Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Penkethmans New Theatre in Greenwich"/1) | (@(roleclean,performerclean) "Mr Penkethmans New Theatre in Greenwich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
12712 results for: Keyword - Mr Penkethman's New Theatre in Greenwich
We found 8123 matches on Event Comments, 3410 matches on Performance Comments, 3175 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.

10026
24 February 1772 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Mother Shipton with Alterations

Performance Comment: As17711226, but The Characters-_Lewes; With alterations; The Two Additional Scenes as exhibited in Harlequin Skeleton are added and the Ballad Singer with a New Song for 7th time-Dunstall.

10027
25 February 1772 @ Covent Garden

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Mother Shipton

Performance Comment: [As17720224 but to avoid confusion full cast listed.] Ballad Singer-Dunstall (with a new song); other-Rayner, Cushing, Morris, Thompson, Wild, Banks, Bates, Walters, Holtom, Hamilton, King, Baker, Mrs Dyer; Dancing-Fishar, Hamoir, Sga Manesiere, Miss Hamoir.

10028
08 April 1772 @ Covent Garden

Event Comment: A solo on the Violincello as 11 March; and Cirri's New Concerto on the Violin as 20 March. Charges: #35 (Account Book)

Performances

Mainpiece Title: Concerto Spirituale

10029
29 June 1772 @ Haymarket Theatre

Event Comment: Mainpiece: A New Comedy in three Acts written by Foote

Performances

Mainpiece Title: The Nabob

Afterpiece Title: The Virgin Unmask'd

Dance: As17720615

10030
27 July 1772 @ Haymarket Theatre

Event Comment: Mainpiece: By Particular Desire. Afterpiece: A new dramatic Pastoral Farce. The Music composed by Hook. Play by Francis Gentleman

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: Cupid's Revenge

Dance: As17720615

10031
04 November 1772 @ Covent Garden

Event Comment: Afterpiece [by Bickerstaffe]: a Musical Entertainment never performed there before. The Cnaracters new dress'd. [Daphne identified by Winston MS 10 and by Kemble note on playbill.] Paid Cooper (printer) #42 1s. (Account Book). [Reviewer for Town and Country Magazine commends Miss Wewitzer for the lower register of her voice. Belives she will be a credit to her tutor, Griffiths the Organist."] Receipts: #181 4s. 6d

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Daphne and Amintor

Dance: End: The Merry Sailors, as17721012

10032
06 November 1772 @ Covent Garden

Event Comment: Mainpiece: Not acted these 20 years. [See 16 April 1751.] With the Decorations prescribed by Shakespeare. The Characters new Dressed in the Haibts of the Times. [The reviewer for Town and Country Magazine preferred Mrs Hartley's acting in Jane Shore to that in Henry VIII, where she frequently sunk into a whining monotony which from the length of some of the speeches became very disagreeable.' She did, however, he thought, do the last scene well.] Receipts: #223 13s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Deuce Is in Him

10033
01 December 1772 @ Covent Garden

Event Comment: Paid Cipriani (painter) as per bill #42. Paid McMillen (Shoemaker) #18 2s., and Love & Lewis (woolen drapers) #11 7s. (Account Book). [Cipriani possibly painted new scenes for Elfrida.] Receipts: #152 4s

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Royal Chace

10034
05 December 1772 @ Covent Garden

Event Comment: Afterpiece: A New Piece in 2 Acts [by William O'Brien] never perform'd. [Genest, V, 363, assigns parts as follows: Grub-$Shuter; Consol-$Quick; Chapeau-$Lewes; George Bevil-$Wroughton; Robin-$Dyer; Mrs Grub-$Mrs Green; Emily-$Mrs Bulkley; Jenny-$Mrs Kniveton. See playbill 8 Oct. 1773. Plot given in detail in Town and Country Magazine for this month.

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Cross Purposes

Dance: End: The Recruits, as17721117

10035
01 January 1773 @ Covent Garden

Event Comment: [The preliminary number of The Westminster Magazine this date heartily condemned Colman's Comus "picked down into a skeleton," his production of King Henry VIII, and the new play Cross Purposes.] Receipts: #172 10s

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin Sorcerer

10036
22 February 1773 @ Drury Lane Theatre

Event Comment: The New Tragedy of Alonzo oblig'd to be deferr'd for a few days. Receipts: #168 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Irish Widow

Dance: I: Comic Dance, as17720922; End Act I Afterpiece: The Irish Fair, as17721023

