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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Rich"/1) | (@(roleclean,performerclean) "Mr Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6556 results for: Keyword - Mr Rich.
We found 4555 matches on Event Comments, 1190 matches on Performance Comments, 676 matches on Author, 556 matches on Performance Title, and 0 matches on Roles/Actors.

1926
08 January 1753 @ Covent Garden

Event Comment: A Gentleman did Theodosius. First appearance. He played pretty (Cross). He is identified as William? Smith in Rich's Register

Performances

Mainpiece Title: Theodosius Or The Force Of Love

Afterpiece Title: The Contrivances

Dance: LLes Charboniers, as17521028; Il Pastore, as17521219

1927
10 October 1753 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Capulet-Sparks; Montague-Bridgwater; Escalus-Gibson; Benvolio-Usher; Paris-Anderson; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Bennett; Sampson-Collins; Abram-Dunstall; Balthazar-White; Mercutio-Dyer; Tibalt-Cushing; Nurse-Mrs Pitt; Juliet-aYoung Gentlewoman (who never appeared on any stage before); [With a Masquerade Dance- [proper to the play; [and an Additional Scene introduced representing the Funeral Procession of Juliet-; [which will be accompanied with a Solemn Dirge-; the vocal parts-Lowe, Howard, Legg, Baker, Roberts, Mrs Lampe, Miss Young, Mrs Chambers; [With an Occasional Prologue-Barry.*c1753 10 10 cg A Prologue by Barry to introduce a young gentlewoman in Juliet (Miss Nossiter) who never appear'd upon any stage. Great Applause. The Prologue about Mrs Cibber's Leaving Rich (Cross). Romeo was perform'd by Barry and Juliet by Miss Nossiter, being the first time of her appearing on any theatre. The delicacy of her figure, and her gracefull distress, obtained for her the warmest applause; and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.] and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.]

1928
10 November 1753 @ Covent Garden

Event Comment: [M$Murphy in caustic comment in the Gray's Inn Journal this date laid out a set of rules for actor decorum for both Managers, but apparently directed it mostly towards Rich]: I. That no player shall during the performance stand with a vacant face, making a tour with his eyes around the House, or ogling the ladies in the Green Boxes, but that he shall to the best of this power, be attentive to the business of the scene in which he is engag'd. II. That no player shall come on imperfect in his part, or take liberties to insert his own jokes and witticisms in the Productions of those Geniuses, for whom he should have the proper respect due to the superiority of their parts. III. That no one shall mistake bawling for Expression; strutting and swaggering for deportment; twisting the body and looking cunning for sprightliness; pinching of hats and standing on tiptoe for graceful attitude; wry faces for Humour, &c., but that each player who cannot arrive at excellence, shall at least pay some regard to decency. IV. That Murder shall always be committed on stage without being comical

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Sorcerer

1929
18 January 1754 @ Covent Garden

Event Comment: Printed books of the opera will be sold at the theatre. Published this day at 1s. Lo Studente A La Moda, dramma comicogiocoso, as it is acted at the Theatre Royal in Covent Garden. With an English Translation. Sold by H. Woodfall...Where may be had Gli Amanti Gelosi, with an English translation. [Opera in there acts in Italian and French. Larpent MS 103. Altered from A. Polomba La Violante. Music by G. B. Pergolesi. Rich applied to the Duke of Grafton (9 Jan.) for license to perform it.

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: Entertainment-[unspecified]

1930
11 February 1754 @ Covent Garden

Event Comment: Comic Opera in Italian and French, 3 Acts (Larpent MS 107). Subtitle, O Sia, Il Finto Femmina. La Musica e del Sig Leonardo Leo, Maestro di Capella Napolitano (Edition of 1752, Amsterdam). [Rich had applied for license to Duke of Grafton 8 Feb.] This day at Noon will be publish'd at 1s. L'Amor Costante, Dramma Comico, pe Musica, as it is acted at Covent Garden. With an English translation. Sold by H. Woodfall

Performances

Mainpiece Title: Lamour Costante

Dance: [Unspecified.]

