Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Phillip Massenger"/1) | (@(roleclean,performerclean) "Mr Phillip Massenger")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
6076 results for: Keyword - Mr Phillip Massenger
We found 4325 matches on Event Comments, 1468 matches on Performance Comments, 645 matches on Performance Title, 98 matches on Author, and 0 matches on Roles/Actors.

1326
08 September 1749 @ Southwark Fair

Event Comment: At Phillips' Booth

Performances

Mainpiece Title: The Industrious Lovers

Afterpiece Title: The Harlot's Progress

1327
09 September 1749 @ Southwark Fair

Event Comment: At Phillips' Booth

Performances

Mainpiece Title: The Industrious Lovers

Afterpiece Title: The Harlot's Progress

1328
12 September 1749 @ Southwark Fair

Event Comment: At Phillips' Booth

Performances

Mainpiece Title: The Industrious Lovers

Afterpiece Title: The Harlot's Progress

1329
15 September 1749 @ Southwark Fair

Event Comment: At Phillip's Theatrical Booth, Bowling Green. Benefit for Lort. A Concert, etc. To begin at seven o'clock. Prices: Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. [Customary data appearing in the rest of the bills, but not repeated here.

Performances

Mainpiece Title: The London Merchant; Or, The True And Antient History Of George Barnwell

Entertainment: EEquilibres on the Slack Rope-Lort

1330
11 November 1749 @ Haymarket Theatre

Event Comment: Benefit for Mrs Hoper. The Second Night. Mrs Hoper's Prologue to the Town, By a Friend: @Tonight a Female author heads the stage@Warm'd by the grand productions of the age;@To shine among the modern Bards aspires,@As the Moon glisters midst the lesser fires:@Pants to be rank'd with Sapho, Phillips, Behn@And prove that women write as well as Men.@Bold in the drama's cause, attacks the fashion@Where Novelty appears the reigning passion,@With drooping spirits draws the Tragic Queen@Like your fine ladies troubled with the spleen:@Nor trusts her meaning to the strolling Elf@But represents the character herself.@ [Suggests her friends reproved her for turning player, but she thought it more honorable than going into debt.] @The Stage is innocent and brings no shame@Unless the players are themselves to blame@'Twas meant as Virtue's School;--Tis no disgrace@To act a virtuous part, in any Place.@ [Closes with appeal to audience to be charitable to "this firstling of her quill, to support her generously with applause. See Daily Advertiser.

Performances

Mainpiece Title: Queen Tragedy Restored

1331
25 January 1750 @ Southwark

Event Comment: At the New Theatre, Bowling Green, Southwark. Benefit for Mrs Phillips, who plays the Distrest Mother. With the Original Epilogue. Box seats 2s. (Daily Advertiser)

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Virgin Unmasked

1332
18 September 1753 @ Southwark Fair

Event Comment: At Phillips's Great Theatrical Booth, facing the Great Til'd Booth, Bowling Green, To begin at Twelve noon during the time of the Fair. Boxes 2s. 6d. Pit 1s. 6d. Upper seats 6d. [For security Phillips has erected no Gallery. Presumably the Patent Theatres were demanding more rigid enforcement of the Licensing Act as indicated in the notice from the Daily Advertiser 18 Sept.: Whereas the Fair called Lady Fair...in the Borough of Southwark...any person or persons..who person..(who ) shall act and exhibit any Droll or Shew (after 20 Sept.) shall be prosecuted and punished according to Law.'

Performances

Mainpiece Title: The Royal Slave; Or, A Wife For Ye All

Afterpiece Title: The Witch of Endor

1333
24 September 1753 @ Southwark Fair

Event Comment: At Phillip's Booth

Performances

Mainpiece Title: The Royal Slave

Afterpiece Title: The Witch of Endor

1334
16 March 1756 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Fortunatus

Performance Comment: As17551031, but Others-Phillips, _Johnson.
Cast
Role: Others Actor: Phillips, _Johnson.

Dance: As17560213

1335
26 October 1757 @ Covent Garden

Event Comment: Receipts: #55 16s. 6d. Paid Phillips for dancing in the Sorcerer #2 2s. (Account Book)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Merlin (Harlequin Skeleton)

1336
08 May 1764 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Lee and Phillips. Charges: #64 4s. (MacMillan)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Fairy Tale

Dance: The Irish Lilt, as17630922

1337
22 April 1766 @ Drury Lane Theatre

Event Comment: Benefit for Hopkins, prompter and Mrs Hopkins. Afterpiece: A Ballad Pastoral in two acts (by Allan Ramsay) with original Scotch music. Never Performed there. Tickets deliver'd by Phillips will be taken

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Gentle Shepherd

Entertainment: RRalph Ramble, or O Rare London-King, at End of Play By Particular Desire, followed by

Dance: %New Tambourine, as17660123

1338
04 August 1768 @ Mary-le-Bone Gardens

Event Comment: Benefit for Phillips. Dr Arne having granted it only on this Occasion, the comic Interlude of Two Acts which met with the highest Approbation and Applause on Master Brown's Night. Preceded by Entertainments of songs

Performances

Mainpiece Title: Capochio And Dorinna

Entertainment: As17680728 but a Burlesque Ode-_

1339
20 April 1772 @ Covent Garden

Event Comment: Rec'd from Thomas and Arnold for use of the Organ this season #21, and for coals burnt at the Oratorios #2 2s. Rec'd #54 14s. 8d. in payment of deficiencies for last season's benefit performances from Dumay, Curtat, Merryfield and Wignell. Paid Garton (treasurer) 11 Oratorio nights for renters #110. Paid Phillips in full for his performance this season #21 (Account Book). Receipts: #117 5s. (Account Book)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Mother Shipton

1340
14 November 1772 @ Covent Garden

Event Comment: Rec'd #59 from various actors for their deficiencies last season, and #4 6d. from Phillips for old cloaths. Paid for a Lottery Ticket No. 51,822, #13 (Account Book). Receipts: #113 7s

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Comus

1341
25 August 1773 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: La Zingara; Or, The Gipsey

Performance Comment: Vocal parts-Dibdin (of Drury Lane), Phillips, Mrs Barthelemon.