10037
13 March 1773 @ Covent Garden

Event Comment: Ninth Night. For the Author. On Monday (never performed) a New Comedy call'd The Mistakes of a Night. Charges #67 4s. Profit to Author #83 6s. Paid Younger for a License for Mistakes of a Night #2 2s. (Account Book). Receipts: #150 10s

Performances

Mainpiece Title: Alzuma

Afterpiece Title: The Upholsterer

10038
15 March 1773 @ Covent Garden

Event Comment: Mainpiece: A New Comedy [by Oliver Goldsmith] never perform'd. [Carried in the Account Book under its secondary title. A long and grudgingly favorable review appeared in the Westminster Magazine: On the whole the Comedy has many excellent qualities: though we cannot venture to recommend it as a pattern for imitation. Still attached to the laudable intent of it, we wish it may keep possession of the stage till a better comedy comes to relieve it." There follows a long account of Foote's Puppet Show.] Receipts: #234 11s. 6d

Performances

Mainpiece Title: She Stoops To Conquor; Or, The Mistakes Of A Night

Afterpiece Title: Thomasand Sally

10039
18 March 1773 @ Covent Garden

Event Comment: Third Night. For the Author. The Fourth Night of the New Comedy is oblig'd, on account of the Benefits, to be deferr'd till Thursday the 25th of the month. Charges #64 5s. Profit to author #183 10s. (Account Book). Receipts: #247 15s

Performances

Mainpiece Title: She Stoops To Conquor

Afterpiece Title: The Englishman in Paris

10040
25 March 1773 @ Covent Garden

Event Comment: Afterpiece: By Particular Desire. The fifth Night of the New Comedy is oblig'd, on account of the Benefits to be deferr'd till Thursday the 1st of April. Receipts: #221 12s

Performances

Mainpiece Title: She Stoops To Conquor

Afterpiece Title: Daphne and Amintor

10041
14 April 1773 @ Covent Garden

Event Comment: Benefit for Mattocks. Mainpiece: Performed but once this season. Tomorrow (Seventh Time). The NEW COMEDY of She Stoops to Conquor.--with (By Desire) The Upholsterer. Charges #74 9s. 6d. Profit to Mattocks #74 10s. 6d., plus #26 13s. from tickets (Box 91; Pit 26). Paid Mrs Leverton (mantua maker) #15 19s. (Account Book). Receipts: #149

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Englishman in Paris

Dance: End Opera: The Irish Lilt, as17721028

10042
14 April 1773 @ Crown and Anchor Tavern

Event Comment: At the Crown and Anchor. A Religious Allegorical Poem to be rehearsed, yet in Manuscript, and by the author himself the Reverend George Marriott after the example of the most ancient bards and minstrals, with the assistance of a full orchestra, and vocal performers in the chorusses. The Band conducted and the music (entirely new) composed by Arnold. Postponed by reason of unforseen difficulties in preparing sufficient musical copies of the great number of chorusses. To begin at 7:00 p.m. Prices a quarter guinea each

Performances

Mainpiece Title: The Jesuit

10043
21 April 1773 @ Covent Garden

Event Comment: Benefit for Younger. Tickets deliver'd by Miss Helme will be taken. Tomorrow (the Eight Time) the New Comedy She Stoops to Conquor, with (for the last time this season) The Golden Pippin. Charges #71 16s. 6d.; Profit to Younger #74 13s., plus #65 19s. from tickets (Box 116; Pit 149; Gallery 146) (Account Book). Receipts: #146 9s. 6d

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Afterpiece Title: Harlequin Sorcerer

Dance: End: The Merry Sailors, as17721012

10044
23 April 1773 @ Haymarket Theatre

Event Comment: A sacred Oratorio. The music entirely new composed by Atterbury. Never performed. For this night only. To begin at 6:30. Boxes 5s. Pit 4s. Gallery 3s. Upper Gallery 2s

Performances

Mainpiece Title: Goliath

Music: First Violin, a Concerto-Barthelemon

10045
01 May 1773 @ Covent Garden

Performances

Mainpiece Title: Henry The Second; Or, The Fall Of Rosamond

Performance Comment: Parts by Smith, Clarke, Hull, Wroughton, Thompson, Gardner, R. Smith, Mrs Hull, Miss Pearce, and Mrs Hartley. Henry II-Smith; Abbot-Clarke; Clifford-Hull; Henry Prince of Wales-Wroughton; Leicester-Thompson; Salsbury-Gardner; Verulam-R. Smith; Queen Eleanor-Mrs Hull; Ethelinda-Miss Pearce; Rosamond-Miss Hartley; (Second Edition of 1774) New Prologue-; Epilogue-.
Cast
Role: New Prologue Actor:

