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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Penkethmans New Theatre in Greenwich"/1) | (@(roleclean,performerclean) "Mr Penkethmans New Theatre in Greenwich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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12712 results for: Keyword - Mr Penkethman's New Theatre in Greenwich
We found 8123 matches on Event Comments, 3410 matches on Performance Comments, 3176 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.

8076
13 January 1735 @ Drury Lane Theatre

Event Comment: Never Acted before. [By George Lillo.] Prompter, 18 Feb.: And, indeed, the Pulpit seems the properest Theatre for such Representations, and the Clergy, the properest Actors in the Religious Drama. This then, of itself, sufficiently justified the Town in its Reception of this Piece

Performances

Mainpiece Title: The Christian Hero

8077
19 March 1735 @ Covent Garden

Event Comment: As 5 March. old Whig, 20 March: In the flourishing State of this Opera [Artaxerxes], 'tis no Wonder that the other Theatres decline. Handel, whose excellent Compositions have often pleased our Ears, and touched our Hearts, has this Winter sometimes performed to an almost empty Pitt. He has lately reviv'd his fine Oratorio of Esther, in which he has introduced two Concerto's on the Organ that are inimitable. But so strong is the Disgust taken against him, that even this has been far from bringing him crowded Audiences; tho' there were no other publick Entertainments on those Evenings

Performances

Mainpiece Title: Esther

8078
31 March 1735 @ Goodman's Fields

Event Comment: London Daily Post and General Advertiser, 31 March, contains a long article outlining opposition to silencing the theatre in Goodman's Fields

Performances

Mainpiece Title:

8079
03 April 1735 @ King's Theatre

Event Comment: As 28 Feb. [For a discussion of the proposed bill to restrain the theatres and the petitions submitted concerning it, see the Journal of the House of Commons, XXII, April 1735, 444-81. See also a discussion of plays in Prompter, 1 April and 4 April, and a discussion of the drama in Universal Spectator, 5 April.]

Performances

Mainpiece Title: David

8080
11 July 1735 @ Lincoln's Inn Fields

Event Comment: By a Company of Comedians from both Theatres. At Common Prices. 6:30 P.M

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Devil to Pay

Dance: By Davenport and Mrs Davenport. V: Minuet by Mrs Charke and Miss Brett. End Afterpiece: Black Joak by Mrs Charke and Miss Brett

Song: IV: The Roast Beef Song by Mullart

8081
16 August 1735 @ Richmond

Event Comment: Daily Advertiser, 18 Aug.: His Royal Highness the Prince, and several Persons of Quality, were present at the Play Love for Love, which was acted at the Theatre upon the Green

Performances

Mainpiece Title: Love For Love

8082
04 September 1735 @ Southwark Fair

Event Comment: At Lee's Old Theatre on the Bowling Green, behind Marshalsea Prison, down Mermaid Court, next Queen's Arms Tavern. 10 or 11 a.m. to 9 P.M. [Advertised through 16 Sept.]

Performances

Mainpiece Title: The Unnatural Parents

8083
24 February 1736 @ Covent Garden

Event Comment: Benefit Hyde. Receipts: money #41 3s. 6d.; tickets #69 14s. [In Daily Advertiser, 20 Feb., Hyde had given notice that tickets for the boxes numbered 208-14 had been lost and would not be accepted at the theatre.]

Performances

Mainpiece Title: King Lear And H1s Three Daughters

Afterpiece Title: The Devil to Pay

Dance: II: Glover's Scot's Dance. IV: Tambourine by Glover and Miss Rogers. V: French Peasant by Tench and Miss Rogers

8084
04 November 1736 @ Drury Lane Theatre

Event Comment: By Her Majesty's Command. Mainpiece: Written by the late N. Rowe, Esq; Poet-Laureat. The Queen, Duke, and Princesses present. [See Daily Gazetteer, 4 Nov., for a discussion of the need of a paper devoted to the theatre, with some comments on theatrical conditions.

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Burgomaster Trickd

Dance: III: Ballet-Denoyer, Mlle Roland

8085
07 March 1737 @ Drury Lane Theatre

Event Comment: Founded on Shakespear's Much Ado About Nothing. By the Author of the Man of Taste. Daily Advertiser, 8 March: As the late tumultuous and riotous Behaviour of the Footmen at [dl] is become a Topick of Publick Discourse, a true and exact Account of the Disturbances they have made will be publish'd in this Paper: In the mean time we have the Pleasure to inform the Town, all proper Care being taken, every thing was very quiet last Night, and 'tis believ'd will continue so. The Director of the aforesaid Theatre having receiv'd a threatening Letter last Saturday in the Afternoon from the Footmen, a true Copy of it will be published in Tomorrow's Paper, with a Reward to those who shall discover the Author or Authors, so that he or they may be brought to Justice

Performances

Mainpiece Title: The Universal Passion

Dance: Denoyer, Mlle Roland, Muilment, Philips, Villeneuve, Mrs Walter

8086
29 March 1737 @ Drury Lane Theatre

Event Comment: Benefit Miller, By particular Desire. Mainpiece: Written by the late Sir Richard Steele. Afterpiece: Taken from the French of Moliere.[Tickets at Miller's in Clare Street, Clare-Market.] Daily Post,29 March: The Actors of the several Theatres are in no small Pain about the present Act depending in the House of Commons call'd the Vagrant Act, for fear of being deem'd Vagabonds; and are therefore perpetually soliciting their Friends for a Clause in their Favour,

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: The Mock Doctor

8087
23 May 1737 @ Haymarket Theatre

Event Comment: Benefit Mrs Haywood the Muse, Author of Love in Excess, and many other entertaining Pieces. 6:30 p.m. Daily Advertiser, 23 May: We hear that her Grace the Dutchess Dowager of Marlborough will be at the Theatre in the Hay-Market this Night

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: Eurydice Hissd

8088
05 July 1737 @ Covent Garden

Event Comment: Each theatre received #250 from the Prince of Wales as a subsidy. See Deutsch, Handel, p. 439

Performances

8089
21 November 1737 @ no theater listed

Performances

Mainpiece Title: The Death Of The Queen

Performance Comment: closed the theatres until 2 Jan. 1738.

