SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Richard Cross"/1) | (@(roleclean,performerclean) "Mr Richard Cross")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6756 matches on Event Comments, 2923 matches on Performance Comments, 2144 matches on Author, 1450 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: By Command of their Majesties. King & Queen (Cross Diary)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Genii

Dance: III: The Irish Lilt, as17621023

Event Comment: Benefit for the Author. A fire in the Strand hurt the house (Cross Diary)

Performances

Mainpiece Title: Elvira

Afterpiece Title: The Old Maid

Event Comment: Nothing under Full Price will be taken. Benefit for the author of the Alterations [in mainpiece]. A Riot to demand admittance at 1!2 price after 3rd act, all times except at the run of New Pantomime, wch. not agreed to, the Mob broke Chandeliers, &c. No Play (Cross Diary). [Fuller account in Victor, History of the Theatres, III, 46 ff., he being the beneficiary that night. Elvira publish'd at 1s. 6d. (Winston MS 9). See account of riot in Gentlemen's Magazine (p. 31). See Comment 5 Feb.

Performances

Mainpiece Title: Two Gentlemen Of Verona

Afterpiece Title: Fortunatus

Entertainment: s 15 Dec. 1762.

Event Comment: Benefit For the Author. A Riot to demand the same [half-price after third act] agreed to (Cross Diary). [Advertised for Drury Lane that particulars will be published in a few days on the charge of innovation in prices which last night prevented the play being heard.] When Holland appeared for the Prologue-hiss'd. Garrick appeared and agreed to take half-price at the end of the third act to all performances except the first [Winter] of a New Pantomime (Winston MS 9)

Performances

Mainpiece Title: Elvira

Afterpiece Title: Catharine and Petruchio

Event Comment: Benefit for Author (Cross Diary)

Performances

Mainpiece Title: The Discovery

Event Comment: Benefit for Author (Cross Diary)

Performances

Mainpiece Title: The Discovery

Event Comment: Benefit for Vincent. Tickets deliver'd by Mrs Cross, Mrs Bradshaw, Miss Rogers, and others will be taken. No Building, &c

Performances

Mainpiece Title: Zara

Afterpiece Title: The Devil to Pay

Dance: II: A Comic Dance call'd the Old Fool, or the Farmer Trick'd-Vincent, Miss Rogers; IV: Dutch Dance, as17630425 V: By Desire, a Louvre and Minuet-Noverre, Miss Rogers; By Particular Desire a Hornpipe-Vincent

Event Comment: Benefit for Receivers (Cross Diary). Smith, Watson, Cridland, Dalton (playbill)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Beggars Wedding

Dance: IV: The Irish Lilt, as17621023

Event Comment: MMr Baddeley-Polonius, first time (Cross Diary). Receipts: #194 17s. 6d. (MacMillan)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Polly Honeycombe

Event Comment: MMiss Williams made her first appearance this Night in Polly. Spoke some of the part tolerably well, wants power in her singing (Hopkins). Polly by Miss Williams. Great Applause (Cross Diary). Miss Williams made her first appearance this night in Polly--a Lady, I think, that has but few requisites for the stage--a very indifferent voice spoke some of the part tolerable,--some few hisses (Hopkins Diary--MacMillan). Receipts: #256 9s. 6d. (MacMillan)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Genii

Event Comment: MMiss Plym made her first appearance in the character of Viola--a very pretty figure both in breeches and otherwise,--a thin weak voice, and received a decent reception (Hopkins Diary--$MacMillan). Miss Plym made her first appearance this Night in Viola, a very pretty Figure in both Dresses, a Thin weak Voice. pretty well receiv'd (Hopkins). Viola Miss Plym, first appearance; great applause (Cross Diary). Mainpiece: Not acted these 5 years. [See 5 Feb. 1755.] Receipts: #99 3s. (MacMillan)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Love at First Sight

Dance: End: The Provancalle, as17631014

Event Comment: This Night is for the Author of the Farce. There being a Command on the 6th Night was the Reason of its being deferr'd so long (Hopkins). Author of Farce (Cross Diary). Receipts: #64 4s. (MacMillan)

Performances

Mainpiece Title: Philaster

Afterpiece Title: The Deuce Is in Him

Dance: II: The Provancalle, as17631014

Event Comment: MMr Foote's Night as Author (Hopkins). Foote (Cross Diary). The New Comedy, The Dupe, deferred until Saturday. Receipts: #108 7s. 6d.; charges: #84. [Profits to auth. #24 7s. 6d. (MacMillan)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Mayor of Garratt

Event Comment: This Night the passages that seem'd to give offence were omitted. A little hissing but not so much as the first Night (Hopkins). [Identical in Hopkins Diary-MacMillan.] went off pretty well, tho' 'twas expected the audience would not suffer it to be Acted. The Company ready to play the Stratagem (Cross Diary). The Characters New Dress'd. Play Publish'd at 1s. 6d. Receipts: #160 5s. (MacMillan)

Performances

Mainpiece Title: The Dupe

Dance: III: The Irish Lilt, as17630922

Event Comment: The Author's Night A very bad House much hissing & Groaning but got thro' & the play was not given out again (Hopkins). Author...Greatly Hiss'd, but play'd out (Cross Diary). A very bad house-much hissing and groaning, but got thro' and was not given out again (Hopkins Diary-MacMillan). Tomorrow The Conscious Lovers and High Life Below Stairs for the benefit of a Public Charity. Receipts: #55 5s. 6d. (MacMillan). [Charges?]

