Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Penkethmans New Theatre in Greenwich"/1) | (@(roleclean,performerclean) "Mr Penkethmans New Theatre in Greenwich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
12712 results for: Keyword - Mr Penkethman's New Theatre in Greenwich
We found 8123 matches on Event Comments, 3410 matches on Performance Comments, 3175 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.

9501
11 December 1736 @ Covent Garden

Performances

Mainpiece Title: Porus

Performance Comment: Advertised but apparently deferred upon news of the death of the child of the Princess of Orange.

9502
12 January 1737 @ Covent Garden

Event Comment: A New Opera. [Text possibly by A. Salvi. Music by Handel. Prince and Princess of Wales present.

Performances

Mainpiece Title: Arminius

9503
25 January 1737 @ King's Theatre

Event Comment: Afterpiece: A new Comic Interlude. [Music by Giuseppe Maria Orlandini. Prince and Princess of Wales present.

Performances

Mainpiece Title: Merope

Afterpiece Title: Pourceaugnac and Grilletta

9504
29 January 1737 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the late J. Hughes, Esq. Afterpiece: a New Dramatick Tale. Written by the Author of the Toy Shop [R. Dodsley]

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Tambourine-Mlle Roland; III: Muilment; V: Ballet-Denoyer

9505
31 January 1737 @ York Buildings

Event Comment: DDaily Advertiser, 27 Jan.: We are inform'd there is now in Rehearsal at York Buildings (for one Night only) the Fair Penitent, to be acted the 31st instant. 'Tis said that this Play, for the Benefit of an unhappy Person, is cast, and got up by a Set of publick spirited Friends, some of whom have a pretty good Taste and Ability, though no ways inclin'd to the Stage; with a new Prologue and Epilogue adapted to the occasion

Performances

Mainpiece Title: The Fair Penitent

9506
07 February 1737 @ Covent Garden

Event Comment: In the morning Handel's new opera, Justin, was rehearsed. [See Egmont, Diary, II, 342.

Performances

Mainpiece Title: King Lear

Afterpiece Title: Apollo and Daphne

9507
12 February 1737 @ Lincoln's Inn Fields

Event Comment: Mainpiece: A New Comedy [By Francis Lynch]

Performances

Mainpiece Title: The Independent Patriot; Or, Musical Folly

Afterpiece Title: Hymen's Triumph

9508
12 February 1737 @ King's Theatre

Event Comment: A New Opera. [Music by Giovanni Battist Pescetti.

Performances

Mainpiece Title: Demetrius

Afterpiece Title: Il Giocatore

9509
16 February 1737 @ Covent Garden

Event Comment: A New Opera. [Alteration of libretto by N. Beregani. Music by Handel.

Performances

Mainpiece Title: Justin

9510
19 February 1737 @ King's Theatre

Event Comment: Afterpiece: A new comic Interlude. [Music by Giuseppe Maria Orlandini.

Performances

Mainpiece Title: Demetrius

Afterpiece Title: Grullo and Moschetta

9511
08 March 1737 @ Lincoln's Inn Fields

Event Comment: EEgmont, Diary, II, 364: I went to the new play called 'King Charles the First,' acted with approbation at [lif]. The Characters are as the historians represent them, the language good and the sentiments fine, but the players are bad, he who represented General Fairfax and Cromwell excepted

Performances

Mainpiece Title: King Charles The First; An Historical Play [charles I]

9512
08 March 1737 @ Haymarket Theatre

Event Comment: DDaily Advertiser, 8 March: We hear that the Great Mogul has acceeded to the Treaty of the Hay-Market, which causes various Speculations. Our best Advices assure us, that the Town will be entertain'd there Tomorrow, by a Gentleman who never wrote for the Stage, with a new Performance call'd a Rehearsal of Kings: which will be immediately succeeded by a Dramatick Piece call'd The Historical Register, for the Year 1736, written by the Author of Pasquin. We hear this has given great Alarm to all the Pantomimical Houses in London, Southwark, Rag Fair, &c

Performances

9513
17 March 1737 @ Haymarket Theatre

Event Comment: Benefit the Author. Afterpiece: A New Farce of one Act. [Author not known. Apparently not published.