1931
01 January 1756 @ Covent Garden

Event Comment: [No paper for this day. Rich's Register suggests Romeo and Juliet but gives no afterpiece. Hogan quotes from a Playbill in the Enthoven Collection, Victoria and Albert Museum.

Performances

Mainpiece Title: Romeo And Juliet

1932
27 February 1756 @ Covent Garden

Event Comment: [W+Winston MS 8 lists the mainpiece as All for Love. But Love for Love appears in the Public Advertiser and in Rich's Register.

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Englishman Returnd from Paris

Dance: As17551101

1933
10 April 1758 @ Covent Garden

Event Comment: Benefit for Clarke. Mainpiece: Not acted these 8 years. [See 22 March 1750.] No building on the Stage. Receipts: #49 4s. 6d. Charges: #63. Deficiency covered by #114 14s. from tickets (boxes 160; pit 394; gallery 156). Rec'd from John Rich, #300, being part of the sum paid Mrs Finny on account of the New Building. Paid out for sundries from the theatres and sum, to Barry and Lee, #284 14s. (Account Book)

Performances

Mainpiece Title: Anna Bullen Or Virtue Betrayed

Afterpiece Title: The Englishman Returned from Paris

Ballet: JJudgment of Paris. As17580407

Dance: JJovial Coopers, as17571107

Music: By Desire, a piece onthe Welch Harp-Roberts

1934
14 April 1758 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pritchard. Part of Pit laid into Boxes. This day publish'd, Price 1s. Brief Remarks on the Original and Present State of the Drama. To which is added Hecate's Prophecy, being a characteristic Dialogue between future Mangers and their Dependents. [William Shirley? A most virulent attack on Garrick's management as well as Rich's Quotes from the Herald No. XX, a denunciatory article on the managers, deplores the pamphleteering attempt to praise Garrick, asks "Shall he shine the God of our Idolatry, merely for excluding every other emulous and aspiring candidate?"] Receipts: #170 (Cross)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Apprentice

Dance: II: The Italian Peasants, as17571004; End: By Desire, a Minuet-Noverre, Miss Pritchard

1935
02 September 1758 @ Bartholomew Fair

Performances

Mainpiece Title: The Old Widow Bewitchd Or The Devil To Do About Her

Performance Comment: With the droll Humours of Capt Fluellin, Capt Culverin, Loadham, Pinchgut, Meagre, Capt Bellair, Old Widow Rich, Belinda, and Jenny.

Afterpiece Title: The Joyous Return of the Brave British Tars from the Conquest of Cape Breton

1936
10 November 1758 @ Drury Lane Theatre

Event Comment: Mainpiece: By Particular Desire. [The London Chronicle 1758, p. 462, comments fully and very favorably on the performance of The Wonder, specifying the acting of Garrick, Miss Macklin, Palmer, and Mrs Davies, adding: "To this comedy was added a Pantomime Entertainment called Harlequin Ranger, which in spite of whatever may be urged to the contrary, I think diverting. And though it is against the general opinion, Woodward's pantomimes are, in my judgment, much superior to Rich's."] Receipts: #180 (Cross); #153 9s. (Winston MS 8)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Harlequin Ranger

1937
02 October 1759 @ Drury Lane Theatre

Event Comment: KKing did Tom (Well) Mrs Clive being taken ill-Mrs Abington did Phillis & I borrow Mrs Baker from Rich to do Lucinda. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Related Works
Related Work: The Conscious Lovers Author(s): Richard Steele

Afterpiece Title: The Englishman in Paris

1938
18 October 1759 @ Covent Garden

Event Comment: Receipts: #115 1s. 6d. Sent Mrs Ward by order of Rich #10; Paid for a Pompadour Cloath Coat & Breeches, Waistcoat button holes & binding gold #10 10s.; for a suit embroider'd with silver #8 8s.; for a Blue coat for Hull #1 3s.; for a Coat and waistcoat loop'd and bound with gold #7 7s. Advanc'd to Beard #60

