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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Penkethmans New Theatre in Greenwich"/1) | (@(roleclean,performerclean) "Mr Penkethmans New Theatre in Greenwich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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12712 results for: Keyword - Mr Penkethman's New Theatre in Greenwich
We found 8123 matches on Event Comments, 3410 matches on Performance Comments, 3175 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.

1651
June 1697 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Novelty 0

Afterpiece Title: The Novelty 1; Thyrsis, A Pastoral

Afterpiece Title: The Novelty 2; All Without Money

Afterpiece Title: The Novelty 3; Hercules [By Peter Motteux

Afterpiece Title: The Novelty 4; The Unfortunate Couple

Afterpiece Title: The Novelty 5; Natural Magick

1652
04 May 1722 @ Clafton

Event Comment: London Journal, 12 May: Was acted at Mr Newcomb's School, formerly Mr Morland's School, at Clapton, near Hackney, the late Mr Hugh's Play...with great Applause, they having the proper Habits and Decorations. Tis said, the Lad that acted the Lady was adorned with Jewels to the Value of Six Thousand Pounds; there was a great Number of Gentry to see the Performance

Performances

Mainpiece Title: The Siege Of Damascus

Performance Comment: The Scholars of Mr Newcomb's School.

1653
09 May 1732 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Old Batchelor

Music: Instead of Act Tunes will be perform'd Select Pieces of Musick adapted to various Instruments, Being deisgn'd as a Concert Intermix'd with the Play. For theOverture: a Grand Concerto- by Dr Pepusch, in which the Kettle Drums are principal,; accompanied with Trumpets Hautboys Violin-; The Kettle Drums-Mr Benj. Baker; V: That celebrated Piece, The Water Musick-; by Mr Handel, for Trumpets, French Horns, Kettle-Drums, Hautboys. Concluding with a Preamble on the Kettle@Drums-Benj. Baker

Dance: II: Tambourin-Miss Rogers; In III: Scots Dance-Mrs Bullock; III: Two Pierrots-Poitier, Pelling; IV: Sicilian-Glover, Mrs Pelling; V: Comic Dance in the Footing Manner-Jones, Mrs Ogden, with some Additions to it, never performed before

Song: I: Mrs Wright

1654
28 May 1735 @ Tottenham Court

Performances

Mainpiece Title: The Drummer

Song: The Apprentices, Wardens, and Masters Songs, to be sung by a worthy Brother

1655
25 February 1741 @ Drury Lane Theatre

Performances

Mainpiece Title: Rosamond

1656
16 March 1741 @ Goodman's Fields

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Contrivances

Song: Miss Medina, Mrs Jones

Dance: HHornpipe-Yates

1657
03 November 1749 @ Drury Lane Theatre

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Lottery

Dance: TThe Grand Scotch Dance, as17491031; Venetian Gardeners, as17491031

1658
22 October 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Padlock

1659
15 March 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Man of Quality

Dance: V: The Mountaineers, as17730930

1660
18 November 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Lottery

1661
15 July 1785 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Spanish Fryar; Or, The Comical Discovery

Afterpiece Title: Midas

Afterpiece Title: Mother Shipton; or, Harlequin Gladiator

Song: End of Act II of 1st piece The Pidgeon by Miss Cranford; End of 1st piece Four and Twenty Fidlers all on a Row by Wellman

Monologue: 1785 07 15 End of 2nd song Bucks have at ye all by Benson

1662
29 September 1786 @ Covent Garden

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Love in a Camp

1663
06 May 1796 @ Covent Garden

Performances

Mainpiece Title: The Mask'd Friend

Afterpiece Title: The Way to Get Un-Married

Afterpiece Title: The Farmer

Song: In 2nd piece: The Sportman's snug little Cot-Incledon

Entertainment: Monologues, with Songs.End: The Barber's Petition-Fawcett (1st time); [with a song in character, Wigs [including His Own Wig, The Lover's Wig, Doctor's Wig, Coachman's Wig, Counsellor's Wig-Fawcett; End 2nd piece: A Ramble to Bath (1st time) [with a descriptive song in the character of Jacob Gawkey [in The Chapter of Accidents]-Knight

1664
19 September 1745 @ Drury Lane Theatre

Event Comment: At Common Prices. Places for Boxes to be taken of Hobson, at the Stage Door of the Theatre. To begin exactly at 6 o'clock

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Mills; Aimwell-Delane; Sullen-Winstone; Scrub-Macklin; Gibbet-Neale; Mrs Sullen-Mrs Woffington; Dorinda-Mrs Mills; Lady Bountiful-Mrs Bridges; Cherry-Mrs Ridout; Boniface-I. Sparkes; Foigard-Barrington (from the Theatre in Dublin).

Song: Lowe, Mrs Arne

1665
14 February 1777 @ Covent Garden

Event Comment: Boxes 10s. 6d. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. Places for the Boxes to be taken of Sarjant (only) at the Stage Door. Books of the Oratorios to be had at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season. The date of Tenducci's re-appearance in London seems to have been a matter of some uncertainty (see dl, 10 Feb.)]

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Principal Vocal Parts-Tenducci (1st appearance at that theatre these 8 years), Saville, Reinhold, Miss Storace, Miss Harrop (1st public appearance).

Music: End of Part I: concerto on the violoncello-Cervetto; End of Part II: concerto on the violin-Lamotte

1666
11 June 1777 @ Haymarket Theatre

Event Comment: "[Henderson] appears to have cultivated the gifts of nature, with great industry; he promises better to attain the character of a player of consummate judgment than a great player, properly so called. Edwin, in spite of his thin voice and disgusting articulation, is at least equal to half his London contemporaries; and exhibited proofs that neither his conception, nor style of playing, is limited to a particular cast of parts, or mode of acting" (London Magazine, June 1777, p. 288). [ Miss Barsanti was from the Crow Street Theatre, Dublin.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Henderson (from the Theatre Royal, Bath; 1st appearance in London); Antonio-Younger; Bassanio-Davies; Salanio-Egan; Solarino-T. Davis; Lorenzo (with songs)-Du-Bellamy; Old Gobbo-Blissett; Tubal-Massey; Launcelot-Edwin; Duke-Fearon; Gratiano-Palmer; Nerissa-Mrs Hunter; Jessica (with a song)-Mrs Hitchcock; Portia-Miss Barsanti (1st appearance on this stage).

Afterpiece Title: Piety in Pattens