Performances

Mainpiece Title: A Rehearsal Of Kings

Afterpiece Title: Sir Peevy Pet

9514
23 March 1737 @ Covent Garden

Event Comment: By their Royal Highnesses' Command. A new Oratorio, [Text by Morrell. Music by Handel. Prince and Princess of Wales present.

Performances

Mainpiece Title: Il Trionfo Del Tempo E Della Verita

Music: WithConcertos on the Organ-and other Instruments

9515
26 March 1737 @ King's Theatre

Event Comment: Afterpiece: A new comic Interlude. [Music by Domenico Sani.

Performances

Mainpiece Title: Demetrius

Afterpiece Title: The Impresario

9516
12 April 1737 @ King's Theatre

Event Comment: A New Opera. [Music by Frances Veracini.

Performances

Mainpiece Title: Titus

9517
13 April 1737 @ Covent Garden

Event Comment: A New Opera. [Text by Giovanni Alberto Ristori. Music arranged by Handel. Apparently not published.

Performances

Mainpiece Title: Dido

9518
25 April 1737 @ Haymarket Theatre

Event Comment: Benefit Hatchett. Third Piece: an additional Addition of a new entertaining Scene. In which the whole Art and Mystery of Free-Masonry is delineated, by the Admission of a Lady. At 6:30 p.m. Tickets for Mrs Haywood's benefit taken this day

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: Eurydice Hiss'd

Afterpiece Title: The Female Free Mason

9519
26 April 1737 @ King's Theatre

Event Comment: A new Opera. [Text by Paul Rolli.] Daily Advertiser, 26 April: The Signora Marchesini's Songs are distributed after such a judicious Manner by the ingenious Author, so as to rise gradually upon the Audience in each Act

Performances

Mainpiece Title: Sabrina

9520
28 April 1737 @ York Buildings

Event Comment: LLondon Daily Post and General Advertiser, 28 April: This is to inform the Publick, That the new Tragi-Comedy, entitled, The Free Thinker, or the Fox Uncased, which was to have been play'd on this Day, is oblig'd to be again deferr'd till Friday Se'nnight, being the 6th of May, when it will certainly be play'd [in yb], Pen. Aubin. [See also 14 April.

Performances

9521
17 May 1737 @ Drury Lane Theatre

Event Comment: Afterpiece: A new Farce [By T. Cooke]

Performances

Mainpiece Title: Cato

Afterpiece Title: The Eunuch; or, The Darby Captain

9522
18 May 1737 @ Covent Garden

Event Comment: A new Opera. [Text by A. Salvi. Music by Handel.] By His Majesty's Command, [Their Majesties expect to attend.

Performances

Mainpiece Title: Berenice

9523
21 May 1737 @ King's Theatre

Event Comment: Afterpiece: a new Comic Interlude. [Apparently not published. Composer not known.

Performances

Mainpiece Title: Sabrina

Afterpiece Title: Le Bourgeois Gentilhomme

9524
24 May 1737 @ King's Theatre

Event Comment: A new Opera. [Composed by Egidio Duni Nepolitano.] 7 p.m

Performances

Mainpiece Title: Demofoonte

9525
25 May 1737 @ Drury Lane Theatre

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: The Mock Doctor

Performance Comment: As17370423 A new Prologue, Epilogue to the Farce, -Miss Wright.

Dance: I: English Maggot-Villeneuve, Mrs Walter; II: Russian Sailor-Denoyer's@Prentice; III: Two Pierrots-Livier, Villeneuve; IV: Punch's Dance, as17370519; V: Wooden Shoe Dance-Livier, Villeneuve