Performances

Mainpiece Title: The Dupe

Dance: III: The Irish Lilt, as17630922

Event Comment: By Command of their Majesties. Command (Hopkins). King & Queen (Cross Diary). Receipts: #240 13s. 6d. (MacMillan)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Fortunatus

Dance: III: The Irish Lilt, as17631119

Event Comment: This Night a New Song was Introduc'd in the Pantomime upon the Prs Augusta's leaving England (well receiv'd) (Hopkins). New occasional Song in the Pant (Cross Diary). Receipts: #208 11s. (MacMillan)

Performances

Mainpiece Title: Zara

Afterpiece Title: Interlude Hymen

Afterpiece Title: The Rites of Hecate

Event Comment: By Command King & Queen (Cross Diary). Hymen was perform'd but not put in the Bills (Hopkins). [For Hymen, see 23 Jan.] Receipts: #262 6s. (MacMillan)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Rites of Hecate

Afterpiece Title: Interlude Hymen

Event Comment: Benefit for Miss Wright. Tickets deliver'd for Jane Shore and the Fairy Tale; and for the Benefit of Mrs Cross will be taken. Charges: #64 4s. (MacMillan)

Performances

Mainpiece Title: Othello

Afterpiece Title: Thomasand Sally

Song: Between the acts: several songs-Miss Wright

Event Comment: Benefit for Mrs Simson, Mrs Cross, Tassoni, Master Rogier

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Country Wife

Dance: II: A New Dance-Tassoni, Miss Tetley; IV: A Double Hornpipe-Walker, Miss Tetley; End: A New Comic Dance-Tassoni, Miss Baker

Event Comment: By Command of their Majesties. A new serious Opera. Pit and Boxes put together and no Persons to be admitted without Tickets, which will be delivered this Day, at the Office, at Half a Guinea each. Gallery 5s. By their Majesties Command no Persons whatsoever to be admitted behind the Scenes or in the Orchestra. Gallery, Pit and Boxes to be opened at Five. 6:30 p.m. [Repeated in the subsequent bills.] Messrs Crawford, Vincent, and Gordon most humbly request that the Nobility and Gentry, Subscribers to the Operas for the ensuing Season, will please send their Subssciptions to Andrew Drummond and Co., Bankers at Charing Cross; or to Crawford, at the theatre, where attendance will be given every day from Ten to Two, to receive Subscriptions, and the names of the Subscribers who are pleased to honor the Managers with their Protection to enable them to get the Tickets engraved before the Operas begin (Public Advertiser through October and November)

Performances

Mainpiece Title: Eumene

Dance: NNew Dances-

Event Comment: Benefit for Miss Simson, Mrs Cross, Tassoni. Tickets deliver'd to Rogier will be admitted

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The Devil to Pay

Dance: End: New Comic Dance-Tassoni, Sga Giorgi; End Farce: A Minuet-Rogier, Miss Rogers (scholar to Noverre)

Event Comment: Benefit for Fox, Mrs Simson and Mrs Cross. By Desire. Tickets deliver'd for The Conscious Lovers will be Taken

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Register Office

Dance: End: A Louvre and Minuet-Giorgi, Miss Simson

Event Comment: IImogen by a Young Gentlewoman-(Miss Yonge) (Cross Diary). Miss Younge--an elegant Figure in both dresses, a very good voice, but wants management, --a great deal of acting about her, and would make a great figure, if she had a better face. Upon the whole she played the part amazingly well, and had deserved applause (Hopkins Diary)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Elopement

Related Works
Related Work: The Duenna; or, The Double Elopement Author(s): Richard B. Sheridan

Dance: III: The Irish Haymakers-Giorgi, Mrs King

Event Comment: [Messrs Vincent and Gordon beg the Nobility and Gentry that intend honouring them with their protection the ensuing season of Opera will pay their subscriptions to Messrs Drummonds, Bankers, Charing Cross. The subscription is for 50 nights only. A letter from Timotheus in the Public Advertiser: "I repeatedly see in your paper an advertisement from the managers of the opera to solicit subscriptions from the Nobility and Gentry to enable them to carry it on. Surely, from the specimin they have already given us of their performance in the serious way, never had managers less claim to the countenance and favour of the public. In the whole company but one voice, and that just tolerable and no more; compared indeed to the rest a nightengale. Then, Sir, for their dancers, they seem so perfectly so well suited to the singers, that 't is difficult to pronounce to which of them the palm should be allotted. For the Figurers, one only excepted, they seem in that article to have paid a due attention to their want of every Talent requisite, by reducing them to so small a number that they look like so many mice scudding about an empty barn. In short, Singers, Dancers, Figurers, Cloaths, Decorations, etc., etc., are all so much of a piece, that if the directors either can't or won't engage better performers, the sooner an end is put to the exhibition of Operas the better it will be." See comment in reply, 8 Nov.

Performances