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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Penkethman\'s New Theatre in Greenwich"/1) | (@(roleclean,performerclean) "Mr Penkethman\'s New Theatre in Greenwich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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12717 results for: Keyword - Mr Penkethman's New Theatre in Greenwich
We found 8127 matches on Event Comments, 3410 matches on Performance Comments, 3176 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.

5376
06 October 1686 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. This performance is on L. C. list, 5@147, p. 260: The King & Queene & a Box for ye Maydes of honor. See also Nicoll, Restoration Drama, p. 351. Langhans, New Restoration Theatre Accounts, pp. 127-28, thinks that acting resumed on 27 Sept. 1686 and continued to 25 June 1687, with 30 Performances from 25 June to 12 Oct

Performances

Mainpiece Title: Mustapha

5377
24 July 1687 @ no theater listed

Event Comment: On this day the news of the death of the Duchess of Modena was brought to Windsor, and newsletters stated that the Court was to go into mourning the following Sunday. Acting at the theatres may have been curtailed during the late summer

Performances

5378
24 October 1687 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The data in Langhans, New Restoration Theatre Accounts, pp. 128-29, suggest that acting may have resumed by this day and continued to 9 June 1688. Because of the 1688 revolution, the circumstances of summer acting in 1688 are not clear

Performances

5379
December 1689 @ Priest's Boarding School in Chelsea

Event Comment: The date of this amateur performance is not known, but the date generally accepted is December 1689. See Alfred Loewenberg, The Annals of Opera, Second Edition, Columns 85-86; and R. E. Moore, Henry Purcell and the Restoration Theatre (Cambridge, Mass., 1961), pp. 38-69. The Epilogue is in New Poems (1690)

Performances

Mainpiece Title: Dido And Aeneas

5380
September 1690 @ no theater listed

Event Comment: According to Langhans, New Restoration Theatre Accounts, pp. 131-32, the company probably acted 26 days from 5 July through 25 Oct., then regularly through 6 June 1961, then 41 days from 8 June through 16 Oct. 1691

Performances

5381
October 1691 @ no theater listed

Event Comment: According to Langhans, New Restoration Theatre Accounts, pp. 132-33, the company acted regularly from 19 Oct. 1691 through 3 Aug. 16@2, with only a few dark days other than the customary ones

Performances

5382
13 June 1692 @ Dorset Garden Theatre

Event Comment: The United Company. Newdigate newsletters, 11 June 1692: And on Monday [the Princess Anne] comes to see the new opera (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: The Fairy Queen

5383
09 December 1695 @ Drury Lane Theatre or Lincoln's Inn Fields

Event Comment: It is not known in which theatre this revival occurred. It was witnessed by van Constantijn Huygens, Monday 19 Dec. 1695 N.S. [translation]: In the afternoon I was at the comedy with my wife and Mrs Creitsmar. They played an old show called: The Love in the Tubb (Publications of the Dutch Historical Society, New Series, XXV [Utrecht, 1877], 560)

Performances

Mainpiece Title: Love In A Tub

5384
28 June 1700 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. London Post, 28 June-1 July 1700: Yesterday the Play called the Tempest was acted at the Old Play-house; and that called Love for Love at the new, both for the benefit of the poor English Slaves, &c. and I am told, that the sum arising thereby, amounted to about 250 #. It being put on the Playhouse Bills on Friday last, That each Company were to Act that day, and the whole Profits to go to'ards the Redemption of the English now in Slavery at Machanisso in Barbary, we are credibly informed, That, pursuant thereunto, the Treasurers of the Theatre Royal in Drury Lane, did on Saturday last pay into the hands of the Churchwardens of St.@Martin's the sum of 20 #. out of the Receipts of the Play acted by that Company, towards the Relief of those our Natives from Slavery, which good example 'tis hoped, may move others to be speedy and generous in their Charity for the same purpose. What the other Company gave I do not yet hear

