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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Staggins"/1) | (@(roleclean,performerclean) "Mr Staggins")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5629 results for: Keyword - Mr Staggins

We found 4231 matches on Event Comments, 1139 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

2251
04 November 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Spanish Rivals

Song: In Act II of mainpiece a song by Miss Stageldoir

2252
07 February 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

2253
14 February 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Peasant Metamorphosis

Afterpiece Title: The Deserter

Dance: In 1st ballet, by Duquesney and the two Miss Simonets; After the Singing, Hornpipe by Baptist and a Comic Dance by Delpini

Song: End of 1st ballet a Serio-Comic Italian Song by Delpini. imitations. After the Dancing, as17850207

2254
01 April 1785 @ Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Israelites; or, The Pamper'd Nabob

Dance: As17841116

Song: Preceding afterpiece a Trio, composed by an English composer in 1540 [unidentified], by Davies, Darley, Brett. The new Words by Holcroft, the new Accompaniments by Shield

2255
02 April 1785 @ Covent Garden

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: The Magic Cavern

2256
25 April 1785 @ Haymarket Theatre

Performances

Mainpiece Title: 'tis Well It's No Worse

Afterpiece Title: The Diversions of the Morning

Afterpiece Title: Lethe, -AEsop, Old Man, Mercury, Drunken Man, Charon, Bowman, Snip, Fine Gentleman, Frenchman, Lord Chalkstone to be performed, for that night only, by a Society of Gentleman; Mrs Riot-Mrs Dore

Monologue: 1785 04 25 Preceding the 1st piece an Address spoken by Brown

2257
26 April 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Irish Widow

Song: End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto

Monologue: 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa

2258
26 May 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Author

Dance: As17840918

Song: End of Act I of mainpiece Bright Phoebus has mounted the Chariot of Day by Dignum

2259
03 June 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: Hunt the Slipper

Dance: As17850601

2260
08 July 1785 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Waterman

Dance: End of mainpiece The Wapping Landlady; or Jack in Distress. Jack (with a Hornpipe)-Wright; Wapping Landlady-Mr Kerridge; Sailors and Ladies-The rest of the Company

2261
11 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: Two To One

Afterpiece Title: The Guardian

Dance: End of mainpiece The Deserter. The Deserter-Mme Dageville; Skirmish-Miss Simonet; Louisa-Mr Delpini; and with Byrne and Miss L. Simonet

2262
19 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Sons Of Anacreon

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Genius of Nonsense

Song: In 1st piece capital Catches and Glees, selected from the most eminent Masters, with the celebrated Anacreontic Song by Bannister. imitations. End of 2nd piece, as17850726

2263
22 October 1785 @ Covent Garden

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Appearance is against Them

2264
27 October 1785 @ Covent Garden

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Appearance is against Them

2265
29 November 1785 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Commissary

2266
07 December 1785 @ Covent Garden

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Sultan

Dance: End of Act IV of mainpiece The Merry Sailors, as17850919; End of mainpiece The Piping Pedlar, as17851112; In afterpiece, as17851123

2267
24 February 1786 @ Covent Garden

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: Omai

Dance: End of mainpiece The Deserter. The Deserter-Byrn; Skirmish-Mrs Goodwin; Louisa-Mr Delpini

2268
04 April 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: The Romp

Song: In 2nd piece several capital Catches and Glees, selected from the most eminent Masters; The celebrated Anacreontic Song by Bannister; an Imitative Song by Bannister Jun

2269
20 May 1786 @ Covent Garden

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: Tom Thumb

Dance: As17851112

2270
26 May 1786 @ Covent Garden

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: Love in a Camp

Dance: As17851112

2271
13 June 1786 @ Haymarket Theatre

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Flitch of Bacon

2272
30 June 1786 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: Hamlet: Prince Of Denmark

Afterpiece Title: Taste; or, The Diversions of the Morning

Afterpiece Title: Catherine and Petruchio; or, The Taming of a Shrew

2273
10 July 1786 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Peeping Tom of Coventry

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Song: End of Act I of mainpiece Sweet Poll of Plymouth by Master Muffett of Hammersmith (1st appearance in public); In Act II an incidental song, accompanied by the pedal harp, by Miss Phillips; End of mainpiece Let Fame sound the Trumpet, as sung by Johnstone in Fontainbleau, by a Young Gentleman (1st appearance)

Monologue: 1786 07 10 End of last song Parents and Children, as 28 June

2274
12 July 1786 @ Haymarket Theatre

Performances

Mainpiece Title: Two To One

Afterpiece Title: The Widow's Vow

2275
05 August 1786 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: The Wrangling Lovers; or, Like Master Like Man