SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Pen"/1) | (@(roleclean,performerclean) "Mr Pen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4258 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Merope

Afterpiece Title: The Genii

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: Polly Honeycomb

Performances

Mainpiece Title: A Christmas Tale

Afterpiece Title: Miss in Her Teens

Event Comment: Paid Housekeeper's Bill #6 7s. 2d. (Treasurer's Book). [The Public Advertiser carried a two-column account of Sethona, telling the story of the play act by act. It concluded: Such is the Story of this new Tragedy which was received with universal Applause by a crowded and brilliant Audience and seems to bid fair to become a Stock Play. The Parts were judiciously cast, and the Performers did great Justice to their respective Characters. Perhaps Mrs Barry never appeared in a greater or more amiable Point of View than on Saturday Night. In short her Performance beggared Description; and it is impossible to form an adequate Idea of her Merit in Sethona without seeing her. Mr Barry was also very great in the Old Hermit, and exhibited as pathetic and as chaste a piece of acting as we remember to have seen. The Dresses, Decorations and Scenery of this Play are much superior to those of any modern Tragedy; they do ample Justice to the Author, and likewise do Honour to the Taste and Spirit of the Manager, who seems to have spared no Expence to furnish a splendid and rational Entertainment. The Scene of the Temple of Osiris, and the View of the Egyptian Catacombsv were particularly admired, and are worthy of the Brush of Mr Loutherbourg. The Prologue is a very classical Performance, and was well delivered by Mr Reddish, notwithstanding the noise and the frequent Interruption usual on these occasions. The Epilogue in the character of an Egyptian Fortune Teller was admirably spoken by Mrs Barry, and had an amazing effect. It contains some excellent Strokes of Satire on the Times and a rich vein of Humour which is finely sustained throughout. From several Circumstances we should suppose this Epilogue to be the Production of our English Roscius and it seems to be one of his best."] Receipts: #226 15s. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

Performances

Mainpiece Title: The Heroine Of The Cave

Afterpiece Title: The Padlock

Music: II: A Solemn Hymn-

Dance: IV: The Sailors Revels, as17730918

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Deserter

Dance: III: The Mountaineers, as17730930

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Genii

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Deserter

Song: II: (By Desire) the Song from Love a@la@Mode-Moody

Dance: End Entertainment: The Irish Fair, as17730918

Monologue: Between Play and Entertainment: (By Desire and for the last time this season) Linco's Travels. As 14 March

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Pantheonites

Entertainment: End II: Imitations vocal and rhetorical-Bannister; End III: Hippisley's Drunken Man-Weston; End V: (For that night only) Judge Tycho's sentence-Weston riding on a rhinoceros

Dance: After Judge Tycho's Sentence: The Taylors, as17740428

Performances

Mainpiece Title: The Maid Of Kent

Afterpiece Title: Florizel and Perdita

Dance: End: The Taylors, as17740428

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: The Irish Widow

Dance: I: The Sailors Revels, as17730928

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Genii

Performance Comment: With Alterations and Additions. Harlequin-Rooker; Clown-Wright; Fop-Messink; Chief of Genii-Master Blanchard; Columbine-Mrs Sutton; Pantallon-Grimaldi; Others-Burton, Blanchard, Wrighten, Fawcett, Kear, Norris, Legg, Carpenter, Watkins, Mrs Wrighten, Mrs Scott, Miss Jarratt; To Conclude with a Bacchanalian Jubilee-; Dancing-Como, Atkins, Giorgi, Sga Crespi.

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Election

Afterpiece Title: The Genii

Dance: Giorgi's Scholars

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: Parts by King, Dodd, Weston, Moody, Aickin, Brereton, Bannister, Lamash, Burton, Wright, Messink, Mrs Baddeley, Mrs Bradshaw, Mrs Abington. Dupely-Dodd; Old Groveby-King; Sir Harry Groveby-Brereton; Hurry-Weston; Oldworth-Aickin; Painter-Moody; Druid-Bannister; Maria-Mrs Baddeley; Lady Bab-Mrs Abington; Shepherds and Shepherdesses-Lamash, Burton, Wright, Messink, Mrs Bradshaw; (Genest, V, 442) In the Course of the Piece will be introduced a Fete Champetre-; Vocal parts-Vernon, Davies, Legg, Kear, Fawcett, Carpenter, Master Blanchard, Mrs Wrighten, Mrs Scott, Mrs Smith; The Dances-Slingsby (first appearance here in 7 years), Atkins, Como, Giorgi, Sga Crespi, Mrs Sutton, Sga Hidou (first appearance on English Stage); The Ballets-M. Larevier; Prologue-; Epilogue-.