Performances

Mainpiece Title: Love For Love

5385
13 May 1703 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. The Queen Theatre in Dorset-Garden is now fitting up for a new Opera; and the great Preparations are made to forward it and bring it upon the Stage by the beginning of June, adds to every body's Expectation, who promise themselves mighty Satisfaction from so well-order'd and regular an Undertaking as this is said to be, both in the Beauties of the Scenes, and Varieties of Entertainments in the Musick and Dances

Performances

Mainpiece Title: The Fatal Marriage Or The Innocent Adultery

Song: Leveridge, Mrs Campion, Mrs Shaw

Dance: DuRuell, others

5386
06 November 1716 @ Drury Lane Theatre

Event Comment: Ryder, Diary, pp. 359-60: Went to see the tragedy of Tamerlane which was acted with a new prologue in honour of King William and in memory of what he did for us. The play itself is good....Mills who acted the part of Bajazet did it mighty well and expressed that furiousness and rage and malice and ambition admirably well in his gesture at the end, but, which is his distinguishing character, very well kept up throughout. I observed in the general that the manner of speaking in our theatres in tragedy is not natural. There is something that would be very shocking and disagreeable and very unnatural in real life. Persons would call it theatrical, meaning by that something stiff and affected

Performances

Mainpiece Title: Tamerlane

5387
18 November 1721 @ Haymarket Theatre

Event Comment: Weekly Journal or Saturday's Post, 18 Nov.: We hear that the Theatre in the Hay-Market, where lately the French Strollers us'd to perform, will be opened in a little time, for the Diversion of the City and Liberty of Westminster. The Actors, as well as the Plays, they say, will be entirely new, and the whole to be under the Management and Direction of that noted Projector, $Aaron Hill, Esq.

Performances

5388
09 December 1721 @ King's Theatre

Event Comment: [Text by P. A. Rolli. Music by G. F. Handel.] A new Opera. Pit and Boxes at a half guinea. And in Regard to the Increase of the Number of Subscribers, no more than Three Hundred and Fifty Tickets will be delivered out. No Tickets will be disposed of at the Theatre, nor any Money taken there but for the Gallery. Gallery 5s

Performances

Mainpiece Title: Floridante

5389
16 March 1723 @ Drury Lane Theatre

Event Comment: Afterpiece: A new Burlesque Entertainment of Dancing. Weekly Journal or Saturday's Post, 30 March: The Managers of Drury-lane Theatre observing how successful Lincoln's-Inn-Fields has been in several Entertainments, in which the Character of a Harlequin has the principal Part, were resolv'd to cut them out, and therefore prepared...Blind Man's Bluff, to be perform'd by no less than eight Harlequins; for, in their Way of Reasoning, eight Harlequins must divert much better than one; the Thing was so ridiculous there was no Musick to be heard but Hissing. [For an essay on the improvement of the stage, see Weekly Journal or Saturday's Post, 16 March.

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Blind Mans Bluff

5390
22 November 1723 @ Lincoln's Inn Fields

Event Comment: Afterpiece: [Author unknown.] A new Entertainment of Vocal and Instrumental Musick. At the Desire of several Persons of Quality. N.B. The printed Books for this Entertainment will be sold at the Theatre. Price 6d. Receipts: #116 3s. 6d

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Union of the Three Sister Arts

Dance: Dupre, Nivelon, Glover, Mrs Rogier, Mrs Wall, Mrs Bullock

5391
24 June 1728 @ Haymarket Theatre

Event Comment: By a New Company who never appear'd on that Stage before. All the Songs and Dances set to Musick, as it is perform'd at the Theatre in Lincoln's-Inn-Fields. At 6:30 p.m

Performances

Mainpiece Title: The Beggars Opera

5392
18 December 1732 @ Southwark

Event Comment: DDaily Post, 18 Dec.: We hear from Southwark, that a Theatre will be ready to open there the 26th Day of this Month, on the Bowling Green, by a new Company of Comedians, who intend to play the remaining part of the Winter; and that Preparations are making in a handsome Manner for the Reception of the Gentry

