations, unless the Passages are kept entirely clear. Receipts: #174 8s. Weekly Journal or Saturday's Post, 23 Jan.: In which was shewn the boldest Piece of Machinery that ever yet was seen upon the Stage

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Harlequin a Sorcerer; With The Loves of Pluto and Proserpine

Related Works
Related Work: Harlequin a Sorcerer: With the Loves of Pluto and Proserpine Author(s): Lewis Theobald

1971
13 February 1727 @ Lincoln's Inn Fields

Event Comment: [Written by Lewis Theobald. Set to Music by Galliard.] The Entertainment being entirely new Dress'd: With New Scenes, Machines, and other Decorations. Pit and Boxes laid together at 5s. Receipts: #216 12s. Probable attendance: boxes, 269 paid; stage, 1 paid; balcony, 4 paid; pit, 274 paid and 4 orders; slips, 54 paid and 2 orders; first gallery, 456 paid; second gallery, 195 paid. Mist's, 18 Feb.: It is of the Nature of Pantomimes, partly grotesque, and partly vocal, but far exceeds all ever yet shewn, in the Magnificence and Beauty of the Scenes, the Number and Richness of the Habits, as well as the Fable, which is purely poetical, as the Italian Operas ought to be. [See also London Journal, 18 Feb.

Performances

Mainpiece Title: The Cheats Of Scapin

Afterpiece Title: The Rape of Proserpine; With The Birth and Adventures of Harlequin

Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald

1972
10 April 1739 @ Covent Garden

Event Comment: Towards the Raising a Fund for the Erecting a Monument to the Memory of Shakespear. Written by Shakespear. London Daily Post and General Advertiser, 11 April: On which Occasion 'twas expected there would have been a greater Audience than there appear'd to be. But the Lord Burlington was pleased, out of his Regard to the Memory of so great a Man, to give Ten Guineas for himself. [The Prologue, written by Theobald and spoken by Ryan, is in London Daily Post and General Advertiser, 12 April.

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

1973
15 May 1741 @ Covent Garden

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales, Prince George, and the Lady Augusta. Benefit the last Editor of Shakespear. Written Originally by Shakespear. Revised and adapted to the Stage by Mrs Theobald, with the last new Prologue and the Original Epilogue. Receipts: #100. Rylands MS.: Prince up, but did not come

Performances

Mainpiece Title: Double Falshood

Opera: End II and IV: of the Play will be performed an Interlude in two Comick Scenes in Musick. betwixt Signor Capoccio, a Director from the Canary Islands, and Signora Dorinna, a Virtuosa; Capoccio-Waltz; Dorinna-Miss Hillier

Dance: I: Muzette, Tambourine-Mechell, Mlle Mechell; III: Les Niaise-Mechell, Mlle Mechell

1974
11 May 1770 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Bradshaw and Mrs Dorman. Mainpiece: Acted but once these forty years. Written by Shakespeare and Revis'd by Theobald

Performances

Mainpiece Title: The Double Falsehood

Related Works
Related Work: Double Falsehood; or, The Distrest Lovers Author(s): Lewis Theobald

Afterpiece Title: The Padlock

Dance: III: Comic Dance, as17690926. *uß dl End: By Particular Desire, and for that night only: Three Old Women Weatherwise. Cramp-Hartry; Twitch-Mrs Bradshaw; Rheum-Mrs Dorman

1975
11 May 1781 @ Drury Lane Theatre

Event Comment: Benefit for Farren. [Afterpiece in place of The Devil to Pay, announced on playbill of 10 May.] Tickets deliver'd by Daglish, Mrs Pulley and Miss Armstrong will be taken. Public Advertiser, 9 May: Tickets to be had of Farren, No. 60, Theobald's Road. Receipts: #225 18s. (37.3; 11.7; 0.4; tickets: 177.4) (charge: none listed)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: All the World's a Stage

Dance: End III: Minuet and Allemande-Master Daigville, Miss Armstrong; After the singing: The Force of Love, as17801018

Song: As17810504