SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Nevil Pain"/1) | (@(roleclean,performerclean) "Mr Nevil Pain")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4243 matches on Event Comments, 1152 matches on Performance Comments, 535 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Sir Harry Wildair

Afterpiece Title: Hymen's Triumph; or, Trick Upon Trick

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Lethe; or, Esop in the Shades

Dance: II: La Matelote-Desnoyer, Mlle Chateauneuf; III: Muilment; V: Le Tambourine-Mlle Chateauneuf

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Parting Lovers

Dance: I: Peasants-the French Boy and Girl; II: Comic Ballet-Villeneuve, Miss Oates; III: Swiss Dance-French Boy and Girl; IV: Grecian Sailors-Glover; V: Hippisley's Drunken Man-

Performances

Mainpiece Title: The Old Batchelor

Dance: Mechel, Mlle Mechel

Performances

Mainpiece Title: Rehearsal

Dance: I: Ballet, as17411015; II: Sailor's Dance, as17411015; III: The Drunken Peasant, as17411029; IV: A Dutch Dance, as17411114; V: The Swiss, as17410926

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The School Boy

Song: Concert Air from Alexander's Feast: War he sung is Toil and Trouble-Mrs Bishop; III: Can Love be controul'd by Advice-Miss Medina

Music: V: Preamble on the Kettle Drums-Jo. Woodbridge; who never perform'd on that Stage before ending with Handel's celebrated Water Musick-; And to conclude: the Concert, the Coronation Anthem Long Live the King (never perform'd there before) by Mr Handel-an Additional Band

Dance: I: David apShenkin; II: Welsh Buffoon, as17420406 IV: Two Millers and Courtezan, as17420315 End I Afterpiece: New Scots Dance-Master and Miss Granier

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Virgin Unmasked

Dance: I: Comic Ballet, as17421203; III: Welsh Boufon, as17421203; IV: Comic Ballet, as17421203; II: La Sabotier-M LaPierre

Ballet: The facetious Grand Dance by the whole Company. Thunder, Lightning, Players, Soldiers, Bishops, Judges, Lord@Mayor, Serjeants at Arms-the Comedians; With the Total Eclipse of the Sun and Moon-; Sol-Hemskirk; Luna-Stitchbury; Orbis-Worldly; Also a Representation of a Grand Theatrical Battle-; Mr Bayes' New Rais'd Troops-

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Mock Doctor

Dance: Two Masters Granier, Miss Granier; Hornpipe-Williams

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Virgin Unmasked

Performances

Mainpiece Title: The Foundling

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Genii

Performances

Mainpiece Title: The Fatal Curiosity

Afterpiece Title: The Tragedy of Tragedies

Dance: A Hornpipe-Mrs Walker

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lottery

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: An Impromptu Faragolio

Afterpiece Title: Harlequin's Frolic

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Performances

Mainpiece Title: The Orators

Afterpiece Title: Taste

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The Old Maid

Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Miss in Her Teens

Dance: V: Comic Dance, as17710921

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The What D'ye Call It

Dance: II: A Hornpipe-aYoung Gentlewoman, 1st appearance; V: The Sailors Revels, as17711008

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Wishes

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Flitch of Bacon

Cast
Role: Putty Actor: Painter

Dance: End of Act II of mainpiece The Poney Races by Harris, Miss Matthews, and others; In Act III, as17830422

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Poor Soldier

Dance: End: The Wapping Landlady-[see17870131]