Afterpiece Title: The Citizen

Dance: After the Epilogue: The Irish Lilt, as17721028

10046
15 May 1773 @ Drury Lane Theatre

Event Comment: Benefit for Messrs Fawcett and Hartry. Paid salary list #520 7s. 6d.; Recv'd from Sinking Fund #334 10s.; Stopages #17 5s. (Treasurer's Book). On Monday a New Comedy, Never performed, called The Maid of Kent, for the Benefit of Waldron. Receipts: #230 8s. 6d. Charges: #65 14s. Profits to Hartry and Fawcett: #149 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: A Peep behind the Curtain

Entertainment: V: A Dissertation upon Macaronies-Baddeley

10047
26 May 1773 @ Covent Garden

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Daphne and Amintor

Dance: III: Minuets, Cotillons-Merrifield, Dumay, Curtat, Settree, Miss Twist, Mrs Invill, Miss Mathews, Mrs Hartle

Ballet: End: The Wapping Landlady. As17730424 but with a New Hornpipe-Fishar, Mas. Blurton, Sga Manesiere, Miss Twist

Performance Comment: As17730424 but with a New Hornpipe-Fishar, Mas. Blurton, Sga Manesiere, Miss Twist.
Cast
Role: a New Hornpipe Actor: Fishar, Mas. Blurton, Sga Manesiere, Miss Twist.
Role: with a New Hornpipe Actor: Fishar, Mas. Blurton, Sga Manesiere, Miss Twist, Miss Capon, Miss Besford

10048
27 May 1773 @ Mary-le-Bone Gardens

Event Comment: An Entertainment of Music in a manner Entirely New. [This follows a regular concert which was the staple of Marybone Gardens.] Admission 2s. 6d. To begin at 6:30 p.m. First night of the Subscription

Performances

Mainpiece Title: Acis And Galatea

10049
28 May 1773 @ Covent Garden

Event Comment: Benefit for Mrs Hartle, Mas. Blurton, Walters, Symonds, Francis, and Furkins. Tickets deliver'd by Flight, Longley, Singleton, Shuter, Norbury, Roberts, Frensdorff, Miller, Stevenson, Reed, Robson, and Walker, will be taken. On Monday next (the thirteenth Night) the last New Comedy She Stoops to Conquor...with Harlequin Sorcerer. [No charges. House took half-value of tickets, plus ready-money receipts of #19 2s. 6d. (Account Book).] @Tickets Box Pit Gallery Value Half Value@Mrs Hartle .. .. .. .. ..@Mas. Blurton 5 11 36 #6 10s. #3 5s.@Walters 5 78 92 #22 3s. #11 1s. 6d.@Symonds 9 68 51 #17 11s. #8 15s. 6d.@Francis 3 33 38 #9 10s. #4 15s.@Furkins 18 45 30 #14 5s. #7 2s. 6d.@Flight .. 41 65 #12 13s. #6 6s. 6d.@Longley 9 156 57 #31 7s. #15 13s. 6d.@Singleton .. 6 14 #2 6s. #1 3s.@Shuter .. 55 16 #9 17s. #4 18s. 6d.@Norbury 10 12 19 #26 4s. #3 2s.@Roberts 6 134 48 #26 8s. #13 4s.@Frensdorf 3 44 19 #9 5s. #4 12s. 6d.@Miller 7 87 84 #18 14s. #9 7s.@Stephenson 12 74 71 #21 4s. #10 12s.@Mrs Read 5 16 37 #7 7s. #3 13s. 6d.@Robson 3 88 35 #17 9s. #8 14s. 6d.@Walker .. 34 61 #11 4s. #5 12s.@Total 95 882 773 #243 17s. #121 18s. 6d.

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Contrivances

Dance: III: Hornpipe-Mas. Blurton; End: The Cumberland Corn@thrashers, as17730424

10050
15 June 1773 @ Mary-le-Bone Gardens

Event Comment: Music by Barthelemon, Sung first time these 4 years. Admittance 3s. 6d. The New Building and various parts of the Garden will be illuminated for this night only with a great number of different colored lamps. Nobility and Gentry are most respectfully desired to drive their carriages into an adjoining piece of ground properly prepared and lighted up for that purpose. Staffmen will attend to direct the servants and to call the carraiges

Performances

Mainpiece Title: The Magic Girdle

Music: Solo Concerto on Basson-the celebrated M. LeCouteux, first performance in this kingdom; Concerto on Violin-Barthelemon; Comic act-Three Italian Musicians blind from birth