Performances

5393
16 February 1733 @ Lincoln's Inn Fields

Event Comment: The new Oratorio. [Music by William DeFesch. Text by William Huggins.] The printed Books of the Opera may be had at the Theatre only, price 1s. The Composer humbly hopes the Disappointment the Town met with by its being postpon'd, will be in no means inputed to him, it being occasioned by such an Accident as any one might unfortunately fall under, that of the Misconduct and pretended Sickness of Cecilia Young, who had ingaged for the Part of Judith. Pit and Boxes 5s. Gallery 2s. 6d. Upper Gallery 1s. 6d

Performances

Mainpiece Title: Judith

5394
20 August 1733 @ Covent Garden

Event Comment: Benefit: The Deceas'd Author's Friend or The Author [the bills vary]. A new Tragedy. [By William Bond. For a discussion of the play, see a letter from Hill to Victor, in Victor, History of the Theatres, II, 196-97. Hill states that the youth who speaks the Prologue is Harvey, a young man of eighteen or nineteen.

Performances

Mainpiece Title: The Tuscan Treaty Or Tarquins Overthrow

Afterpiece Title: The Stage Mutineers

Dance: As17330814

5395
29 October 1734 @ King's Theatre

Event Comment: A New Opera. [Text by Metastasio. Music by J. A. Hasse and R. Broschi.] Pit and Boxes by Tickets at a half guinea. Gallery 5s. 6 P.M. Daily Advertiser, 30 Oct.: All the Royal Family were at the Opera, when Signior Farinelli perform'd . . . with prodigious Applause. The Theatre was exceedingly crowded

Performances

Mainpiece Title: Artaxerxes

5396
11 November 1734 @ Goodman's Fields

Event Comment: As this Entertainment has been frequently perform'd at another Theatre [CG] (but notwithstanding has been equally Expensive as if entirely New) to oblige the Town, it will, for the future, be perform'd At Common Prices

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Necromancer

5397
02 December 1734 @ Haymarket Theatre

Event Comment: With all New Scenes, Machines, and Decorations, as much as the Theatre will admit of

Performances

Mainpiece Title: Sampson Judge Of Israel

Afterpiece Title: Le Carillon de Maitre Gervaise and Dame Alison

5398
04 July 1735 @ Drury Lane Theatre

Event Comment: London Daily Post and General Advertiser, 4 July: The Patentee of Drury-Lane Theatre has countermanded the Summer Playing; and the Company has received Orders not to proceed, on account of the several New Preparations for the ensuing Winter

Performances

Mainpiece Title: The London Merchant

5399
07 January 1737 @ Haymarket Theatre

Event Comment: DDaily Advertiser, 7 Jan.: We are inform'd, that a certain Author, Tir'd With the vain Attempts he has often made in the Political Way, has taken it into his Head, as unwilling to lay down the Character of a Reformer, to explode the reigning Taste for dumb Shew and Machinery, and has declar'd open War against Harlequin, Punch, Pierot, and all the Modern Poets, viz. Joiners, Dancing-Masters, and Scene-Painters. 'Tis said, that he has dispos'd every Thing in such a manner, and is so forward in his Preparations, that he will open the Campaign next Week, having three new Pieces in Rehearsal on the Stage of the little Theatre in the Hay-Market. The Design is, no doubt, laudable, but the Chance of War is doubtful; he makes head against a powerful Alliance; and we do not hear that he is strengthen'd by any of the Auxiliaries of Parnassus

Performances

5400
25 February 1741 @ Goodman's Fields

Event Comment: DDaily Advertiser, 26 Feb.: We are inform'd that last Night a new Entertainment, call'd Harlequin Student...was rehears'd at the late Theatre in Goodman's Fields, when several Persons who were present generally concurr'd in Opinion it had the Preference of any yet perform'd there, and more particularly that Part of it in which the Monument of Shakespear is introduc'd

Performances