Performances

Mainpiece Title: The Beggars Opera

Cast
Role: Richmore Actor: Ridout

Afterpiece Title: The Lying Valet

Dance: As17591017

1939
23 October 1759 @ Drury Lane Theatre

Event Comment: bout this time in the month was printed a 42-page pamphlet, Reasons why David Garrick should not appear on the Stage, in a Letter to John Rich. This is high praise of Garrick: 'I am so blinded either by prejudice of admiration that I can see nobody else" when Garrick plays.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Fortunatus

1940
30 October 1759 @ Covent Garden

Event Comment: Receipts: #151 15s. 6d. Sent Mrs Ward by order of Rich #10. Paid Messrs Powell & Co for Miss White #3 12s

Performances

Mainpiece Title: The Beggars Opera

Cast
Role: Richmore Actor: Ridout

Afterpiece Title: Miss in Her Teens

Dance: As17591023

1941
31 October 1759 @ Drury Lane Theatre

Event Comment: Farce hiss'd (Cross). The Confederacy is oblig'd to be deferr'd a few days (playbill). [Goldsmith in The Bee (Vol. 1759, p. 154) comments on the farce: "Too narrow a plan...The poor affecting the manners of the rich might be carried on through one character or two, at the most, with great propriety; but to have almost every personage on the scene almost of the same character, was unartful in the poet to the last degree." He laments the barrenness of incident, but admits one or two scenes are "fine satire and sufficiently humorous...Whatever defects there might be in the composition, there were none in the action; in this the performers shewed more humour than I had fancied them capable of."] Receipts: #160 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: High Life Below Stairs

1942
14 November 1759 @ Covent Garden

Event Comment: Receipts. #132 18s. 6d. British Chronicle: Rich has cleared #5000 besides his Expenses by the run of The Beggar's Opera (Winston MS 8)

Performances

Mainpiece Title: The Beggars Opera

Cast
Role: Richmore Actor: Ridout

Afterpiece Title: The School Boy

Dance: As17591113

1943
05 December 1759 @ Covent Garden

Event Comment: Receipts: #69. Paid J. Rich as per receipt #500. [The favorable balance of the house at this point was #1508.

Performances

Mainpiece Title: Theodosius Or The Force Of Love

Afterpiece Title: Lethe

Dance: TThe Dutch Skipper-Poitier Jr, as17591017

1944
06 December 1759 @ Covent Garden

Event Comment: Receipts: #52 10s. 6d. Paid Jno Rich Esq as per receipt #52 10s

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Contrivances

Dance: FFingalian Dance-Miss Hilliard, as17591102

1945
12 December 1759 @ Covent Garden

Event Comment: Receipts: Benefit for Jackson, Charges #84. Cash #49 16s. 6d. plus #113 19s. from tickets (Boxes 83; Pit 432; Gallery 284). Total Income #163 15s. 6d. Paid Rich on account #500; Paid Ledley for 16 doz. Wax Candles #24 16s

Performances

Mainpiece Title: Zara

Afterpiece Title: Lethe

Dance: FFingalian Dance-Miss Hilliard

1946
21 December 1759 @ Covent Garden

Event Comment: Benefit for the General Lying-In Hospital, Duke Street. Receipts: #56, plus #142 6s. from tickets. Total #198 6s. Charges #84. Paid J. Rich on acct, #547 10s

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Englishman Returned from Paris

Dance: As17591218

1947
26 January 1760 @ Covent Garden

Event Comment: Receipts: #150. Paid Meares #1 6s.; Mock #1 10s.; Kemp #9 12s.; John Rich #500; Mrs Colman for a purple and silver gown #18 18s