Afterpiece Title: The Miller of Mansfield

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Lottery

Dance: II: Grand Provencalle Dance, as17741213

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lottery

Event Comment: Mainpiece: A New Tragedy by Robert Jephson. New Scenes and Dresses. This Tragedy having been read by the Author's Friends in most of the great Family's in Town & puff'd up in Such a Manner that the Expectations of the Audience were so much rais'd that it fell far short of what they imagin'd-the four first Acts are heavy & want incident & Plot, the Writing is Clear & Nervous-the 5 Act has more incident & Plot but Writing not so Nervous: No Play had ever more Justice in the getting of it up Mr G. was not Sparing of his Labour & Attendance nor was any Expence deny'd for the Cloaths & Scenery both of which were Superb and it receiv'd with very great applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Wright per order #6 5s.; Mr Wallis on note #2 2s. (Treasurer's Book). [The Westminster Magazine for Feb. outlines the plot of Braganza, and comments favorably: "Upon the whole, Braganza, met with general and deserved applause; and we cannot help congratulating the Public on the acquisition of a truly dramatic Genius." The author, Colonel Jephson, was Aid-de-Camp to the Lord Lieutenant of Ireland. Walpole wrote to Mason: "Braganza was acted with prodigious success. The audience, the most impartial I ever saw, sat mute for two acts, and seemed determined to judge for themselves, and not to be the dupes of the encomiums that had been so lavishly trumpeted. At the third act they grew pleased and interested; at the fourth they were cooled and deadened by two unneccessary scenes, but at the catastrophe in the fifth they were transported. They clapped, shouted, hussaed, cried bravo, and thundered out applause." Commends Mrs Yates, and hopes this will spark a new era in dramatic writing. Sweepingly condemns that of last fifty years.] Receipts: #250 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: Measure For Measure

Performance Comment: Duke-Smith; Claudio-Reddish; Angelo-Palmer; Escalus-J. Aickin; Clown-Parsons; Provost-Davies; Friar Peter-Usher; Elbow-Wright; Barnardine-Keen; Abhorson-Carpenter; Lucio-King; Mariana-Miss Hopkins; Juliet-Miss Platt; Mistress Overdone-Mrs Bradshaw; Francisca-Mrs Johnson; Isabella-Mrs Yates.
Cast
Role: Abhorson Actor: Carpenter

Afterpiece Title: Bon Ton; or, High Life Above Stairs

Event Comment: House. Mr Reddish Still continuing a little Mad or So--Mr Cautherly plaid the Duke & very well was applauded (Hopkins Diary). Last time but one of performing before Easter. Paid Carpenter's Dinners &c. at Black Lyon #6 6s.; Tabor & Pipe 10 nights (1st inst. incl.) #5 5s.; Rec'd of Mr Rowland 1 yrs. rent to Lady Day last (#1 16s. Land tax deducted) #41 4s. Receipts: #180 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Afterpiece Title: Harlequin's Jacket

Dance: II: The Grand Garland Dance-Slingsby, Sga Hidou

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Deserter

Cast
Role: Soldiers Actor: Legg, Kear, Griffith, Carpenter

Dance: II: The Merry Peasants, as17751018

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Deserter

Cast
Role: Soldiers Actor: Legg, Kear, Griffith, Carpenter

Dance: IV: The Irish Fair, as17751003

Performances

Mainpiece Title: The Resurrection

Music: Hautboy-Simpson; First Violin with a Concerto-Barthelemon

Event Comment: A New Comic Opera of Two Acts written by Mr Bate--Much hissing and Crying out no more no more!--Mr Reddish was desired to give out the Play as soon as Matilda was over--but he with his usual politeness ran up and undress'd himself as fast as he could so that the play was not given out till the End of the Farce as soon as the Blackamoor was given out for the next Night they kept a great Noise and call'd for another Farce to be given out--at length they began to be more appeas'd and went away vowing Vengeance on it the next Night (Hopkins Diary). The Overture and Music of the afterpiece entirely New. Books of the Songs &c. to be had at the Theatre. New Scenes, Dresses, &c. [This is Larpent MS 400. Sir Oliver Oddfish distrusts his servants and is about to replace them with blacks, giving his nephew the chance to introduce Frederick , his daughter Julia 's lover, in disguise as a blackamoor, and to effect an elopement. Act I criticizes Londoners and concludes with the comment, "O that I should ever live to see the day when white Englishmen must give place to foreign blacks." MacMillan's note from Kemble differs slightly.] Paid the late Mr Johnston's bill to his executors #44 18s. 6d. (Treasurer's Book). [Afterpiece reviewed in three columns in the Westminster Magazine for Feb. Reviewer thought it had been produced well in all departments, music, scenery, costume, and acting, but concluded it a theatrical trifle giving not much credit to its author.] Receipts: #166 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Blackamoor Wash'd White

Performance Comment: Parts by King, Parsons, Davies, Burton, Legg, Kear, Cubitt, Fawcett, Carpenter, Garland, Vernon, Mrs Siddons, Mrs Bradshaw, and Mrs Wrighten. Jerry-King; Sir Oliver Oddfish-Parsons; Grenville-Davies; Robert-Burton; Frederick-Vernon; Julia-Mrs Siddons; Dame Dowset-Mrs Bradshaw; Lady Oddfish-Mrs Wrightn; Servants-Legg, Kear, Cubitt, Carpenter, Garland (Genest, V, 488).
Cast
Role: Servants Actor: Legg, Kear, Cubitt, Carpenter, Garland
Event Comment: By Authority of the Lord Chamberlain. Benefit for Walker. Afterpiece [1st time; F 2]: by a Gentleman from Edinburgh [unidentified. Larpent MS 433; not published. Authors of Prologues unknown. Mrs Moss is identified on playbill of 22 Apr. 1777]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:00. Tickets to be had of Walker, No. 4, New Round-court, Strand; of McIntosh, the King's Head, near Marybone-street; at the St. Andrew, Wapping; at the Mount-street Coffee-house, Grosvenor-square

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: The Prejudice of Fashion

Song: End: The Birks of Invermay-the Lady who performs Peggy

Performances

Mainpiece Title: The Nabob

Afterpiece Title: Lilliput