8090
10 February 1738 @ Covent Garden

Event Comment: Mainpiece: Written by Shakespear. [See London Daily Post and General Advertiser, 10 Feb., for a Prologue Occasioned by the Encouragement several Ladies of Quality have lately given to the Revival of Shakespear's Plays at Covent Garden Theatre.

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: CComic Dance-Nivelon, Mlle Roland

8091
10 November 1738 @ Covent Garden

Event Comment: DDaily Advertiser, 10 Nov.: Two of the French Strollers having desir'd Leave of the Town to act three Nights at one of the Patent Theatres, the Master of that House is desir'd to consider, whether if he lends it to those Foreigners, he can ever hope to have it fill'd with an English Audience, who probably will chastise the Abuse of Power in an ungrateful Patentee, as they did the Want of it in a French Harlequin

Performances

Mainpiece Title: Mithridates King Of Pontus

Afterpiece Title: The Royal Chace

8092
02 May 1740 @ Drury Lane Theatre

Event Comment: Benefit Berry. Tickets at Berry's, Theatre Coffee House, Bridges Street

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Miller of Mansfield

Dance: I: Muilment; II: La Provencale-Mlle Chateauneuf; III: Pierots-Lalauze, Livier; IV: Tambourine-Mlle Chateauneuf; V: Drunken Peasant-Master Ferg

8093
15 October 1740 @ Goodman's Fields

Event Comment: At the Late Theatre in Ayliffe Street....A Concert of Vocal and Instrumental Musick. Divided into Two Parts. Tickets at Four, Three, Two, and One Shilling. N.B. Between the two Divisions of the Concert will be presented Gratis...The Stratagem. 6 p.m. [This formula of a concert (with admission charges) and a play given gratis is employed by gf throughout the season.

Performances

Mainpiece Title: The Stratagem

8094
03 November 1740 @ Goodman's Fields

Event Comment: Tickets at Three, Two, and One Shilling. Places for the Boxes to be taken at the Fleece near the Theatre

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Mock Doctor

Dance: As17401029

8095
21 January 1741 @ Covent Garden

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Royal Chace or Merlins Cave

Performance Comment: Endymion-Rochetti; Chasseurs-Rheinhold, Roberts; Nymphs-Miss Burgess, Miss Davis; Diana-Mrs Chambers; Merlin-Leveridge; Jupiter-Lun; Pluto (Punch)-Janno; Neptune (Pantaloon)-Dupre; Pan (Scaramouch)-Richardson; Hercules (Brighella)-Delagarde; Apollo (Mezetin)-Villeneuve; Mars (Leander)-Haughton; Mercury-Salway; Doctor-Bencraft; Doctor's Wife-Mrs Kilby; Pierot-Lalauze (who has not performed upon that theatre these three years).

Dance: Desnoyer, Haughton, Signora Barberini

8096
23 January 1741 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by Shakespear. Daily Advertiser, 26 Jan.: On Friday died...Mr Riggs, a famous Performer on the Violin, and First Violin of Drury-Lane Theatre

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Fortune Tellers

Song: As17410115

Dance: I: Desse; III: La Tambourin Matelote-Maltere, Mlle Maltere; V: L'Arlequin deux Visages-Mlle Chateauneuf

8097
07 May 1741 @ Goodman's Fields

Event Comment: Benefit Biddle, late of Temple-Bar. [The theatre closed for the season after this performance.

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Contrivances

8098
16 June 1741 @ James Street

Event Comment: Benefit a Widow Gentlewoman under Misfortunes. The Theatre near the Tennis Court in the Haymarket. Tickets at Three Shillings, Two Shillings, and One Shilling. The whole will be conducted with all possible Decency and Regularity. To begin exactly at half an Hour after Six

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Wrangling Lovers

Dance: DDrunken Peasant-Chettle

8099
08 September 1741 @ Drury Lane Theatre

Event Comment: DDaily Advertiser: We hear the Painting, Gilding, and other Decorations at the late Theatre in Goodman's Fields, are finish'd; and that on Monday next the usual Concerto will open, with which will be perform'd gratis, The Constant Couple, and the Virgin Unmask'd. Receipts: #105

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Virgin Unmasked

8100
14 September 1741 @ Goodman's Fields

Event Comment: At the late Theatre in gf. A concert of Vocal and Instrumental Musick, Divided into Two Parts. Prices 3s., 2s., 1s. N.B. Between the two Parts of the Concert will be presented a Comedy gratis by Persons for their Diversion. 6 p.m. [This concert formula is included in every notice during the season but will be silently omitted from the Calendar. The customary notice about time and prices will also be omitted unless there is some change.

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Afterpiece Title: The Virgin Unmasked

Dance: M. Fourner; who never appear'd there. Les Muniers Amoureux de la Coquette-two Masters and Miss Granier, being their first time on that stage