Performances

Mainpiece Title: Comus

1948
12 April 1760 @ Covent Garden

Event Comment: Benefit for Mrs Dyer, Miss Helm, Mrs Viviez, Mrs Leppie. Tickets delvier'd out by Redman, Chapman, and others will be taken. Receipts #23 14s. 6d. plus 1!2 value of tickets. @Tickets Mrs Dyer Box 8@Pit 35@Gallery 29@Value #10 3s.@1!2 Value #5 1s. 6d.@Tickets Miss Helm Box 3@Pit 20 Gallery 20@Value #7 5s.@1!2 Value #3 12s. 6d.@Tickets Mrs Viviez Box 15@Pit 42@Gallery 71@Value #17 3s.@1!2 Value #8 11s. 6d.@Tickets Mrs Leppie Box 6@Pit 38@Gallery 34@Value #10 12s.@1!2 Value #5 6s.@Tickets Redman Box -@Pit 40@Gallery 44@Value #9 16s.@1!2 Value #4 18s.@Tickets Chapman Box 52@Pit 150@Gallery 79@Value 43 8s.@1!2 Value #21 14s.@Tickets Jarvis Box 3@Pit 77@Gallery 55@Value #18 8s.@1!2 Value #9 14s.@Tickets Cockayne Box 2@Pit 19@Gallery 7@Value #4 1s.@1!2 Value #2 6d.@Tickets Dumay Box 17@Pit 31@Gallery 36@Value #12 10s.@1!2 Value #6 5s.@Tickets Mrs Granier Box -@Pit 18@Gallery 16@Value #4 6s.@1!2 Value #2 3s.@Tickets Miss Davis Box 23@Pit 27@Gallery 13@Value #11 2s.@1!2 Value #5 11s. (Gratis)@Tickets Paddock Box 1@Pit 24@Gallery 26@Value #6 9s.@1!2 Value #3 4s. 6d.@Tickets Hitchcock Box 17@Pit 42@Gallery 3@Value #10 17s.@1!2 Value #5 8s. 6d. (Gratis)@Total Box 147@Pit 573@Gallery 433@Value #166@1!2 Value #83 Money #23 14s. 6d.@#106 14s. 6d. #9 12s.; Paid Blackmore a bill for the theatre, #71 12s. 6d.; A Bill for Rich #30 0s. 6d

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: A Duke and no Duke

Dance: II: Fingalian Dance-Miss Hilliard; End: The Threshers-Leppie, Granier, Mlle Capdeville

1949
28 April 1760 @ Covent Garden

Event Comment: Benefit for Miles, Mrs Baker, Miss Young. Tickets delivered out by Miss Ferguson will be taken. Receipts: #7 15s. 4d. covered by income from tickets. @Tickets Miles Box 15@Pit 178@Gallery 62@Value #36 13s.@Tickets Mrs Baker Box 86@Pit 124@Gallery 67@Value #46 16s.@Tickets Miss Young Box 18@Pit 75@Gallery 80@Value #23 15s.@Tickets Miss Ferguson Box 9@Pit 57@Gallery 39@Value #14 14s.@Total Box 128@Pit 434@Gallery 248@Value #121 12s.@ Paid Rich on account #21. Paid Meares 3s. [The house is now running a deficit of #371.

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: Harlequin Statue

Song: II, IV: A Song-Miss Brent

Dance: III: The Drunken Peasant-Miles, with Clown - Bennet

1950
05 May 1760 @ Drury Lane Theatre

Event Comment: Benefit for Packer and Champnes. Tickets delivered out for The Squire of Alsatia and The Lady's Last Stake will be taken. No Building on Stage. Full prices. [Rich's Register lists The Lady's Last Stake as mainpiece.

Performances

Mainpiece Title: The Funeral

Related Works
Related Work: The Funeral, or, Grief a la Mode Author(s): Richard Steele

Afterpiece Title: Harlequins Invasion

Dance: III: The Cow Keepers, as17600313