1342
26 April 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: A Pasticcio

Performance Comment: Scene I. A Cottage, Sea at a Distance. Auld Robin Grey by Miss Phillips. Scene II. The Soldier Tir'd of War's Alarms, as17840414 Scene III. The Cave of Echo. They say there is an Echo here by Suett, Williames, Barrymore. Scene IV. As Scene III, 12 Apr. To conclude with The Sportsmen's Return, as17840311athi .

Afterpiece Title: The Double Disguise

Cast
Role: Emily Actor: Miss Phillips.

1343
11 February 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Music That Was Selected For The Commemoration Of Handel, In Westminster Abbey And The Pantheon, The 26th And 27th Of May, 1784

Performance Comment: [In subsequent seasons this was performed under the title of Redemption]. Principal Vocal Parts by Norris, Reinhold; Miss George, Miss Phillips. 1st Violin-Richards .

1344
11 October 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Dignum; Sir Harry Sycamore-Parsons; Fairfield-Aickin; Mervin-Williames; Ralph-Suett; Giles-Bannister; Fanny-Mrs Wrighten; Lady Sycamore-Mrs Hopkins; Theodosia-Miss Stageldoir; Patty-Mrs Crouch (late Miss Phillips) .

Afterpiece Title: The Caldron

Dance: As17850927

1345
16 May 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Pirates

Afterpiece Title: THE ENGLISHMAN IN PARIS

Dance: In mainpiece Dances (composed by D'Egville) by Hamoir, G. D'Egville, Master D'Egville, Miss Menage, Miss Phillips, the Miss D'Egvilles, &c.; In Act II of afterpiece a Minuet by Hamoir and Miss De Camp

Performance Comment: D'Egville, Master D'Egville, Miss Menage, Miss Phillips, the Miss D'Egvilles, &c.; In Act II of afterpiece a Minuet by Hamoir and Miss De Camp .

1346
27 October 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Pirates

Afterpiece Title: The Sultan

Dance: In: Dances (composed by D'Egville)-G. D'Egville, Master D'Egville, Miss Menage, Miss Phillips, the Miss D'Egvilles

Performance Comment: D'Egville, Master D'Egville, Miss Menage, Miss Phillips, the Miss D'Egvilles.

1347
17 November 1794 @ Covent Garden

Event Comment: Afterpiece [1st time; BALL. P 2, by James Byrn. Synopsis of action, somewhat enlarged from that on playbill (H. Macleish, 1794)]: The Music partly new by Shield, and partly selected from Haydn, Mazzinghi, Gluck, Baumgarten, Gretry, Martin? y Soler, Dezede, Eley. With a new Overture for a Double Orchestra composed by Reeve. The Scenery, Machinery, Dresses and Decorations are entirely New. The Scenery painted by Hodgins, Walmsley, Phillips and Lupino Jun., assisted by Hollogan, Byrn, &c. The Dresses chiefly designed by Lupino Sen., and executed under the direction of Dick. "This ballet [is] the most magnificent exhibited on the English stage for many years" (Universal Magazine, Nov. 1794, p. 378). Receipts: #136 13s. 6d. (123.12.6; 13.1.0)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

1348
26 December 1794 @ Covent Garden

Event Comment: [Mainpiece in place of The Earl of Essex, advertised on playbill of 23 Dec.] Afterpiece [1st time; P 1]: Composed, prepared and directed by Mark? Lonsdale. With new Music, Scenery, Machinery, Dresses and Decorations. The Dances by Byrn. The Music partly composed new by Shield [the printed score (Preston and Son [1794]) contains rest of new music, by Aylward , Atterbury, Spofforth, Howard, with overture by Gretry (from Evenements Imprevus)]; the rest selected by Goodwin from the works of Haydn, Aylward, Baumgarten, Boccherini, Pleyel, Gluck, Reeve, Dr Arne, Ware, Leffler Jun. & Spofforth. The Scenery (with very few exceptions) expressly designed and executed by Richards, Walmsley, Phillips, Lupino Jun. and Hodgins; assisted by Byrne, Holland, Thorne, Hollogan and others. The Dresses under the direction of Dick. Books of the Songs to be had at the Theatre. Receipts: #286 1s. (270.8; 15.13)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Mago and Dago; or, Harlequin the Hero

1349
06 April 1795 @ Covent Garden

Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

1350
05 June 1795 @ Drury Lane Theatre

Event Comment: Tickets delivered for this Evening [Account-Book: by Stokes, Massingham, Massingham Jun., Gray, Cole, Hough, Tice, Calkin, Ross, Thompson, Fosbrook, Faux, Gillis, Waters, Perry, Chumbley, Powell, Appleby, Chatterley, Roffey, Henderson, Phillips, Master Gregson, Mrs Scott] will be admitted. Receipts: #623 14s. 6d. (64.11.6; 26.2.0; 9.19.6; tickets: 523.1.6)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Adopted Child